The document discusses depictions of the Last Judgment in medieval Romanesque architecture. During this period, Jesus was commonly depicted as wrathful and condemning in order to inspire fear. Notable examples include the tympanums at Autun and Sainte-Foy, which featured graphic scenes of hell. Later Gothic works like Chartres depicted less frightening scenes, with Jesus' hands raised and fewer demons. The changing depictions reflected theological shifts from a focus on damnation to salvation.
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