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ENGLISH 87N PRESENTATION SHUQIAO SONG 3/4/2009
Residents of a dys( FUN )ctional  HOME :  Text & Image
ALISON BECHDEL
 
TEXT
 
IMAGE
 
TEXT  IMAGE
TEXT  &  IMAGE
TEXT  ?  IMAGE
 
TEXT  ?  IMAGE
1. TEXT can fail…
1. TEXT can fail… … but is necessary.
2. IMAGES deceive…
2. IMAGES deceive… … but are necessary.
TEXT  ?  IMAGE
 
1.
1. TEXT can fail…
LOSS
LOSS of words
 
 
LOSS in translation
“ Perdu”
LOSS expressing ?
LOSS in translation
LOSS of words
 
 
 
1. TEXT can fail…
1. TEXT can fail… … but is necessary.
 
2.
 
2. IMAGES deceive…
 
 
 
 
 
 
2. IMAGES deceive…
2. IMAGES deceive… … but are necessary.
 
TEXT  ?  IMAGE
“ Daedalus, too, was indifferent to the human cost of his projects.  He blithely betrayed the king, for example, when the ...
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
mismatch match
TEXT  IMAGE IMAGE  TEXT SUB-TEXT  SUB-IMAGE
 
Works Cited Bechdel, Alison.  Fun Home . Houghton Mifflin, 2006.   Chabani, Karim. “Double Trajectories: Crossing Lines in...
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Text & Image: Residents of a dysFUNctional HOME

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My final presentation for ENGLISH87N. 2008

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Text & Image: Residents of a dysFUNctional HOME

  1. 1. ENGLISH 87N PRESENTATION SHUQIAO SONG 3/4/2009
  2. 2. Residents of a dys( FUN )ctional HOME : Text & Image
  3. 3. ALISON BECHDEL
  4. 5. TEXT
  5. 7. IMAGE
  6. 9. TEXT IMAGE
  7. 10. TEXT & IMAGE
  8. 11. TEXT ? IMAGE
  9. 13. TEXT ? IMAGE
  10. 14. 1. TEXT can fail…
  11. 15. 1. TEXT can fail… … but is necessary.
  12. 16. 2. IMAGES deceive…
  13. 17. 2. IMAGES deceive… … but are necessary.
  14. 18. TEXT ? IMAGE
  15. 20. 1.
  16. 21. 1. TEXT can fail…
  17. 22. LOSS
  18. 23. LOSS of words
  19. 26. LOSS in translation
  20. 27. “ Perdu”
  21. 28. LOSS expressing ?
  22. 29. LOSS in translation
  23. 30. LOSS of words
  24. 34. 1. TEXT can fail…
  25. 35. 1. TEXT can fail… … but is necessary.
  26. 37. 2.
  27. 39. 2. IMAGES deceive…
  28. 46. 2. IMAGES deceive…
  29. 47. 2. IMAGES deceive… … but are necessary.
  30. 49. TEXT ? IMAGE
  31. 50. “ Daedalus, too, was indifferent to the human cost of his projects. He blithely betrayed the king, for example, when the queen asked him to build her a cow disguise so she could seduce the white bull. Indeed the result of that scheme—a half-bull, half-man monster—inspired Daedalus’s greatest creation yet. He hid the minotaur in the labyrinth—a maze of passages and rooms opening endlessly into one another…and from which, as stray youths and maidens discovered to their peril…escape was impossible. Then there are those famous wings. Was Daedalus really stricken with grief when Icarus fell into the sea? Or just disappointed by the design failure?” (Bechdel 11-12)
  32. 68. mismatch match
  33. 69. TEXT IMAGE IMAGE TEXT SUB-TEXT SUB-IMAGE
  34. 71. Works Cited Bechdel, Alison. Fun Home . Houghton Mifflin, 2006.   Chabani, Karim. “Double Trajectories: Crossing Lines in Fun Home.” GRAAT 1 March (2007): 1-14.   Chute, Hillary. “An Interview with Alison Bechdel.” MFS Modern Fiction Studies 52.4 (2006): 1004-1013. Project Muse . 30 Jan. 2009.   Gardner, Jared. “Autography’s Biography, 1972-2007.” Biography 31.1 (Winter 2008). Project Muse . 11 Feb. 2009. Grossman, Lev & Richard Lacayo. “10 Best Books.” Dec. 17 th 2006. TIME . 29 Jan. 2009 <http://www.time.com/time/magazine/ article/0,9171,1570801,00.html>.

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