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SESC BIENNIAL
SESC Serviço   Social   do Commércio ,[object Object]
[object Object],[object Object]
ACTIONS AND PURPOSES ,[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object]
[object Object]
SOME NUMBERS ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
S ã o Paulo’s Biennial of Art   ,[object Object],[object Object],[object Object],[object Object],[object Object],“ By its definition, the Bienal should fulfil two major tasks: place Brazil’s modern art non merely in confrontation with, but also in living contact with the art of the world, while simultaneously seeking a position for S ã o Paulo as a world art centre”
[object Object],[object Object],[object Object],[object Object],“ You can’t take the Bienal out of its social, economic and cultural context. In a country were people only talk about football and where crime and violence run amok, any cultural manifestation is more than welcome”  (Siron Franco, artist) The Bienal: dynamic format
“ In Living contact” ,[object Object],[object Object],[object Object],[object Object],“ It places itself in the position of observer and agent. It poses the question concerning the role of biennials as a tool and the history of biennials of S ã o Paulo, about the relationship between art and consumption, about the dialogue between national and international production, about collective memory and imagination about the point of contact and distance between the Bienal and the city”   (Ivo Mesquita, Curator) Themes:
28 Bienal de S ão Paulo:  Not just Art ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Structure: Activities:
Artists “ I don’t, as an artist, to present answers, inclusively because I don’t have them. I want to create something that can lead to different answers, built in collaboration with people that carry different social and cultural roles.” (Maur í cio Ian ê s) “ The Kindness of Strangers”  (M.Ian ê s) is a performance in order to investigate the relationship with the Other aiming at finding new ways to relate and new languages. Ian ê s, without clothes, food or any belongings, lived for 12 days in the Pavilion of the Bienal, relaying completely on the  kindness of the public. Mabe Beth ô nico  presented a project with educational scope, he  rediscovered Ibirapuera Park through meetings, documents and conversations  and an experience of a visit to the park’s life’s time and movements, seeking to reveal circles of care and work that are imperceptible to its users. “ What interest me most in this research is observing the Ibirapuera’s time for caring. I have always been a user of that space, as a visitor of Bienal , and my wish was to look outside the pavilion and get to know the actual life that is unknown to the general public”   (M. Beth ônico)

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SESC / Biennial by Ilaria Montorsi and Giovanni Saladino

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  • 13. Artists “ I don’t, as an artist, to present answers, inclusively because I don’t have them. I want to create something that can lead to different answers, built in collaboration with people that carry different social and cultural roles.” (Maur í cio Ian ê s) “ The Kindness of Strangers” (M.Ian ê s) is a performance in order to investigate the relationship with the Other aiming at finding new ways to relate and new languages. Ian ê s, without clothes, food or any belongings, lived for 12 days in the Pavilion of the Bienal, relaying completely on the kindness of the public. Mabe Beth ô nico presented a project with educational scope, he rediscovered Ibirapuera Park through meetings, documents and conversations and an experience of a visit to the park’s life’s time and movements, seeking to reveal circles of care and work that are imperceptible to its users. “ What interest me most in this research is observing the Ibirapuera’s time for caring. I have always been a user of that space, as a visitor of Bienal , and my wish was to look outside the pavilion and get to know the actual life that is unknown to the general public” (M. Beth ônico)