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FRENCH STRUCTURALISM
Introduction
      Structuralism is an intellectual movement which
  began in France in the 1950s and is first seen in the work
  of the anthropologist Claude Levi-Strauss (1908— 2009)
  and the literary critic Roland Barthes (1915-1980).
      Structralists believe that things cannot be
  understood in isolation - they have to be seen in the
  context of the larger structures they are part of.
  Elements of culture must be understood in terms of
  their relationship to a larger system or "structure.”
      Structuralism is found in all areas of thought and
  study. The structuralist mode of reasoning has been
  applied in a diverse range of fields, including
  anthropology,        sociology,    psychology,       literary
  criticism, and architecture.             Structuralism is
       interdisciplinary.
Roots of Structuralism
  Ferdinand de Saussure (1857-1913)
     Saussure revolutionized the study of language. Nineteenth-
century linguistics is mainly interested in the history of language
and the origin of individual words. Instead of the usual
historical, diachronic approach – following language through
time – he opted for an ahistorical one. The important thing for
him was how does language work?
      Saussure is also different from what grammarians – the
other type of linguist around in Saussure’s time – used to do.
Grammarians wanted to describe the underlying grammatical
rules that we follow when we talk or write. So they analysed
instances of language use – our individual utterances, which
Saussure called paroles (plural) – to get at those rules. But
Saussure is interested in how language as such works – in what
he called langue – and not in the grammatical system of this or
that language.
   Language is a system of signs.
   Those signs are arbitrary and are maintained
    only by convention. There is no inherent
    connection between a sign and what it
    designates (the red color and stop).
   A word (sign) links a concept (signified) with a
    sound or image (signifier). The relationship
    between the signified and the signifier is
    arbitrary. The form of words is not determined
    by their relationship with what they refer to.
   Saussure traces the origin of the form of words
    (linguistic signs) to the principle of
    differentiation.
Structuralist literary criticism
      It is a type of literary criticism that derives from
  structuralism.
      Claude Lévi-Strauss, as a logical consequence of
  his work on myths, proposed a search for the
  underlying structure of all narratives in all forms of
  fiction, including biography and autobiography, travel
  literature, and so on.
      Structuralist critics argue for the possibility of
  analyzing literary texts systematically and
  scientifically.
      Structralists ignore biographical and historical
  consideration and stress the study of the text.
      A literary structuralist focuses on structures in
"literary" texts.
      Structuralist literary critics link a text with other
literary texts (with texts within the same collection, by
the same author, by the author’s contemporaries,
within the same genre, within the same time period).

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French structuralism

  • 2. Introduction  Structuralism is an intellectual movement which began in France in the 1950s and is first seen in the work of the anthropologist Claude Levi-Strauss (1908— 2009) and the literary critic Roland Barthes (1915-1980).  Structralists believe that things cannot be understood in isolation - they have to be seen in the context of the larger structures they are part of. Elements of culture must be understood in terms of their relationship to a larger system or "structure.”  Structuralism is found in all areas of thought and study. The structuralist mode of reasoning has been applied in a diverse range of fields, including anthropology, sociology, psychology, literary criticism, and architecture. Structuralism is interdisciplinary.
  • 3. Roots of Structuralism Ferdinand de Saussure (1857-1913) Saussure revolutionized the study of language. Nineteenth- century linguistics is mainly interested in the history of language and the origin of individual words. Instead of the usual historical, diachronic approach – following language through time – he opted for an ahistorical one. The important thing for him was how does language work? Saussure is also different from what grammarians – the other type of linguist around in Saussure’s time – used to do. Grammarians wanted to describe the underlying grammatical rules that we follow when we talk or write. So they analysed instances of language use – our individual utterances, which Saussure called paroles (plural) – to get at those rules. But Saussure is interested in how language as such works – in what he called langue – and not in the grammatical system of this or that language.
  • 4. Language is a system of signs.  Those signs are arbitrary and are maintained only by convention. There is no inherent connection between a sign and what it designates (the red color and stop).  A word (sign) links a concept (signified) with a sound or image (signifier). The relationship between the signified and the signifier is arbitrary. The form of words is not determined by their relationship with what they refer to.  Saussure traces the origin of the form of words (linguistic signs) to the principle of differentiation.
  • 5. Structuralist literary criticism  It is a type of literary criticism that derives from structuralism.  Claude Lévi-Strauss, as a logical consequence of his work on myths, proposed a search for the underlying structure of all narratives in all forms of fiction, including biography and autobiography, travel literature, and so on.  Structuralist critics argue for the possibility of analyzing literary texts systematically and scientifically.  Structralists ignore biographical and historical consideration and stress the study of the text.
  • 6. A literary structuralist focuses on structures in "literary" texts.  Structuralist literary critics link a text with other literary texts (with texts within the same collection, by the same author, by the author’s contemporaries, within the same genre, within the same time period).