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STARCK
mercredi, 23 novembre 2011
STARCK
mercredi, 23 novembre 2011
Philippe STARCK

   Born on January 18th 1949
   in Paris
   father André Starck (airplane
   conceptor)
   mother Jacqueline Lanourisse
   father of Ara, Oa and K.
   Studied in Ecole Nissim de
   Camondo in Paris (France)
   Creation of Starck Products in
   1979
   Creation of UBIK in 1983




STARCK
mercredi, 23 novembre 2011
An honest, enthusiastic citizen of today's world, he
     considers it his duty to share with us his subversive
     vision of a better world which is his alone and yet
     which fits up like a glove.




STARCK
mercredi, 23 novembre 2011
He is tireless in changing the realities of our daily life,
     sublimating our roots and the deepest wellsprings of
     our being into his changes. He turns the toothbrush
     into a noble object, squeezes lemons but the " wrong
     " way, and even makes our TV sets more fun to be
     with when he brings his " emotional style " into
     Thomson's electronic world.




STARCK
mercredi, 23 novembre 2011
He also takes time out to change our pasta, our ash-
     trays, lamps, toothbrushes, door handles, cutlery,
     candlesticks, kettles, knives, vases, clocks, scooters,
     motorcycles, desks, beds, taps, baths, toilets … in
     short, our whole life.




STARCK
mercredi, 23 novembre 2011
A life that he finds increasingly fascinating, which has
     brought him now closer to the human body with
     clothes, underwear, shoes, glasses, watches, food,
     toiletries et al., still determined that his designs shall,
     as ever, respect the nature and the future of mankind.




STARCK
mercredi, 23 novembre 2011
Philosophy




STARCK
mercredi, 23 novembre 2011
You wanna talk design?
   I hate that! You might as
   well go home.



   La la la la la




STARCK
mercredi, 23 novembre 2011
"We have to replace beauty,
   which is a cultural
   concept, with goodness,
   which is a humanist
   concept.“
   By good objects
   qualitatively but also good
   for the persons who are
   going to live with them- "
   the object must allow the
   person to open up, to be
   himself and to be happier ".




STARCK
mercredi, 23 novembre 2011
" Today, the designer does
   not have to be the accomplice
   any more of the industry so
   that things are sold better but
   above all, he must ask the
   question of the legitimacy of
   the objects to exist
   I'm trying to move towards
   making objects which are
   honest, objects for non-
   consumers, for modern rebels
   ".




STARCK
mercredi, 23 novembre 2011
I'm trying to move towards
   making objects which are
   honest, objects for non-
   consumers, for modern
   rebels




STARCK
mercredi, 23 novembre 2011
Tomorrow there will be less




STARCK
mercredi, 23 novembre 2011
The material without is
   double, the idea, which
   provides all is meaning, is
   a phenomenon emptied of
   its content




STARCK
mercredi, 23 novembre 2011
Meaning




STARCK
mercredi, 23 novembre 2011
Semiotic Square

      The structuralist semiotician Algirdas Greimas
      introduced the semiotic square (which he adapted
      from the 'logical square' of scholastic philosophy) as
      a means of analysing paired concepts more fully
      (Greimas 1987, xiv, 49).
      The semiotic square is intended to map the logical
      conjunctions and disjunctions relating key semantic
      features in a text.. Whilst this suggests that the
      possibilities for signification in a semiotic system are
      richer than the either/or of binary logic, but that they
      are nevertheless subject to 'semiotic constraints' -
      'deep structures' providing basic axes of signification.

mercredi, 23 novembre 2011
Semiotic Square

          Assertion                                               Negation
                                                 S
                                  S1                                S2
                                           contrariety




                                                                          complementarily
                complementarily




                                        contra       diction



                          -S2                                       -S1
         Non-Assertion                                         Non-Negation
                                            Not S
mercredi, 23 novembre 2011
Semiotic Square

           Beautiful                                                 ugly

                                  S1                                S2
                                           contrariety




                                                                          complementarily
                complementarily




                                        contra       diction



                          -S2                                       -S1
           Non-ugly                                            Non-beautiful

mercredi, 23 novembre 2011
Semiotic Square
                                                       Typology of Starck design

                           Referential design                             contrariety                 Mythical design
                           Regime of the representation                                                    Regime of the construction
   Endomorphic dimension




                           Shape represents the Logical function                             Shape ( re ) creates the Logical function,




                                                                                                                                            Exomorphic dimension
                           Logic of correspondence and equivalence                         Logic of shock and break down, Existential
                           Utilitarian valuation of the object Examples                                         Valuation of the object
                           razor Braun,                                                 Examples The toothbrush Fluocaril, iuicy Salif,
                           robot Marie ( Moulinex)                                                                Hot Bertaa ( Starck)




                                                             contra                 diction

                           Substantial design                                                         Oblique design
                            Regime of the non-construction                                          Regime of the non-representation,
                            Shape incorporates the Logical function                         Shape extends beyond the Logical function,
                            Logic of conformation                                                                     Logic of surprise,
                            Critical Valuation of the object                                             Playful Valuation of the object
                            Examples La Marie ( Starck),                          Examples Mister Meumeu, Richard reads, Louis XX,
                            Perrier ( Szekely)                                  This is not a wheelbarrow ( Starck), the whistling kettle


STARCK                                                                                                (Grave), the family " King-Kong "
                                                                                                                ( Alessi), the iMac, etc.



mercredi, 23 novembre 2011
Semiotic Square
                                                      Typology of Starck design

                           Referential design                         contrariety                 Mythical design
                                                                                                       Regime of the construction
   Endomorphic dimension




                                                                                         Shape ( re ) creates the Logical function,




                                                                                                                                        Exomorphic dimension
                                                                                       Logic of shock and break down, Existential
                                                                                                            Valuation of the object
                                                                                    Examples The toothbrush Fluocaril, iuicy Salif,
                                                                                                              Hot Bertaa ( Starck)




                                                           contra               diction

                           Substantial design                                                     Oblique design
                            Regime of the non-construction                                      Regime of the non-representation,
                            Shape incorporates the Logical function                     Shape extends beyond the Logical function,
                            Logic of conformation                                                                 Logic of surprise,
                            Critical Valuation of the object                                         Playful Valuation of the object
                            Examples La Marie ( Starck),                      Examples Mister Meumeu, Richard reads, Louis XX,
                            Perrier ( Szekely)                              This is not a wheelbarrow ( Starck), the whistling kettle


STARCK                                                                                            (Grave), the family " King-Kong "
                                                                                                            ( Alessi), the iMac, etc.



mercredi, 23 novembre 2011
Semiotic Square
                                                      Typology of Starck design

                           Referential design                         contrariety                 Mythical design
                                                                                                       Regime of the construction
   Endomorphic dimension




                                                                                         Shape ( re ) creates the Logical function,




                                                                                                                                        Exomorphic dimension
                                                                                       Logic of shock and break down, Existential
                                                                                                            Valuation of the object
                                                                                    Examples The toothbrush Fluocaril, iuicy Salif,
                                                                                                              Hot Bertaa ( Starck)




                                                           contra               diction

                           Substantial design                                                     Oblique design
                            Regime of the non-construction                                      Regime of the non-representation,
                            Shape incorporates the Logical function                     Shape extends beyond the Logical function,
                            Logic of conformation                                                                 Logic of surprise,
                            Critical Valuation of the object                                         Playful Valuation of the object
                            Examples La Marie ( Starck),                      Examples Mister Meumeu, Richard reads, Louis XX,
                            Perrier ( Szekely)                              This is not a wheelbarrow ( Starck), the whistling kettle


STARCK                                                                                            (Grave), the family " King-Kong "
                                                                                                            ( Alessi), the iMac, etc.



mercredi, 23 novembre 2011
Semiotic Square
                                                      Typology of Starck design

                           Referential design                         contrariety                 Mythical design
   Endomorphic dimension




                                                                                                                                        Exomorphic dimension
                                                           contra               diction

                           Substantial design                                                     Oblique design
                            Regime of the non-construction                                      Regime of the non-representation,
                            Shape incorporates the Logical function                     Shape extends beyond the Logical function,
                            Logic of conformation                                                                 Logic of surprise,
                            Critical Valuation of the object                                         Playful Valuation of the object
                            Examples La Marie ( Starck),                      Examples Mister Meumeu, Richard reads, Louis XX,
                            Perrier ( Szekely)                              This is not a wheelbarrow ( Starck), the whistling kettle


STARCK                                                                                            (Grave), the family " King-Kong "
                                                                                                            ( Alessi), the iMac, etc.



mercredi, 23 novembre 2011
Semiotic Square
                                         Typology of Starck design

                           Referential design    contrariety                 Mythical design
   Endomorphic dimension




                                                                                                                   Exomorphic dimension
                                           contra          diction

                           Substantial design                                Oblique design
                                                                           Regime of the non-representation,
                                                                   Shape extends beyond the Logical function,
                                                                                             Logic of surprise,
                                                                                Playful Valuation of the object
                                                         Examples Mister Meumeu, Richard reads, Louis XX,
                                                       This is not a wheelbarrow ( Starck), the whistling kettle


STARCK                                                                       (Grave), the family " King-Kong "
                                                                                       ( Alessi), the iMac, etc.



mercredi, 23 novembre 2011
Semiotic Square
                                         Typology of Starck design

                           Referential design    contrariety        Mythical design
   Endomorphic dimension




                                                                                      Exomorphic dimension
                                           contra         diction

                           Substantial design                       Oblique design




STARCK
mercredi, 23 novembre 2011
STARCK
mercredi, 23 novembre 2011
Richard III
   The very essence of stereotypical
   middle-class decor, the object as a
   mask, a technological jack-in-the-box.

   These are the ingredients of this
   explosive "molotov cocktail",
   created by Starck moved by the sight
   of battered old armchairs
   abandoned in the street. "He" gives
   them new life and one as a gift to
   President Mitterrand for the Reading
   Room in his apartment in the Elysée
   Palace.

   This is Starck at his most radical.




STARCK
mercredi, 23 novembre 2011
Richard III
   The very essence of stereotypical
   middle-class decor, the object as a
   mask, a technological jack-in-the-box.

   These are the ingredients of this
   explosive "molotov cocktail",
   created by Starck moved by the sight
   of battered old armchairs
   abandoned in the street. "He" gives
   them new life and one as a gift to
   President Mitterrand for the Reading
   Room in his apartment in the Elysée
   Palace.

   This is Starck at his most radical.




STARCK
mercredi, 23 novembre 2011
Starck at Pompidou center




STARCK
mercredi, 23 novembre 2011
Centre Pompidou presents the first Philippe Starck
     retrospective: not a design exhibition in the strict
     sense of the word but a fully-fledged show in which
     the spectator gets involved in the process of
     discovery of the French designer's ironic world.




STARCK
mercredi, 23 novembre 2011
STARCK
mercredi, 23 novembre 2011
"Venez, venez il n'y a rien à voir, il y a tout à
     recevoir" (come on, come on, there's nothing to see,
     but everything to get) is how a public crier dressed as
     a joker welcomes visitors to the exhibition, declaring
     its intent right from the start.
     The exhibition, designed by Starck himself, is
     contained in an 800 square metre elliptical space
     which is kept intentionally dark and ringed in with
     smoky curtains like those of the circus.



STARCK
mercredi, 23 novembre 2011
To a background of Laurie Anderson music,
     photographs of the designer's works pass across
     screens positioned above talking heads representing
     him.
     Standing on the ground in the centre is "l'Ombre", a
     large bronze sculpture materialising the creative
     artist's subconscious.




STARCK
mercredi, 23 novembre 2011
From his early prototype armchairs to the Alessi
     toothbrush and the renovation of Hotel Mondrian in
     Los Angeles, Philippe Starck self-critically tells the
     story behind the genesis of over 180 objects, the
     reflections that led to their creation, the reasons for
     their success or the meaning of their lack of success.
     Once in a while actors appear amidst the audience to
     impersonate some of the designer's obsessions and
     get them involved in the theatrical production



STARCK
mercredi, 23 novembre 2011
Juicy Salif




STARCK
mercredi, 23 novembre 2011
Moto




STARCK
mercredi, 23 novembre 2011
Moto




mercredi, 23 novembre 2011
                             STARCK
Louis XX




STARCK
mercredi, 23 novembre 2011
Panzani Pasta




STARCK
mercredi, 23 novembre 2011
Miss Sissi




STARCK
mercredi, 23 novembre 2011
Starcknaked




STARCK
mercredi, 23 novembre 2011
Starcknaked




STARCK
mercredi, 23 novembre 2011
Hotel Costes




STARCK
mercredi, 23 novembre 2011
Chaise Costes




STARCK
mercredi, 23 novembre 2011
Fluocaril toothbrush




STARCK
mercredi, 23 novembre 2011
La Marie




STARCK
mercredi, 23 novembre 2011
Tap mixer Axor




STARCK
mercredi, 23 novembre 2011
Fossil Watch




STARCK
mercredi, 23 novembre 2011
Rosy Angelis




STARCK
mercredi, 23 novembre 2011
Paramount Hotel




STARCK
mercredi, 23 novembre 2011
Alessi:
   Max le chinois




STARCK
mercredi, 23 novembre 2011
Mister Meu Meu




STARCK
mercredi, 23 novembre 2011
Hot Berta




STARCK
mercredi, 23 novembre 2011
Samsonite




STARCK
mercredi, 23 novembre 2011
Microsoft




STARCK
mercredi, 23 novembre 2011
Floss
   Romeo Moon




STARCK
mercredi, 23 novembre 2011
Floss
   Miss K




STARCK
mercredi, 23 novembre 2011
Hotel Peninsula
   Hong Kong




STARCK
mercredi, 23 novembre 2011
Hotel Peninsula
   Hong Kong

   Restaurant Felix




STARCK
mercredi, 23 novembre 2011
Hot Berta




STARCK
mercredi, 23 novembre 2011
Provocation




STARCK
mercredi, 23 novembre 2011
Acting




STARCK
mercredi, 23 novembre 2011
Acting




STARCK
mercredi, 23 novembre 2011
Acting




STARCK
mercredi, 23 novembre 2011
Acting




STARCK
mercredi, 23 novembre 2011
Acting




STARCK
mercredi, 23 novembre 2011
Acting




STARCK
mercredi, 23 novembre 2011
Acting




STARCK
mercredi, 23 novembre 2011
Acting




STARCK
mercredi, 23 novembre 2011
Starck makes his Libé
The designer Philippe Stark who exposes himself in
the Pompidou center in Paris, redesign the current
newspaper in our invitation.

Re-center photos, attaching titles and texts, he
”creates the sense by confrontation, assembly,
a series of sparks”.




STARCK
mercredi, 23 novembre 2011
mercredi, 23 novembre 2011
mercredi, 23 novembre 2011

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Starck lecture

  • 3. Philippe STARCK Born on January 18th 1949 in Paris father André Starck (airplane conceptor) mother Jacqueline Lanourisse father of Ara, Oa and K. Studied in Ecole Nissim de Camondo in Paris (France) Creation of Starck Products in 1979 Creation of UBIK in 1983 STARCK mercredi, 23 novembre 2011
  • 4. An honest, enthusiastic citizen of today's world, he considers it his duty to share with us his subversive vision of a better world which is his alone and yet which fits up like a glove. STARCK mercredi, 23 novembre 2011
  • 5. He is tireless in changing the realities of our daily life, sublimating our roots and the deepest wellsprings of our being into his changes. He turns the toothbrush into a noble object, squeezes lemons but the " wrong " way, and even makes our TV sets more fun to be with when he brings his " emotional style " into Thomson's electronic world. STARCK mercredi, 23 novembre 2011
  • 6. He also takes time out to change our pasta, our ash- trays, lamps, toothbrushes, door handles, cutlery, candlesticks, kettles, knives, vases, clocks, scooters, motorcycles, desks, beds, taps, baths, toilets … in short, our whole life. STARCK mercredi, 23 novembre 2011
  • 7. A life that he finds increasingly fascinating, which has brought him now closer to the human body with clothes, underwear, shoes, glasses, watches, food, toiletries et al., still determined that his designs shall, as ever, respect the nature and the future of mankind. STARCK mercredi, 23 novembre 2011
  • 9. You wanna talk design? I hate that! You might as well go home. La la la la la STARCK mercredi, 23 novembre 2011
  • 10. "We have to replace beauty, which is a cultural concept, with goodness, which is a humanist concept.“ By good objects qualitatively but also good for the persons who are going to live with them- " the object must allow the person to open up, to be himself and to be happier ". STARCK mercredi, 23 novembre 2011
  • 11. " Today, the designer does not have to be the accomplice any more of the industry so that things are sold better but above all, he must ask the question of the legitimacy of the objects to exist I'm trying to move towards making objects which are honest, objects for non- consumers, for modern rebels ". STARCK mercredi, 23 novembre 2011
  • 12. I'm trying to move towards making objects which are honest, objects for non- consumers, for modern rebels STARCK mercredi, 23 novembre 2011
  • 13. Tomorrow there will be less STARCK mercredi, 23 novembre 2011
  • 14. The material without is double, the idea, which provides all is meaning, is a phenomenon emptied of its content STARCK mercredi, 23 novembre 2011
  • 16. Semiotic Square The structuralist semiotician Algirdas Greimas introduced the semiotic square (which he adapted from the 'logical square' of scholastic philosophy) as a means of analysing paired concepts more fully (Greimas 1987, xiv, 49). The semiotic square is intended to map the logical conjunctions and disjunctions relating key semantic features in a text.. Whilst this suggests that the possibilities for signification in a semiotic system are richer than the either/or of binary logic, but that they are nevertheless subject to 'semiotic constraints' - 'deep structures' providing basic axes of signification. mercredi, 23 novembre 2011
  • 17. Semiotic Square Assertion Negation S S1 S2 contrariety complementarily complementarily contra diction -S2 -S1 Non-Assertion Non-Negation Not S mercredi, 23 novembre 2011
  • 18. Semiotic Square Beautiful ugly S1 S2 contrariety complementarily complementarily contra diction -S2 -S1 Non-ugly Non-beautiful mercredi, 23 novembre 2011
  • 19. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Regime of the representation Regime of the construction Endomorphic dimension Shape represents the Logical function Shape ( re ) creates the Logical function, Exomorphic dimension Logic of correspondence and equivalence Logic of shock and break down, Existential Utilitarian valuation of the object Examples Valuation of the object razor Braun, Examples The toothbrush Fluocaril, iuicy Salif, robot Marie ( Moulinex) Hot Bertaa ( Starck) contra diction Substantial design Oblique design Regime of the non-construction Regime of the non-representation, Shape incorporates the Logical function Shape extends beyond the Logical function, Logic of conformation Logic of surprise, Critical Valuation of the object Playful Valuation of the object Examples La Marie ( Starck), Examples Mister Meumeu, Richard reads, Louis XX, Perrier ( Szekely) This is not a wheelbarrow ( Starck), the whistling kettle STARCK (Grave), the family " King-Kong " ( Alessi), the iMac, etc. mercredi, 23 novembre 2011
  • 20. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Regime of the construction Endomorphic dimension Shape ( re ) creates the Logical function, Exomorphic dimension Logic of shock and break down, Existential Valuation of the object Examples The toothbrush Fluocaril, iuicy Salif, Hot Bertaa ( Starck) contra diction Substantial design Oblique design Regime of the non-construction Regime of the non-representation, Shape incorporates the Logical function Shape extends beyond the Logical function, Logic of conformation Logic of surprise, Critical Valuation of the object Playful Valuation of the object Examples La Marie ( Starck), Examples Mister Meumeu, Richard reads, Louis XX, Perrier ( Szekely) This is not a wheelbarrow ( Starck), the whistling kettle STARCK (Grave), the family " King-Kong " ( Alessi), the iMac, etc. mercredi, 23 novembre 2011
  • 21. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Regime of the construction Endomorphic dimension Shape ( re ) creates the Logical function, Exomorphic dimension Logic of shock and break down, Existential Valuation of the object Examples The toothbrush Fluocaril, iuicy Salif, Hot Bertaa ( Starck) contra diction Substantial design Oblique design Regime of the non-construction Regime of the non-representation, Shape incorporates the Logical function Shape extends beyond the Logical function, Logic of conformation Logic of surprise, Critical Valuation of the object Playful Valuation of the object Examples La Marie ( Starck), Examples Mister Meumeu, Richard reads, Louis XX, Perrier ( Szekely) This is not a wheelbarrow ( Starck), the whistling kettle STARCK (Grave), the family " King-Kong " ( Alessi), the iMac, etc. mercredi, 23 novembre 2011
  • 22. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Endomorphic dimension Exomorphic dimension contra diction Substantial design Oblique design Regime of the non-construction Regime of the non-representation, Shape incorporates the Logical function Shape extends beyond the Logical function, Logic of conformation Logic of surprise, Critical Valuation of the object Playful Valuation of the object Examples La Marie ( Starck), Examples Mister Meumeu, Richard reads, Louis XX, Perrier ( Szekely) This is not a wheelbarrow ( Starck), the whistling kettle STARCK (Grave), the family " King-Kong " ( Alessi), the iMac, etc. mercredi, 23 novembre 2011
  • 23. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Endomorphic dimension Exomorphic dimension contra diction Substantial design Oblique design Regime of the non-representation, Shape extends beyond the Logical function, Logic of surprise, Playful Valuation of the object Examples Mister Meumeu, Richard reads, Louis XX, This is not a wheelbarrow ( Starck), the whistling kettle STARCK (Grave), the family " King-Kong " ( Alessi), the iMac, etc. mercredi, 23 novembre 2011
  • 24. Semiotic Square Typology of Starck design Referential design contrariety Mythical design Endomorphic dimension Exomorphic dimension contra diction Substantial design Oblique design STARCK mercredi, 23 novembre 2011
  • 26. Richard III The very essence of stereotypical middle-class decor, the object as a mask, a technological jack-in-the-box. These are the ingredients of this explosive "molotov cocktail", created by Starck moved by the sight of battered old armchairs abandoned in the street. "He" gives them new life and one as a gift to President Mitterrand for the Reading Room in his apartment in the Elysée Palace. This is Starck at his most radical. STARCK mercredi, 23 novembre 2011
  • 27. Richard III The very essence of stereotypical middle-class decor, the object as a mask, a technological jack-in-the-box. These are the ingredients of this explosive "molotov cocktail", created by Starck moved by the sight of battered old armchairs abandoned in the street. "He" gives them new life and one as a gift to President Mitterrand for the Reading Room in his apartment in the Elysée Palace. This is Starck at his most radical. STARCK mercredi, 23 novembre 2011
  • 28. Starck at Pompidou center STARCK mercredi, 23 novembre 2011
  • 29. Centre Pompidou presents the first Philippe Starck retrospective: not a design exhibition in the strict sense of the word but a fully-fledged show in which the spectator gets involved in the process of discovery of the French designer's ironic world. STARCK mercredi, 23 novembre 2011
  • 31. "Venez, venez il n'y a rien à voir, il y a tout à recevoir" (come on, come on, there's nothing to see, but everything to get) is how a public crier dressed as a joker welcomes visitors to the exhibition, declaring its intent right from the start. The exhibition, designed by Starck himself, is contained in an 800 square metre elliptical space which is kept intentionally dark and ringed in with smoky curtains like those of the circus. STARCK mercredi, 23 novembre 2011
  • 32. To a background of Laurie Anderson music, photographs of the designer's works pass across screens positioned above talking heads representing him. Standing on the ground in the centre is "l'Ombre", a large bronze sculpture materialising the creative artist's subconscious. STARCK mercredi, 23 novembre 2011
  • 33. From his early prototype armchairs to the Alessi toothbrush and the renovation of Hotel Mondrian in Los Angeles, Philippe Starck self-critically tells the story behind the genesis of over 180 objects, the reflections that led to their creation, the reasons for their success or the meaning of their lack of success. Once in a while actors appear amidst the audience to impersonate some of the designer's obsessions and get them involved in the theatrical production STARCK mercredi, 23 novembre 2011
  • 50. Alessi: Max le chinois STARCK mercredi, 23 novembre 2011
  • 55. Floss Romeo Moon STARCK mercredi, 23 novembre 2011
  • 56. Floss Miss K STARCK mercredi, 23 novembre 2011
  • 57. Hotel Peninsula Hong Kong STARCK mercredi, 23 novembre 2011
  • 58. Hotel Peninsula Hong Kong Restaurant Felix STARCK mercredi, 23 novembre 2011
  • 69. Starck makes his Libé The designer Philippe Stark who exposes himself in the Pompidou center in Paris, redesign the current newspaper in our invitation. Re-center photos, attaching titles and texts, he ”creates the sense by confrontation, assembly, a series of sparks”. STARCK mercredi, 23 novembre 2011