3. I teach third level creative students how to communicate through
Media Writing, Public Relations, Social Media and Applied
Communications in a BSc degree programme.
I need to ensure our graduates can populate digital channels with their
creative work.
I need to inculcate a collaborative spirit to ensure our graduates can
work with designers, art directors, copywriters, front end developers,
programmers, marketers, and analysts.
Our graduates need to surmount blank screens and be creative.
@topgold
4. -- My research includes
continuous, informal interviews
with students.
The Process
-- Followed ethnographic
process recommended by
Spradley (1979).
-- Digital artifacts (Flickr,
Things I’ve done to investigate Instagram, Google Plus, Twitter,
blank screen creativity. Audioboo) assisted the data
collection process.
@topgold
5. -- Borrows from Jason
The Creative Theodor’s Creative Method and
System.
Experience
-- Learners bring their own
devices.
-- Teachers identify creative
oases.
Things worth sharing -- An effective process shares
eureka moments
@topgold
6. Learners
arrive in a
copy-and-
paste mode
Students who actually
“engaged in writing
assignments... exhibited
higher levels of critical thinking
and overall understanding of
their topic...“
Thompsett and Ahluwalia, 2010
@topgold
7. What promotes
creativity is a
questioning
classroom.
Ask unusual and
challenging
questions.
Value diversity.
Robert Fisher, 2006
@topgold
8. A transformation has
occurred. We have
moved from "atom-
based" economy, and
towards one focused
around the creation,
manipulation,
communication and
storage of electronic
binary digits or "bits".
Nicholas Negroponte, 2000
@topgold
9. Stress is part of the
landscape with Kids
Living and Learning with
New Media.
Mizuko Ito, 2009
@topgold
28. Failing Collaboration
“Most collaborations fail.
But we don’t hear about them.”
Ewan McIntosh, LIN 2012
@topgold
29. Learning
Creatively
Students prefer to learn
creatively by exploring,
questioning, experimenting,
manipulating, listening, and
testing.
Torrance and Safter (1990)
@topgold
30. Action
It’s about doing.
It is the act of creating.
It is about learning how to fail
well.
It is a journey of 10,000 steps.
Jason Theodor (2010)
@topgold
32. Facilitating
The weakest of us—the
Empaths, the Crazies, and the
Dreamers—need to break our
inertia and build up
momentum.
Theodor J (2010)
@topgold
33. Production
We extract significant value
when producing shared
reflective documents.
Google Docs used in public and private
modes.
@topgold
34. Critique
(There is) an emerging
consensus that the most
engaged and active forms of
learning with digital media
happen in youth-driven
settings.
Mizuko Ito, 2009
@topgold
I blog at www.insideview.ie, talk at audioboo.fm/topgold and share videos at youtube.com/topgold
conducted continuous, semi-structured and informal interviews with selected students and respondents. The researcher developed interviews using the ethnographic process recommended by Spradley (1979). The data that the researcher collected from classroom observations, exploration, investigation, and surveys of student attitudes toward such classroom environments assisted in preparing the analysis of findings. Artifacts (for example, tape recordings and computer software) also assisted in the data collection and analysis processes. http://www.amazon.com/Ethnographic-Interview-James-P-Spradley/dp/0030444969
Students Turned Off by Turnitin? Perception of Plagiarism and Collusion by Undergraduate Bioscience Students Andrew Thompsett and Jatinder Ahluwalia, November 2010 School of Health and Biosciences, University of East London
Expanding Minds: Developing Creative Thinking in Young Learners Robert Fisher, 2006. This paper is published in CATS: The IATEFL Young Learners SIG journal, Spring 2006
Nicholas Negroponte: From being digital to digital beings. IBM Systems Journal 39 (3&4): 417-418 (2000)
Hanging Out , Messing Around , and Geeking Out: Kids Living and Learning with New Media by Mizuko Ito.
Simply the best work about creativity shared at Slideshare.net.
From the beginning of time, creatives acted.
Connecting with tribes enhances everyone’s work.
Deviations are okay.
From Jason Theodor.
From Jason Theodor www.jasontheodor.com
Snapped during an audio preparation session.
I use Google Plus. http://gplus.to/topgold
This work emerged as part of the “Octaver” project in October 2012 at http://audioboo.fm.
Foot warmers optional.
Hazmah and Griffith, 2006 NATIONAL FORUM OF APPLIED EDUCATIONAL RESEARCH JOURNAL-ELECTRONIC VOLUME 19 NUMBER 3, 2006 1 Fostering Problem Solving & Creative Thinking in the Classroom: Cultivating a Creative Mind!
You need a curatorial process underneath all your creative work.
Biros do not require power. Handy that.
Pinboard.in automatically hoovers the flow from three of my Twitter accounts. This shows part of http://pinboard.in/u:topgold
More than 90% of the images created in our modules are available through Creative Commons licensing.
Word cloud arising when first-year students were asked what interests them.
We arrange guest lecturers through Google Hangouts.
We connect with lecturers in other third level institutions through Google Plus.
Well-spoken during LIN 2012 in Dublin, Ireland.
According to Torrance and Safter (1990), students prefer to learn creatively by exploring, questioning, experimenting, manipulating, listening, and testing
Malcolm Gladwell’s research on outliers shows a true professional has spent 10,000 hours on task.
Robertson K (2005). "Active listening: more than just paying attention" . Aust Fam Physician 34 (12): 1053–5. PMID 1633349
From Jason Theodor’s Creative Method.
From work with Google Docs emerges major conclusions, automatically peer-reviewed.
From the study of Hanging Out, Messing Around, and Geeking Out. The photo is a screenshot snapped on my iTouch during a Google Hangout.
Sometimes it’s as basic as cutting strips out of storyboards and repasting print documents
I’m very findable.
I’m very findable. I blog and talk about education, technology and being a dad to a very creative couple of kids.