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HOLY ,[object Object],SONNET ,[object Object],XII,[object Object],JOHN DONNE,[object Object],MARIE SINGLETON,[object Object],SECTION L3,[object Object]
Sonnet Annotation Lines 1-3,[object Object],Why are we by all creatures waited on?,[object Object],Begins with a question. Presents the mood and theme for the sonnet.,[object Object],Why do the prodigal elements supply,[object Object],Prodigal elements – animals in nature,[object Object],Life and food to me, being more pure than I,,[object Object],Author is curious as to why humans were picked to be superior, considering their sinful nature,[object Object]
Sonnet Annotation 4-6,[object Object],Simpler, and further from corruption?,[object Object],Questioning why animals are not put above humans, as they are “simpler, and further from corruption”,[object Object],Why brook'st thou, ignorant horse, subjection?,[object Object],Questions why we subject horses (and in essence, all creautres) to our will.,[object Object],Why dost thou, bull, and bore so seelily,,[object Object],Again, questions other animals as to their subjection.,[object Object]
Sonnet Annotation 7-9,[object Object],Dissemble weakness, and by one man's stroke die,,[object Object],Asserts man’s dominance over creatures by exhibiting the ability to kill easily,[object Object],Whose whole kind you might swallow and feed upon?,[object Object],Questions why animals do not dominate humans because of their ingrown nature to kill and feed upon others. Most animals are larger and therefore should dominate humans.,[object Object],Weaker I am, woe is me, and worse than you,,[object Object],Author states that humans are, in fact, weaker than animals.,[object Object]
Sonnet Annotation 10-12,[object Object],You have not sinned, nor need be timorous.,[object Object],States the pure nature of animals who have never committed or had the chance to commit sins.,[object Object],But wonder at a greater wonder, for to us,[object Object],Asks the creatures to ponder upon the one who made us (God).,[object Object],Created nature doth these things subdue,[object Object],Asserts that God made the creatures and therefore, chose the ones to subdue to humans.,[object Object]
Sonnet Annotation 13-14,[object Object],But their Creator, whom sin nor nature tied,,[object Object],Believes God has no correlation to sin or nature, but is rather a distant, unconnected power.,[object Object],For us, His creatures, and His foes, hath died.,[object Object],Asserts that creatures, animals and humans alike, and those tempted by the Devil have been saved because God sent his son, Jesus to save all.,[object Object]
SOUND RECORDING,[object Object],(Click on the speakerphone.),[object Object],This sound recording by David Barnes allows listeners to distinguish pauses and stops as John Donne intended them.,[object Object],Think about the meter. ,[object Object],Think about the rhyme scheme.,[object Object],How is this different from other poems you have heard?,[object Object],Barnes, David. Holy Sonnet XII. By John Donne. Librivox. Audio download. Date uploaded: October 07, 2007. Date accessed: March 02, 2010. http://librivox.org/holy-sonnets-by-john-donne/,[object Object]
“He [Donne] marvels that the Creator of all creatures died for humans, the most corrupt of his creations.”,[object Object],This one line summation of the sonnet tells the reader almost all he or she would need to know. The sonnet is, in fact, about Donne’s awe that Jesus Christ died for such a corrupt and deceitful group of creatures when other creations are more worthy of his love and sacrifice. ,[object Object],Bromberg, Howard. “Holy Sonnets.” Masterplots II: Christian Literature. Pasadena, California: Salem Press Inc. 2008. Accessed online: March 02, 2010. http://search.ebscohost.com/login.aspx?direct=true&db=lfh&AN=MOL9830002025&site=lrc-live. ,[object Object]
Ezekiel 18:4.,[object Object],“Behold, all souls are mine; as the soul of the father, so also the soul of the son is mine: the soul that sinneth, it shall die.”,[object Object],In this quote from Ezekiel comes the idea that all who sin will die. This begs the questio – what becomes of animals after their death? They do not sin, as stated in Holy Sonnet 12, so do they experience the same afterlife as humans? Are animals more worthy of salvation and a pleasant afterlife than humans who sin? If so, then why did God send his Son to save humans? Is it so they can experience this same afterlife?,[object Object], Holy Bible. King James Edition.,[object Object]
The Algebra of Holy Sonnet 12.,[object Object],States that this sonnet holds nothing to be called “figurative”; rather, a straightforward sonnet,[object Object],Believes the first lines are a comparison of the three terms : Elements, Animals, Man,[object Object],States that it is “simple algebra” as to hierarchy,[object Object],Elements, Animals > Man; yet,,[object Object],Man > Elements, Animals,[object Object],Line 12 adds Created Nature to list bringing the hierarchy to,[object Object],Created Nature > Elements and Animals > Man,[object Object],By introducing a fifth term – God – to the mix, the hierarchy is yet again changed. God is higher than the highest, yet lower than the lowest.,[object Object],God > Created Nature > Elements and Animals > Man > God,[object Object],God created all and is superior, yet a servant, to all,[object Object],Fenner, Arthur. "Donne's 'Holy Sonnet XII'." Explicator 40.4 (1982): 14-15. MLA International Bibliography. EBSCO. Web. 2 Mar. 2010.,[object Object]
Original sin.,[object Object],It should be duly noted that many of Donne’s sonnets explore the theme of Original Sin. In this annotation, we will look at a sonnet closely related to Holy Sonnet XII.,[object Object],“It is because of this conviction of man’s unworthiness that the Holy Sonnets are so concerned with Original Sin.”,[object Object],“The final mystery of our salvation, the poet agrees, lies in the tremendous act of a “Creator, whom sin, nor nature tyed,” but who made of himself a blood sacrifice “for us, his Creatures, and his foes.” (Holy Sonnet XIII).,[object Object],This article explores how Donne uses Original Sin in his Holy Sonnets. In Holy Sonnet XII, Donne is perplexed as to how a race as sinful and corrupt as humans, can be dominant over pure and simple animals. This idea so perplexed Donne that it is explored throughout his series of Holy Sonnets and yet, never quite solved. It is something to be accepted and something to live with, not something that Donne has the power to change or the mental capacity to understand.,[object Object],Augustinian Spirituality and the Holy Sonnets of John DonnePatrickGrantELH, Vol. 38, No. 4 (Dec., 1971), pp. 542-561Published by: The Johns Hopkins University PressStable URL: http://www.jstor.org/stable/2872265,[object Object]
Pity for the Animals.,[object Object],Yetanother theme in Holy Sonnet XII is that of pity for the animals. Renaker takes Holy Sonnet IX:,[object Object],If poysonousmineralls, and if that tree,,[object Object],Whose fruit threw death on else immortall us,,[object Object],If lecherous goats, if serpents envious,[object Object],Cannot be damn'd; Alas; why should I bee?,[object Object],Why should intent or reason, borne in mee,,[object Object],Make sinnes, else equall, in mee, more heinous?,[object Object],And mercy being easie, and glorious,[object Object],To God, in his sterne wrath, why threatens hee?,[object Object],But who am I, that dare dispute with thee,[object Object],?O God,Oh!ofthine only worthy blood,,[object Object],And my teares, make a heavenly Lethean flood,,[object Object],And drowne in it my sinnesblackememorie.,[object Object],That thou remember them,someclaime as debt,,[object Object],I thinke it mercy, if thou wilt forget.,[object Object]
Pity for the Animals (cont.),[object Object],In the previous sonnet, Donne exhibits an anger and almost hatred toward animals for not being “damned” as he is. Animals who do not have to experience sin are considered “better off.”,[object Object],However, by Holy Sonnet XII, this hatred and anger becomes “concession and pity at their inability to the Incarnation.”,[object Object],Renaker, David. "Do Donne's Holy Sonnets Tell a Story?" The Atheist Seventeenth Century Website. N.p., 2002-2004. Web. 4 Mar. 2010. ,[object Object]
Punctuation. Matters.,[object Object],“Do you think that the punctuation of the last line of this sonnet is merely an insignificant detail? The sonnet begins with a valiant struggle with death calling on all the forces of intellect and drama to vanquish the enemy. But it is ultimately about overcoming the seemingly insuperable barriers separating life, death and eternal life.”,[object Object],This quote serves to signify the importance of Donne’s punctuation in his sonnets. In Holy Sonnet XII, Donne uses semi-colons to separate his thoughts, yet keep them connected and organized. There are no exclamation marks – no hysterical emotion, but a tone of resignation and wonder. ,[object Object],His language may be hard to follow for the modern analyzer :,[object Object],Seelily - sillily,[object Object],Margaret Edson, Wit: A Play. Faber & Faber. (1999) ISBN: 10-0571198775,[object Object]
No Drama.,[object Object],Compares Sonnets IV, XI, XII, XIII, XV, XVI.,[object Object],All lack dramatic impact.,[object Object],“Without that sense of crisis and disorder which is central to the other poems, there is a loss of immediacy. We might also feel that, while never complacent, the sonnets of this last gtoup [group] reflect more a crisis lived through and overcome than a crisis presently experienced in the act of writing. They are essentially contemplative in nature and their starting point is an image, a question or a stated truth which is posited in the first part of the poem and elaborated or answered in the second.”,[object Object],“There is an "audience" as present as in the secular poems. It might consist of listening Soul, it might even be bull, boar, and ignorant horse, as in XII, but the effect is constant: the speaker can answer, demonstrate and resolve as he could not when lacking both audience and authority.”,[object Object],Bellette, Anthony F. "Little Worlds Made Cunningly: Significant Form in Donne's 'Holy Sonnets' and 'Goodfriday, 1613'". Studies in Philology, Vol. 72, No. 3. University of North Carolina Press: 1975. 322-347.,[object Object]

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