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EXPLORING COLLABORATIVE
PROCESSES BETWEEN MAKER
LABORATORIES, DESIGNERS AND
COMPANIES MOVING FROM 3RD
TO 4TH INDUSTRIAL REVOLUTION
Massimo Bianchini, Venanzio Arquilla
Department of Design, Politecnico di Milano
massimo.bianchini@polimi.it - venanzio.arquilla@polimi.it
Massimo Menichinelli
IAAC | Fab City Research Lab
massimo@fablabbcn.org
Guillermo Gustavo Flores Vazquez
Independent researcher
guillermogustavo.flores@mail.polimi.it
INTRODUCTION
CONTEXT: MAKERS + INDIE DESIGNERS
CONTEXT: TRANSITION
1.Economic and technological limits of many maker
laboratories combined with aesthetic, functional and
material aspects of artefacts made by makers are still
far from being appreciated by the market.
2.An increasing number of unemployed or low wages
designers and creative professionals need to transform
themselves into self-employees or self-entrepreneurs
and are then claiming easier access to the means of
production.
3.Companies (mainly SMEs and craftsmen) need to
digitally transform their products and production
processes to intercept a new generation of customers
that are evolving into community-users and user or free
innovators (Von Hippel, 2005 and 2016).
RESEARCH QUESTIONS
Exploring the relationship between maker labs
(Fab Labs, Makerspaces, ...), designers and
companies:
●
are these subjects developing collaborative
processes and producing a new systemic
innovation model in terms of circular
economy?
●
are these collaborations generating and
configuring sustainable open and distributed
production models?
●
are these collaborations moving or evolving
from 3rd to 4th industrial revolution
scenario?
SUMMARY AND TOPICS
1.Collaboration between maker
laboratories, designers and companies. A
(first) state-of-the-art
2.The analysis of collaborative processes
between maker labs, designers and
companies
3.Conclusions
KEYWORDS: MAKER LABORATORIES, DESIGNERS, MANUFACTURING
SMES, DISTRIBUTED PRODUCTION, COLLABORATIVE PROCESSES,
CIRCULAR ECONOMY
COLLABORATION BETWEEN
MAKER LABORATORIES,
DESIGNERS AND COMPANIES
MAKER MOVEMENT: END OF THE “FIRST PHASE”
The growth of the Maker Movement and its
“maker laboratories” (Fab Labs, makerspaces,
hackerspaces) as a tangible evidence of “The
Great Transformation” (Polanyi, 2001;
Brynjolfsson and McAfee, 2014).
Makers and maker labs on the most advanced
limit of the Third Industrial Revolution
(Anderson, 2011 and 2013), two paradigmatic
symbols of this age.
Maker labs are enabling spaces or minimal
units of a sharing and circular economy model.
MAKER MOVEMENT: ENTERING THE “SECOND PHASE”
https://makezine.com/2017/11/15/techshop-closes-doors-files-bankruptcy/
MAKER MOVEMENT: ENTERING THE “SECOND PHASE”
https://www.forbes.com/sites/ryanmac/2016/10/05/3d-robotics-solo-crash-chris-anderson/
MAKER MOVEMENT: ENTERING THE “SECOND PHASE”
For many maker labs, the creation of “one's own makers’
community”, possibly composed of a large number of
Makers Pro, user, free and citizen innovators (Eskelinen
et al., 2015; von Hippel, 2016) and indie designers,
represents one of the most important objectives.
New way to interact between maker labs and makers'
community:
●
experimental projects that can also lead to
entrepreneurial initiatives;
●
organise activities aimed at generating economies for
these spaces (education, events, food, arts and more)
●
competitive European research and projects (e.g. H2020
CAPS project like MAKE-IT, OpenCare, OpenMaker, Digital
DIY; Creative Europe projects like Distributed Design
Market Platform, Made@EU and Interreg programmes like
FabLabNet)
MAKER MOVEMENT: ENTERING THE “SECOND PHASE”
[...] some of these projects work specifically to
enables the growth and governance of the Maker movement
in different directions:
●
development of social innovation practices;
●
stimulation of open source and digital maker practices
and open design engaging citizens and institution;
●
bringing together mainstream manufacturers and makers
in ecosystems, in order to enable cross-boundary
partnerships for innovation;
●
creating a new distributed market for makers and
designers.
MAKER LABS + COMPANIES
●
several companies offering software and hardware for
digital fabrication processes that are very "close" to
the Maker movement and maker labs (Sparkfun, Adafruit
or WASP)
●
companies typically turn to maker labs as service for
prototyping, or in other cases to organise activities
such as workshops and hackathons having a double
purpose (Airbus and Renault created their internal
maker spaces)
●
network of lab in regional clusters (Mak-ER, Fab Lab
Toscana, ...)
●
makers as innovation instigators for large corporations
(Chevron with Fab Foundation)
MAKER LABS + COMPANIES
●
Maker labs as an emerging "third party" in the
traditional relationship between designers and
companies (digital technology and digital making as
enablers for indie professionals and designer-
enterprises)
●
On one side, makers and designers (at least in Italy)
are increasingly trying to transform their making
activities into their main professional practice
(Menichinelli et al. 2017)
●
Besides these contributions, the interactions between
maker laboratories, designers and companies have been
analysed only in very few cases (focus is mainly on
peer production and social innovation)
ANALYSIS OF COLLABORATIVE
PROCESSES BETWEEN MAKER
LABS, DESIGNERS AND
COMPANIES
RESEARCH METHODOLOGY
1.Selection of some countries from the fablabs.io list
of Maker Labs;
2.Identifying explicit industry / designers
collaborations through webpages and social media
3.Online survey (25 questions) submitted to 25 Maker
Labs
1.the most important countries for maker labs (US,
Italy, and France)
2.countries that have important international labs
(super-nodes, e.g. Holland and Spain)
3.countries that have important systems of design and
large-scale industry (US, Germany and France) or
small-medium industry (Italy and Spain)
4.countries characterised by a strong service design
sector (UK, the Netherlands).
SURVEY STRUCTURE
Section 1.
General info about
the Fab Lab / makerspace
● Questions about History of the lab, employees and
capabilities, equipment, activities and services.
Section 2.
Fab Lab / makerspace system
of relationship
● Questions about skills of the lab community,
network of relationship with designers, companies
and other subjects.
Section 3.
Relationship and collaboration
with companies
● Questions about companies that collaborated with
the lab (sector, size, …), kind and scope of the
collaborations, and critical aspects and/or new
opportunities related to collaborations.
Section 4.
Relationship and collaboration
with designers
● Questions about designers that collaborated with
the lab (disciplines, skills, …), kind and scope
of the collaborations, and critical aspects
and/or new opportunities related to
collaborations.
Section 5.
Collaboration with companies
and designers
● Questions about projects that bring maker labs
companies and designers together: kind of
projects and outputs (e.g. distribution on the
market), economic support received to stimulate
the collaboration with companies and designers,
critical aspects and/or new opportunities related
to these collaborations.
MAKER LABS INVOLVED
14 Fab Labs involved in the survey (over 25 contacted)
during 05-08/2017:
● DingFabrik Köln (Germany)
● Openlab Hamburg (Germany)
● FabLab Amsterdam (The Netherlands)
● Bristol Maker Lab (UK)
● The FabLab – Milan (Italy)
● Fab Lab Torino (Italy)
● Mio Cugino – Milan (Italy)
● FabLab IED – Madrid (Spain)
● Deusto FabLab – Bilbao (Spain)
● Createc3d – Granada (Spain)
● FabLab UE – Madrid (Spain)
● FabLab Lux - Esch sur Alzette (Louxembourg)
● Innofab (France)
● Maker Works (USA)
MAKER LABS INVOLVED
14 Fab Labs involved in the survey (over 25 contacted) (05-08/2017)
MAKER LABS: GENERAL INFO
MAKER LABS: GENERAL INFO
MAKER LABS: TECHNICAL EQUIPMENT
MAKER LABS: SKILLS/EXPERTISE
MAKER LABS: COMMUNITY
MAKER LABS: WITH COMPANIES
MAKER LABS: WITH COMPANIES
MAKER LABS: WITH COMPANIES
MAKER LABS: TYPES OF COLLABORATION
MAKER LABS: WITH DESIGNERS
MAKER LABS: WITH DESIGNERS
MAKER LABS: WITH COMPANIES & DESIGNERS
CONCLUSIONS
CONCLUSIONS
Are these subjects developing collaborative processes
and producing a new open, distributed, systemic
innovation model evolving from 3rd to 4th industrial
revolution scenario?
●
The pioneer era is almost over, more structured
business models and growing processes are needed.
●
Shifting from the evangelistic phase to a more
“conscientious” one, still in its early steps,
characterised by a more rigorous practice and research,
interacting with public institutions and companies.
●
Making seems to be no more the scope of the activities
but the means or the philosophy.
●
Making better policies, better society, better
competences to find creative, alternative and effective
ways to the Industry 4.0 with a social and circular
approach.
●
It constitutes only an embryo of a real market of the
products developed by makers with maker labs.
THANK YOU!
Massimo Bianchini
massimo.bianchini@polimi.it
Venanzio Arquilla
venanzio.arquilla@polimi.it
Massimo Menichinelli
massimo@fablabbcn.org
Guillermo Gustavo Flores Vazquez
guillermogustavo.flores@mail.polimi.it

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Exploring Collaborative Processes Between Maker Laboratories, Designers And Companies Moving From 3rd To 4th Industrial Revolution @ Cumulus Paris 2018

  • 1. EXPLORING COLLABORATIVE PROCESSES BETWEEN MAKER LABORATORIES, DESIGNERS AND COMPANIES MOVING FROM 3RD TO 4TH INDUSTRIAL REVOLUTION Massimo Bianchini, Venanzio Arquilla Department of Design, Politecnico di Milano massimo.bianchini@polimi.it - venanzio.arquilla@polimi.it Massimo Menichinelli IAAC | Fab City Research Lab massimo@fablabbcn.org Guillermo Gustavo Flores Vazquez Independent researcher guillermogustavo.flores@mail.polimi.it
  • 3. CONTEXT: MAKERS + INDIE DESIGNERS
  • 4. CONTEXT: TRANSITION 1.Economic and technological limits of many maker laboratories combined with aesthetic, functional and material aspects of artefacts made by makers are still far from being appreciated by the market. 2.An increasing number of unemployed or low wages designers and creative professionals need to transform themselves into self-employees or self-entrepreneurs and are then claiming easier access to the means of production. 3.Companies (mainly SMEs and craftsmen) need to digitally transform their products and production processes to intercept a new generation of customers that are evolving into community-users and user or free innovators (Von Hippel, 2005 and 2016).
  • 5. RESEARCH QUESTIONS Exploring the relationship between maker labs (Fab Labs, Makerspaces, ...), designers and companies: ● are these subjects developing collaborative processes and producing a new systemic innovation model in terms of circular economy? ● are these collaborations generating and configuring sustainable open and distributed production models? ● are these collaborations moving or evolving from 3rd to 4th industrial revolution scenario?
  • 6. SUMMARY AND TOPICS 1.Collaboration between maker laboratories, designers and companies. A (first) state-of-the-art 2.The analysis of collaborative processes between maker labs, designers and companies 3.Conclusions KEYWORDS: MAKER LABORATORIES, DESIGNERS, MANUFACTURING SMES, DISTRIBUTED PRODUCTION, COLLABORATIVE PROCESSES, CIRCULAR ECONOMY
  • 8. MAKER MOVEMENT: END OF THE “FIRST PHASE” The growth of the Maker Movement and its “maker laboratories” (Fab Labs, makerspaces, hackerspaces) as a tangible evidence of “The Great Transformation” (Polanyi, 2001; Brynjolfsson and McAfee, 2014). Makers and maker labs on the most advanced limit of the Third Industrial Revolution (Anderson, 2011 and 2013), two paradigmatic symbols of this age. Maker labs are enabling spaces or minimal units of a sharing and circular economy model.
  • 9. MAKER MOVEMENT: ENTERING THE “SECOND PHASE” https://makezine.com/2017/11/15/techshop-closes-doors-files-bankruptcy/
  • 10. MAKER MOVEMENT: ENTERING THE “SECOND PHASE” https://www.forbes.com/sites/ryanmac/2016/10/05/3d-robotics-solo-crash-chris-anderson/
  • 11. MAKER MOVEMENT: ENTERING THE “SECOND PHASE” For many maker labs, the creation of “one's own makers’ community”, possibly composed of a large number of Makers Pro, user, free and citizen innovators (Eskelinen et al., 2015; von Hippel, 2016) and indie designers, represents one of the most important objectives. New way to interact between maker labs and makers' community: ● experimental projects that can also lead to entrepreneurial initiatives; ● organise activities aimed at generating economies for these spaces (education, events, food, arts and more) ● competitive European research and projects (e.g. H2020 CAPS project like MAKE-IT, OpenCare, OpenMaker, Digital DIY; Creative Europe projects like Distributed Design Market Platform, Made@EU and Interreg programmes like FabLabNet)
  • 12. MAKER MOVEMENT: ENTERING THE “SECOND PHASE” [...] some of these projects work specifically to enables the growth and governance of the Maker movement in different directions: ● development of social innovation practices; ● stimulation of open source and digital maker practices and open design engaging citizens and institution; ● bringing together mainstream manufacturers and makers in ecosystems, in order to enable cross-boundary partnerships for innovation; ● creating a new distributed market for makers and designers.
  • 13. MAKER LABS + COMPANIES ● several companies offering software and hardware for digital fabrication processes that are very "close" to the Maker movement and maker labs (Sparkfun, Adafruit or WASP) ● companies typically turn to maker labs as service for prototyping, or in other cases to organise activities such as workshops and hackathons having a double purpose (Airbus and Renault created their internal maker spaces) ● network of lab in regional clusters (Mak-ER, Fab Lab Toscana, ...) ● makers as innovation instigators for large corporations (Chevron with Fab Foundation)
  • 14. MAKER LABS + COMPANIES ● Maker labs as an emerging "third party" in the traditional relationship between designers and companies (digital technology and digital making as enablers for indie professionals and designer- enterprises) ● On one side, makers and designers (at least in Italy) are increasingly trying to transform their making activities into their main professional practice (Menichinelli et al. 2017) ● Besides these contributions, the interactions between maker laboratories, designers and companies have been analysed only in very few cases (focus is mainly on peer production and social innovation)
  • 15. ANALYSIS OF COLLABORATIVE PROCESSES BETWEEN MAKER LABS, DESIGNERS AND COMPANIES
  • 16. RESEARCH METHODOLOGY 1.Selection of some countries from the fablabs.io list of Maker Labs; 2.Identifying explicit industry / designers collaborations through webpages and social media 3.Online survey (25 questions) submitted to 25 Maker Labs 1.the most important countries for maker labs (US, Italy, and France) 2.countries that have important international labs (super-nodes, e.g. Holland and Spain) 3.countries that have important systems of design and large-scale industry (US, Germany and France) or small-medium industry (Italy and Spain) 4.countries characterised by a strong service design sector (UK, the Netherlands).
  • 17. SURVEY STRUCTURE Section 1. General info about the Fab Lab / makerspace ● Questions about History of the lab, employees and capabilities, equipment, activities and services. Section 2. Fab Lab / makerspace system of relationship ● Questions about skills of the lab community, network of relationship with designers, companies and other subjects. Section 3. Relationship and collaboration with companies ● Questions about companies that collaborated with the lab (sector, size, …), kind and scope of the collaborations, and critical aspects and/or new opportunities related to collaborations. Section 4. Relationship and collaboration with designers ● Questions about designers that collaborated with the lab (disciplines, skills, …), kind and scope of the collaborations, and critical aspects and/or new opportunities related to collaborations. Section 5. Collaboration with companies and designers ● Questions about projects that bring maker labs companies and designers together: kind of projects and outputs (e.g. distribution on the market), economic support received to stimulate the collaboration with companies and designers, critical aspects and/or new opportunities related to these collaborations.
  • 18. MAKER LABS INVOLVED 14 Fab Labs involved in the survey (over 25 contacted) during 05-08/2017: ● DingFabrik Köln (Germany) ● Openlab Hamburg (Germany) ● FabLab Amsterdam (The Netherlands) ● Bristol Maker Lab (UK) ● The FabLab – Milan (Italy) ● Fab Lab Torino (Italy) ● Mio Cugino – Milan (Italy) ● FabLab IED – Madrid (Spain) ● Deusto FabLab – Bilbao (Spain) ● Createc3d – Granada (Spain) ● FabLab UE – Madrid (Spain) ● FabLab Lux - Esch sur Alzette (Louxembourg) ● Innofab (France) ● Maker Works (USA)
  • 19. MAKER LABS INVOLVED 14 Fab Labs involved in the survey (over 25 contacted) (05-08/2017)
  • 25. MAKER LABS: WITH COMPANIES
  • 26. MAKER LABS: WITH COMPANIES
  • 27. MAKER LABS: WITH COMPANIES
  • 28. MAKER LABS: TYPES OF COLLABORATION
  • 29. MAKER LABS: WITH DESIGNERS
  • 30. MAKER LABS: WITH DESIGNERS
  • 31. MAKER LABS: WITH COMPANIES & DESIGNERS
  • 33. CONCLUSIONS Are these subjects developing collaborative processes and producing a new open, distributed, systemic innovation model evolving from 3rd to 4th industrial revolution scenario? ● The pioneer era is almost over, more structured business models and growing processes are needed. ● Shifting from the evangelistic phase to a more “conscientious” one, still in its early steps, characterised by a more rigorous practice and research, interacting with public institutions and companies. ● Making seems to be no more the scope of the activities but the means or the philosophy. ● Making better policies, better society, better competences to find creative, alternative and effective ways to the Industry 4.0 with a social and circular approach. ● It constitutes only an embryo of a real market of the products developed by makers with maker labs.
  • 34. THANK YOU! Massimo Bianchini massimo.bianchini@polimi.it Venanzio Arquilla venanzio.arquilla@polimi.it Massimo Menichinelli massimo@fablabbcn.org Guillermo Gustavo Flores Vazquez guillermogustavo.flores@mail.polimi.it