MW2010: Slavko Milekic, Gaze-tracking and museums: current research and implications

•

1 like•1,592 views

museums and the web

A presentation from Museums and the Web 2010. Eye- and gaze-tracking has firmly established itself as a valuable tool for market and Web-design. However, until recently the technology was fairly exclusive and expensive. This paper will present current research on the topic, using economical, commercially available components (Web cams, open source software) for building applications that use eye- and gaze-tracking. Implications for museums are far reaching and include: (a) improvement of Museum Web site designs, (b) development of specific museum Web-based applications that will be sensitive to users’ intentions and preferences, (c) collecting data for museum studies, and (d) enhancing ‘knowledge dissemination’ via Web-based applications. The author of the paper was recently (Summer 2009) granted a US patent for an original way of interacting with a display using eye- and gaze-tracking. Session: Actionable Research [research] see: http://www.archimuse.com/mw2010/abstracts/prg_335002170.html

Technology Education

Slavko Milekic, M.D., PhD Professor of Cognitive Science and Digital Design University of the Arts Philadelphia, US Gaze-tracking and Museums: Current Research and Implications

7 minutes is a very short time…. so, I will speak very fast (and use my eyes)

Background: Over the years (with World Wide Web) we see the development of many user-activity monitoring channels that ultimately enhance user experience. Example:

Fact: Eye- and gaze-tracking has been used for years in Web site development and marketing: Example:

Google search engine:

[object Object],[object Object],[object Object],[object Object]

Proposal: Create inexpensive webcam-based eye-tracking software.

Outcome: Creation of a new channel of information exchange between the user and information provider. Relevance for museums (and museum Web sites):

[object Object],[object Object],[object Object],[object Object],[object Object]

and now you can see it…. (for 1-2 minutes) (We will also have a demonstration on Friday, 10-11:30 made possible with the support from the University of the Arts MID program, with Gareth Roberts & Matt Miller.)

More Related Content

Similar to MW2010: Slavko Milekic, Gaze-tracking and museums: current research and implications

The Archives Forum - The National Archives - 02 March 2011

The Archives Forum - The National Archives - 02 March 2011

The Archives Forum - The National Archives - 02 March 2011

David F. Flanders

Summer school bz_fp7research_20100708

Summer school bz_fp7research_20100708

Summer school bz_fp7research_20100708

Increasing NUS Libraries' Visibility in the Virtual World

Increasing NUS Libraries' Visibility in the Virtual World

Increasing NUS Libraries' Visibility in the Virtual World

Usability & User-Centred Design

Usability & User-Centred Design

Usability & User-Centred Design

TU Delft OpenCourseWare presentation

TU Delft OpenCourseWare presentation

TU Delft OpenCourseWare presentation

Willem van Valkenburg

Stellenbosch08social

Stellenbosch08social

Stellenbosch08social

Get cloudengine jisc-elluminate_wednesdays

Get cloudengine jisc-elluminate_wednesdays

Get cloudengine jisc-elluminate_wednesdays

Open University Learning Design Initiative

Semantic Web in the Plateau of Productivity

Semantic Web in the Plateau of Productivity

Semantic Web in the Plateau of Productivity

Ioannis Stavrakantonakis

Visual Navigation Project Outcomes - breakfast meeting - Part 1

Visual Navigation Project Outcomes - breakfast meeting - Part 1

Visual Navigation Project Outcomes - breakfast meeting - Part 1

Visual Navigation Project

The Horizon Report 2008 Presentation

The Horizon Report 2008 Presentation

The Horizon Report 2008 Presentation

‘Online exhibit tools: Google Cultural Institute vs Omeka and other open sour...

‘Online exhibit tools: Google Cultural Institute vs Omeka and other open sour...

‘Online exhibit tools: Google Cultural Institute vs Omeka and other open sour...

CONUL Conference

Online Exhibit Tools: Google Cultural Institute vs. Omeka and Other Open Sour...

Online Exhibit Tools: Google Cultural Institute vs. Omeka and Other Open Sour...

Online Exhibit Tools: Google Cultural Institute vs. Omeka and Other Open Sour...

Instructional technology, then, now, and in the future

Instructional technology, then, now, and in the future

Instructional technology, then, now, and in the future

Motaz_CV

The development of better library information systems will always remain the core business of any serious library organization, but a shift took place towards (freely) available web-based tools for creating and managing the information workflow. End-users are not only using these heavily, but are also creating their own preferred tools. Today's students are incorporating Web 2.0 skills in daily life, in their social and learning environments. Tomorrow's academic staff will expect to be able to use their preferred tools and resources within their work environment. Today's ánd tomorrow's libraries should support students and staff in the learning and research process by integrating their services and resources into our patrons' environments. This practical workshop will demonstrate the use of Web 2.0 technology to empower users and librarians. During a hands-on session, participants will work with these tools. They will develop tailor-made services via personal start page software like Netvibes, making use of RSS-feeds, Widgets and Browser extensions. We will explore the use of Netvibes and Web 2.0 tools in library staff and/or library user education/instruction. We will focus on library services which can be created almost on-the-fly with low costs and high impact. The growing use of social networks justifies the development of a library presence within these networks to reach out to our users. Paper, slides and recommended reading : http://www.tilburguniversity.nl/services/lis/ticer/08carte/recommendedreading.html#brekel

Power to the Users (and Librarians)

Power to the Users (and Librarians)

Power to the Users (and Librarians)

Guus van den Brekel

Ranking the Linked Data: the case of DBpedia - ICWE 2010

Ranking the Linked Data: the case of DBpedia - ICWE 2010

Ranking the Linked Data: the case of DBpedia - ICWE 2010

Adopting technology session

Adopting technology session

Adopting technology session

The Web, The User and the Library (and why to get in between)

The Web, The User and the Library (and why to get in between)

The Web, The User and the Library (and why to get in between)

Guus van den Brekel

Ai Library

The ICWE 2010 Demo Track aims at providing visibility and a discussion forum to companies, universities, and developers for presenting software tools and early researches related to the field of Web Engineering. The session includes submissions about commercial tools, prototypes, open source software, and ongoing development: CASE tools, performance evaluators, code generators, model-driven Web engineering tools, semantic Web enabling tools, usability and accessibility evaluation tools, data management tools for Web applications, and any other tool that fits within the ICWE 2010 topics of interest. The 2010 edition was chaired by Marco Brambilla and Sven Casteleyn and got 26 submissions and accepted a total of 13 (=50%).

ICWE 2010 Demonstration and Poster elevator pitch session

ICWE 2010 Demonstration and Poster elevator pitch session

ICWE 2010 Demonstration and Poster elevator pitch session

Marco Brambilla

Similar to MW2010: Slavko Milekic, Gaze-tracking and museums: current research and implications (20)

The Archives Forum - The National Archives - 02 March 2011

The Archives Forum - The National Archives - 02 March 2011

The Archives Forum - The National Archives - 02 March 2011

Summer school bz_fp7research_20100708

Summer school bz_fp7research_20100708

Summer school bz_fp7research_20100708

Increasing NUS Libraries' Visibility in the Virtual World

Increasing NUS Libraries' Visibility in the Virtual World

Increasing NUS Libraries' Visibility in the Virtual World

Usability & User-Centred Design

Usability & User-Centred Design

Usability & User-Centred Design

TU Delft OpenCourseWare presentation

TU Delft OpenCourseWare presentation

TU Delft OpenCourseWare presentation

Stellenbosch08social

Stellenbosch08social

Stellenbosch08social

Get cloudengine jisc-elluminate_wednesdays

Get cloudengine jisc-elluminate_wednesdays

Get cloudengine jisc-elluminate_wednesdays

Semantic Web in the Plateau of Productivity

Semantic Web in the Plateau of Productivity

Semantic Web in the Plateau of Productivity

Visual Navigation Project Outcomes - breakfast meeting - Part 1

Visual Navigation Project Outcomes - breakfast meeting - Part 1

Visual Navigation Project Outcomes - breakfast meeting - Part 1

The Horizon Report 2008 Presentation

The Horizon Report 2008 Presentation

The Horizon Report 2008 Presentation

‘Online exhibit tools: Google Cultural Institute vs Omeka and other open sour...

‘Online exhibit tools: Google Cultural Institute vs Omeka and other open sour...

‘Online exhibit tools: Google Cultural Institute vs Omeka and other open sour...

Online Exhibit Tools: Google Cultural Institute vs. Omeka and Other Open Sour...

Online Exhibit Tools: Google Cultural Institute vs. Omeka and Other Open Sour...

Online Exhibit Tools: Google Cultural Institute vs. Omeka and Other Open Sour...

Instructional technology, then, now, and in the future

Instructional technology, then, now, and in the future

Instructional technology, then, now, and in the future

Motaz_CV

Power to the Users (and Librarians)

Power to the Users (and Librarians)

Power to the Users (and Librarians)

Ranking the Linked Data: the case of DBpedia - ICWE 2010

Ranking the Linked Data: the case of DBpedia - ICWE 2010

Ranking the Linked Data: the case of DBpedia - ICWE 2010

Adopting technology session

Adopting technology session

Adopting technology session

The Web, The User and the Library (and why to get in between)

The Web, The User and the Library (and why to get in between)

The Web, The User and the Library (and why to get in between)

Ai Library

ICWE 2010 Demonstration and Poster elevator pitch session

ICWE 2010 Demonstration and Poster elevator pitch session

ICWE 2010 Demonstration and Poster elevator pitch session

More from museums and the web

How to Give an Accessible Presentation - Yue-Ting Siu

How to Give an Accessible Presentation - Yue-Ting Siu

How to Give an Accessible Presentation - Yue-Ting Siu

museums and the web

The recent proliferation of technologies and devices (including iPhone, iPad and alike) provides new perspectives for the use of multimedia applications for cultural heritage. Users are no more just sitting in front of their PC at home, but they also access multimedia information walking in the galleries or in archaeological parks, sitting in a cafeteria, driving a car, travelling on a train, etc. In addition, and most important, all the different devices and technologies are important, and institutions can’t anymore decide which are preferable for their users, who are free to choose according to their (permanent or temporary) needs. In relation to the above, this paper wants to raise two basic issues concerning: (1) effective authoring environments and (2) adaptation of content to different devices, technologies and situations of usage. The current generation of authoring environment is quite unsatisfactory. Many authoring tools are officially aimed at specific technologies for specific situations (for example, an iPhone in a gallery). Other tools are apparently aimed at multiple devices/technologies and multiple situations of usage, but they are actually biased towards a limited set of choices, especially as far as situations of usage are concerned (e.g. try to listen to a mobile guide for a gallery, while sitting at home) and their structure (information architecture) cannot be easily bended to fit new needs. a presentation from Museums and the Web 2011 (MW2011)

MW2011: N. Di Blas +, A “Smart” Authoring and Delivery Tool for Multichannel ...

MW2011: N. Di Blas +, A “Smart” Authoring and Delivery Tool for Multichannel ...

MW2011: N. Di Blas +, A “Smart” Authoring and Delivery Tool for Multichannel ...

museums and the web

Why, with the vast resources, and fundamental human subjects at our disposal, have museums failed to make more than a handful of really compelling games? Are we too wedded to the idea that games must be educational? Do we lack the in-house skills to make subject matter and game engines gel, or are we simply trying to enter an overcrowded marketplace with too few resources? Should we leave making games to the professionals? At Wellcome Collection, we are beginning the process of making games for our website that put compelling gameplay at the centre of the experience, building our subject matter and resources around that experience. Games have their own logics and structure, and there's no reason these should be subjugated to narrow educational aims any more than the physical layout of the museum should determine the information architecture of our websites. The playful and exploratory impulses that draw gamers towards great games are still largely untapped as a means of engagement. Using the mini-workshop format, we will present our progress to date and open up a discussion of other museums' experience, sharing our ideas and understanding of games. We will use simple exercises to look at matching our available resources (narratives, photography, object databases) to modes of gameplay, as well as investigating reusable game engines, game syndication, and building enthusiasm for games inside the organisation. A presentation from Museums and the Web 2011 (MW2011).

MW2011: D. Birchall + M. Henson, Gaming the museum

MW2011: D. Birchall + M. Henson, Gaming the museum

MW2011: D. Birchall + M. Henson, Gaming the museum

museums and the web

After the emergence of Web 2.0, online art museums have been evolving into participatory museums, in an attempt to increase the public’s participation through the utilization of social media. Among many types of social media, social tagging has been receiving widespread attention as a tool for reducing the semantic gap between curators and visitors, through the group knowledge obtained from the active participation of the public. In this circumstance, Gyeonggi Museum of Modern Art (GMOMA) embarked on an ongoing project with us to explore the potential of social tagging and applying it into museum management strategy. In the end of 2009, we built our own tag database based on the collections from GMOMA, and experiments were carried out by building a testbed on a website that was created to collect tags of 128 pieces of artworks. After collecting the tags, we evaluated the feasibility of social tagging systems through workshops with curators from GMOMA. From the workshop we found the potentials of social tagging systems in museums through interviews and discussions with the curators, and identified the improvements that could be made in order to apply it to actual museums. However, we discovered that while the number of tags increased, social tagging systems showed limitations in providing meaningful information and supporting semantic relationships between tags and museum collections. The causes are as follows: Lack of order, structure and depth in tags Linguistic issues Free forms of tags can cause ambiguity, chaos and noise Spam tagsFailure to show the semantic relationships between tags; only provides an alphabetical list Thus to achieve a participatory web and reflect the visitors’ semantic appreciation of museum collections, we conclude that the existing tagging systems should be supplemented. To improve the existing social tagging system and enhance the semantic appreciation in online art museum, our suggested solution is faceted tagging system which gives a guideline or schema to users when tagging the individual artworks. By collecting tags through the faceted tagging systems, we can automatically obtain a semantic structure and meaningful groups of tags. Before implementing the faceted tagging system and proving that it works, we had to make facets that cover the all the categories of art museum tags. We proceeded with card-sorting tests to extract and verify facets from the collected tag database. We retrieved six facets – “Background, Identification, Theme, Association, Emotion and Figure” – based on the semantic structure of tags, which were in a mess but now can be categorized into meaningful groups (facets). Finally, user-tests are scheduled in order to prove that applying the six facets into the faceted tagging system can help to bridge the semantic gap between curators and audiences. For the user-tests, the same 128 artworks from the first experiment will be used, and we will compare the tags collected from the user-tests with the tags from the first experiment. Then we plan to discuss the feasibility of faceted tagging systems and its results – which we call structured tags – through a workshop with the curators from GMOMA.

MW2011: G. Chae +, Can Social Tagging Be a Tool to Reduce the Semantic Gap be...

MW2011: G. Chae +, Can Social Tagging Be a Tool to Reduce the Semantic Gap be...

MW2011: G. Chae +, Can Social Tagging Be a Tool to Reduce the Semantic Gap be...

museums and the web

As museums continue to develop more sophisticated techniques for managing and analyzing cultural data, many are beginning to encounter challenges when trying to deal with the nuances of language and automated processing tools. How might user-generated comments be harvested and processed to determine the nature of the comment? Is it possible to use existing collection documentation to derive relations between similar objects? How can we train systems to automatically recognize (disambiguate) different meanings of the same word? Can automated language processing lead to more compelling browsing interfaces for online collections? Luckily, a good deal of expertise and tools exist within the field of computational linguistics that can be applied to these problems to achieve meaningful results. Informed by previous work in computational linguistics and relevant project experience, the authors will address a number of these questions providing insight about how answers to impact museum practice might be found. Authors will share tools and resources that museum software developers can use to prototype and experiment with these techniques - without being experts in language processing themselves. In addition, the authors will describe the work of the T3: Text, Tags, Trust research project and how they have applied these tools to a large shared dataset of object metadata and social tags collected by the Steve.museum project. Specific challenges regarding batch-processing tools and large datasets will be addressed. Best practices and algorithms will be shared for dealing with a number of sticky issues. Directions for future research and promising application areas will be also be discussed. A presentation from Museums and the Web 2011 (MW2011)

MW2011: Klavans, J. +, Computational Linguistics in Museums: Applications fo...

MW2011: Klavans, J. +, Computational Linguistics in Museums: Applications fo...

MW2011: Klavans, J. +, Computational Linguistics in Museums: Applications fo...

museums and the web

If the future is mobile, how is the museum community experiencing that future, what are their ambitions within it, and in which areas is further knowledge share required? It was specifically to gain an insight into questions such as these that the 2010 International Museums and Mobile survey was developed. This paper will present and analyse the responses of the 600+ museum professionals that participated in this research. The 2010 International Museums and Mobile Survey reached out to museum professionals internationally to share their perspectives and understanding of mobile interpretation at their institutions. Dividing respondents into four categories – those from institutions that already used mobile interpretation, those from institutions that were planning to use mobile interpretation tools, those from institutions that had no plans to use mobile interpretation tools, and those from vendors working in this field – the survey sought to gain an insight into the everyday realities of developing, delivering and sustaining mobile interpretation provisions in an institution. The survey questions related to the objectives of, and target audience for, an institution’s mobile interpretation experience; the challenges faced by institutions in planning and operating a mobile interpretation experience; and what strategies were used to measure the success of these experiences. Other questions probed the aspects of mobile interpretation in which individuals felt there were insufficient knowledge share, and also about what excited them most in this field. Over 600 museum professionals responded to the survey, sharing their views on the above questions. Responses were received from individuals working in institutions with a wide variety of backgrounds and profiles: institutions in over twenty countries are represented in the results; two thirds of all responses were from institutions that did not use mobile interpretation tools, and of which half were planning to in the twelve months, and half had no such plans. Whilst a quarter of responses came from within institutions that boast an annual attendance upwards of 250,000 visitors, more than half had annual attendance of under 50,000 visitors (and less than 1 staff member working in digital media). Drawing on this data source, this Paper will draw out the key trends that arise, and forward analysis on their context and implications for the community. It will explore opinions on issues ranging from whether mobile interpretation should be available at an additional cost to visitors, to how to define the target audience for a mobile interpretation tool (i.e. is it just “those that like audio guides”?). And from whether in five years time museums will still be required to provide a hardware platform to visitors for the mobile experience, to the obstacles those entering the field are facing today. Through this analysis, this paper aims to provide guidance to those museums entering this field for the first time, create awareness of those areas where further knowledge share is required (and hopefully identify those institutions best placed to provide such knowledge), and ultimately provide a valuable tool on which to further inform debates in this field. A presentation from Museums and the Web 2011 (MW2011).

MW2011: L. Tallon + I. Froes, Going Mobile? Insights into the museum communit...

MW2011: L. Tallon + I. Froes, Going Mobile? Insights into the museum communit...

MW2011: L. Tallon + I. Froes, Going Mobile? Insights into the museum communit...

museums and the web

This paper is a user evaluation of a mobile phone audio guide, developed for visitors to use at the National Gallery of Denmark. The audio guide is offered as a downloadable MP3 file at every incoming visitor who is carrying a mobile phone with an open bluetooth connection. The guide itself is structured through association, offering an experience more comparable to an audio documentary than a traditional guided tour. Instead of directing the visitor's focus of attention to selected points and objects provided by the museum as a producer, the sound collage relates indirectly to the objects of the exhibition, emphasizing visitors' agency and authorship. The paper reports on a number of strategies developed by visitors experiencing an unfamiliar guide structure. These strategies reflect a conflict between the initial expectation of guiding instructions and the freedom of making choices according to personal interest, and a conflict between the expectation of a learning experience rather than an aesthetic experience. The results indicate that most visitors are able to make sense of the guide and to use it successfully, in different ways, to enrich their visit. The evaluation also shows that visitors are fund of using their own mobile phones - but they have several problems with their phones in downloading the MP3 file (accepting the file, finding the file, memory problems, etc.). A presentation from Museums and the Web 2011 (MW2011)

MW2011: D. Laursen, Guided expectations: a case study of a sound collage audi...

MW2011: D. Laursen, Guided expectations: a case study of a sound collage audi...

MW2011: D. Laursen, Guided expectations: a case study of a sound collage audi...

museums and the web

For the opening of the Museum's new Art of the Americas wing, the Museum of Fine Arts, Boston embarked upon a sweeping new program to transform the traditional audio guide into a new iPod Touch-based multimedia guide. This ambitious endeavor was fraught with challenges as diverse as managing content production at a new scale and determining how to reliably charge 750 devices at a time. In this session, MFA New Media team members will share lessons learned from our large-scale project, including points such as: Strategy - determining the best direction for our visitors and institution Planning and evaluation - prototype testing of content and the device Offerings - features and tours (adult, kids, foreign language, special exhibition, and audio described guides) Content production - moving production in house while still leveraging experts CMS - selecting and enhancing the guide content management solution Updating content - crafting a solution for making content updates manageable Security - protecting the investment Equipment - cases, headphones, lanyards, chargers and more Operations - managing workflow, training, and rental and return Future growth - where we'll be heading next The MFA uses TAP as the CMS, with a modified/customized TAP app as the user interface. We use the Nous case and a homegrown charging solution. A presentation from Museums and the Web 2011 (MW2011).

MW2011: J. Flemming +, Launching the MFA Multimedia Guide

MW2011: J. Flemming +, Launching the MFA Multimedia Guide

MW2011: J. Flemming +, Launching the MFA Multimedia Guide

museums and the web

pportunities that these could offer particularly in terms of visitors' orientation and way finding. The presence of a touch screen, in fact, supports the use of interactive maps, which, alone or in combination with location aware technologies can help visitors understand where they are and decide where to go. More than 10 years have now passed since the implementation of the first handheld guide and, unfortunately, many museums are still struggling to develop and implement effective way finding solutions on mobile platforms. Location aware technologies have proven to be expensive and problematic to install and maintain, while interactive maps, particularly of complex sites can be challenging for people to use and interpret on small screens. Building on the experience of other institutions such as Tate, the Met and the Louvre, the British Museum has recently launched a multimedia guide in 11 languages that supports way finding and orientation without relying on location aware technology. In this paper, we will present in details the various way finding solutions that were developed for the guide, as well as the results of research and evaluations that were carried out on these applications during and after the launch. Through our experience, we hope to provide a reference for other medium and large size museums, which are grappling with similar issues. A presentation from Museums and the Web 2011 (MW2011).

MW2011: S. Fantoni, Mobile devices for orientation and way finding: the case ...

MW2011: S. Fantoni, Mobile devices for orientation and way finding: the case ...

MW2011: S. Fantoni, Mobile devices for orientation and way finding: the case ...

museums and the web

Google Analytics provides museums with extensive data around visits to their virtual sites. Physical visits and the way in which visitors track around museums is currently much harder to monitor. This paper discusses the opportunity that mobile phone WiFi, Bluetooth and TMSI signals provide to allow visitor tracking. The resulting data has potentially great value to museums in understanding how exhibitions and museums spaces are used, in forming exhibition design, assessing the return on investment of interactives and even profiling visitors. Two pilot studies using comparative technologies will also be discussed. A presentation from Museums and the Web 2011 (MW2011).

MW2011: J. Bickersteth + C. Ainsley, Mobile Phones and Visitor Tracking

MW2011: J. Bickersteth + C. Ainsley, Mobile Phones and Visitor Tracking

MW2011: J. Bickersteth + C. Ainsley, Mobile Phones and Visitor Tracking

museums and the web

MW2011 Best of the Web Awards

MW2011 Best of the Web Awards

MW2011 Best of the Web Awards

museums and the web

The Art Institute of Chicago has been publishing award-winning scholarly and popular print catalogues for decades… but is this model sustainable? Digital publication appears to hold great promise for both user experience and global reach. To achieve these bright outcomes, however, institutions need to approach the challenges and opportunities of digital publication with creativity, willingness to reorganize around new ideas and the careful and adequate resourcing of this vitally important publishing agenda. In this paper, we will share the Art Institute of Chicago’s experiences gained from forging new integrated print and digital publishing workflows. The discussion will focus on case studies from our ongoing efforts on the Monet and Renoir Systematic Catalogue supported by the Getty’s Online Scholarly Catalogue Initiative (OSCI), the Martin European Decorative Arts Gallery Interactives, the French Impressionism iPhone, iPad and Android applications, and other publications. These projects have all required a deeper collaboration between the technology, publications, education, and marketing/ communications departments. We will discuss our approaches to challenges brought on by these digital publishing opportunities, such as: How do we address the impact these workflows have on both job responsibilities and available human resources? Does increasing the digital publishing portfolio imply decreasing the number of print catalogues planned? How can we incentivize scholars to write for digital publication? Will certain features, such as footnotes and citation tools, allow the field of art history to better recognize the legitimacy of these digital works? What content and which publication channels are appropriate for revenue generating goals? Is new hardware like the iPad creating a new generation of expectations for digital publication? How sustainable are these digital publications as software evolves—are we considering the ongoing maintenance costs?

MW2011: Quigley, S., Integration of Print and Digital Publishing Workflows at...

MW2011: Quigley, S., Integration of Print and Digital Publishing Workflows at...

MW2011: Quigley, S., Integration of Print and Digital Publishing Workflows at...

museums and the web

What becomes the role for institutions and scholars charged with the study and safe-keeping of the past and the near-future when traditional methodologies like "authority records" are forced to compete with automated data collection, machine learning, the now suddenly practical reality of "big data" and the rise of broad communities of participation? The breadth and reach of the Internet and the availability of alternative data sources, whether they are harvested programmatically or fashioned by amateur communities of interest has created a world where both the conceptual and financial economics of traditional scholarship are rapidly being undermined. Further, in the absence of a way for non-experts to feel as though they can participate in the discourse outside of established venues and vocabularies the opinions and assumed meritocracies of experts are increasingly being overlooked entirely. What would it mean to change the role of digital preservation and scholarly interpretation from one where it looks and feels, to those the outside, like castle walls to be more like a rough guide composed of road signs and fence-posts? To consider a project whose goal is no longer to weave elaborate tapestries of the past facts but to produce textiles, and patterns, to be fashioned into reflections of the present? A presentation from Museums and the Web 2011.

MW2011: Cope, A., Authority Records, Future Computers and Other Unfinished Hi...

MW2011: Cope, A., Authority Records, Future Computers and Other Unfinished Hi...

MW2011: Cope, A., Authority Records, Future Computers and Other Unfinished Hi...

museums and the web

This paper presents a three research projects currently underway to develop new omni-spatial visualization strategies for the collaborative interrogation of large-scale heterogeneous cultural datasets using the worlds’ first 360-degree stereoscopic visualization environment (Advanced Visualization and Interaction Environment - AVIE). The AVIE system enables visualization modalities through full body immersion, stereoscopy, spatialized sound and camera-based tracking. The research integrates ground-breaking work by a renowned group of international investigators in virtual environment design, immersive interactivity, data visualization, museology, cultural analytics and computational linguistics. The work is being implemented at the newly established world-leading research facility, City University’s Applied Laboratory for Interactive Visualization and Embodiment – ALIVE). A paper from Museums and the Web 2011.

MW2011: S. Kenderdine, Cultural Data Sculpting

MW2011: S. Kenderdine, Cultural Data Sculpting

MW2011: S. Kenderdine, Cultural Data Sculpting

museums and the web

A presentation from Museums and the Web 2010. Acknowledging that the only constant in technology is change, this paper proposes ways of ‘thinking outside the audio tour box’ in developing mobile interpretation programs in museums: instead of making mobile interpretation a question of which device, platform, or app the museum should invest in, it puts the focus on cross-platform content and experience design.Putting audiences at the center of museums’ mobile content and experience designs make it possible to engage them through the media consumption practices and platforms that they already use outside of the museum. Based on research conducted at the Smithsonian American Art Museum, the Indianapolis Museum of Art, and with the principals of SmartHistory.org, this paper offers a ‘question-based’ methodology for developing an interpretive strategy that starts with mapping visitors’ queries in the galleries. From this conceptual map we can derive a matrix of platforms, media, and narrative voices that work cross-platform. The traditional audio tour, with its analog ‘linear’ content and random access ‘stops’, offers important paradigms for ‘mobile 2.0’ content design: on the one hand, conceptual overviews and immersive ‘soundtracks’ provide a ‘score’ for the museum experience, and on the other hand, ‘soundbites’ in a range of media (audio, multimedia, or text) can be searched, saved, shared and favorited in multiple contexts. From social media, we can also learn how to integrate links, apps and user-generated content into the mobile mix. Finally, the paper considers how content style impacts shelf-life. What is the enduring legacy of creating ‘quick & dirty’ interpretive ‘snacks’ versus investing in more nutritional fare? How can museums best allocate their mobile content budgets in this light? Session: Mobiles: A Panel [mobile] see http://www.archimuse.com/mw2010/abstracts/prg_335002342.html

MW2010: N. Proctor, The Museum Is Mobile: Cross-platform content design for a...

MW2010: N. Proctor, The Museum Is Mobile: Cross-platform content design for a...

MW2010: N. Proctor, The Museum Is Mobile: Cross-platform content design for a...

museums and the web

A presentation from Museums and the Web 2010. We present the results of a case study testing Open Museum’s Mobile service in partnership with the Hood Museum of Art at Dartmouth College. We explore preferences, challenges, and barriers to use for the various participants (including visitors, our museum partners and Open Museum itself) and look at the lessons learned about the technical, content, and social aspects of a mobile Web access project in museums. Session: Mobiles: A Panel [mobile] see http://www.archimuse.com/mw2010/abstracts/prg_335002271.html

MW2010: J. Doyle + M. Doyle, Mixing Social Glue with Brick and Mortar: Experi...

MW2010: J. Doyle + M. Doyle, Mixing Social Glue with Brick and Mortar: Experi...

MW2010: J. Doyle + M. Doyle, Mixing Social Glue with Brick and Mortar: Experi...

museums and the web

A presentation from Museums and the Web 2010. The proliferation of iPhones, Smart-Phones and now “Super-Phones” continues to expand the tools available to museums for mobile interpretation and raise the expectations of their audiences. This paper provides a survey of recent trends in the museum industry to adapt to new audience expectations, and, more broadly, to assess the effect of mobile devices, the ubiquitous Internet and social networking on visitor expectations. Addressed from the industry perspective, it looks at the movement of the industry to multi-platform and media experiences as well as the challenges institutions face in developing and launching these new mobile features into the gallery experience. Are these efforts enough? Specifically, how closely aligned are museums’ objectives and their vision of mobile interpretation with the quickly evolving expectations and needs of their audience? Presented in this paper are the results of two pieces of research. The first set is on cultural and art professionals and focuses on how their institutions have implemented mobile interpretations and how they plan to execute mobile guide strategies in the future. The second is a set of visitor surveys and guide evaluations completed at major US and European museums and historic sites over the past three years. Session: Mobiles: A Panel [mobile] see http://www.archimuse.com/mw2010/abstracts/prg_335002210.html

MW2010: M. Petrie + L. Tallon, The iPhone effect?: Comparing visitors’ and mu...

MW2010: M. Petrie + L. Tallon, The iPhone effect?: Comparing visitors’ and mu...

MW2010: M. Petrie + L. Tallon, The iPhone effect?: Comparing visitors’ and mu...

museums and the web

Museums face many challenges when building on-line collaborative networks to engage diverse knowledge communities. In this paper we explore the emergence of one such system, the Reciprocal Research Network (RRN), launched in March of 2010. During development, the RRN team explored and tested methods to overcome challenges commonly faced by museums undertaking similar projects. Here we discuss how the RRN is affecting research, why it is having this effect, and what course the development process followed. The RRN creates an on-line research community, allowing geographically dispersed users to collaborate while studying cultural objects held in institutions around the world. Museums and other cultural institutions are contributing their data to the RRN in order to facilitate this research. Diverse user groups, including indigenous communities, share their own perspectives and knowledge with the people and institutions that make up the RRN community. The Reciprocal Research Network was co-developed by three First Nations communities, the Musqueam Indian Band, the Stó:lō Nation/Tribal Council, and the U’mista Cultural Society, along with the Museum of Anthropology (MOA) at the University of British Columbia. A dozen museums also participated in the development process. Session: Multi-Institutional Collaboration: Process [organizations] see http://www.archimuse.com/mw2010/abstracts/prg_335002329.html

MW2010: Building an online research community: The Reciprocal Research Network

MW2010: Building an online research community: The Reciprocal Research Network

MW2010: Building an online research community: The Reciprocal Research Network

museums and the web

A presentation from Museums and the Web 2010. Europeana, Europe's multimedia on-line library, museum and archive, currently grants access to the cultural holdings of Europe's twenty-seven member states. It includes more than 5.5 million books, maps, recordings, photographs, archival documents, paintings, and films from national libraries and cultural institutions. Europeana’s goal is to open up new ways of exploring Europe's heritage through free access to the collections and treasures via a single Web portal that is available in all the official EU languages (http://ec.europa.eu/information_society/ doc/factsheets /071-europeana-en.pdf). Europeana is currently in prototype; the full service will launch later in 2010. The operational Europeana portal will provide improved search functionality and access to over 10 million objects. A follow-up release in 2011 will showcase multilingual and semantic Web features. ATHENA's role is to harvest holdings from Europe's museums and similar collections across the cultural sector, and to facilitate their integration into Europeana. This paper will discuss this ambitious project from the point of view of the organizational strategies required to coordinate the pan-European, ATHENA Network, as well as the thesauri and multilingual developments that the partners are currently dealing with towards the integration of digital content. Session: Multi-Institutional Collaboration: Process [organizations]

MW2010: S. Hazan et al., ATHENA: A Mechanism for Harvesting Europe's Museum H...

MW2010: S. Hazan et al., ATHENA: A Mechanism for Harvesting Europe's Museum H...

MW2010: S. Hazan et al., ATHENA: A Mechanism for Harvesting Europe's Museum H...

museums and the web

A presentation from Museums and the Web 2010. The Now and Then community heritage wiki was initiated to research the potential of Web 2.0 technologies to engage and sustain interest in local history and heritage collections. The aim of this action research project is to explore whether wikis can provide a low-cost, sustainable way of increasing interest and participation in the preservation, interpretation and enjoyment of local history and heritage collections. The target organisations to use the wiki are generally very small and are often staffed solely by volunteers. The pilot implementation in a small rural community has been well received and is generating significant levels of interest and participation. This paper aims to share the learning from this project about the potential and implications of wikis as the basis for sustainable knowledge communities around local history and heritage. It explores how collaborative knowledge-making practices such as crowdsourcing present new challenges and opportunities for museums, their information management paradigms, and their relationships with communities. Session: Wikis for Content Management [content] see http://www.archimuse.com/mw2010/abstracts/prg_335002330.html

MW2010: D. Peacock, Putting Mallala on the map: Creating a wiki community wit...

MW2010: D. Peacock, Putting Mallala on the map: Creating a wiki community wit...

MW2010: D. Peacock, Putting Mallala on the map: Creating a wiki community wit...

museums and the web

More from museums and the web (20)

How to Give an Accessible Presentation - Yue-Ting Siu

How to Give an Accessible Presentation - Yue-Ting Siu

How to Give an Accessible Presentation - Yue-Ting Siu

MW2011: N. Di Blas +, A “Smart” Authoring and Delivery Tool for Multichannel ...

MW2011: N. Di Blas +, A “Smart” Authoring and Delivery Tool for Multichannel ...

MW2011: N. Di Blas +, A “Smart” Authoring and Delivery Tool for Multichannel ...

MW2011: D. Birchall + M. Henson, Gaming the museum

MW2011: D. Birchall + M. Henson, Gaming the museum

MW2011: D. Birchall + M. Henson, Gaming the museum

MW2011: G. Chae +, Can Social Tagging Be a Tool to Reduce the Semantic Gap be...

MW2011: G. Chae +, Can Social Tagging Be a Tool to Reduce the Semantic Gap be...

MW2011: G. Chae +, Can Social Tagging Be a Tool to Reduce the Semantic Gap be...

MW2011: Klavans, J. +, Computational Linguistics in Museums: Applications fo...

MW2011: Klavans, J. +, Computational Linguistics in Museums: Applications fo...

MW2011: Klavans, J. +, Computational Linguistics in Museums: Applications fo...

MW2011: L. Tallon + I. Froes, Going Mobile? Insights into the museum communit...

MW2011: L. Tallon + I. Froes, Going Mobile? Insights into the museum communit...

MW2011: L. Tallon + I. Froes, Going Mobile? Insights into the museum communit...

MW2011: D. Laursen, Guided expectations: a case study of a sound collage audi...

MW2011: D. Laursen, Guided expectations: a case study of a sound collage audi...

MW2011: D. Laursen, Guided expectations: a case study of a sound collage audi...

MW2011: J. Flemming +, Launching the MFA Multimedia Guide

MW2011: J. Flemming +, Launching the MFA Multimedia Guide

MW2011: J. Flemming +, Launching the MFA Multimedia Guide

MW2011: S. Fantoni, Mobile devices for orientation and way finding: the case ...

MW2011: S. Fantoni, Mobile devices for orientation and way finding: the case ...

MW2011: S. Fantoni, Mobile devices for orientation and way finding: the case ...

MW2011: J. Bickersteth + C. Ainsley, Mobile Phones and Visitor Tracking

MW2011: J. Bickersteth + C. Ainsley, Mobile Phones and Visitor Tracking

MW2011: J. Bickersteth + C. Ainsley, Mobile Phones and Visitor Tracking

MW2011 Best of the Web Awards

MW2011 Best of the Web Awards

MW2011 Best of the Web Awards

MW2011: Quigley, S., Integration of Print and Digital Publishing Workflows at...

MW2011: Quigley, S., Integration of Print and Digital Publishing Workflows at...

MW2011: Quigley, S., Integration of Print and Digital Publishing Workflows at...

MW2011: Cope, A., Authority Records, Future Computers and Other Unfinished Hi...

MW2011: Cope, A., Authority Records, Future Computers and Other Unfinished Hi...

MW2011: Cope, A., Authority Records, Future Computers and Other Unfinished Hi...

MW2011: S. Kenderdine, Cultural Data Sculpting

MW2011: S. Kenderdine, Cultural Data Sculpting

MW2011: S. Kenderdine, Cultural Data Sculpting

MW2010: N. Proctor, The Museum Is Mobile: Cross-platform content design for a...

MW2010: N. Proctor, The Museum Is Mobile: Cross-platform content design for a...

MW2010: N. Proctor, The Museum Is Mobile: Cross-platform content design for a...

MW2010: J. Doyle + M. Doyle, Mixing Social Glue with Brick and Mortar: Experi...

MW2010: J. Doyle + M. Doyle, Mixing Social Glue with Brick and Mortar: Experi...

MW2010: J. Doyle + M. Doyle, Mixing Social Glue with Brick and Mortar: Experi...

MW2010: M. Petrie + L. Tallon, The iPhone effect?: Comparing visitors’ and mu...

MW2010: M. Petrie + L. Tallon, The iPhone effect?: Comparing visitors’ and mu...

MW2010: M. Petrie + L. Tallon, The iPhone effect?: Comparing visitors’ and mu...

MW2010: Building an online research community: The Reciprocal Research Network

MW2010: Building an online research community: The Reciprocal Research Network

MW2010: Building an online research community: The Reciprocal Research Network

MW2010: S. Hazan et al., ATHENA: A Mechanism for Harvesting Europe's Museum H...

MW2010: S. Hazan et al., ATHENA: A Mechanism for Harvesting Europe's Museum H...

MW2010: S. Hazan et al., ATHENA: A Mechanism for Harvesting Europe's Museum H...

MW2010: D. Peacock, Putting Mallala on the map: Creating a wiki community wit...

MW2010: D. Peacock, Putting Mallala on the map: Creating a wiki community wit...

MW2010: D. Peacock, Putting Mallala on the map: Creating a wiki community wit...

Recently uploaded

Presentation on how to chat with PDF using ChatGPT code interpreter

Presentation on how to chat with PDF using ChatGPT code interpreter

Presentation on how to chat with PDF using ChatGPT code interpreter

What is a good lead in your organisation? Which leads are priority? What happens to leads? When sales and marketing give different answers to these questions, or perhaps aren't sure of the answers at all, frustrations build and opportunities are left on the table. Join us for an illuminating session with Cian McLoughlin, HubSpot Principal Customer Success Manager, as we look at that crucial piece of the customer journey in which leads are transferred from marketing to sales.

04-2024-HHUG-Sales-and-Marketing-Alignment.pptx

04-2024-HHUG-Sales-and-Marketing-Alignment.pptx

04-2024-HHUG-Sales-and-Marketing-Alignment.pptx

As privacy and data protection regulations evolve rapidly, organizations operating in multiple jurisdictions face mounting challenges to ensure compliance and safeguard customer data. With state-specific privacy laws coming up in multiple states this year, it is essential to understand what their unique data protection regulations will require clearly. How will data privacy evolve in the US in 2024? How to stay compliant? Our panellists will guide you through the intricacies of these states' specific data privacy laws, clarifying complex legal frameworks and compliance requirements. This webinar will review: - The essential aspects of each state's privacy landscape and the latest updates - Common compliance challenges faced by organizations operating in multiple states and best practices to achieve regulatory adherence - Valuable insights into potential changes to existing regulations and prepare your organization for the evolving landscape

TrustArc Webinar - Stay Ahead of US State Data Privacy Law Developments

TrustArc Webinar - Stay Ahead of US State Data Privacy Law Developments

TrustArc Webinar - Stay Ahead of US State Data Privacy Law Developments

BooK Now Call us at +918448380779 to hire a gorgeous and seductive call girl for sex. Take a Delhi Escort Service. The help of our escort agency is mostly meant for men who want sexual Indian Escorts In Delhi NCR. It should be noted that any impersonator will get 100 attention from our Young Girls Escorts in Delhi. They will assume the position of reliable allies. VIP Call Girl With Original Photos Book Tonight +918448380779 Our Cheap Price 1 Hour not available 2 Hours 5000 Full Night 8000 TAG: Call Girls in Delhi, Noida, Gurgaon, Ghaziabad, Connaught Place, Greater Kailash Delhi, Lajpat Nagar Delhi, Mayur Vihar Delhi, Chanakyapuri Delhi, New Friends Colony Delhi, Majnu Ka Tilla, Karol Bagh, Malviya Nagar, Saket, Khan Market, Noida Sector 18, Noida Sector 76, Noida Sector 51, Gurgaon Mg Road, Iffco Chowk Gurgaon, Rajiv Chowk Gurgaon All Delhi Ncr Free Home Deliver

08448380779 Call Girls In Civil Lines Women Seeking Men

08448380779 Call Girls In Civil Lines Women Seeking Men

08448380779 Call Girls In Civil Lines Women Seeking Men

Delhi Call girls

2024: Domino Containers - The Next Step. News from the Domino Container commu...

2024: Domino Containers - The Next Step. News from the Domino Container commu...

2024: Domino Containers - The Next Step. News from the Domino Container commu...

Martijn de Jong

BooK Now Call us at +918448380779 to hire a gorgeous and seductive call girl for sex. Take a Delhi Escort Service. The help of our escort agency is mostly meant for men who want sexual Indian Escorts In Delhi NCR. It should be noted that any impersonator will get 100 attention from our Young Girls Escorts in Delhi. They will assume the position of reliable allies. VIP Call Girl With Original Photos Book Tonight +918448380779 Our Cheap Price 1 Hour not available 2 Hours 5000 Full Night 8000 TAG: Call Girls in Delhi, Noida, Gurgaon, Ghaziabad, Connaught Place, Greater Kailash Delhi, Lajpat Nagar Delhi, Mayur Vihar Delhi, Chanakyapuri Delhi, New Friends Colony Delhi, Majnu Ka Tilla, Karol Bagh, Malviya Nagar, Saket, Khan Market, Noida Sector 18, Noida Sector 76, Noida Sector 51, Gurgaon Mg Road, Iffco Chowk Gurgaon, Rajiv Chowk Gurgaon All Delhi Ncr Free Home Deliver

08448380779 Call Girls In Greater Kailash - I Women Seeking Men

08448380779 Call Girls In Greater Kailash - I Women Seeking Men

08448380779 Call Girls In Greater Kailash - I Women Seeking Men

Delhi Call girls

With more memory available, system performance of three Dell devices increased, which can translate to a better user experience Conclusion When your system has plenty of RAM to meet your needs, you can efficiently access the applications and data you need to finish projects and to-do lists without sacrificing time and focus. Our test results show that with more memory available, three Dell PCs delivered better performance and took less time to complete the Procyon Office Productivity benchmark. These advantages translate to users being able to complete workflows more quickly and multitask more easily. Whether you need the mobility of the Latitude 5440, the creative capabilities of the Precision 3470, or the high performance of the OptiPlex Tower Plus 7010, configuring your system with more RAM can help keep processes running smoothly, enabling you to do more without compromising performance.

Boost PC performance: How more available memory can improve productivity

Boost PC performance: How more available memory can improve productivity

Boost PC performance: How more available memory can improve productivity

Principled Technologies

Created by Mozilla Research in 2012 and now part of Linux Foundation Europe, the Servo project is an experimental rendering engine written in Rust. It combines memory safety and concurrency to create an independent, modular, and embeddable rendering engine that adheres to web standards. Stewardship of Servo moved from Mozilla Research to the Linux Foundation in 2020, where its mission remains unchanged. After some slow years, in 2023 there has been renewed activity on the project, with a roadmap now focused on improving the engine’s CSS 2 conformance, exploring Android support, and making Servo a practical embeddable rendering engine. In this presentation, Rakhi Sharma reviews the status of the project, our recent developments in 2023, our collaboration with Tauri to make Servo an easy-to-use embeddable rendering engine, and our plans for the future to make Servo an alternative web rendering engine for the embedded devices industry. (c) Embedded Open Source Summit 2024 April 16-18, 2024 Seattle, Washington (US) https://events.linuxfoundation.org/embedded-open-source-summit/ https://ossna2024.sched.com/event/1aBNF/a-year-of-servo-reboot-where-are-we-now-rakhi-sharma-igalia

A Year of the Servo Reboot: Where Are We Now?

A Year of the Servo Reboot: Where Are We Now?

A Year of the Servo Reboot: Where Are We Now?

Real Time Object Detection Using Open CV

Real Time Object Detection Using Open CV

Real Time Object Detection Using Open CV

The presentation explores the development and application of artificial intelligence (AI) from its inception to its current status in the modern world. The term "artificial intelligence" was first coined by John McCarthy in 1956 to describe efforts to develop computer programs capable of performing tasks that typically require human intelligence. This concept was first introduced at a conference held at Dartmouth College, where programs demonstrated capabilities such as playing chess, proving theorems, and interpreting texts. In the early stages, Alan Turing contributed to the field by defining intelligence as the ability of a being to respond to certain questions intelligently, proposing what is now known as the Turing Test to evaluate the presence of intelligent behavior in machines. As the decades progressed, AI evolved significantly. The 1980s focused on machine learning, teaching computers to learn from data, leading to the development of models that could improve their performance based on their experiences. The 1990s and 2000s saw further advances in algorithms and computational power, which allowed for more sophisticated data analysis techniques, including data mining. By the 2010s, the proliferation of big data and the refinement of deep learning techniques enabled AI to become mainstream. Notable milestones included the success of Google's AlphaGo and advancements in autonomous vehicles by companies like Tesla and Waymo. A major theme of the presentation is the application of generative AI, which has been used for tasks such as natural language text generation, translation, and question answering. Generative AI uses large datasets to train models that can then produce new, coherent pieces of text or other media. The presentation also discusses the ethical implications and the need for regulation in AI, highlighting issues such as privacy, bias, and the potential for misuse. These concerns have prompted calls for comprehensive regulations to ensure the safe and equitable use of AI technologies. Artificial intelligence has also played a significant role in healthcare, particularly highlighted during the COVID-19 pandemic, where it was used in drug discovery, vaccine development, and analyzing the spread of the virus. The capabilities of AI in healthcare are vast, ranging from medical diagnostics to personalized medicine, demonstrating the technology's potential to revolutionize fields beyond just technical or consumer applications. In conclusion, AI continues to be a rapidly evolving field with significant implications for various aspects of society. The development from theoretical concepts to real-world applications illustrates both the potential benefits and the challenges that come with integrating advanced technologies into everyday life. The ongoing discussion about AI ethics and regulation underscores the importance of managing these technologies responsibly to maximize their their benefits while minimizing potential harms.

Artificial Intelligence: Facts and Myths

Artificial Intelligence: Facts and Myths

Artificial Intelligence: Facts and Myths

The Raspberry Pi 5 was announced on October 2023. This new version of the popular embedded device comes with a new iteration of Broadcom’s VideoCore GPU platform, and was released with a fully open source driver stack, developed by Igalia. The presentation will discuss some of the major changes required to support this new Video Core iteration, the challenges we faced in the process and the solutions we provided in order to deliver conformant OpenGL ES and Vulkan drivers. The talk will also cover the next steps for the open source Raspberry Pi 5 graphics stack. (c) Embedded Open Source Summit 2024 April 16-18, 2024 Seattle, Washington (US) https://events.linuxfoundation.org/embedded-open-source-summit/ https://eoss24.sched.com/event/1aBEx

Raspberry Pi 5: Challenges and Solutions in Bringing up an OpenGL/Vulkan Driv...

Raspberry Pi 5: Challenges and Solutions in Bringing up an OpenGL/Vulkan Driv...

Raspberry Pi 5: Challenges and Solutions in Bringing up an OpenGL/Vulkan Driv...

Heather Hedden, Senior Consultant at Enterprise Knowledge, presented “The Role of Taxonomy and Ontology in Semantic Layers” at a webinar hosted by Progress Semaphore on April 16, 2024. Taxonomies at their core enable effective tagging and retrieval of content, and combined with ontologies they extend to the management and understanding of related data. There are even greater benefits of taxonomies and ontologies to enhance your enterprise information architecture when applying them to a semantic layer. A survey by DBP-Institute found that enterprises using a semantic layer see their business outcomes improve by four times, while reducing their data and analytics costs. Extending taxonomies to a semantic layer can be a game-changing solution, allowing you to connect information silos, alleviate knowledge gaps, and derive new insights. Hedden, who specializes in taxonomy design and implementation, presented how the value of taxonomies shouldn’t reside in silos but be integrated with ontologies into a semantic layer. Learn about: - The essence and purpose of taxonomies and ontologies in information and knowledge management; - Advantages of semantic layers leveraging organizational taxonomies; and - Components and approaches to creating a semantic layer, including the integration of taxonomies and ontologies

The Role of Taxonomy and Ontology in Semantic Layers - Heather Hedden.pdf

The Role of Taxonomy and Ontology in Semantic Layers - Heather Hedden.pdf

The Role of Taxonomy and Ontology in Semantic Layers - Heather Hedden.pdf

Enterprise Knowledge

Enterprise Knowledge’s Urmi Majumder, Principal Data Architecture Consultant, and Fernando Aguilar Islas, Senior Data Science Consultant, presented "Driving Behavioral Change for Information Management through Data-Driven Green Strategy" on March 27, 2024 at Enterprise Data World (EDW) in Orlando, Florida. In this presentation, Urmi and Fernando discussed a case study describing how the information management division in a large supply chain organization drove user behavior change through awareness of the carbon footprint of their duplicated and near-duplicated content, identified via advanced data analytics. Check out their presentation to gain valuable perspectives on utilizing data-driven strategies to influence positive behavioral shifts and support sustainability initiatives within your organization. In this session, participants gained answers to the following questions: - What is a Green Information Management (IM) Strategy, and why should you have one? - How can Artificial Intelligence (AI) and Machine Learning (ML) support your Green IM Strategy through content deduplication? - How can an organization use insights into their data to influence employee behavior for IM? - How can you reap additional benefits from content reduction that go beyond Green IM?

Driving Behavioral Change for Information Management through Data-Driven Gree...

Driving Behavioral Change for Information Management through Data-Driven Gree...

Driving Behavioral Change for Information Management through Data-Driven Gree...

Enterprise Knowledge

Imagine a world where information flows as swiftly as thought itself, making decision-making as fluid as the data driving it. Every moment is critical, and the right tools can significantly boost your organization’s performance. The power of real-time data automation through FME can turn this vision into reality. Aimed at professionals eager to leverage real-time data for enhanced decision-making and efficiency, this webinar will cover the essentials of real-time data and its significance. We’ll explore: FME’s role in real-time event processing, from data intake and analysis to transformation and reporting An overview of leveraging streams vs. automations FME’s impact across various industries highlighted by real-life case studies Live demonstrations on setting up FME workflows for real-time data Practical advice on getting started, best practices, and tips for effective implementation Join us to enhance your skills in real-time data automation with FME, and take your operational capabilities to the next level.

From Event to Action: Accelerate Your Decision Making with Real-Time Automation

From Event to Action: Accelerate Your Decision Making with Real-Time Automation

From Event to Action: Accelerate Your Decision Making with Real-Time Automation

How to Troubleshoot Apps for the Modern Connected Worker

How to Troubleshoot Apps for the Modern Connected Worker

How to Troubleshoot Apps for the Modern Connected Worker

A Call to Action for Generative AI in 2024

A Call to Action for Generative AI in 2024

A Call to Action for Generative AI in 2024

[2024]Digital Global Overview Report 2024 Meltwater.pdf

[2024]Digital Global Overview Report 2024 Meltwater.pdf

[2024]Digital Global Overview Report 2024 Meltwater.pdf

Handwritten Text Recognition for manuscripts and early printed texts

Handwritten Text Recognition for manuscripts and early printed texts

Handwritten Text Recognition for manuscripts and early printed texts

Maria Levchenko

This presentations targets students or working professionals. You may know Google for search, YouTube, Android, Chrome, and Gmail, but did you know Google has many developer tools, platforms & APIs? This comprehensive yet still high-level overview outlines the most impactful tools for where to run your code, store & analyze your data. It will also inspire you as to what's possible. This talk is 50 minutes in length.

Powerful Google developer tools for immediate impact! (2023-24 C)

Powerful Google developer tools for immediate impact! (2023-24 C)

Powerful Google developer tools for immediate impact! (2023-24 C)

Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024

Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024

Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024

The Digital Insurer

Recently uploaded (20)

Presentation on how to chat with PDF using ChatGPT code interpreter

Presentation on how to chat with PDF using ChatGPT code interpreter

Presentation on how to chat with PDF using ChatGPT code interpreter

04-2024-HHUG-Sales-and-Marketing-Alignment.pptx

04-2024-HHUG-Sales-and-Marketing-Alignment.pptx

04-2024-HHUG-Sales-and-Marketing-Alignment.pptx

TrustArc Webinar - Stay Ahead of US State Data Privacy Law Developments

TrustArc Webinar - Stay Ahead of US State Data Privacy Law Developments

TrustArc Webinar - Stay Ahead of US State Data Privacy Law Developments

08448380779 Call Girls In Civil Lines Women Seeking Men

08448380779 Call Girls In Civil Lines Women Seeking Men

08448380779 Call Girls In Civil Lines Women Seeking Men

2024: Domino Containers - The Next Step. News from the Domino Container commu...

2024: Domino Containers - The Next Step. News from the Domino Container commu...

2024: Domino Containers - The Next Step. News from the Domino Container commu...

08448380779 Call Girls In Greater Kailash - I Women Seeking Men

08448380779 Call Girls In Greater Kailash - I Women Seeking Men

08448380779 Call Girls In Greater Kailash - I Women Seeking Men

Boost PC performance: How more available memory can improve productivity

Boost PC performance: How more available memory can improve productivity

Boost PC performance: How more available memory can improve productivity

A Year of the Servo Reboot: Where Are We Now?

A Year of the Servo Reboot: Where Are We Now?

A Year of the Servo Reboot: Where Are We Now?

Real Time Object Detection Using Open CV

Real Time Object Detection Using Open CV

Real Time Object Detection Using Open CV

Artificial Intelligence: Facts and Myths

Artificial Intelligence: Facts and Myths

Artificial Intelligence: Facts and Myths

Raspberry Pi 5: Challenges and Solutions in Bringing up an OpenGL/Vulkan Driv...

Raspberry Pi 5: Challenges and Solutions in Bringing up an OpenGL/Vulkan Driv...

Raspberry Pi 5: Challenges and Solutions in Bringing up an OpenGL/Vulkan Driv...

The Role of Taxonomy and Ontology in Semantic Layers - Heather Hedden.pdf

The Role of Taxonomy and Ontology in Semantic Layers - Heather Hedden.pdf

The Role of Taxonomy and Ontology in Semantic Layers - Heather Hedden.pdf

Driving Behavioral Change for Information Management through Data-Driven Gree...

Driving Behavioral Change for Information Management through Data-Driven Gree...

Driving Behavioral Change for Information Management through Data-Driven Gree...

From Event to Action: Accelerate Your Decision Making with Real-Time Automation

From Event to Action: Accelerate Your Decision Making with Real-Time Automation

From Event to Action: Accelerate Your Decision Making with Real-Time Automation

How to Troubleshoot Apps for the Modern Connected Worker

How to Troubleshoot Apps for the Modern Connected Worker

How to Troubleshoot Apps for the Modern Connected Worker

A Call to Action for Generative AI in 2024

A Call to Action for Generative AI in 2024

A Call to Action for Generative AI in 2024

[2024]Digital Global Overview Report 2024 Meltwater.pdf

[2024]Digital Global Overview Report 2024 Meltwater.pdf

[2024]Digital Global Overview Report 2024 Meltwater.pdf

Handwritten Text Recognition for manuscripts and early printed texts

Handwritten Text Recognition for manuscripts and early printed texts

Handwritten Text Recognition for manuscripts and early printed texts

Powerful Google developer tools for immediate impact! (2023-24 C)

Powerful Google developer tools for immediate impact! (2023-24 C)

Powerful Google developer tools for immediate impact! (2023-24 C)

Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024

Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024

Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024

MW2010: Slavko Milekic, Gaze-tracking and museums: current research and implications

1. Slavko Milekic, M.D., PhD Professor of Cognitive Science and Digital Design University of the Arts Philadelphia, US Gaze-tracking and Museums: Current Research and Implications

2. 7 minutes is a very short time…. so, I will speak very fast (and use my eyes)

3. Background: Over the years (with World Wide Web) we see the development of many user-activity monitoring channels that ultimately enhance user experience. Example:

4.

5. Fact: Eye- and gaze-tracking has been used for years in Web site development and marketing: Example:

6. Google search engine:

7.

8. Proposal: Create inexpensive webcam-based eye-tracking software.

9. Outcome: Creation of a new channel of information exchange between the user and information provider. Relevance for museums (and museum Web sites):

10.

11. and now you can see it…. (for 1-2 minutes) (We will also have a demonstration on Friday, 10-11:30 made possible with the support from the University of the Arts MID program, with Gareth Roberts & Matt Miller.)