Compiled and written by Karin Eaton, Executive Director, Mural Routes, and presented at 12th National Mural Symposium, Canada, in October 2009. A overview of the contemporary usage of mural and wall art, as submitted by the international mural art community and members of Mural Routes.
1. THE BIG PICTURE
Current Trends in Wall Art
Presented by Karin Eaton
Executive Director Mural Routes
Changing the Landscape:
12th
National Mural Symposium
October 17th
, 2009
Midland, Ontario
2. In the beginning….
Over the past many centuries
muralists have left their mark as
chroniclers, visual storytellers,
messengers of the times in which
they live.
4. Observations:
TRENDS IN MURAL MAKING
You can trace the changes in mural trends from the
glorification and beautification of churches, palaces and
other institutions, through expressions of protest and
social upheaval to an era of commercialism,
expressions of culture and heritage to a time of more
freedom of expression and styles.
Follow the money, follow the passion
Major Movers in setting current trends in mural making
Judy Baca – Social Planning & Resource Council (SPARC) Los Angeles, CA
Karl Schutz – Chemainus Festival of Murals & Global Mural Conference
Jane Golden – Mural Art Program, Philadelphia
5. Glorification & Beautification
Public Art Commissions
Decorative murals
Advertising
Urban Renewal
Community Engagement
Celebrating Heritage
Cultural Expression
Tourism & Economic Development
Youth employment and education
Social messaging
Memorials
Marking Territory
Random acts of wall art
TRENDS IN MURAL MAKING
ALL MURALS
Tell a Story
Change the Landscape
Create a Sense of Place
14. Public Commissions
Often sponsored by
institutions or government
agencies.
Also funded as percent for
art projects or by private
patrons of the arts.
Kids Play, Bill Wrigley, 2006 – Toronto, Canada
15. Private Commissions
Meditation, in memory of Arthur &
Helen Joynt
Artist: Carol Knowlton Dority
Westminister United Church,
Whitby, Ontario, Canada, 2009
16. Political Murals
In the mid-20th
Century, protest and political murals made a big impact on
both the movements that they represented and on mural making of the
time.
Mexico, Northern Ireland and the Berlin Wall all had examples of this type
of mural art. Much of this has disappeared. But the influences remain.
Greeting to Taniperla reproduction, in Toronto, of
a mural destroyed in Chiapas, Mexico 1998
The mural has also been
painted in Barcelona, Madrid
and Bilbao, Spain; Florence,
Italy; Mexico City, Mexico;
Oakland, California; San
Francisco, California.
20. SPARC’s first public art project and its true signature piece, the Great Wall is a
landmark pictorial representation of the history of ethnic peoples of California
from prehistoric times to the 1950’s, conceived by SPARC’S artistic director and
founder Judith F. Baca.
Begun in 1974 and completed over five summers, the Great Wall employed over
400 youth and their families from diverse social and economic backgrounds
working with artists, oral historians, ethnologists, scholars, and hundreds of
community members.
The Great Wall of Los Angeles is one of LA’s true cultural
landmarks and one of the country’s most respected and largest
monuments to inter-racial harmony.
Social messages
21. Social messages
To Cause to Remember, Johanna Poethig -
homeless shelter in San Francisco, CA 1990
22. The goal is to create 30 murals, in
the Greater Toronto Area (GTA),
that depict each of the 30 human
rights Articles in the UDHR. To help
commemorate this milestone
anniversary in the international fight
for human rights, community groups
and artists are collaborating with
Amnesty International on this
powerful citywide project.
Project: Urban Canvas
Initiated by Amnesty
International Toronto in 2008
Article # 26, UDHR
YOUTHLINK Toronto, ON, 2008.
Social Messages
23. Heritage Murals
This movement started in Chemainus BC, Canada in the mid-1980’s and spread to
small communities across North America, New Zealand, Australia and the UK. They
are often associated with tourism and economic development.
Native Heritage, Paul Ygartua – Chemainus Festival of Murals, BC 1983
52. Urban Renewal / Community Engagement
Philadelphia Muses, Meg Saligman Mural Arts
Program, Philadelphia, 1999
53. Urban Renewal / Community Engagement
Behold the Open Door, John Laidacker & Re-entry workers –
Mural Arts Program in collaboration with Philadelphia Prison
System, Philadelphia, 2008
54. Urban Renewal / Community Engagement
Holding Grandmother’s Quilt
Donald Gensler – Mural Arts Program,
Philadelphia, 2004
55. Random Acts of Wall Art
Keith Haring, Subway Art, New York
58. Random Acts of Wall Art
Tusk, Queen/Portland Alley, Toronto
59. Random Acts of Wall Art
Trace was painted by
Mat Hand as a gift to
Toronto when he was
staying there prior, to
being the keynote
speaker at the 12th
National Mural
Symposium.
The mural depicts
Cathy, a former
Torontonian now
living in Berlin, where
the artist resides.
Trace - Mat Hand, 2009
60. Current Trend - Materials and Methods
Fresco
Paint
Plywood panels
Aluminium
Vinyl
Canvas
Non-woven media
Mosaic
Mixed media
Video / illumination
Walls – also ceilings and floors
Utility boxes
Street furniture
Vehicles
62. THE BIG PICTURE
Current Trends in Wall Art
Presented by Karin Eaton
Executive Director Mural Routes
Mural Routes gratefully acknowledges the support of:
Ontario Trillium Foundation
Toronto Arts Council
Ontario Arts Council
City of Toronto
and the hard work of the volunteers and groups that
help to achieve its goals.
Working together to enhance communities through mural art