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DIGITAL
COPYRIGHTS
Copyright?
 Copyright is a form of protection provided to
 authors of “original works of authorship”
 including
   Literary
   Dramatic
   Musical
   Artistic
   and   other intellectual works
Indian Copyright Act
 TheCopyright Act, 1957 came into effect
 from January 1958. This Act has been
 amended five times since then, i.e., in
 1983, 1984, 1992, 1994 and 1999, with the
 amendment of 1994 being the most
 substantial. Prior to the Act of 1957, the
 Law of Copyrights in the country was
 governed by the Copyright Act of 1914.
 This Act was essentially the extension of
 the British Copyright Act, 1911 to India.
Why copyrights?
 Copyright ensures certain minimum
 safeguards of the rights of authors over
 their creations, thereby protecting and
 rewarding creativity
How To Secure A Copyright
•Copyright   is secured
automatically when the
work is created.
•A work is "created" when
it is fixed in a copy or
phonorecord for the first
time.
challenges
 Advent  of I-way is technological challenge
  to copyright owners to prevent
  unauthorized users.
 Ex-photocopying machines:
   Reproduction   time
   Quality
   Delivery time
   Modification
   Combine with other works
The Exclusive Rights of Copyright Owners
    according to Section 106 of copyright act
•   To reproduce the copyrighted work in copies
    or phonorecords;
•   To prepare derivative works based upon the
    copyrighted work;
•   To distribute copies or phonorecords of the
    copyrighted work to the public by sale or
    other transfer of ownership, or by rental,
    lease or lending;
cont…
•   To perform and display the copyrighted
    work publicly, in the case of literary,
    musical, dramatic, and choreographic
    works, pantomimes, and motion pictures
    and other audiovisual works;
Digital copyrights in online
databases
 Terms   and conditions can be categorized
 as:
  No downloading at all
  No e storage (only printing)
  No copies or distribution, even internally
  No copies or distribution to third parties
  Specific limitations on various types of use
Enforcing digital copyrights using
technology
 Controlling    access to copyrighted works
   Controlling    server access
       Completely Uncontrolled
       Partially Controlled

   Controlling    document access
         Ex. Unique file format that can be read
          only by certain software
   encryption
 Controlling use of the work – ex.
 controlling the serial copying
Enforcing digital copyrights using
technology
 Authenticating   the work –
   Use of digital signatures to place a seal on
   original work
 Implementing   electronic contracts
   Useof software to implement licensing of
   rights and metering of use. It is a
   combination of access controls, digital
   signature and encryption technologies.
What Works Qualify for Protection
•Copyright  protects
"original works of
authorship" that are fixed
in a tangible form of
expression.
•The  fixation need not be
directly perceptible so long
as it may be
communicated with the
aid of a machine or device.
Cont…
Literary works;
Musical works, including
any accompanying
words; Dramatic works,
including any
accompanying music;
Pantomimes and
choreographic works;
Cont…
  Pictorial,graphic, and
sculptural works; Motion
pictures and other
audiovisual works.;Sound
recordings;Architectural
works.
Cont…
 These categories should be viewed broadly.
 For example, computer programs and most
 "compilations" may be registered as "literary
 works"; maps and architectural plans may
 be registered as "pictorial, graphic, and
 sculptural works."
What Is Not Protected by Copyright
•Works that have not been fixed in a
tangible form of expression (for example,
choreographic works that have not been
notated or recorded, or improvisational
speeches or performances that have not
been written or recorded)
Cont…
 Titles,names, short
 phrases, and slogans;
 familiar symbols or
 designs; mere variations
 of typographic
 ornamentation, lettering,
 or coloring; mere listings
 of ingredients or contents
•Ideas, procedures, methods, systems,
processes, concepts, principles, discoveries,
or devices, as distinguished from a
description, explanation, or illustration
•Works consisting entirely of information
that is common property and containing no
original authorship (for example: standard
calendars, height and weight charts, tape
measures and rulers, and lists or tables
taken from public documents or other
common sources)
References
 http://copyright.gov.in/

 http://www.ircc.iitb.ac.in/Indian
  %20Copyright%20Act%201957.html
 http://www.copyright.com/Services/copyrig
  htoncampus/basics/law.html
Phonorecord
Phonograph

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Digital copyright

  • 2. Copyright?  Copyright is a form of protection provided to authors of “original works of authorship” including  Literary  Dramatic  Musical  Artistic  and other intellectual works
  • 3. Indian Copyright Act  TheCopyright Act, 1957 came into effect from January 1958. This Act has been amended five times since then, i.e., in 1983, 1984, 1992, 1994 and 1999, with the amendment of 1994 being the most substantial. Prior to the Act of 1957, the Law of Copyrights in the country was governed by the Copyright Act of 1914. This Act was essentially the extension of the British Copyright Act, 1911 to India.
  • 4. Why copyrights?  Copyright ensures certain minimum safeguards of the rights of authors over their creations, thereby protecting and rewarding creativity
  • 5. How To Secure A Copyright •Copyright is secured automatically when the work is created. •A work is "created" when it is fixed in a copy or phonorecord for the first time.
  • 6. challenges  Advent of I-way is technological challenge to copyright owners to prevent unauthorized users.  Ex-photocopying machines:  Reproduction time  Quality  Delivery time  Modification  Combine with other works
  • 7. The Exclusive Rights of Copyright Owners according to Section 106 of copyright act • To reproduce the copyrighted work in copies or phonorecords; • To prepare derivative works based upon the copyrighted work; • To distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease or lending;
  • 8. cont… • To perform and display the copyrighted work publicly, in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works;
  • 9. Digital copyrights in online databases  Terms and conditions can be categorized as:  No downloading at all  No e storage (only printing)  No copies or distribution, even internally  No copies or distribution to third parties  Specific limitations on various types of use
  • 10. Enforcing digital copyrights using technology  Controlling access to copyrighted works  Controlling server access  Completely Uncontrolled  Partially Controlled  Controlling document access  Ex. Unique file format that can be read only by certain software  encryption  Controlling use of the work – ex. controlling the serial copying
  • 11. Enforcing digital copyrights using technology  Authenticating the work –  Use of digital signatures to place a seal on original work  Implementing electronic contracts  Useof software to implement licensing of rights and metering of use. It is a combination of access controls, digital signature and encryption technologies.
  • 12.
  • 13. What Works Qualify for Protection •Copyright protects "original works of authorship" that are fixed in a tangible form of expression. •The fixation need not be directly perceptible so long as it may be communicated with the aid of a machine or device.
  • 14. Cont… Literary works; Musical works, including any accompanying words; Dramatic works, including any accompanying music; Pantomimes and choreographic works;
  • 15. Cont… Pictorial,graphic, and sculptural works; Motion pictures and other audiovisual works.;Sound recordings;Architectural works.
  • 16. Cont…  These categories should be viewed broadly. For example, computer programs and most "compilations" may be registered as "literary works"; maps and architectural plans may be registered as "pictorial, graphic, and sculptural works."
  • 17. What Is Not Protected by Copyright •Works that have not been fixed in a tangible form of expression (for example, choreographic works that have not been notated or recorded, or improvisational speeches or performances that have not been written or recorded)
  • 18. Cont…  Titles,names, short phrases, and slogans; familiar symbols or designs; mere variations of typographic ornamentation, lettering, or coloring; mere listings of ingredients or contents
  • 19. •Ideas, procedures, methods, systems, processes, concepts, principles, discoveries, or devices, as distinguished from a description, explanation, or illustration •Works consisting entirely of information that is common property and containing no original authorship (for example: standard calendars, height and weight charts, tape measures and rulers, and lists or tables taken from public documents or other common sources)
  • 20. References  http://copyright.gov.in/  http://www.ircc.iitb.ac.in/Indian %20Copyright%20Act%201957.html  http://www.copyright.com/Services/copyrig htoncampus/basics/law.html

Notas del editor

  1. Refer for more information http://www.copyright.com/Services/copyrightoncampus/basics/law.html
  2. A phonorecord is defined by the United States Copyright Act of 1976 to be a material object which embodies sounds (other than those accompanying audio-visual recordings such as movies), for example cassette tapes, CDs or albums. [1] From the Copyright Act: “Phonorecords” are material objects in which sounds, other than those accompanying a motion picture or other audiovisual work, are fixed by any method now known or later developed, and from which the sounds can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. The term “phonorecords” includes the material object in which the sounds are first fixed.
  3. Pantomime-Communication by means of gesture and facial expression: Some tourists make themselves understood abroad by pantomime.
  4. No e storage- e.g. google books
  5. Serial copying like serial killer
  6. Serial copying like serial killer
  7. Improvisational - 1. To invent, compose, or perform with little or no preparation. 2. To play or sing (music) extemporaneously, especially by inventing variations on a melody or creating new melodies in accordance with a set progression of chords. 3. To make or provide from available materials: improvised a dinner from what I found in the refrigerator.