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What are the digital humanities, and why should I care?
Paige Morgan
Digital Humanities Librarian
February 12, 2016
Goals: what I can do
• Provide necessary background and strategic
advice.
• Allow you to begin charting your own course.
• Help make UM Libraries a supportive space for
experimenting and learning about DH.
• Continue building a digital humanities cohort at
Miami.
Limits: what I can’t do
CAN BECOME
A DIGITAL HUMANIST
But don’t worry...
The point of this
workshop is not to
convert you to digital
humanities.
There is no single
way of being a digital
humanist.
Defining DH
• By the start of the “first DH project” (1946,
approximately: date of Roberto Busa’s plan for
the Codex Thomisticus, a digital concordance
of the works of Aquinas)
• By its stability, or lack thereof, its self-
consciously mutable and multimodal nature
• According to its friction with traditional a.k.a.
“analog” humanities
Defining DH
• “the use of digital evidence, [and/or] methods
of inquiry, [and/or] research, [and/or]
publication and[/or] preservation to achieve
scholarly and research goals.” (Scholarly Communication
Institute, University of Virginia)
• “research that uses information technology as
a central part of its methodology, for creating
and/or processing data.” (University of Oxford)
DH goals and
methodologies depend on
the specific subject matter,
and the availability of
primary/secondary source
materials and tools.
Alternatives to the “What is DH?” question
• How does this project/essay/argument
engage with current and previous
scholarship in my discipline?
• What sort of critical thinking and
interpretive work is involved in this
project?
• How does this project fit into the
existing environment of projects and
resources?
Why values?
• While the tools, projects, and methods are
diverse, values tend to be more holistic
• Understanding the values that drive digital
scholarship allows you to participate in
conversations whether or not you yourself
identify as a digital scholar
Values behind DH
• adaptive
• sustainable/resource-
aware
• multimodal
• interdisciplinary
• auto-didactic
• collaborative
• ad hoc
• process & product-
driven
• accessible
• public & transparent
• project-oriented
• social
Most DH projects are,
in essence, sources,
processed and
presented.*
• “Sources, processed and presented” is the framework used by Miriam Posner in “How Did They Make T
hat? The
Video,” http://miriamposner.com/blog/how-did-they-make-that-the-video/
They’re also
designed with a
specific audience (or
audiences) in mind.
Websites for Evaluation
TBA Friday!
Questions for Evaluation
• What is the project doing? Why are its
creators doing this?
• What aspects of it work well? What aspects
could be improved?
• Which DH values do you see exhibited
within the project?
What is DH?
(a humbler definition)
Thinking about the available materials;
how digital tools will allow you to process
them and present them to audiences in
ways that weren’t previously possible (or
at least, weren’t easy) – and acting on
your thoughts.
Why should you care?
• Opportunities for scholarship in new forms.
• Better understanding of how digital scholarly
sources are made.
• Even if you’re not planning to build digital
tools, your scholarly expertise is relevant to
digital humanities research.
The big question:
What do you want to
do with digital
scholarship?
Flash Project Development
Brainstorm a DH project with your team!
(Students at Cabrini College brainstorm a DH project on porn. Image c/o Adeline Koh.)
Will it focus on one distinct topic? Or on
bringing multiple topics together?
What artefacts will it contain, or collect?
How will users interact
and/or contribute?
What forms (modes) will it take?
Flash Project Brainstorming
What perspectives do you want it to explore?
Resources for further training and
collaboration
• Florida Digital Humanities
Consortium (http://fldh.org/)
• HASTAC: http://www.hastac.org
• DHNow:
http://digitalhumanitiesnow.org
• TransformDH: http://transformdh.org
• Profhacker:
http://chronicle.com/blogs/profhacker
/
• How Did They Make That?
http://miriamposner.com/blog/how-
did-they-make-that-the-video/
• Digital Humanities on Twitter -- no
account needed
https://twitter.com/paigecmorgan/digi
tal-humanities and
https://twitter.com/GrandjeanMartin/li
sts/digital-humanities
• Digital Research Tools (DiRT)
http://dirtdirectory.org
• DHCommons
http://www.dhcommons.org
• DHSI: http://www.dhsi.org
• TEI Seminars at Brown University:
http://www.wwp.northeastern.edu/ou
treach/seminars/
Thank you!
Want to chat more about DH?
Email me (p.morgan@miami.edu )
or
make an appointment (http://paigecmorgan.youcanbook.me)

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Feb.2016 Demystifying Digital Humanities - Workshop 1

  • 1. What are the digital humanities, and why should I care? Paige Morgan Digital Humanities Librarian February 12, 2016
  • 2. Goals: what I can do • Provide necessary background and strategic advice. • Allow you to begin charting your own course. • Help make UM Libraries a supportive space for experimenting and learning about DH. • Continue building a digital humanities cohort at Miami.
  • 3. Limits: what I can’t do CAN BECOME A DIGITAL HUMANIST
  • 5. The point of this workshop is not to convert you to digital humanities.
  • 6. There is no single way of being a digital humanist.
  • 7. Defining DH • By the start of the “first DH project” (1946, approximately: date of Roberto Busa’s plan for the Codex Thomisticus, a digital concordance of the works of Aquinas) • By its stability, or lack thereof, its self- consciously mutable and multimodal nature • According to its friction with traditional a.k.a. “analog” humanities
  • 8. Defining DH • “the use of digital evidence, [and/or] methods of inquiry, [and/or] research, [and/or] publication and[/or] preservation to achieve scholarly and research goals.” (Scholarly Communication Institute, University of Virginia) • “research that uses information technology as a central part of its methodology, for creating and/or processing data.” (University of Oxford)
  • 9. DH goals and methodologies depend on the specific subject matter, and the availability of primary/secondary source materials and tools.
  • 10. Alternatives to the “What is DH?” question • How does this project/essay/argument engage with current and previous scholarship in my discipline? • What sort of critical thinking and interpretive work is involved in this project? • How does this project fit into the existing environment of projects and resources?
  • 11. Why values? • While the tools, projects, and methods are diverse, values tend to be more holistic • Understanding the values that drive digital scholarship allows you to participate in conversations whether or not you yourself identify as a digital scholar
  • 12. Values behind DH • adaptive • sustainable/resource- aware • multimodal • interdisciplinary • auto-didactic • collaborative • ad hoc • process & product- driven • accessible • public & transparent • project-oriented • social
  • 13.
  • 14. Most DH projects are, in essence, sources, processed and presented.* • “Sources, processed and presented” is the framework used by Miriam Posner in “How Did They Make T hat? The Video,” http://miriamposner.com/blog/how-did-they-make-that-the-video/
  • 15. They’re also designed with a specific audience (or audiences) in mind.
  • 17. Questions for Evaluation • What is the project doing? Why are its creators doing this? • What aspects of it work well? What aspects could be improved? • Which DH values do you see exhibited within the project?
  • 18. What is DH? (a humbler definition) Thinking about the available materials; how digital tools will allow you to process them and present them to audiences in ways that weren’t previously possible (or at least, weren’t easy) – and acting on your thoughts.
  • 19. Why should you care? • Opportunities for scholarship in new forms. • Better understanding of how digital scholarly sources are made. • Even if you’re not planning to build digital tools, your scholarly expertise is relevant to digital humanities research.
  • 20. The big question: What do you want to do with digital scholarship?
  • 21. Flash Project Development Brainstorm a DH project with your team! (Students at Cabrini College brainstorm a DH project on porn. Image c/o Adeline Koh.)
  • 22. Will it focus on one distinct topic? Or on bringing multiple topics together? What artefacts will it contain, or collect? How will users interact and/or contribute? What forms (modes) will it take? Flash Project Brainstorming What perspectives do you want it to explore?
  • 23. Resources for further training and collaboration • Florida Digital Humanities Consortium (http://fldh.org/) • HASTAC: http://www.hastac.org • DHNow: http://digitalhumanitiesnow.org • TransformDH: http://transformdh.org • Profhacker: http://chronicle.com/blogs/profhacker / • How Did They Make That? http://miriamposner.com/blog/how- did-they-make-that-the-video/ • Digital Humanities on Twitter -- no account needed https://twitter.com/paigecmorgan/digi tal-humanities and https://twitter.com/GrandjeanMartin/li sts/digital-humanities • Digital Research Tools (DiRT) http://dirtdirectory.org • DHCommons http://www.dhcommons.org • DHSI: http://www.dhsi.org • TEI Seminars at Brown University: http://www.wwp.northeastern.edu/ou treach/seminars/
  • 24. Thank you! Want to chat more about DH? Email me (p.morgan@miami.edu ) or make an appointment (http://paigecmorgan.youcanbook.me)