2. GUIDANCE
This template PowerPoint presentation includes all the
relevant elements you need to cover in your Music Video
Assignment
It is suggested you save this PP in a different name and
share it with your group so you always have a copy â some
sections require you to delete the information on the slide
and replace with your own work
Add more pages to each section where necessary [you
should be doing this!]
Add visuals as you see necessary
This document will be added to as you progress through the
pre-production phase.
Delete this slide when complete
4. RESEARCH & IDEA
GENERATION
Select a song/track that you like [or donât like!]
Generate three ideas for music videos employing styles,
techniques and conventions that we have looked at in
previous sessions. Explore how you could interpret the
song differently using different methods
You can add any extra info you think is relevant, images,
mind maps, etc
For quick mind maps you could use bubbl.us to generate
these
5. MUSIC VIDEO IDEAS
Song whats good by tyler the creator
Idea 1- starts with the performer on a stage alone, the
lights then turn on which then makes him nervous so he
runs of the stage. The shot then cuts to him driving crazily
in beat up old car whilst going through a field, the
performer then stops as he sees a pair of shoes on the floor
and gets stopped by the police, it then cuts to the
performer in a park on a swing a shot then takes place of
him gradualy appearing the have a clown outfit on whilst he
is till sat still on the swing, he then jumps of and the shot
cuts to him being in a room surrounded by mirrors which
then all fall down and smash he then procceds to keep
miming the lyric surrounded by broken mirrors which then
cuts to him outside a castle dressed as a vampire and then
cuts to him outside a zoo in stereo typical zoo outfit it then
cuts back to him being back on the stage starring into one
of the stage lights a car thwn crashes through the wall and
hits the performer then whilst lying on the ground next to
the car he carries on to mime the lyrics.
6. RESEARCH
Watch a selection of videos to get your ideas started,
make note of a minimum of 5 â add extra slides,
screenshot the video and in bullet point note down info
in terms of camera, editing, art design, performance, etc
and how this might link to your production
Hint!
Youâve already done this in
your case study, so you can
summarise that here where
relevant
7. MUSC VIDEO ANALYSIS
Music video 1- witchbldes lil peep x lil tracy
â˘They use a vhs camera for a low budget effect but that
also sets the tone of the music video as can be seen in
this image
â˘They also throughout the whole video have the lyrics at
the bottom of the screen in yellow which really shows
against the dark tone and dark colours of the music
video
â˘They also use simple edits which although are very
simple and low budget they still really add the the style
and mood of the video as can be seen in this image when
they use this box edit
8. ď§They also do a lot of close up shots of the artists and
they are miming the lyrics which really makes you get a
feel for the tone of video they are going for.
ď§The video has a dark tone with lots of pink lighting and
effects
ď§They also use a lot of hand held shots which at first can
be seen as amateur but in this video it really adds the the
style they are going for with the low budget but really
effective use of amateur ish shots and editing.
ď§The performers really sell the song and the video as they
are constantly in the shots dancing or using hand
movements to really grab your intention.
9. Music video 2- icon by jaden smith
â˘This music video is simple but effective as its soley
based on the performer himslf
â˘This music video has an interesting story as it was not
supposed to be the music video but was just something
the artist had filmed but was then used as the main
music video had not come out as planned
â˘In the music video it is very concentrated and the artist
himself and throughout the video is very shots of him
dancing in front of an amazing background
â˘The sunset in the background was a very big part of his
full album and was apart of various music videos for
songs on the album and is seen on the cover of they
album syre. It really sets the tone and its natural but
amazing look really gives you a feel for this very raw
video.
10. ď§His outfit is also something which has a big part to play
in this music video as right at the start he is seen with a
various amount of chains and gold grills whilst also
wearing his own custom jeans and jacket.
ď§The tesla in the background is something that also grabs
your attention as it is seen to have the bonnet the boot
and the doors open this randomness also adds to the
creative freedom which is put on display in the music
video as it is just an expression of how he felt or how he
imagined it would be. T is also used as the artist Jaden
smith is very eco friendly as is very interested and
committed to helping our planet for example he even has
his own brand of water which instead of using plastic
bottles he uses boxed water bottles.
ď§Throughout the music video there are also many slow
motion shots where the artist is seen doing various
things such as dancing, swinging his chain and just
general movement this really reflects on the song as
even though it is a more upbeat fast elements it also has
its slower ones.
11. Music video 3- all girls are the same by juice wrld
ď§ this music video is clearly high budget and has high level camera work editing
and editing
ď§It also uses a lot of animated features throughout the music video.(shown in
images below)
ď§a couple of times throughout the video there's a shot that goes from being out of
focus and transition into being focused this is a nice effect as it really makes you
pay attention to the image displayed. I think they use this because it is not very
commonly used in high budget videos as its so simple but in this video it really
suits what they were going for
ď§Later on in the video they is a close up of the artists face which is turned gray and
then has a faded background which is changing color. They do this as at this
point in the song it slows down so it really fits the mood and tone of the song at
this particular point.
ď§The use of the color red is used a lot throughout this song this could link to a few
things such as love or heartbreak as throughout the song he talks about how all
girls are the same and that he keeps getting his heartbroken. It could also
represent anger in the fact that because of the fact he keeps getting treat badly
and that he keeps getting his heart broken itâs a way of representing the anger he
feels because of this.
ď§The change of color throughout the video going from darker colors to lighter
12. Music video 4- potato salad Tyler the creator ad asap rocky
ď§The music is very focused on the artists and how they perform the song throughout the
music video and switches the focus between the two artists when its their part of the
song. Even though the other artist may be in the shot it still is more focused to
whoever's part of the song it is.
ď§The beginning two shots of the music video are them stood together but in each shot
they show a different emotion as in the first shot they look bored and tired but in the
shot right after they are laughing and talking this is the emotion that follows through
the full video as they are constantly moving around and being energetic throughout the
rest of the video. Which really reflects the mood of the song.
ď§There aren't many really hard or complicated camera shots instead it is mostly just
following the two artist around as they perform in each of the locations, the location
frequently used is them stood in front of the Eiffel tower or them in front of a large
building dancing around the little green car which is in the majority of the video.
ď§They also throughout the video have the lyrics pooing up all over the screen sometimes
with pictures representing the lyrics, this is very simple and effective as it is quite
original in how simple it is as each lyric shown the will be a completely different font a
lot of the time but not all the. This could be seen as representing the randomness of
the song and how the song really has no meaning and is jut about random things and is
more about the flow and the style of song they are going for.
ď§They also use some very low end editing which is used intentionally as the video isn't
meant to look amazing or have the best transitions or editing its just made to fit the
song and to be entertaining.
13. Music video 5- red roses by lil skies and landon cube directed by Cole bennet.
ď§ This music video is every high quality and is a very planned video, directing the video was arguably the best music
video director of my generation cole bennet.
ď§ It uses lots of sets, props etc. the most notable set is at the start when they are outside the campervan as this was
a reference to the series breaking bad.
ď§ Lots of high end editing was done throughout and animation was also seen in this video, lots of different
techniques were used some are simple and some are complicated some of the noticeable more simpler edits were
duplicating as seen in the shot were they are stood on the campervan and it shows two of each person. Its these
little things that really add to the aesthetic of this video.
ď§ the video is very focused on the artists themselves and there performance. This is good and it adds something
new to the a song ad its a lot easier to interpret a meaning as you can see the way they perform the lyrics which
may even change the whole meaning of the song just by the way the performance is delivered
ď§ Lots of the color pink is used throughout as the song is mostly based on girls and romance. It also adds to the
mood and the aesthetic of the whole video.
ď§ Things like drone hots and close up shots are used consistently throughout the video the lose up shots are used
more frequently, this is used to grab your attention and to show of somethings such as the artist themselves or
gesture or action they might be doing or performing which really adds a new element to the video itself.
ď§ They also use things such as slow motion to reflect the tempo ad mood of the song and also the performers
themselves may act more lively when the song gets more energetic and upbeat or they might slow down look
more relaxed as the song slows down.
14. POTENTIAL SONGS
ď§Past the castle walls
lil peep
ď§What's good Tyler
the creator
ď§777 xxtentacion
ď§Slipknot
xxxtentacion
ď§Walk away as the
door slams lil peep
ď§Tens into Benjamin's
na kel smith
ď§Go the kid laroi
ď§Calabasas freestyle
Jaden smith
ď§Lil jeep- lil peep
ď§Batshit- Dominic fike
ď§Poles 1469- trippie
red
ď§slide away- oasis
ď§red light
xxxtenatcion
ď§Nuke town ski mask
juice wrld
ď§Trust nobody-
hippie sabotage
15. POTENTIAL TECHNIQUES
Variation of transitions
Use of colors
Animated clips
Lyrics on the screen
Some low end edits to give it a low budget aesthetic
Vhs camera or edit to look like vhs camera
16. CONVENTIONS YOU PLAN TO
USE
I plan to use a lot of hip hop video conventions as the
aesthetic and mood they give of really suits the style of
song ive gone for there will be a performer who is lip
syncing, but will also just have other types of shots with
them in it. For some of my locations I am taking
inspiration from hip hop videos with the run down
abandoned look and also ill use some shots of the city I
live in at night, this is used in hip hop videos as well. Ill
also be cutting to the beat to really make the video sit
nicely on the music and to really make them feel like one
and to reflect the aesthetic tone and mood of the song. I
will also be doing some things that are not normally seen
in hip hop videos to create contrast an there will also be
shot with no people in them to add something different
to the video and to not have the same thing repeating
again and again.
17. MIND MAP OF IDEAS
[SUMMARY OF IDEAS]
MV
ideas
Locatio
ns
Camera
shots
Editing
technique
s
York
city
centr
e
Around
cliffords
tower
Near
york
minster
Editing
techniqu
es
Cutting
to the
beat
Wide
shots
Speedin
g up
Slo-mo
Low
angle
shot
Close
up
Longe
range
18. SUMMARY
5 opportunities of your ideas
â˘Learning new editing techniques
â˘Getting used to working with other people in groups
â˘Practicing filming and getting different types of shots
⢠having to adapt in a bad situation to get the best
outcome
â˘Using the resources to make the best video I can
19. SUMMARY
5 restrictions to your ideas
⢠Due to covid we must use our phones
⢠Also we have limited locations that we can use
⢠We have very limited equipment
⢠We have a limit of people we can use in the video
⢠a lot of the shots will depend on the weather and if its fit to film.
20. FINAL IDEA â
ARTIST/TITLE/INFO
Name of track: trust nobody / name of artist: hippie
sabotage
Brief biographical background
Hippie Sabotage first formed in 2005, when the siblings started making
music together at the age of 12. In an interview with LA Weekly, Jeff
said: "We were in sixth or seventh grade. Weâve been making music
ever since and took it seriously about 2009 or 2010, I think. That when
we started Hippie Sabotage. Shortly after that, we started putting out
instrumental albums."
If youâre wondering where the name Hippie Sabotage comes from, let
Kevin explain it for you: âIt starts with H.S. being our dad's initials and
our grandfather's initials, so it's a bit of a family thing. And then I think
it represents both sides of the coin and both sides of the personality
that we bring â both the hippie and the sabotage."
Links to other artists
Genre info
21. FINAL IDEA â TRACK
SUMMARY
Summary/analysis of track [consider meaning, content,
duration, pace and style of the song]
Length of song is 3:45 but im using 2 minutes of it.
The song is about how now the person is getting
recognized and has money it's hard to trust people
around him and that he trusts no one as he will never
know if they want to be with him for the right or wrong
reasons.
The song is a mix of slow and fast pace, but the beat is
very prominent and is what the song is most recognized
for.
22. FINAL IDEA â YOUR IDEA
Your creative concept/video synopsis [describe your interpretation,
use of imagery or narrative, genre conventions, etc]
The video is going to be hard hitting and dark and a bit gritty
It will include a performer and maybe some vehicles because of the
sort of beat that is used there will be lots of cuts to the beat to
create that tension and build up for the drops which then
something big will happen. some shots will just be one single
person, there might be dancing but that is still undecided. The
video will start with a mid-shot of the performer wearing a black
outfit in a city at night it will then have various cuts switching the
location and matching the beat there will be performing elements
throughout like miming the words .The video will also have a shot
which has the performer riding a motorbike (TBD) it will mostly be
set at night in the city but will have contrasting shots as one shot
will be in an empty field with the performer on there own. I would
like to try get a shot in front of a green screen to then edit
something behind it but this may not be accessible. There will be
shots throughout that will include extras just to add to the feel of
the video. The video itself will be mostly dark with bright coloured
lights to contrast the night but some shots will be shot through the
day as it contrasts nicely and has a deeper meaning which fits the
song. The outfits will be colour coordinated to give it a music video
feel.
24. GUIDANCE:
PRE-PRODUCTION
ASSESSMENT
You need to assess the viability of your production and
investigate what is required to enable you to make your
music video
Much of this task is hypothetical, which means you will
need to investigate standard costings for such a
production and apply these to your planned production
considering which equipment you would need and
resources, etc
Resources to support this are in the Pre-production
assessment folder on Blackboard
Delete the questions on each slide and insert your
responses
25. TITLE OF
PRODUCTION/PRODUCTION
OUTLINE
Summary of intended production
Detail here what you are going to make and the intended
outcome
Detailed breakdown of the music track chosen and your
interpretation of it [remember the questions in the
workbook, e.g. pace/mood/tone/structure]
Specific outline your intended technical/equipment
requirements
Include any details that you think [you could use material
from your pitch]
26. PRODUCTION OUTLINE
The intension of this product is just to express how I
visualize the song when I listen to it and to capture every
beat and to reflect the tone and emotion of the song to
show contrast between dark and light and to reflect what
the song is talking about. The way in which I play to do
this is to use various locations to show contrast and to
show that even though you changed location you are the
same, this is my own interpretation and idea on the
message of the song. I plan to use color to really show
this and use lighting and natural lighting to reflect the
mood. I will also use editing to reflect the pace mood
and tone of the song by cutting to the beat using slow
motion and much more. I will mostly be using my phone
to film but possibly a camera if I can get hold of one, I
see this as a challenge that I must try to overcome and
get the best out of what I have to use as the equipment I
have is very limited. To edit I will be using the macs
provided in college, the software I will use is premiere
pro and after edit and in the event that I have to edit at
home I will try get the best editing software I can get at
that time. I will be using various locations and there may
be extras in the video it will mostly be focused on the
performer and there action but there will also be shots
27. LOCATIONS
You need to identify locations and plan a recce.
What are the limitations and risks, eg distance, access,
cost, weather? How will you manage this?
Abandoned building
York city Centre
Outskirts of York e.g. field etc.
At my house
28. EQUIPMENT
What do you need? E.g. equipment, resources? Mostly
from college, but who do you need to speak to get this
kit? What is available? When?
Look at equipment hire places, etc
Phone
Lighting
Vehicles
These will all be essential to the aesthetic and feel of the
video.
29. FACILITIES
Where will you edit your video? Do you need any other
specialist facilities�
In college using premiere pro and at home using
software I can get hold of.
We may also use after effects.
Windows movie maker might be something I use if I work
from home doing editing.
30. PERSONNEL
CREW: What is you team? Who is in it? What are each
team members strengths/weaknesses? When are they
available?
CAST: Do you need any external performers? When are
they available? Cost implications? Will you have to feed
them? Transport them?
Other personnel? Is anyone else helping you?
Me and my friends will be performing I will have to
provide transport to certain locations but not all. One of
my friends will be helping with filming and maybe
performing one of my other friend will be performing as
well and some of my other friends will be extras and will
help with equipment and filming.
33. PRE-PRODUCTION: VISUAL
PLANNING
This section is concerned with the visual planning of your
music video
You should use this section to develop the sequencing or
your video, establish the relationship between the visuals
and the track itself and create a structure for you to
follow when filming
It is important that you âpre-visualiseâ the video before
you make it; it will make filming and production a more
streamlined process
The following tasks are part of your visual planning
ď Pre-visualisation and concept boards
ď Storyboarding
ď Shot list
34. PRE-
VISUALISATION/CONCEPT
BOARDS
Tool for exploring the direction and visuals
Provides inspiration and information for the âlook & feelâ
Presents key moments in your video
A means to sketch/plan ideas
Information on colour/lighting
Defining the âmise-en-sceneâ
Include as much here as you like, but keep it relevant to the
production, the following slides have been left blank for you
to approach in your own way, add more as you need to
Extension suggestion: edit a short sequence of clips that
have inspired or influenced your video [similar to this:
http://io9.com/5941145/this-directors-video-pitch-for-
hunger-games-might-be-better-than-the-real-movie]
38. SHOT LIST
Your shot list should contain the sequential breakdown
of what you need to shoot for your video
It should work in partnership with your storyboard
It will be your working document when you film
It should contain the shot number, scene number, shot
description, framing and action you will see
It should also have information on performers in the
scene and other props, etc
Shot list template is on Blackboard in the pre-production
folder.
39. SHOT LIST
Shot
No.
Shot
type
Estimated
duration
Description/not (e.g. camera movement,
specific directions for performer etc.)
mid
range
10-20s maybe
less sometimes
This shot will be used numerous times throughout
but the movement with this shot will mostly be still.
But one of the shots will be following the performer
Long
range
5-15s This shot will also me used numerous times in a few
of the locations. In one of the shots used it will
zoom in.
Close up 10-20s This shot will be after the long range has zoomed in
it will cut to different locations with the focus still on
the performer this shot will be more editing than
camera work.
Wide
shot
20s Eye level. Focus on performer. Still. But sometimes
moving.
mid
close up
20s Sometimes still and sometimes following performer
or moving erratically
Low
angle
and high
angle
15-20s The shot will flow between low and high angle shots
with the focus remaining on the performer.
40. RIP-O-MATIC
You should also construct a 15-20second Rip-o-matic
test reel using existing footage to convey the type of
video you want to make
41. STRUCTURAL BREAKDOWN
Breakdown your track into it basic sections [e.g. intro,
verse, chorus, verse, etc] and apply broad visual ideas to
each section
You can use this as the master template for your
production, then add more shots to each section when
you develop your full visual plan
You should create a slide showing all the sections of the
song, then add a slide for each section with timings,
lyrics, what happens and details on specific shots
You could storyboard and shot list each section as you
go, to break up the process.
42. STORYBOARDING
Your storyboard should bring your idea to life
Provide an idea of the sequencing of you video
Provides a basis for production
Suggested online storyboard creators are:
ď https://www.storyboardthat.com
ď http://www.pixton.com [very complicated]
ď http://www.storyjumper.
ď com [allows you to insert your own images]
Alternatively, hand draw or photograph your storyboard and
scan or copy to insert it onto your slides
There are lots of tips collected together on Blackboard!
45. PRODUCTION GROUP INFOInclude names, contact info, and defined roles at
difference stages of production, using a table is
suggested. There are only meant to be two tables but I
cant change it from 3 back to 2Name. Role.
Olly Taylor Director, producer,
performer, filmer,
editor
Jordan filmer
Antony filmer
Tom filmer
46. LOCATION INFORMATION
Information and images of your location[s] for filming
You should have address details, clearance/premissions
for filming, recce photos and floorplans [including
camera, equipment and cast/crew layouts]
Where possible, have a plan B fallback location option
Assess each location for any issues and suggest
solutions
47. LOCATIONS
York city centre â many locations in the centre e.g. the
minster and Clifford's tower- these are mostly for my
performance shots
My house.
Museum gardens- these where mostly the scenic shots.
48. RISK ASSESSMENT
Risk Assess each separate filming location using the
table in the camera H&S PP on Bb as a staring point
Completing a generic filming assessment would be a
start, then you can add specialist/site specific risks as
you progress your production
Remember, a Risk Assessment is an ongoing document,
you should evaluate if anything changes in production
and when you put control measures in place
You should add the table to each call sheet for each
location
49. RISK ASSESSMENT
Risk How to avoid the risk
Dropping camera Be careful when filming
Videos getting corrupt or
deleted
Back up the files and the
videos
Eye strain when editing Take brakes in between
Losing all the work when
editing
Always save after every new
thing you do
Camera equipment getting wet
due to rain
Get a plastic covering or bring
an umbrella
50. CONTINGENCY PLANNING
Things go wrong
Your contingency plan is there to give you a backup or to
minimise the effect on production
You should consider the following areas: Technical,
Location, Personnel and Organisational areas [about 5
potential issues for each]
Use the form in pre-production folder on Blackboard
51. CONTINGENCY PLAN
Pot. Problem Effect on Production Solution/Control Person Responsible
It rains Wouldnât be able to film
on certain day if the
location is outdoors
Find an indoor location
or try rearrange the days
of filming.
Myself.
Not being able to get to
a location
Wouldnât be able to get
to wanted location
Have a second location. Mysself
One of the personal
canât come to the shoot
Depending on their role
it would just make it
difficult to shoot that
day
Try find a fill in for that
day or try do it myself.
myself
Phone dies Either cant film or cant
play the music.
Bring charger and
battery pack or make
sure someone else has
phone so that you can
switch to that one
myself
52. PRODUCTION SCHEDULE
Your schedule should budget a total of 10 hours for
production, that is for the filming and editing of your
project.
You should plan when youâre filming and how you intend
to use the in class days on your timetable/class schedule
53. SCHEDULE
Filming
Day 1: get all the shots that are possible from home then
later on that day go into town to get some shots their
depending on the weather
Day 2: Find a suitable derelict location that is safe and is
accessible get the shots done there then later on finish the
shots in town.
Due to covid my schedule could not be used and I had to
film at any point I could and due to the recent lockdown I
wasnât able to get the remaining clips I needed but im
hopeful that I will have enough.
54. CLEARANCE AND
PERMISSIONS
Any place you film and anyone you use in the filming of
your video must have a completed form
Blank forms are on Blackboard for you to complete and
insert here
I didnât need to get any clearance for my locations.