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EN6010 Presentation

Women and their Texts in
 Early Modern England

             Megan Ryan
              107532695
            22 March 2012
Thus when shee had his eyes and sences fed
With false delights, and fild with plesaures vayn,
Into a shady dale she soft him led,
And laid him downe vpon a grassy playn;
And her sweete self without dread, or disdayn,
She sett beside, laying his head disarmd
In her loose lap, it softly to sustayn,
Where soone he slumbred, fearing not be harmd,
The whils with a loue lay thus him sweetly charmd.
  (FQ II.vi.14)
Acrasia, a false enchauntresse, [. . .]
 Within a wandring Island,
[. . .] her dwelling is;
[. . .] Lnow it by the name; it hight the Bowre of blis.
Her blis is all in pleasure and delight,
Wherewith she makes her louers dronken mad,
And then with words and weedes of wondrous might,
On them she workes her will to vses bad (FQ II.i.51-2)
The Tragedy of Mariam


           MARIAM. They can
            but my life destroy,
            My soul is free from
            adversary‟s power.
Swetnam & Speght
“they are vngratefull, periured, full of
  fraud, flouting and
  deceit, vnconstant, waspish, toyish, lig
  ht, sullen, proud, discurteous and
  cruell” (Swetnam)

“And neuer man hated his owne flesh
  (which the woman is) vnlesse a
  monster in nature.” (Speght)
Shakespeare‟s King John
BLANCHE. Which is the side I must go withal?
  I am with both, each army hath a hand,
  And in their rage, I having hold of both,
  They whirl asunder and dismember me
  [. . .]
  Whoever wins, on that side shall I lose,
  Assured loss before the match be played. (3.1.253-
  62)
Katherine Philips
“We court our own
  captivity,
Than thrones more
  great and innocent;
„Twere banishment to
  be set free,
Since we wear fetters
  whose intent
Not bondage is, but
  ornament.”
Thesis Proposals
Cary‟s Mariam and gender
representations

               ↓
Female authored texts, methods of
dissemination, and reception

               ↓
Cary‟s Mariam, closet drama, and
gender representations
“I know I have but the body of a weak and
feeble woman; but I have the heart of a king”
Selected Primary Sources
• Cary, E. The Tragedy of Mariam. 1613.
• Philips, K. Poems. 1678
• Shakespeare, W. King John. 1623.
• Speght, R. A Mouzell for Melastomus.
    1616.
• Spenser, E. The Faerie Queene. 1596
• Swetnam, J. The Arraignment of
    Women. 1615.
Selected Secondary Sources
•   Clarke, D. The Politics of Early Modern Women’s Writing. Harlow:
         Longman, 2001.
•   Ferguson, M. First Feminists. Indiana: Indiana UP, 1985.
•   Fisher, S. and Janet Halley. Seeking the Woman in Late Medieval
         and Renaissance Writings. Tennessee: U of Tennessee P,
         1989.
•   Fitzmaurice, J. Major Women Writers of Seventeenth-Century
         England. Michigan: U of Michigan P, 1997.
•   Richards, J. and Alison Thorne. Rhetoric, Women, and Politics in
         Early Modern England. London: Routledge, 2007.
•   Smith, B. and Ursula Appelt. Write or Be Written. Aldershot:
         Ashgate, 2001.
•   Travitsky, B. The Paradise of Women. Connecticut: Greenwood,
         1981.
•   Travitsky, B. and Anne Lake Prescott. Female and Male Voices in
         Early Modern England. New York: Columbia UP, 2000.

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Women and their Texts in Early Modern England

  • 1. EN6010 Presentation Women and their Texts in Early Modern England Megan Ryan 107532695 22 March 2012
  • 2. Thus when shee had his eyes and sences fed With false delights, and fild with plesaures vayn, Into a shady dale she soft him led, And laid him downe vpon a grassy playn; And her sweete self without dread, or disdayn, She sett beside, laying his head disarmd In her loose lap, it softly to sustayn, Where soone he slumbred, fearing not be harmd, The whils with a loue lay thus him sweetly charmd. (FQ II.vi.14)
  • 3. Acrasia, a false enchauntresse, [. . .] Within a wandring Island, [. . .] her dwelling is; [. . .] Lnow it by the name; it hight the Bowre of blis. Her blis is all in pleasure and delight, Wherewith she makes her louers dronken mad, And then with words and weedes of wondrous might, On them she workes her will to vses bad (FQ II.i.51-2)
  • 4. The Tragedy of Mariam MARIAM. They can but my life destroy, My soul is free from adversary‟s power.
  • 5. Swetnam & Speght “they are vngratefull, periured, full of fraud, flouting and deceit, vnconstant, waspish, toyish, lig ht, sullen, proud, discurteous and cruell” (Swetnam) “And neuer man hated his owne flesh (which the woman is) vnlesse a monster in nature.” (Speght)
  • 6. Shakespeare‟s King John BLANCHE. Which is the side I must go withal? I am with both, each army hath a hand, And in their rage, I having hold of both, They whirl asunder and dismember me [. . .] Whoever wins, on that side shall I lose, Assured loss before the match be played. (3.1.253- 62)
  • 7. Katherine Philips “We court our own captivity, Than thrones more great and innocent; „Twere banishment to be set free, Since we wear fetters whose intent Not bondage is, but ornament.”
  • 8. Thesis Proposals Cary‟s Mariam and gender representations ↓ Female authored texts, methods of dissemination, and reception ↓ Cary‟s Mariam, closet drama, and gender representations
  • 9. “I know I have but the body of a weak and feeble woman; but I have the heart of a king”
  • 10. Selected Primary Sources • Cary, E. The Tragedy of Mariam. 1613. • Philips, K. Poems. 1678 • Shakespeare, W. King John. 1623. • Speght, R. A Mouzell for Melastomus. 1616. • Spenser, E. The Faerie Queene. 1596 • Swetnam, J. The Arraignment of Women. 1615.
  • 11. Selected Secondary Sources • Clarke, D. The Politics of Early Modern Women’s Writing. Harlow: Longman, 2001. • Ferguson, M. First Feminists. Indiana: Indiana UP, 1985. • Fisher, S. and Janet Halley. Seeking the Woman in Late Medieval and Renaissance Writings. Tennessee: U of Tennessee P, 1989. • Fitzmaurice, J. Major Women Writers of Seventeenth-Century England. Michigan: U of Michigan P, 1997. • Richards, J. and Alison Thorne. Rhetoric, Women, and Politics in Early Modern England. London: Routledge, 2007. • Smith, B. and Ursula Appelt. Write or Be Written. Aldershot: Ashgate, 2001. • Travitsky, B. The Paradise of Women. Connecticut: Greenwood, 1981. • Travitsky, B. and Anne Lake Prescott. Female and Male Voices in Early Modern England. New York: Columbia UP, 2000.