1.
CREATIVE THINKING A) Brain 1) Functional Areas Five Senses, Thought, Sensory Integration 2) Left Side 3) Right Side B) Intelligence & Creativity C) Right Side Brain Activation D) Whole Brain Thinking

7.
<ul><li>The oral instruction is The visual instruction is </li></ul><ul><li>“ Say Hello” “Say Hello” </li></ul>

8.
<ul><li>FACE RECOGNITION </li></ul><ul><li>The fusiform face area, seen in green here, is active when we see faces, and also when experts are presented with images that they have learned to distinguish at very specific levels. </li></ul>

9.
<ul><li>Problem in </li></ul><ul><li>recognizing </li></ul><ul><li>inverted </li></ul><ul><li>images </li></ul>

11.
<ul><li>Left hemisphere: Logical, Analytic, Quantitative, </li></ul><ul><li>Rational and Verbal </li></ul><ul><li>Right hemisphere: Conceptual, Holistic, Intuitive, </li></ul><ul><li>Imaginative and Non-Verbal </li></ul>

15.
<ul><li>The left brain process information </li></ul><ul><li>in logical analytical stages </li></ul>

16.
<ul><li>Right side – The Artistic Brain </li></ul>

17.
<ul><li>Look at the chart and say the COLOUR </li></ul><ul><li>not the word YELLOW BLUE ORANGE BLACK RED GREEN PURPLE YELLOW RED ORANGE GREEN BLACK BLUE RED PURPLE GREEN BLUE ORANGE </li></ul><ul><li>Left - Right Conflict Your right brain tries to say the colour but your left brain insists on reading the word. </li></ul>

18.
<ul><li>This brain dominance makes left-handers more likely than right handers to be creative geniuses. This is supported by higher percentages of left-handers than normal in music and the arts, media in general. Left-handers are better at 3-dimensional perception and thinking. Left-handers are good at most ball sports and things involving hand-to-eye co-ordination. </li></ul>

20.
<ul><li>Creativity is a mental process utilizing all of the brain's specialized capabilities. It is, therefore, &quot;whole brained.&quot; </li></ul>

21.
CREATIVITY Creative thinking is a mental process that usually produces novel solution to a problem Possible to have highly creative but average intelligent persons Divergent Thinking Non-logical Approach Fresh & new Solutions INTELLIGENCE Measured by tests for abilities, aptitudes and skills Possible to have high intelligence but entirely poor creative persons Convergent Thinking Logical Approach Conventional Solutions

22.
<ul><li>Intelligence Tests - Puzzles </li></ul><ul><li>Anagrams Geometrical Puzzles </li></ul><ul><li>Charades Hieroglyphics </li></ul><ul><li>Coin Puzzles Logic Puzzles </li></ul><ul><li>Crypt-arithmetic Match Puzzles </li></ul><ul><li>Digits Number Puzzles </li></ul><ul><li>Dissection Puzzles Pentominoes </li></ul><ul><li>Doodles Tangrams </li></ul><ul><li>Double Acrostics True or False </li></ul><ul><li>Doublets Word Puzzles </li></ul>

23.
<ul><li>10 9 </li></ul><ul><li>Value for ? ? 2 </li></ul><ul><li>8 7 </li></ul><ul><li>What is the next letter in this Sequence? </li></ul><ul><li>O,T,T,F,F,S,S,? </li></ul><ul><li>Make this equation equal by replacing </li></ul><ul><li>1) one, 2) three and 3) two matches </li></ul>

24.
10 9 15 2 8 7 What is the next letter in this Sequence? O,T,T,F,F,S,S,? O ne ,T wo ,T hree ,F our ,F ive ,S ix ,S even

25.
<ul><li>One Match replaced </li></ul><ul><li>Three Matches replaced </li></ul><ul><li>Another Solution </li></ul><ul><li>Two Matches replaced </li></ul>

26.
<ul><li>CREATIVITY – TIPS </li></ul><ul><li>1) Look beyond the first right answer! </li></ul><ul><li>2) Make connections </li></ul><ul><li>Use metaphors, similes and </li></ul><ul><li>analogies to generate new ideas </li></ul><ul><li>3) Do something different than you usually do </li></ul><ul><li>4) New insights, inspirations and creative leaps </li></ul><ul><li>can appear any time any place – in the shower, over lunch or when you awake in the morning </li></ul><ul><li>They can disappear just as quickly as they appear. Record it. Jot down or draw a picture. </li></ul>

27.
Creative Visuals

28.
<ul><li>Young or old ? Vase or </li></ul><ul><li>Human Figures? </li></ul>

29.
<ul><li>Woman </li></ul><ul><li>doing makeup </li></ul><ul><li>in front of a mirror </li></ul><ul><li>looks like a skull </li></ul><ul><li>from a distance ! </li></ul><ul><li>(Charles A Gillbert, 1892) </li></ul>

31.
<ul><li>FIGURE IT OUT </li></ul>

32.
<ul><li>LANDSCAPE - CASTLE </li></ul><ul><li>Matthaus Merian, the elder (1593-1650) </li></ul><ul><li>Oil on panel 31.8 by 41.3 cms </li></ul>

35.
<ul><li>Can you see the nine people ? </li></ul>

36.
<ul><li>How many </li></ul><ul><li>Faces ? </li></ul>

37.
<ul><li>Can you see the Baby ? </li></ul>

38.
<ul><li>Palindrome </li></ul><ul><li>In Eden I </li></ul><ul><li>ADAM: Madam- </li></ul><ul><li>EVE: Oh, Who- </li></ul><ul><li>ADAM: (no girl-rig on) </li></ul><ul><li>EVE: Heh? </li></ul><ul><li>ADAM: Madam, I’m Adam. </li></ul><ul><li>EVE: Name of a Foeman? </li></ul><ul><li>ADAM: O stone me ! Not so. </li></ul><ul><li>EVE: Mad! A maid I am, Adam. </li></ul><ul><li>ADAM: Pure, eh? Called Ella? Cheer up. </li></ul><ul><li>EVE: Eve, not Ella.Brat-star ballet on? Eve. </li></ul><ul><li>ADAM: Eve? </li></ul><ul><li>EVE: Eve. Maiden name. Both sad in Eden?I dash to be </li></ul><ul><li>manned. I am Eve. </li></ul>

39.
<ul><li>ADAM: Eve. Drowsy baby’s word. Eve. </li></ul><ul><li>EVE: Mad! A gift. I fit fig. Adam. </li></ul><ul><li>ADAM: On hostess? Ugh! Gussets? Oh no! </li></ul><ul><li>EVE: ??? </li></ul><ul><li>ADAM: Sleepy baby peels. </li></ul><ul><li>EVE: Wolf! Low! </li></ul><ul><li>ADAM: Wolf? Fun, so snuff “low.” </li></ul><ul><li>EVE: Yes low! Yes, nil on, no linsey-wolsey! </li></ul><ul><li>ADAM: Madam, I’ m Adam. </li></ul><ul><li>Named under a ban. A bared, nude man </li></ul><ul><li>Aha’ </li></ul><ul><li>EVE: Mad Adam! </li></ul><ul><li>ADAM: Mmmmmmmm </li></ul><ul><li>EVE: Mmmmmmmm </li></ul>

40.
<ul><li>ADAM: Even in Eden I win Eden in eve. </li></ul><ul><li>EVE: Pure woman in Eden. I win Eden in- a mower-up. </li></ul><ul><li>ADAM: Mmmmmmmm </li></ul><ul><li>EVE: Adam. I’m Ada! </li></ul><ul><li>ADAM: Miss, I’m Cain, a monomaniac. Miss, I’m- </li></ul><ul><li>EVE: No son. </li></ul><ul><li>ADAM: Name’s Abel, a male base man. </li></ul><ul><li>EVE: Name not so, O stone man. </li></ul><ul><li>ADAM: Mad as it is it is Adam. </li></ul><ul><li>EVE: I’m a Madam Adam, am I? </li></ul><ul><li>ADAM: Eve? </li></ul><ul><li>EVE: Eve mine. Denied, a jade in Eden, I’m Eve. </li></ul><ul><li>ADAM: No fig. (Nor wrong if on) </li></ul><ul><li>EVE: ??? </li></ul>

41.
<ul><li>ADAM: A Daffodil I doff, Ada. </li></ul><ul><li>EVE: ‘Tis a – what- ah, was it- </li></ul><ul><li>ADAM: Sun ever! A bare Venus….. </li></ul><ul><li>EVE: ‘s pity! So red, un girt, rig-nude, rosy tips… </li></ul><ul><li>ADAM: Eve is a sieve! </li></ul><ul><li>EVE: Tut-tut! </li></ul><ul><li>ADAM: Now a see-saw on… </li></ul><ul><li>EVE: On me? (O poem!) No! </li></ul><ul><li>ADAM: aha! </li></ul><ul><li>EVE: I won’t! O not now, I- </li></ul><ul><li>ADAM: Aha </li></ul><ul><li>EVE: No! O God, I- (Fit if I do?) Go on. </li></ul><ul><li>ADAM: Hrrrrrrh! </li></ul><ul><li>EVE: Wow!Ow! </li></ul>

42.
<ul><li>ADAM: Sores? (Alas, Eros!) </li></ul><ul><li>EVE: No None. My hero! More Hymen, on, on… </li></ul><ul><li>ADAM: Hrrrrrrrrrrrrrrrrrrrrh! </li></ul><ul><li>EVE: Revolting is error. Resign it, lover. </li></ul><ul><li>ADAM: No. Not now I won’t On, On….. </li></ul><ul><li>EVE: Rise sir. </li></ul><ul><li>ADAM: Dewy dale, cinema-game…Nice lady wed? </li></ul><ul><li>EVE: Marry an Ayr ram! </li></ul><ul><li>ADAM: Rail on , O liar! </li></ul><ul><li>EVE: Live devil! </li></ul><ul><li>ADAM: Diamond-eyed no-maid! </li></ul><ul><li>EVE: Mmmmmmmmmmmmmmmmmmmm </li></ul><ul><li>(A polindromic dialogue by J A Lindon) </li></ul>

44.
<ul><li>M C Eschar </li></ul><ul><li>(1898-1972) </li></ul><ul><li>Netherlands </li></ul>

46.
<ul><li>UPSIDE DOWN PICTURES </li></ul>

54.
<ul><li>Muffaroo warns Lovekins But she does go and By falling off the </li></ul><ul><li>not to go near water alarms a nice lady embankment </li></ul><ul><li>Old man Muffaroo And throws it to The boat strikes the </li></ul><ul><li>brings a boat Little Lady Lovekins water with a splash </li></ul>

55.
<ul><li>And a big wave takes All seems well When suddenly a great </li></ul><ul><li>her into the boat duck comes along </li></ul><ul><li>And takes Little Lady Old man Muffaroo jumps Both on shore, she gets </li></ul><ul><li>Lovekins in to the rescue scolded all the way home </li></ul>

56.
<ul><li>Lovekins and Muffaroo in They enter through Genie says “ Open the right </li></ul><ul><li>a lovely palace with a lake the front door closet but not the left” </li></ul><ul><li>Genie vanishes and He opens the right door. Fairies left. Lovekins wants </li></ul><ul><li>two closets appear Little fairies greet them to open the left closet </li></ul>

57.
<ul><li>Lovekins opens the left Hobgoblins appear and Hobgoblins leaves and </li></ul><ul><li>closet throw them up in the air terrible sound comes </li></ul><ul><li>Huge bullock tosses them And throws them through They climb down </li></ul><ul><li>with his horns the door to the tree and run away </li></ul>

58.
<ul><li>An enormous fish Lovekins takes the fish Fight with a sword fish </li></ul><ul><li>caught by them and Muffaroo goes again </li></ul><ul><li>Sword fish fight ends Near the land another Canoe sinks and </li></ul><ul><li>fish-fight Muffaroo jumps ashore </li></ul>

59.
<ul><li>Meanwhile big birds came A Big bird picks her up She was carried in air </li></ul><ul><li>towards Lovekins </li></ul><ul><li>Muffaroo saw Lovekins Muffaroo raised the fish Lovekins is dropped. </li></ul><ul><li>Bird took the big fish. </li></ul>

60.
<ul><li>One day they are A fierce tiger They escape </li></ul><ul><li>walking along pounces out from by leaping </li></ul><ul><li>when all at once a pile of stones into the sea </li></ul><ul><li>Finding a raft they Here they come to And suddenly a huge </li></ul><ul><li>made for the shore a marsh with grass snake confronts them </li></ul>

61.
<ul><li>They ran Get caught in Find shelter until it stops, </li></ul><ul><li>a shower they proceed further </li></ul><ul><li>The tiger appears again Old Muffaroo kills him And all ends well </li></ul>

62.
<ul><li>Lovekins rescues a And Muffaroo helps him The little boy is glad </li></ul><ul><li>little long-haired boy across the river to be safe on shore </li></ul><ul><li>Lady Lovekins He bounces on her But is saved </li></ul><ul><li>is seen by the bird by old Muffaroo </li></ul>

63.
<ul><li>Decided to climb up the tree Muffaroo got tired and </li></ul><ul><li>decided to give umbrellas </li></ul><ul><li>Lady got the umbrellas Walking on a big solid cloud </li></ul>

65.
<ul><li>Fragment from &quot;The Mermaid and the Floating Mine&quot;. In the beginning of the story, Lovekins and Muffaroo have built a boat and a wigwam. To the end of the story, they hit a mine and they're thrown in the air </li></ul>

67.
<ul><li>Samuel Loyd (1841 – 1911) </li></ul>

70.
<ul><li>Sam Loyd </li></ul><ul><li>This is one of the most popular puzzles ever created. The original was made of cardboard, with a rotating disk in the middle. The Chinese warriors are partly inside, partly outside the disk. If you turn the disk, one of the thirteen warriors mysteriously disappears ! ( Published in 1898) </li></ul>

73.
<ul><li>This is a little story about four people named Everybody, Somebody, Anybody, and Nobody. </li></ul><ul><li>There was an important job to be done and Everybody was asked to do it. Everybody was sure Somebody would do it. Anybody could have done it, but Nobody did it. Somebody got angry about that because it was Everybody's job. Everybody thought that Anybody could do it, but Nobody realized that Everybody wouldn't do it. It ended up that Everybody blamed Somebody when actually Nobody asked anybody! </li></ul>

74.
<ul><li>Lateral Thinking </li></ul><ul><li>A sailor Walks into a restaurant, sits down </li></ul><ul><li>at a table, and orders albatross sandwich. </li></ul><ul><li>When it arrives, he takes one bite, leaves the restaurant, takes out the gun and commits suicide. WHY ? </li></ul>

75.
<ul><li>Inside of a locked room Romeo and Juliet </li></ul><ul><li>were there. A glass bowl with water was </li></ul><ul><li>on a table. </li></ul><ul><li>After sometime when peeping through the </li></ul><ul><li>key-hole, Romeo and Juliet were found to be </li></ul><ul><li>dead. Glass bowl was broken. Water was on the floor. Develop the story. </li></ul>

76.
<ul><li>Challenge the status quo </li></ul><ul><li>Confront Assumptions </li></ul><ul><li>Exhibit curiosity </li></ul><ul><li>Investigate new possibilities </li></ul><ul><li>Tend to take initiative in most matters </li></ul><ul><li>Be highly imaginative </li></ul><ul><li>Be future orientated </li></ul><ul><li>Tend to think visually </li></ul><ul><li>See possibilities within the seemingly impossible </li></ul><ul><li>Be not afraid of taking risks </li></ul>

77.
<ul><li>Be prepared to make mistakes </li></ul><ul><li>Be adaptable to different work environments </li></ul><ul><li>Be adaptable to changing circumstances </li></ul><ul><li>See relationship between seemingly disconnected elements </li></ul><ul><li>Distill unusual ideas down to their underlying principles </li></ul><ul><li>Synthesize diverse elements </li></ul><ul><li>Spot underlying patterns in events </li></ul><ul><li>Be ready to cope with paradoxes </li></ul><ul><li>Look beyond the first right answer </li></ul>