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G322 June 2010
Examiner’s comments 97/100

Question 1 (47 marks)

This is a detailed, sustained and thorough response to the set question. The candidate is
clearly analytical and answers with confidence and depth. This is an integrated approach
to addressing the question, with interwoven analysis of the technical aspects of television
drama and how meaning is constructed in relation to the representation of gender. There
is excellent and correct use of media terminology (at times with the occasional error, such
as the reference to invisible rather than continuity editing). The candidate considers a full
range of representation of gender which is needed for a level 4 mark for explanation,
analysis and argument. This is reflected, for example, in the analysis of sound and gender,
which is matched in analysis with character types and the framing of gender identity. This
is a balanced response, which was not awarded full marks for explanation/ analysis and
argument because of small gaps that appear in the analysis of editing. There is a degree
of sophistication in analysis; it is a comprehensive analysis of the extract.

Question 2 (50 marks)

The area that the candidate has addressed is Music. The response begins with a
contextual introduction to Sony. This case study of Sony is sustained and developed using
contemporary exemplification to demonstrate the candidate’s knowledge and
understanding of the music industry, which is extensive from production to distribution and
audience consumption. This explanation, analysis and argument (AO1) is extended to
deal with the size and scale of the media conglomerate and considers horizontal
integration as a key concept within institutional practice.

The candidate then seamlessly progresses to consider independent music companies with
a case study of ‘Innit for the Money’. The degree of sophistication to the candidate’s
answer is embedded in the argument and exemplification of the development of the
company through synergy and media convergence, itself a consequential trend with digital
initiatives. This quality in the response clearly signposts the award of a level four mark for
both explanation, analysis and argument and the use of examples and further there is a
clear command and debate of key media concepts. To the extent that the candidate has a
full understanding of the nature of the music industry in address of the set question.

This is an excellent response – see in particular the latter part of the candidate’s response
in discussion of the global success of the company using digital initiatives and their
assessment of the music industry using independent and conglomerate companies. There
is good case study material within this answer offering a plethora of exemplification, for
example, the response concludes with a discussion on illegal downloading and the
implications of ‘copyright collectives’.

Total 97 marks
97 marks   section b music
97 marks   section b music
97 marks   section b music
97 marks   section b music

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97 marks section b music

  • 1. G322 June 2010 Examiner’s comments 97/100 Question 1 (47 marks) This is a detailed, sustained and thorough response to the set question. The candidate is clearly analytical and answers with confidence and depth. This is an integrated approach to addressing the question, with interwoven analysis of the technical aspects of television drama and how meaning is constructed in relation to the representation of gender. There is excellent and correct use of media terminology (at times with the occasional error, such as the reference to invisible rather than continuity editing). The candidate considers a full range of representation of gender which is needed for a level 4 mark for explanation, analysis and argument. This is reflected, for example, in the analysis of sound and gender, which is matched in analysis with character types and the framing of gender identity. This is a balanced response, which was not awarded full marks for explanation/ analysis and argument because of small gaps that appear in the analysis of editing. There is a degree of sophistication in analysis; it is a comprehensive analysis of the extract. Question 2 (50 marks) The area that the candidate has addressed is Music. The response begins with a contextual introduction to Sony. This case study of Sony is sustained and developed using contemporary exemplification to demonstrate the candidate’s knowledge and understanding of the music industry, which is extensive from production to distribution and audience consumption. This explanation, analysis and argument (AO1) is extended to deal with the size and scale of the media conglomerate and considers horizontal integration as a key concept within institutional practice. The candidate then seamlessly progresses to consider independent music companies with a case study of ‘Innit for the Money’. The degree of sophistication to the candidate’s answer is embedded in the argument and exemplification of the development of the company through synergy and media convergence, itself a consequential trend with digital initiatives. This quality in the response clearly signposts the award of a level four mark for both explanation, analysis and argument and the use of examples and further there is a clear command and debate of key media concepts. To the extent that the candidate has a full understanding of the nature of the music industry in address of the set question. This is an excellent response – see in particular the latter part of the candidate’s response in discussion of the global success of the company using digital initiatives and their assessment of the music industry using independent and conglomerate companies. There is good case study material within this answer offering a plethora of exemplification, for example, the response concludes with a discussion on illegal downloading and the implications of ‘copyright collectives’. Total 97 marks