4. Unknown Dutch artist formerly thought to be Rembrandt, The Man with the Golden Helmet 17 th Century, Oil on canvas
5. In both the sciences and the arts we strive to weave our experiences into coherent bodies of knowledge and to communicate them. 0
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12. Beauty is in the eye of the beholder, whether in Western civilizations or non-Western civilizations 0
13. Figure 1.1, p. 3: LEONARDO DA VINCI. Mona Lisa (c. 1503–1505). Oil on wood panel. 30 1/4” x 21 ” .
14. Figure 1.2, p. 3: Kenyan woman, Masai tribe. Standards for beauty can differ from culture to culture.
15. “ A Closer Look” A Portrait in the Flesh Sometimes artists try to improve on nature – thereby creating an alternative standard 0
16. Figure 1 - 3, p. 4: French performance artist Orlan, who has dedicated herself to embodying Western classic beauty as found in the works of Leonardo, Botticelli, and Boucher through multiple plastic surgeries. Here Orlan is being “prepped” for one in a series of operations.
17. Figure 1 - 4, p. 4: SANDRO BOTTICELLI. The Birth of Venus (1486). Detail. Tempera on canvas. 5 ’ 8 7⁄8 ” x 9 ’ 1 1⁄7 ” .
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31. Figure 1.1 3 , p. 9 : JESSIE OONARK. A Shaman’s Helping Spirits (1971). Stonecut and stencil. 37 1⁄6 ” x 25 1⁄6 ” . Art in the Service of Religion To make tangible the unknown
32. Figure 1.1 5 , p. 10 : ANTHEMIUS OF TRALLES AND ISIDORUS OF MILETUS. Hagia Sophia, Constantinople (modern-day Istanbul), Turkey (532–537 CE). Interior view. Art in the Service of Religion To inspire
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34. Fig. 1-11, p 8. Column of Trajan, Forum of Trajan, Rome, dedicated 112. 128 feet high NARRATIVE ARTS ART AND GLORY
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36. Art as the Mirror of Everyday Life Genre Painting He Takes Posession,The Rake’s Progress, Engraving, 1697-1764, William Hogarth.
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38. Figure 1 - 7, p. 6: FRIDA KAHLO. Diego in My Thoughts (Diego y yo) (1949). Oil on canvas, mounted on Masonite. 24 ” x 36 ” . Art as the Mirror of Everyday Life
39. Figure 1 -9 , p. 7 : ANDY WARHOL. Four Marilyns (1962) . Synthetic polymer paint and silkscreen ink on canvas. 30" × 23 ⅞ ". Art as the Mirror of Everyday Life
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41. Figure 1.26, p.17: ALFRED STIEGLITZ. The Steerage (1907). Photograph. Art as the Mirror of Everyday Life
42. Figure 1.27, p.17: FAITH RINGGOLD. Tar Beach (1988). Acrylic paint on canvas and pieced fabric. 74 ” x 68 1⁄2 ” . Art as the Mirror of Everyday Life
43. Figure 1.29, p.19: RICHARD HAMILTON. Just What Is It That Makes Today’s Homes So Different, So Appealing ? (1956). Collage. 10 1⁄4 ” x 9 3⁄4 ” . Art as the Mirror of Everyday Life
45. Artists have taken on bitter struggles against the injustices of their times and have tried to persuade others to join them in their causes, … by using their (art) skills. 0
46. Figure 1.31, p.20: EUGÈNE DELACROIX. Liberty Leading the People (1830). Oil on canvas. 8 ’ 6 ” x 10 ’ 10 ” .
47. Figure 1.36, p. 23: JOSÉ CLEMENTE OROZCO. Epic of American Civilization: Hispano-America (c1932–1934). Fresco. 10 ” x 9 ’ 11 ” .
48. Figure 1.32, p.21: SUZANNE LACY AND LESLIE LABOWITZ. In Mourning and in Rage (1977). Performance at Los Angeles City Hall.
49. Figure 1.33, p.21: BETYE SAAR. The Liberation of Aunt Jemima (1972). Mixed media. 11 3⁄4 ” x 8 ” x 2 3⁄4 ” .
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51. Figure 1.34, p. 22:MIRIAM SCHAPIRO. Wonderland (1983). Acrylic and fabric collage on canvas. 90 ” x 144 ” (framed)
52. Fig. 1-35 p.22 MARCEL DUCHAMP. Fountain (1917). 1951 version after lost original. Porcelain urinal. H: 24".
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55. Figure 1.20, p.14: Ryoanji Zen Temple, Japanese sand garden, Kyoto, Japan. Art and Nature
66. Figure 2.8, p.31: RIMMA GERLOVINA AND VALERIY GERLOVIN. Madonna and Child (1992). Chromogenic print. To Give Outline and Shape
67. Figure 2.11, p.32: SANDRO BOTTICELLI. The Birth of Venus (c. 1482). Oil on canvas. 5 ’ 8 7⁄8 ” x 9 ’ 1 7⁄8 ” . To Suggest Direction and Movement
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78. The word FORM - is often used to speak about shapes in sculpture and architecture - 3D works of art . Figure 2.14, p.34: HELENE BRANDT. Mondrian Variations, Construction No. 3B with Four Red Squares and Two Planes (1996). Welded steel, wood, paint. 22 ” x 19 ” x 17 ” .
79. Mass - In 3D art, the mass of an object refers to its bulk. Fig. 2-16 RACHEL WHITEREAD. Holocaust Memorial, Vienna (2000).
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81. Fig. 2-17 MARK TANSEY. Landscape (1994). Oil on Canvas. 181.6cm x 365.8 cm.
101. Color is relative It is effected by the colors around it So that a green next to blue looks more yellow than the same green next to yellow (which looks more blue)
121. Figure 3.36, p.89: The east facade of the Parthenon, superimposed with a root five rectangle. When we do not consider the gable (which is absent in this photograph), the facade of the Parthenon is a root five rectangle.
122. Violating the Cannon for Expressive Purposes Figure 3.32, p.87: ALICE NEEL. The Family (John Gruen, Jane Wilson and Julia) (1970). Oil on canvas. 4 ’ 11 7⁄8 ” x 5 ’ .