2. Index Page
Unknown Secrets
3
No Inédito
Mutation of Time
12
La Mutación del Tiempo
Illustrations of the Nonexistent
19
Ilustraciones de lo no Existente
Aisaje 26
Uminoso 32
Select Works Red will Never be the Same
38
El Rojo, Nunca será el Mismo
The Absence during the Journey
44
La Ausencia en el Viaje
Drawing Series 50
Current Unnamed 56
Skies of Columbus
62
Cielo Colon
Collections 67
Biography 73
Awards & Juried Exhibitions 77
Solo Exhibitions 81
Other Group Exhibitions 83
Collections 88
2
4. “Expressionism of textures, furrows, rhythms and signs as if they are superimposed
hieroglyphs on the earth’s surface. Impressionism, in multiple glazes of color spectrums
and figurative signs of the detention of space suspended in time. Elemental.
“Expresionismo de texturas, surco, ritmos y señales plasmados como jeroglífico en la tierra,
cielo. Impresionismo, en el color, gama múltiples de veladuras cromáticas con una
figuración gestual a la detención del espacio, suspendido en el tiempo. Elemento.
A reflective self-awareness with a visual reincarnation projecting parts of what is invisible, a natural cosmic flow,
itself creating the diversification, arbitrality of materials….that support the awakening of a new essence, a self-
awareness that helps breaks down social fears of diversity….so that the composition’s materials reflect our own
innate spirit to compose a genesis of the mind, unlearning the known, to achieve a new fusion in visual language.”
“Un autoconocimiento reflexivo que al encarnarse visualmente proyecta una parte de lo invisible, un flujo cósmico natural, creación
misma, la diversificación, la arbitrialidad, mas materiales… un soportes, que despierta una nueva esencia, un autoconocimiento
generador social al no-temor a la diversidad… tal solo los materiales de composición ya reflejan un espíritu innato o propio para así
componer una génesis de la mente, desechando recetas conocidas logrando una nueva fusión al lenguaje pictórico.”
- Vicente Rojas Ruggeri
4
5. Paraje Acrylic on Metallic Screen 1.93 x 1.80 2003
5
6. Voche I Acrylic on Metallic Screen 1.40 x 1.77 2004
Permanent Collection ● Museum of Visual Arts MAVI ● Santiago ● Chile
Museo de Artes Visuales MAVI
6
7. Jinete Acrylic on Metallic Screen 1.30 x 1.80 2004
7
8. Sovro Acrylic on Metallic Screen 1.30 x 1.90 2004
Permanent Collection ● Museum of Visual Arts MAVI ● Santiago ● Chile
Museo de Artes Visuales MAVI
8
9. Voche II Acrylic on Metallic Screen 1.40 x 2.70 2004
Permanent Collection ● Museum of Visual Arts MAVI ● Santiago ● Chile
Museo de Artes Visuales MAVI
9
10. “Rojas Ruggeri experiments with unconventional materials, using metallic screens instead of canvas,
removing the painting from its frame that gives it another presence and weight. This medium invigorates the
language, enriching the pictorial surface with textures, lines and tonalities that are sometimes surprising. It
represents a new visuality that is not only conditioned by the hand that controls its gestures, but also in the
chance where certain physical and chemical reactions interplay between water, pigment, paper and screen.
“Rojas Ruggeri experimenta con materiales no convencionales, usando mallas metálicas en lugar de telas,
para sacar a la pintura del bastidor, y darle otra presencia y espesor. Este soporte vigoriza el lenguaje,
enriqueciendo la superficie pictórica con texturas, marcas y tonalidades a veces sorpresivas. Se trata de una
nueva visualidad que no solo esta condicionada por la mano que controla el gesto, sino también por el azar,
donde entran en juego ciertas reacciones físicos y químicas entre aguas, pigmentos, papeles y enrejados.
Thanks to the exercise of the drawing and maniotic repetition of structures reminiscent
of motors, cylinders and gears, the painter has also created an iconographic repertoire
that barely surface as indications of movement or mechanized tracks.
Gracias al ejercicio del dibujo y la repetición maniática de estructuras que recuerdan
motores, cilindros y engranaje, el pintor ha generado además un repertorio
icnográfico que surge apenas como indicio de movimiento o huella mecanizada.
10
11. Combining painted screens in distinct moments, where earthen and oxidized tonalities excel, Rojas Ruggeri
creates an integrated surface with great pictorial, chromatic and material richness. This way, the creator
weaves in texts that represent telluric or geographical movements combined with techno-industrial vestiges
and elements of a contemporary archeology. The surface becomes papyrus, a corroded wall or eroded terrain,
where urban fragments veiledly arise, barely with signs of superposed layers, times and ages. The painting
functions as evidence of the transcourse of human history that is increasingly accelerating.”
Uniendo mallas pintadas en momentos distintos, donde sobresale tonalidades tierra y oxidadas, Rojas Ruggeri crea
una sola superficie de gran riqueza pictográfica, cromática y materia. De este modo, el autor teje un texto que cobra
dimensión telúrica o geológica, funcionando también como vestigio tecno-industrial o como elemento de una
arqueología contemporánea. La superficie se vuelve papiro, muro corroído o terreno erosionado, de donde surgen
fragmentas veladamente urbanos, y apenas los rastros de estratos, tiempos y edades superpuestos. La pintura
funciona como significante del transcurso de una historia humana que cada vez se torna mas veloz.”
- Carolina Lara
11
13. “A magical alchemist, a wizard that lucidly plays with his being to discover, these
works, that evoke papyrus of the present day, but as if being discovered in the
future, in a time warp, as if the paintings themselves had been perceiving us.”
“Un mago alquimista, un brujo que juega lúdicamente con su ser a descubrirse,
estas obras, me evocan papiros de una época actual en el futuro, una franca
mutación en el tiempo, como si las obras nos percibieran a nosotros.”
- Vicente Rojas Ruggeri
13
14. Estedía Acrylic & Paper on Metallic Screen 1.10 x 1.78 2005
14
15. Ampostre Acrylic on Metallic Screen 0.89 x 2.60 2005
15
16. Ecuentos Acrylic on Metallic Screen 0.87 x 1.63 2007
16
17. El escape de Ceronte Acrylic & Paper on Metallic Screen 1.40 x 1.85 2007
17
18. Escuchando a Eros Acrylic, Paper & Metallic Screen on Wood 2.00 x 1.52 2007
18
20. “An inner trip, illustrations of what does not exist, perceptions of
non tangible worlds, but reflections of an existing reality.
An understanding of what we see and are only able to perceive.”
“Un viaje interno, ilustraciones de lo que no existe, percepciones de
los mundos no palpables, pero reflejos de la realidad existente.
Un entendimiento de lo que vemos y de lo que sólo percibimos.”
- Vicente Rojas Ruggeri
20
21. Nálogo I Acrylic & Paper on Metallic Screen 0.84 x 1.60 2007
21
63. “A sky…that is not only the natural description of the cosmos itself, but also a reflection of the mystical,
spiritual journey of Columbus, that binds poetry, sea air, starry skies and its darkness without the moon.
“Un cielo…que no tan sólo es la descripción natural del cosmos en sí mismo sino también el reflejo místico espiritual
del viaje de Colón, que enlaza la poesía, el respirar del aire marino, el cielo estrellado, su oscuridad sin luna.
…brings the feeling of harmony and direction in the breezes against ones earlobe to give
guidance to the course, versed in an immense space surrounded by seas across the horizon.
…enlaza el sentir en el lóbulo de la oreja el viento como un aliento de armonías y dirección
para proseguir el curso, el verse inmerso en un lugar rodeado de aguas marinas en el horizonte.
…that unifies fears, ships, astronomy, navigation and rhumbs.
…que enlaza sus temores, las Naos, la astronomía, la navegación y el rumbo.
A description of confronting the immense unknown en a time that reflects the
human spirit, discovery and the travels between diverse points on the globe.”
Una descripción del enfrentamiento a la inmensidad desconocida de la época en un
reflejo del espíritu humano, del descubrir, del tránsito entre diversos puntos del orbe. ”
- Vicente Rojas Ruggeri
63
64. Cielo Colon Graphite on Paper 1.00 x 0.20 2009
64
65. Cielo Colon Acrylic & Paper on Metallic Screen 1.00 x 0.20 2009
65
74. Vicente Rojas Ruggeri is a contemporary artist who is part of a unique phenomenon that occurred in Chile during the late 80s and
early 90s when a handful of artists from Concepción were able to break through highly centralized barriers in Chile.
Described by critics as a “Magical Alchemist or Wizard,” Vicente has been going through a holistic metamorphosis and
transformation during the past decade.
Vicente Rojas Ruggeri was born in Concepción, Chile in 1964 and graduated with a bachelor’s degree in Fine Arts & Education at the University of
Concepción in 1990.
By the time of his graduation, Vicente’s art had already earned critical acclaim in numerous international, national, regional, university and local
competitions and continued to build momentum while remaining in his hometown throughout the rest of the decade.
Prior to graduating, Vicente had won numerous awards, including 1st Place in the Regional Works Category at the “Third National Southern Painting
and Print Competition” and Best Creative Design by the Advertising Association of Concepción. He had also been selected for numerous
exhibitions including the “Second Santiago-Paris University Art Biennial, the “Ninth International Art Biennial of Valparaiso” and Chile’s “First
Annual National Fine Art Competition.”
Within Vicente’s first year out of school, he participated in multiple exhibitions in Santiago’s top galleries and was selected to be shown at France’s
Saise Museum and for the “A Name for Art” exhibition at Chile’s National Museum of Fine Art. During that same year, Vicente also played an
instrumental role in “A Territory for Art,” the first exhibition of live artists to be shown in the University of Concepcion’s Pinacotheca. It yielded the
largest public attendance ever for any exhibition held outside of Santiago.
In November of 1991, Vicente and several other artists from Concepción created the group Grisalla. Their self-named exhibition at the University
of Concepcion’s Pinacotheca was held the same month and followed immediately with Vicente’s first solo exhibition at the University in December.
“Grisalla,” a four city road show exhibition also ran from December of 1991 through September of 1992.
Grisalla’s “Life’s Journeys through Leisure, Craziness and Death” was exhibited in Chile’s National Museum of Fine Art in Santiago in October of
1992. Showcased in the museum’s main gallery, the exhibition generated significant critical acclaim and extensive media coverage. Grisalla was
then selected for the “Department of Education Classified” inaugural exhibition for the Chilean Ministry of Education’s new Gabriela Mistral Gallery
in December of 1992.
74
75. Vicente’s art was selected the “First Tri-Annual Andean-American International Painting Exhibition” at Chile’s Catholic University, the “Second
Annual Color of the South” competition that was exhibited at Chile’s Museum of Contemporary Art (MAC) prior to touring Peru and Paraguay and
the “Gunther” competition held at Chile’s National Museum of Fine Art in 1993. Vicente also participated in Grisalla’s exhibitions “Small Format,” a
three city road show exhibition that toured through their native Bío-Bío province from August through December, and “Grisalla” at the “Araucano
Hall” in Concepción during the same year.
Santiago’s Tomas Andreu Gallery commissioned all of Vicente’s art for an entire year starting with his participation in the “Grisalla” exhibition in
June of 1994.
In 1994, Vicente also started working with a new medium that was inspired by the discovery of technical drawings that were made by his great-
grandfather upon immigrating to Chile from Italy. The grid layouts for decorative metal castings for wrought iron fences, combined with the
metallurgical roots of both his family and Concepción sparked Vicente’s idea of working with metallic screens.
Solo exhibitions “Vicente Rojas Ruggeri - Paintings” and “Ecos,” both followed in Concepción in July of 1995 and August of 1996, respectively.
Vicente also participated in Grisalla’s “Signs of a Lifetime” exhibition at Santiago’s Matthei Gallery in May of 1997, followed by their “Tradition of
Foolishness” at the Montecantini Gallery in Concepción in November.
In May of 1998, Vicente was invited to participate in the “A Taste of Chile” fundraiser benefit for the Children’s Welfare Association in Seattle,
Washington, in addition to receiving an honorable mention at the “In Situ Competition at the Salto de Laja Waterfalls” in August. Vicente’s art was
also selected for both the “Second National Competition in Concepción” in October and the “University of Concepción Alumni” exhibition held in
November.
The launch of the book “Contemporary Painters from Concepción” and its nine city national road show exhibition in 1999 was symbolic for Vicente
in closing out the decade. In addition to being one of the sixteen artists featured, he was also invited to write the book’s intro and design its cover.
In 2000, Vicente moved to Santiago and participated in international exhibitions that were the first to feature his works that incorporated metallic
screen on canvas. Both exhibitions were held in May, starting with “Arte BA 2000” in Buenos Aires, Argentina, followed by “Grisalla - Chilean
Contemporary Artists” at the Simon Patrich Gallery in Vancouver, Canada.
75
76. “Layers,” Vicente’s solo exhibition at Santiago’s Praxis Gallery was held in October of 2001, followed by “Vicente Rojas Ruggeri” at the Jorge Sori
Gallery in Coral Gables, Florida in August of 2002.
Two of Vicente’s works were selected for the “Tendances Abstraits” exhibition held at France’s Artitude Gallery in Paris in July of 2003.
Vicente’s solo exhibitions “Unknown Secrets” at the Chilean French Cultural Institute in Concepción in May of 2004 and “Mutation of Time” at
Santiago’s Matthei Gallery in November of 2005 were major milestones in being the first that were entirely comprised of his “full screen” works
that have become his unique signature. After working with metallic screen for nearly a decade, Vicente had transformed metallic screen to the
point where it had completely replaced the canvas itself.
By March of 2006, several of Vicente’s “full screen” works were showcased in the main gallery of Chile’s Museum of Visual Arts (MAVI) at their
“Living in the Valley” exhibition and acquired by the museum for their permanent collection. “Acrylic Creations,” Vicente’s solo exhibition at the
Cabildo, Paraguay’s National Museum of Fine Art, was then held in December of 2006, along with selected works also being shown at the “Artistic
Pairings - An Italian-Chilean Artistic Cultural Exchange” exhibition held at the F. Fellini Theater in Pontinia, Italy.
The following year, Vicente was selected for both the “Learning to Fly” exhibition at Santiago’s La Sala Gallery in April and the “Forth Euro-
American Visual Arts Exhibition” held in at Peru’s Museum of Contemporary Art in Cusco in July of 2007.
2008 started off with selected works of Vicente’s being exhibited at the “If the Earth could Talk” at Santiago’s La Sala Gallery in January. Vicente’s
“full screen” art was then selected for “Latin Perspective: A look at the Latin-American continent,” Luciano Benetton’s and the Itau Foundation’s
jointly sponsored exhibition held at Chile’s Museum of Contemporary Art (MAC) held in April of 2008. As a result, Vicente’s exhibited art was
acquired by the Benetton permanent collection and featured in both the exhibition’s continental road show continuance and book that highlights
key artists from across Latin-America. In July of 2008, Vicente “full screen” works were then exhibited in “Illustrations of the Nonexistent” at the
JHH Fine Art Gallery’s in Riverside, Connecticut in the United States.
Since then, Vicente has been balancing his time between solidifying his national presence in working on endeavors related to Chile’s bicentennial
and expanding his international exposure. This process began with Vicente’s undertaking developing the concept and design of the “Skies of
Columbus,” a major installation commemorating both the discovery of the Americas and Chile’s independence. A symbiotic, iterative set of series
to further develop his artwork followed with Vicente first starting to return to work with canvas and resulted in his series “Red will Never be the
Same” being featured in a solo exhibition at the Colorida Gallery in Lisbon, Portugal in November of 2011. Designs for an installation for his
hometown of Concepción and a series of drawings inspired by these travels ensued, leading to Vicente integrating graphite into his canvas works
“The Absense during the Journey” featured in his solo exhibition at Santiago’s Atrium Gallery in July of 2012. For the next phase, Vicente is
bringing everything together in metallic screen creations.
76
77. Awards & Juried Exhibitions
Premios y Exposiciones Juradas
77
78. Year Exhibition Venue Location
Gran Prize ● Posters Advertising Association of Concepción Concepción,
1986 Best Advertising Creative Design
Asociación Publicitaria de Concepción Chile
Premio a las Mejoras Piezas Publicitarias
First Annual National Fine Art Competition Santiago,
1987 Universidad Metropolitana
Primer Certamen Nacional de Artes Plásticas Chile
Santiago,
Universidad Católica de Chile
Chile
Second Bi-Annual Santiago-Paris University Art Competition
II Bienal de Arte Universitario Santiago-París
Museum of Modern Art of Paris Paris,
Musée d'Art moderne de la Ville de Paris France
Art Gallery of Valparaíso Valparaíso,
1989 Galería de Arte Municipal de Valparaíso Chile
1st Place ● Regional Works
Third National Southern Painting and Print Competition National Museum of Fine Art Santiago,
III Salón Sur Nacional de Pintura y Grabado Museo Nacional de Bellas Artes MBNA Chile
Pinacoteca Concepción,
Universidad de Concepción Chile
Ninth Bi-Annual International Art Competition of Valparaíso Municipal Hall Valparaíso,
IX Bienal Internacional de Arte de Valparaíso Sala Municipal Chile
Artists from Concepción Chile in Burgundy, France Burgundy,
Saise Museum
Exposición de Pinturas Penquistas a Burdeos, Francia France
1990
A Name for Art National Museum of Fine Art Santiago,
Un Nombre para el Arte Museo Nacional de Bellas Artes MBNA Chile
78
79. Year Exhibition Venue Location
Asociación de Pintores Santiago,
Artistas Chilenos - Bío Bío
y Escultores de Chile APECH Chile
1991
A Territory for Art Pinacoteca Concepción,
Territorio para el Arte Universidad de Concepción Chile
Life’s Journeys through Leisure, Craziness and Death National Museum of Fine Art Santiago,
Viaje al Ocio, La Locura y La Muerte Museo Nacional de Bellas Artes MBNA Chile
1992 Inaugural Exhibition Sala Gabriela Mistral
Santiago,
Department of Education Classified Chilean Ministry of Education
Chile
Clasificado para Muestra Ministerio de Educación de Chile Ministerio de Educación de Chile
First Tri-Annual Andean-American International Painting Exhibition Santiago,
Universidad Católica de Chile
Primera Trienal de Pintura Andino-Americana Internacional Chile
Municipality of Puerto Varas Puerto Varas,
Municipalidad de Puerto Varas Chile
Museum of Contemporary Art Santiago,
Museo de Arte Contemporáneo MAC Chile
Second Annual Color of the South Competition Concepción,
1993 El Araucano Hall
II Concurso, El Color del Sur Chile
Lima,
†
Peru
Asunción,
†
Paraguay
National Museum of Fine Art Santiago,
Concurso Gunther de Pintura
Museo Nacional de Bellas Artes MBNA Chile
Santiago,
1994 Grisalla Galería Tomas Andreu
Chile
† Denotes Pending Details
79
80. Year Exhibition Venue Location
University of Concepción Alumni Pinacoteca Concepción,
Alumnos Egresados de la Universidad de Concepción Universidad de Concepción Chile
Honorable Mention
Municipal Hall Los Angeles,
In Situ Competition at the Salto de Laja Waterfalls
Sala Municipal Chile
1998 Concurso en Situ Salto del Laja
Second National Competition in Concepción ● Concepción, a City in Movement Municipal Hall Concepción,
II Concurso Nacional de Concepción ● Concepción, una Cuidad en Movimiento Sala Municipal Chile
Talcahuano,
Talcahuano Pinta a Talcahuano Municipality of Talcahuano
Chile
Santiago,
1999 Concurso Nescafé Galería Isabel Aninat Chile
Paris,
2002 Tendances Abstraits Galeries Artitude
France
Living in the Valley Museum of Visual Arts Santiago,
Residencia en el Valle Museo de Artes Visuales MAVI Chile
2006
Artistic Pairings - Italian-Chilean Artistic Cultural Exchange Pontinia,
Teatro F. Fellini
Gemellaggio Artístico - Scambio Culturale tra Artisti Italiani e Cileni Italy
Learning to Fly Santiago,
Galería La Sala
Emprendiendo el Vuelo Chile
2007
Forth Euro-American Visual Arts Exhibition Museum of Contemporary Art Cusco,
IV Exposición Euroamericana de Artes Visuales Museo de Arte Contemporáneo MAC Perú
If the Earth could Talk Santiago,
Galería La Sala
Si la Tierra Hablara Chile
2008 Museum of Contemporary Art
Latin Perspective Santiago,
Museo de Arte Contemporáneo MAC
Ojo Latino Chile
Arteabierto (Itaú Foundation)
Seasonal Apeterure El Farol Gallery Valparaíso,
2012
Inicio de la Temporada Universidad de Valparaíso Chile
80
82. Year Exhibition Venue Location
Sala Universitaria Concepción,
1991 Vicente Rojas Ruggeri - Pinturas
Universidad de Concepción Chile
Green Horse Gallery Concepción,
1995 Vicente Rojas Ruggeri - Pinturas
Galería El Caballo Verde Chile
Concepción,
1996 Ecos El Araucano Hall
Chile
Layers Santiago,
2001 Galería Praxis
Estratos Chile
Coral Gables,
2002 Vicente Rojas Ruggeri Jorge Sori Gallery
Florida, USA
Unknown Secrets Concepción,
2004 Instituto Chileno Francés de Cultura
No Inédito Chile
Mutation of Time Santiago,
2005 Galería Matthei
La Mutación del Tiempo Chile
Acrylic Creations El Cabildo Asunción,
2006
De lo Plástico a lo Plástico National Museum of Fine Art Paraguay
Red will Never be the Same Lisbon,
2011 Colorida Gallery
El Rojo, Nunca será el Mismo Portugal
The Absence during the Journey Santiago,
2012 Artium Gallery
La Ausencia en el Viaje Chile
82
84. Year Exhibition Venue Location
University of Concepción Art Students Sala Universitaria Concepción,
1984
Alumnos de Artes Plásticas de la Universidad de Concepción Universidad de Concepción Chile
Painting & Print Exhibition Artistic Development Center Extension Concepción,
1985
Exposición de Pintura y Grabado Centro de Extensión y Formación CEFA Chile
Outstanding Students Sala Universitaria Concepción,
1989
Alumnos Destacados Universidad de Concepción Chile
Santiago,
4 de Concepción Galería Bucci
Chile
Santiago,
1990 10 de Concepción Galería Bucci
Chile
Homage to Juana Jugan, Sister to the Poor Instituto Chileno- Concepción,
Homenaje a Juana Jugan, Hermanita de los Pobres Norteamericano de Cultura Chile
Pinacoteca Concepción,
Grisalla
Universidad de Concepción Chile
1991
Municipal Hall Temuco,
Sala Municipal Chile
Municipal Hall Valdivia,
Grisalla Sala Municipal Chile
Paintings & Prints
Pintura y Grabado Municipal Hall Los Angeles,
1992
Sala Municipal Chile
Sala Valparaíso,
Universidad de Valparaíso Chile
Concepción,
Grisalla El Araucano Hall
Chile
Municipal Hall Temuco,
Sala Municipal Chile
1993
Small Format Municipal Hall Los Angeles,
Pequeño Formato Sala Municipal Chile
Sala Universitaria Concepción,
Universidad de Concepción Chile
84
85. Year Exhibition Venue Location
Santiago,
Casa Piedra
Chile
Región Bío Bío al 2000
Santiago,
Parque Arauco
Chile
1996
Contemporary Art from Concepcion Santiago,
Héctor Valdés Clinic
Pintura Contemporánea de Concepción Chile
Seventh Annual Contemporary Art Auction Santiago,
Fundación Miguel Kast
VII Remate, Pintura Contemporánea Chile
Eighth Annual Contemporary Art Auction Santiago,
Fundación Miguel Kast
VIII Remate, Pintura Contemporánea Chile
Grisalla - Signs of a Lifetime Santiago,
1997 Galería Praxis
Signos de una Vida Chile
Tradition of Foolishness Concepción,
Galería Montecatini
Tradición por la Tontera Chile
Collective Showing Concepción,
Instituto Barros Arana
Muestra Colectiva Chile
Five Painters from Concepción Santiago,
Galería Matthei
Cinco Pintores de Concepción Chile
1998 A Taste of Chile Seattle,
Children’s Welfare Association
Fundraiser Benefit Washington, USA
1958-1998 Artists of Steel Pinacoteca Concepción,
1958-1998 de Artistas del Acero Universidad de Concepción Chile
Municipal Hall Puerto Varas,
Sala Municipal Chile
Contemporary Artists from Concepcion Municipal Hall Punta Arenas,
1999
Pintores Contemporáneos de Concepción Sala Municipal Chile
Santiago,
Galería Matthei
Chile
85
86. Year Exhibition Venue Location
Pinacoteca Concepción,
Universidad de Concepción Chile
Municipal Hall Pucón,
Sala Municipal Chile
Municipal Hall Chillan,
Sala Municipal Chile
Municipal Hall Osorno,
Sala Municipal Chile
Contemporary Artists from Concepcion
Pintores Contemporáneos de Concepción Municipal Hall Los Angeles,
1999
Sala Municipal Chile
Municipal Hall Valdivia,
Sala Municipal Chile
Municipal Hall Puerto Varas,
Sala Municipal Chile
Municipal Hall Punta Arenas,
Sala Municipal Chile
Pinacoteca Concepción,
Universidad de Concepción Chile
La Serena,
Puerto Velero Puerto Velero
Chile
Arte BA 2000
Buenos Aires,
2000 9th Annual Art Gallery Expo ● 1st Annual MERCOSUR Art Gallery Expo La Rural
Argentina
9ª Feria de Galerías de Arte ● 1ª Feria de Galerías del MERCOSUR
Grisalla - Contemporary Chilean Artists Vancouver,
Simon Patrich Gallery
Artistas Contemporáneos de Chile Canada
Men Painting Women Santiago,
2001 Galería La Sala
Hombres Pintando a la Mujer Chile
Fearless 13 Santiago,
2003 Gallería Matthei
13 sin Miedo Chile
86
87. Year Exhibition Venue Location
Homage to Pablo Neruda Puerto Varas,
2005 Galería Bosque Nativo
Homenaje a Pablo Neruda Chile
Grisalla - Independent Paintings Santiago,
2006 Galería Ana María Matthei
Grisalla - Pintura Autónoma Chile
La Serena,
Galería Carmen Codoceo
Chile
Self-Revisited Promise
Una Promesa Autovisitada
Pinacoteca Concepción,
2007
Universidad de Concepción Chile
Playing with Art Santiago,
Galería Matthei
Jugando con el Arte Chile
Santiago,
Pintores Abstractos Galería Praxis
Chile
Radix, Where’s Downtown? Santiago,
Istituto Italiano di Cultura
2008 Radix ¿Dónde está el Centro? Chile
Riverside,
Illustrations of the Nonexistent
JHH Fine Art Gallery Connecticut,
Ilustraciones de lo no Existente
USA
87
89. Collection Location
Museum of Visual Arts Santiago,
Museo de Artes Visuales MAVI Chile
Museum of Modern Art Chiloé,
Museo de Arte Moderno MAM Chile
Itaú Foundation Santiago,
Fundación Itaú Chile
Treviso,
Coletzioni Luciano Benetton
Italy
Santiago,
Price Waterhouse Coopers
Chile
Bank of Boston Santiago,
Now Banco Itaú Chile
Concepción,
Banco de Crédito e Inversiones BCI
Chile
Santiago,
Compañía de Cervecerías Unidas CCU
Chile
Santiago,
Empresas Juan Yarur
Chile
Santiago,
Banco Monex
Chile
Santiago,
IBPartners
Chile
Santiago,
Fyrma Gráfica
Chile
Santiago,
Quintec
Chile
Many acquisitions and commissioned work in Banks, Financial Advisory,
Private Investment, Wealth Management firms and other companies throughout Chile.
Numerous private collections throughout the Americas & Europe.
89
