1.
Art Fundamentals Chapter 3 Line <ul><li>The Vocabulary of Line </li></ul><ul><li>Line: The Elementary Means of Communication </li></ul><ul><li>The Physical Characteristics of Line </li></ul><ul><ul><li>Measure </li></ul></ul><ul><ul><li>Type </li></ul></ul><ul><ul><li>Direction </li></ul></ul><ul><ul><li>Location </li></ul></ul><ul><ul><li>Character </li></ul></ul><ul><li>The Expressive Properties of Line </li></ul><ul><li>Line and the Other Art Elements </li></ul><ul><ul><li>Line and Shape </li></ul></ul><ul><ul><li>Line and Value </li></ul></ul><ul><ul><li>Line and Texture </li></ul></ul><ul><ul><li>Line and Color </li></ul></ul><ul><li>The Spatial Characteristics of Line </li></ul><ul><li>Line and Representation </li></ul>

2.
THE VOCABULARY OF INTRODUCTORY TERMS <ul><li>Line </li></ul><ul><li>The path of a moving point that is made by a tool, instrument, or medium as it moves across an area. </li></ul><ul><li>A line usually made visible because it contrasts in value with its surroundings. </li></ul>

3.
THE VOCABULARY OF INTRODUCTORY TERMS <ul><li>calligraphy </li></ul><ul><li>Elegant, decorative writing. Lines used in artworks that possess the qualities found in this kind of writing may be called &quot;calligraphic&quot; and are generally flowing and rhythmical. </li></ul>

4.
THE VOCABULARY OF INTRODUCTORY TERMS <ul><li>contour </li></ul><ul><li>In art, the line that defines the outermost limits of an object or a drawn or painted shape . It is sometimes considered to be synonymous with &quot; outline &quot;; as such, it indicates an edge that also may be defined by the extremities of darks, lights, textures, or colors. </li></ul>

5.
THE VOCABULARY OF INTRODUCTORY TERMS <ul><li>cross-contour </li></ul><ul><li>A line that crosses and defines the surface undulations between, or up to, the outermost edges of shapes or objects. </li></ul>

6.
THE VOCABULARY OF INTRODUCTORY TERMS <ul><li>expression </li></ul><ul><li>I. The manifestation through artistic form of a thought, emotion, or quality of meaning. </li></ul><ul><li>2. In art, expression is synonymous with the term content. </li></ul>

7.
THE VOCABULARY OF INTRODUCTORY TERMS <ul><li>hatching </li></ul><ul><li>Repeated strokes of an art tool producing clustered lines (usually parallel) that create values. </li></ul><ul><li>In &quot;cross-hatching,&quot; similar lines pass over the hatched lines in a different direction, usually resulting in darker values. </li></ul>

8.
THE VOCABULARY OF INTRODUCTORY TERMS <ul><li>implied line </li></ul><ul><li>Implied lines (subjective lines) are those that dim, fade, stop, and/or disappear. Missing portion of the line is implied to continue and is visually completed by the observer as the line reappears. </li></ul>

9.
THE VOCABULARY OF INTRODUCTORY TERMS <ul><li>Representation (al) art </li></ul><ul><li>A type of art in which the subject is presented through the visual art elements so that the observer is reminded of actual objects. (See naturalism and realism) </li></ul>

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Art Fundamentals Chapter 3 Line Part 1

11.
Line: The elementary means of communication <ul><li>Handwriting </li></ul><ul><li>Sketching </li></ul><ul><li>Drawing </li></ul>

12.
Line: The elementary means of communication <ul><li>Theoretically: a line is an extended dot . </li></ul><ul><li>The physical characteristics are used by the artist to create meanings. </li></ul>

13.
Line: The elementary means of communication <ul><li>Line  </li></ul><ul><ul><li>A graphic device </li></ul></ul><ul><ul><li>Symbol of something </li></ul></ul><ul><ul><li>Communicative manner </li></ul></ul><ul><ul><li>Defining limits of shape </li></ul></ul>

14.
Line <ul><li>Implied line </li></ul><ul><ul><li>Suggest spatial change, movement, or animation. </li></ul></ul><ul><ul><li>Fade, stop, and/or disappear and then reappear as a continuation or an extension of an edge or a direction. </li></ul></ul>

15.
Line <ul><li>Calligraphic line </li></ul><ul><ul><li>Personal </li></ul></ul><ul><ul><li>Flowing </li></ul></ul><ul><ul><li>Rhythmical </li></ul></ul><ul><ul><li>Intriguing </li></ul></ul>

16.
Line <ul><li>Calligraphy </li></ul><ul><ul><li>Grace </li></ul></ul><ul><ul><li>Elegancy </li></ul></ul>

17.
The Physical Characteristics of Line <ul><li>Strait or curved </li></ul><ul><li>Direct or meandering </li></ul><ul><li>Short or long </li></ul><ul><li>Thin or thick </li></ul><ul><li>Zigzag or serpentine </li></ul><ul><li>Built-in Associations </li></ul>

18.
The Physical Characteristics of Line 1- MEASURE <ul><li>Length or width </li></ul><ul><ul><li>Long and short </li></ul></ul><ul><ul><li>Thick and thin </li></ul></ul><ul><li>Divide </li></ul><ul><li>Balance </li></ul><ul><li>Unbalance </li></ul>

19.
The Physical Characteristics of Line 2- TYPE <ul><li>Straight </li></ul><ul><li>Curved </li></ul><ul><li>Angular </li></ul><ul><li>+ </li></ul><ul><li>Long or Short </li></ul><ul><li>Thick or Thin </li></ul>

20.
The Physical Characteristics of Line 2- TYPE <ul><li>Alterations of movement become visually entertaining and physically stimulating if they are rhythmical. </li></ul>

21.
The Physical Characteristics of Line 2- TYPE <ul><li>Our eyes frequently have difficulty adapting to an angular line’s unexpected deviations of direction. </li></ul>

22.
The Physical Characteristics of Line 3- DIRECTION <ul><li>Basic direction - Basic movement. </li></ul><ul><li>Horizontal direction could indicate serenity and perfect stability. </li></ul><ul><li>Diagonal direction would probably imply agitation and motion. </li></ul><ul><li>Vertical suggests poise and aspiration. </li></ul>

23.
The Physical Characteristics of Line 3- DIRECTION <ul><li>Our eye movements can facilitate the continuity of relationships among the various properties of the elements. </li></ul>

24.
The Physical Characteristics of Line 4- LOCATION <ul><li>According to placement, a line can serve to: </li></ul><ul><ul><li>Unify </li></ul></ul><ul><ul><li>Divide </li></ul></ul><ul><ul><li>Balance </li></ul></ul><ul><ul><li>Unbalance </li></ul></ul><ul><li>Depending upon its high or low position relative to the frame. </li></ul>

25.
The Physical Characteristics of Line 5- CHARACTER <ul><li>The Medium with which the line is created. </li></ul><ul><li>Monotony could result from the consistent use of lines of the same character unless the unity so gained is balanced by the variation of other physical properties. </li></ul>

26.
The Physical Characteristics of Line 5- CHARACTER <ul><li>The personality or emotional quality of the line is greatly dependent on the nature of the medium chosen. </li></ul>

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Art Fundamentals Chapter 3 Line Part 2

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STOP HERE

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Art Fundamentals Chapter 3 Line End