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Collaborative mobile annotation for the exhibition    Traces du Sacré Vincent Puig IRI / Centre Pompidou [email_address]
Outline <ul><li>Instruments for the amateur </li></ul><ul><li>Traces du sacré </li></ul><ul><li>Technical setup </li></ul>...
Interactor / contributor / amateur SFMOMA, November, 2008-February, 2009
Interactor / contributor / amateur You (SER), ZKM,  until August 2009
Interactor / contributor / amateur
Interactor / contributor / amateur Enthusiasts,  (White Chapel, April 2005/January 2006)
The Amateur <ul><li>Ability to perform judgment, critics, comments (attraction for annotation technologies, tagging) </li>...
1 - Instruments of the amateur Shift Space
1 - Instruments of the amateur VoiceThread
Lignes de temps
Signed views
Experimentation on NHK archives
Experimentation on Showa archives, Kawasaki City Museum (Keio/DMC, Pr Junko Iwabuchi)  Structure variations : from B&W to ...
2 - Traces du sacré exhibition context Centre pompidou (April-August 2008)
2 - Traces du sacré exhibition context Yong Ping Nitsch Oulab
2 - Traces du sacré exhibition context <ul><li>Sacred/spiritual dimension as a key contribution to modern and contemporary...
3 - Technical setup: three ways to contribute
 
Vocal comments
Drawings
 
Polymorph Search engine based on pre-tagged content
Tag-based navigation over A/V (video books)
 
 
Building “my visit” (Lignes de temps and podcasts)
Collaborative platform
4 -Usage study <ul><li>Cécilia Jauniau, Master 2 Information & communication, University Paris 13 </li></ul><ul><li>Hypoth...
Figures and methodology <ul><li>26 interviews in the exhibition and on the phone for the Web site </li></ul><ul><li>Equal ...
General feedback <ul><ul><li>Perceived positively by all (for different reasons), </li></ul></ul><ul><ul><li>Poor polemica...
Amateurs feedback <ul><ul><li>High interest of amateurs for collective comments (open microphones, talking room, …), </li>...
Non-amateurs feedback <ul><ul><li>Request for comments on art works not only on topics, (Risk to lose access to shared dat...
Video comment after the projection Dialogue through Lignes de temps synchronized with films or conferences ( Hypervideo bl...
5.2 - Semantic compass
5.3 - THD project : Live Annotation
Air Tagging :  http://tonchidot.com/Sekai_Camera.html
Traces of interaction LIRIS, Alain Mille/Yannick Prié
Multi-touch table experiment
Surface Search engine Gesture grammar Tagging/annotation Using gesture Collaborative : search, annotation, sharing Signed ...
A last issue : Desire <ul><li>Recover distance with content </li></ul><ul><li>Dialogue vs  social link </li></ul><ul><li>B...
Further information <ul><li>http://web.iri.centrepompidou.fr/traces </li></ul><ul><li>http://www.iri.centrepompidou.fr </l...
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Collaborative annotation system using vocal comments recorded on mobile phones and audioguides: the Centre Pompidou exhibition

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A Presentation from Museums and the Web 2009.

Vincent Puig, Centre Pompidou, France
Yves-Marie L'Hour, Centre Pompidou, France
Yves-Marie Haussone, Centre Pompidou, France
Cécilia Jauniau, Centre Pompidou, France
http://web.iri.centrepompidou.fr/traces

To enrich the exhibition Traces du sacré (Centre Pompidou, May 7th - August 11th 2008), a new multimedia system has been experimented first to manage contradiction and debate on a controversial theme related to the spiritual dimension in modern and contemporary art. The debate was launched through audio interviews from the curators and a few contradictors from the intellectual and artistic scene accessible both on the audioguide and on a new type of collaborative web site. In the exhibition, visitors were able to record their own comments (vocal and drawings), using the multimedia guide or their mobile phone and afterwards to access them on Internet, modifying, annotating and indexing them, thanks to the software Lignes de temps, before sharing, publishing or podcasting them.

This paper is a case study report summarizing a 6 months qualitative study performed with different type of public (professional, amateurs, non-amateurs) and consequently different type of practices and expectations in an unstable and experimental situation.

Session: User Feedback / User Content [social media]

Publicado en: Tecnología, Empresariales
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Collaborative annotation system using vocal comments recorded on mobile phones and audioguides: the Centre Pompidou exhibition

  1. 1. Collaborative mobile annotation for the exhibition Traces du Sacré Vincent Puig IRI / Centre Pompidou [email_address]
  2. 2. Outline <ul><li>Instruments for the amateur </li></ul><ul><li>Traces du sacré </li></ul><ul><li>Technical setup </li></ul><ul><li>Usage study </li></ul><ul><li>Future perspectives </li></ul>
  3. 3. Interactor / contributor / amateur SFMOMA, November, 2008-February, 2009
  4. 4. Interactor / contributor / amateur You (SER), ZKM, until August 2009
  5. 5. Interactor / contributor / amateur
  6. 6. Interactor / contributor / amateur Enthusiasts, (White Chapel, April 2005/January 2006)
  7. 7. The Amateur <ul><li>Ability to perform judgment, critics, comments (attraction for annotation technologies, tagging) </li></ul><ul><li>Long tail practice for reading / writing (deep attention vs. hyper attention) </li></ul><ul><li>Intensive production and exchange of metadata enriching content (collaborative technologies) </li></ul><ul><li>Sensitive/instrumental practices (“electronic pen”, up-stream, communication objects, multimodal interfaces). </li></ul><ul><li>What I have not drawn, I have never really understood - Goethe. </li></ul>
  8. 8. 1 - Instruments of the amateur Shift Space
  9. 9. 1 - Instruments of the amateur VoiceThread
  10. 10. Lignes de temps
  11. 11. Signed views
  12. 12. Experimentation on NHK archives
  13. 13. Experimentation on Showa archives, Kawasaki City Museum (Keio/DMC, Pr Junko Iwabuchi) Structure variations : from B&W to color
  14. 14. 2 - Traces du sacré exhibition context Centre pompidou (April-August 2008)
  15. 15. 2 - Traces du sacré exhibition context Yong Ping Nitsch Oulab
  16. 16. 2 - Traces du sacré exhibition context <ul><li>Sacred/spiritual dimension as a key contribution to modern and contemporary art (Jean de Loisy) </li></ul><ul><li>Anticipate strong opposition and open (control ?) the debate (combine top-down and bottom up) </li></ul><ul><li>Starting point : support from Jean de Loisy, recording of a polemical tour (1 hour) in video as the reference timeline (30 topics/rooms) </li></ul><ul><li>Recording of counterpoints : Michel Deguy, Marcel Gauchet, Jacqueline Lichtenstein, Barbara Cassin, Paul Ardenne, Youssef Ishaghpour </li></ul><ul><li>Excerpts (1-2 minutes) used in the audioguide, collaboration IRI/DAEP/Antenna Audio </li></ul>
  17. 17. 3 - Technical setup: three ways to contribute
  18. 19. Vocal comments
  19. 20. Drawings
  20. 22. Polymorph Search engine based on pre-tagged content
  21. 23. Tag-based navigation over A/V (video books)
  22. 26. Building “my visit” (Lignes de temps and podcasts)
  23. 27. Collaborative platform
  24. 28. 4 -Usage study <ul><li>Cécilia Jauniau, Master 2 Information & communication, University Paris 13 </li></ul><ul><li>Hypothesis on amateur behaviors (3 typologies : Proam, amateurs, non-amateurs) </li></ul><ul><li>Amateurs </li></ul><ul><ul><li>Take notes and drawings, read notices and catalogue, visit with friends, repeated visits reluctant to audioguide </li></ul></ul><ul><li>Non-amateurs </li></ul><ul><ul><li>Search emotions, interaction, mediation, pedagogy, souvenirs, audioguide, unfamiliar with audio recording tools (except mobiles) </li></ul></ul>
  25. 29. Figures and methodology <ul><li>26 interviews in the exhibition and on the phone for the Web site </li></ul><ul><li>Equal split between the three typologies </li></ul><ul><li>216 contributions on the Web site </li></ul><ul><li>10 contributions published </li></ul><ul><li>1 radio mix for France Culture </li></ul>
  26. 30. General feedback <ul><ul><li>Perceived positively by all (for different reasons), </li></ul></ul><ul><ul><li>Poor polemical activity, </li></ul></ul><ul><ul><li>Need to visualize this polemical activity in the exhibition, </li></ul></ul><ul><ul><li>Unable to record counterpoints on the spot, </li></ul></ul><ul><ul><li>Technical and cultural limitations to the use of recorders and phones, </li></ul></ul><ul><ul><li>Museum seen a quiet “sacred” place. </li></ul></ul>
  27. 31. Amateurs feedback <ul><ul><li>High interest of amateurs for collective comments (open microphones, talking room, …), </li></ul></ul><ul><ul><li>Against segmentation by public profile, </li></ul></ul><ul><ul><li>Request for segmentation by disciplines, </li></ul></ul><ul><ul><li>Possibility to ask questions to the counterpoints. </li></ul></ul>
  28. 32. Non-amateurs feedback <ul><ul><li>Request for comments on art works not only on topics, (Risk to lose access to shared data) </li></ul></ul><ul><ul><li>Request for simple Q & A like in guided visits, </li></ul></ul><ul><ul><li>Pedagogical and guided visits using the device, </li></ul></ul><ul><ul><li>Access to other visitors comments, </li></ul></ul><ul><ul><li>Scenarios and games would enhance contribution </li></ul></ul>
  29. 33. Video comment after the projection Dialogue through Lignes de temps synchronized with films or conferences ( Hypervideo blogging ) 5 – Extensions: Cine Lab, comments through video
  30. 34. 5.2 - Semantic compass
  31. 35. 5.3 - THD project : Live Annotation
  32. 36. Air Tagging : http://tonchidot.com/Sekai_Camera.html
  33. 37. Traces of interaction LIRIS, Alain Mille/Yannick Prié
  34. 38. Multi-touch table experiment
  35. 39. Surface Search engine Gesture grammar Tagging/annotation Using gesture Collaborative : search, annotation, sharing Signed views, installations, … Gesture Enactive Cine
  36. 40. A last issue : Desire <ul><li>Recover distance with content </li></ul><ul><li>Dialogue vs social link </li></ul><ul><li>Beyond calculability (Desirability) </li></ul><ul><li>Libidinal economy as a key factor of social interaction (desire, desire to be desired, how to provoke and sustain desire) </li></ul>
  37. 41. Further information <ul><li>http://web.iri.centrepompidou.fr/traces </li></ul><ul><li>http://www.iri.centrepompidou.fr </li></ul><ul><ul><li>Similar experience soon conducted at Le Louvre </li></ul></ul><ul><ul><li>http://www.musetrek.com </li></ul></ul><ul><li>[email_address] </li></ul>

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