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The Programme is funded by
the European Union
The Programme is implemented by a consortiumled by the British Council, in partnership w ith
the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut.
Terms of Reference
Assignment: Technical Assistance Requested: Non-key
Short-Term Junior Experts: Communications and
Advocacy Trainers for Culture Managers
1. Description of the Assignment
Title: Communications and Advocacy Trainers for Culture
Managers
Number of required experts: 2
Duration of the assignment: Junior: Up to 36 days in total – 18 Working Days each
Period of the assignment: April 2016 – July 2017
Place of assignment: Junior: 1 Local Trainer for Armenia, Belarus, Ukraine
Junior: 1 Local Trainer for Azerbaijan, Georgia, Moldova
2. Background and Scope of Work
The European Union-Eastern Partnership Culture and Creativity Programme 2015-2018 aims at
further strengthening cultural policies, particularly the Culture and Creative Sectors, and to
The Project: EU-Eastern Partnership Culture Programme II
REF: EuropeAid/135685/DH/SER/MULTI
Financing Institution: European Union
Budget Line/ Expert
Category:
Non-Key Short Term Experts
TeamLeader: Tim Williams
Beneficiarycountries The Eastern Partnership countries (Armenia,
Azerbaijan, Belarus, Georgia, Republic of Moldova
and Ukraine)
Client European Union, Directorate General
Neighbourhood and Enlargement Negotiations
(NEAR), Unit C2
The Programme is funded by
the European Union
The Programme is implemented by a consortiumled by the British Council, in partnership w ith
the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut.
strengthen the capacities of the culture sector and the culture operators in the EaP countries. It also
aims to increase the links between public institutions and private actors and to include civil society in
the decision making process, thus enhancing the role of culture as a driving-force for reform,
promotion of inter-cultural dialogue and social cohesion.
The Programme consists of four main components:
• Cultural indicators and practical research including strengthening national capacities in
evidence-based policy
• other relevant capacity-building in support of modernisation and reform in the cultural sector
• development of international collaboration opportunities and partnerships including through
participation in the EU's new major grants programme Creative Europe
• a communications and visibility strategy
The Programme Associates initiative launches the main element of the Capacity Building work and
focuses on various aspects of project cycle management.
The objectives of the Programme Associates initiative are:
To form a body of 50 senior and middle managers in each EaP country and:
 Support them to improve their management skills
• Equip them to be more competitive
• Share information and increase awareness among the participants of the economic potential
of the sector
• Identify the knowledge gaps and needs of cultural operators
• Identify networks and good practice in the culture and creative sector
The Programme Associates initiative is a one-year series of workshops that aims to help these
middle managers in cultural institutions develop skills for their current positions and future roles in
the culture and creative sector.
The Programme has already selected the associates through an open call on its website. Up to 50
cultural managers in each of the six Eastern Partnership countries will undergo intensive training
workshops that combine theory and practical work in relation to a project that they are personally
planning.
The Programme is funded by
the European Union
The Programme is implemented by a consortiumled by the British Council, in partnership w ith
the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut.
Programme Management
The Programme is administered by a consortium led by the British Council with its partners: The
Soros Foundation-Moldova, The National Centre for Culture of Poland, and the Goethe Institut. A
Technical Advisory Team based in Kyiv runs the day-to-day management of the Programme with a
team of six Country Coordinators.
3. Assignment Objectives
The Programme is seeking two experienced and leading trainers based in the Eastern Partnership
region to run two 1-day workshops in all six countries.
One-day Workshops
The Programme plans two 1-day workshops on specific themes:
1. Advocacy
2. Communications
Each workshop will be for up to 25 of the associates.
The trainers will be responsible for running two workshops by themselves (advocacy and
communications).
Other Workshops and Online Learning
Please note that in addition to these two 1-day workshops the Programme will also offer the
associates two online training courses in finance and marketing, and three further 1-day workshops
in strategic planning, proposal writing and crossovers. This work will be organised separately and is
not part of this call.
4. Assignment Scope
4.1. Scope
Each Management Trainer will deliver the one-day workshops mentioned in Section 3 in three
countries.
Each Management Trainer will:
 Adapt their own existing training materials and run the workshops
The Programme is funded by
the European Union
The Programme is implemented by a consortiumled by the British Council, in partnership w ith
the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut.
 Work with the local Country Coordinator on workshop logistics
 Ensure the monitoring and evaluation sheets are 100% completed
5. Methodology, Approach and Main Deliverables
The trainers will develop their own methodology, themes and break out events, in consultation with
the Programme Team. The methodology should be sympathetic to the culture and creative sector.
The application of a mixture of learning methods is required; including theory, practice, discussion
and presentation to match the different learning styles of associates. The trainees can be set
homework tasks and reading lists before the workshops.
The main deliverables should be informed by the needs of the associates and the Programme’s
agenda-setting workshop documents, which are available of the Programme’s website.
Further each trainee will have a personal planned project that they wish to develop. The aim is that
at the end of each workshop the trainee will have strengthened a new aspect of their planned
project.
6. Reporting Requirements
Write a two-page summary of the main tangible outcomes of each country assignment, and provide
all contacts to the Programme office in Kyiv by the end of each month.
7. Expert Profile
European Union-Eastern Partnership Culture Programme 2015-2018 does not discriminate on the
basis of age, race, colour, sex, religion, sexual orientation, or disability.
Applicants must meet the following criteria:
Qualifications and Skills
We are seeking to recruit two consultants based in the Eastern Partnership region with the following
experience and skills:
1. At least three years professional experience in the field of communications and advocacy
training in Eastern Partnership countries.
2. Experience in running practical exercises at workshops.
3. Experience in working with cultural operators in the Eastern Partnership countries desirable.
The Programme is funded by
the European Union
The Programme is implemented by a consortiumled by the British Council, in partnership w ith
the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut.
4. Ability to communicate in the local language and /or Russian and English.
5. The Indicative Activities and table
EXPERT (in each country).
Activity Number of Days *
Advocacy 3
Communications 3
Total 6
* Each expert will work in three countries (18 days each, total 36 days). The proposed dates
by country are available in Annex 2.
9. Administrative Aspects
9.1 Reporting Requirements
Write a two-page summary of the main tangible outcomes of the assignment, and provide all
contacts to the Programme office in Kyiv.
9.1. Conflicts of Interest
Please let Programme staff know of potential conflicts of interest in your covering letter.
9.2 Fees
Please indicate fee expectations in your cover letter. Fees should be inclusive of all tax and social
contributions. This Programme is VAT exempt.
Invoicing
An invoice (using the format in annex 4 to the contract) and a timesheet (Annex 8 of the contract)
should be submitted to the British Council, for approval and payment by 25th
of the month following
the end of the assignment.
The Programme is funded by
the European Union
The Programme is implemented by a consortiumled by the British Council, in partnership w ith
the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut.
Financial record keeping
This work is part of the EU Programme. This type of Programme is based on payment of verifiable,
eligible expenditure. The Expert must ensure that all expenses claimed and receipts/documentation
is in-line with the Council’s requirements to enable it to fulfil the requirements of the EU as set out in
annex 3 to the Consultant’s contract.
10. Application Procedure
Applications need to be submitted by e-mail to Victoria Dudko Victoria.Dudko@britishcouncil.org.ua
not later than 12:00 hrs, 25th
March 2016.
The email subject line should say:
Application for the position: NKE 14: Non-key Short-TermExpert:Communications and
Advocacy Trainers for Culture Managers
Trainers MUST confirmin their covering letter where theywould like to work and that they
are available to work on the all of days stated in Annex 2.
The applicant should provide the following:
 Their CV in English.
 A one-page outline tin English that shows a plan for one of the courses mentioned in Section
3.
 The one-page cover letter in English should provide concrete examples of how your
experience and skills meet the assignment.
References must be available on request. Only short-listed candidates will be contacted.
The Project is an equal opportunity employer that encourages applications from anyone regardless
of age, race, colour, sex, religion, sexual orientation or disability.
All applications will be considered strictly confidential.
The advertised post is not available to civil servants or other officials of the public administration in
the beneficiary countries.
The Programme is funded by
the European Union
The Programme is implemented by a consortiumled by the British Council, in partnership w ith
the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut.
For more information, please contact Victoria Dudko, Victoria.Dudko@britishcouncil.org.ua Tel/
+380 44 490 5600
11. Application Evaluation Criteria
Submissions will be assessed in a standardised manner. We expect to issue a response within one
week. Only shortlisted consultants will be contacted. The programme reserves the right to reject any
or all the proposals without assigning any reason thereof.
Annex 1.
Background
The Programme runs for 36 months from 1st
February 2015 to 31st
January 2018.
Origin of the programme
In the Eastern Partnership countries, public policies have had a tendency to define culture narrowly
in terms of heritage, both 19th century traditional and Soviet classical, then “high” culture and ethnic
folk culture. This problem of an un-dynamic, narrow definition of culture can be a major stumbling
block to cultural policy development and economic growth. It can also be an important limit to the
modernisation and development of the agendas that envisage the contribution of culture to other
important social spheres (e.g. culture and employment, culture and social cohesion, culture and
"well-being", etc.), which are becoming an integrated part of economic and social policy and
planning in most European countries. The challenge for EaP countries is to integrate culture into all
spheres of society and to pay systematic attention to the independent, private and commercial
cultural sectors.
The Eastern Partnership countries differ from many of the EU Member States in various aspects for
what concerns cultural policies. An important issue to consider is that the private and the
independent cultural sectors are very weak. As a result of this, the cultural sphere is both relatively
vulnerable and underdeveloped with a disproportionate role being played by Ministries of Culture.
Therefore the areas in which the ministries choose to operate, how they operate on those areas and
the quality of their performance, are all of critical importance.
Evolution of the context
In this Programme, culture and creative sectors are understood through a broad approach and in
line with the working definition provided in the study “Economy of Culture in Europe” and the
European Commission's Green Paper entitled “Unlocking the potential of cultural and creative
industries”. In this context, culture encompasses expressions, activities, goods and services in
relation to:
1. Core arts areas: performing arts, visual arts, cultural and architectural heritage and literature;
The Programme is funded by
the European Union
The Programme is implemented by a consortiumled by the British Council, in partnership w ith
the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut.
2. Cultural industries: film, DVD and video, television and radio, video games, new media,
music, books and press;
3. Creative industries: those industries, which use culture as an input but whose outputs are
mainly functional, including architecture, advertising, design and fashion.
Cultural operators are defined as all types of organisations and individuals working in the field of
culture.
The Programme is funded by
the European Union
The Programme is implemented by a consortiumled by the British Council, in partnership w ith
the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut.
Annex 2. Training Calendar
Country ADVOCACY COMMUNICATIONS
AR OCT 14 DEC 9
AZ OCT 11 DEC 6
BEL SEP 16 JAN 27
GEO SEP 13 NOV 22
MOL SEP 30 NOV 18
UKR JUN 23 OCT 28

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CALL FOR COMMUNICATIONS AND ADVOCACY TRAINERS FOR CULTURE MANAGERS

  • 1. The Programme is funded by the European Union The Programme is implemented by a consortiumled by the British Council, in partnership w ith the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut. Terms of Reference Assignment: Technical Assistance Requested: Non-key Short-Term Junior Experts: Communications and Advocacy Trainers for Culture Managers 1. Description of the Assignment Title: Communications and Advocacy Trainers for Culture Managers Number of required experts: 2 Duration of the assignment: Junior: Up to 36 days in total – 18 Working Days each Period of the assignment: April 2016 – July 2017 Place of assignment: Junior: 1 Local Trainer for Armenia, Belarus, Ukraine Junior: 1 Local Trainer for Azerbaijan, Georgia, Moldova 2. Background and Scope of Work The European Union-Eastern Partnership Culture and Creativity Programme 2015-2018 aims at further strengthening cultural policies, particularly the Culture and Creative Sectors, and to The Project: EU-Eastern Partnership Culture Programme II REF: EuropeAid/135685/DH/SER/MULTI Financing Institution: European Union Budget Line/ Expert Category: Non-Key Short Term Experts TeamLeader: Tim Williams Beneficiarycountries The Eastern Partnership countries (Armenia, Azerbaijan, Belarus, Georgia, Republic of Moldova and Ukraine) Client European Union, Directorate General Neighbourhood and Enlargement Negotiations (NEAR), Unit C2
  • 2. The Programme is funded by the European Union The Programme is implemented by a consortiumled by the British Council, in partnership w ith the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut. strengthen the capacities of the culture sector and the culture operators in the EaP countries. It also aims to increase the links between public institutions and private actors and to include civil society in the decision making process, thus enhancing the role of culture as a driving-force for reform, promotion of inter-cultural dialogue and social cohesion. The Programme consists of four main components: • Cultural indicators and practical research including strengthening national capacities in evidence-based policy • other relevant capacity-building in support of modernisation and reform in the cultural sector • development of international collaboration opportunities and partnerships including through participation in the EU's new major grants programme Creative Europe • a communications and visibility strategy The Programme Associates initiative launches the main element of the Capacity Building work and focuses on various aspects of project cycle management. The objectives of the Programme Associates initiative are: To form a body of 50 senior and middle managers in each EaP country and:  Support them to improve their management skills • Equip them to be more competitive • Share information and increase awareness among the participants of the economic potential of the sector • Identify the knowledge gaps and needs of cultural operators • Identify networks and good practice in the culture and creative sector The Programme Associates initiative is a one-year series of workshops that aims to help these middle managers in cultural institutions develop skills for their current positions and future roles in the culture and creative sector. The Programme has already selected the associates through an open call on its website. Up to 50 cultural managers in each of the six Eastern Partnership countries will undergo intensive training workshops that combine theory and practical work in relation to a project that they are personally planning.
  • 3. The Programme is funded by the European Union The Programme is implemented by a consortiumled by the British Council, in partnership w ith the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut. Programme Management The Programme is administered by a consortium led by the British Council with its partners: The Soros Foundation-Moldova, The National Centre for Culture of Poland, and the Goethe Institut. A Technical Advisory Team based in Kyiv runs the day-to-day management of the Programme with a team of six Country Coordinators. 3. Assignment Objectives The Programme is seeking two experienced and leading trainers based in the Eastern Partnership region to run two 1-day workshops in all six countries. One-day Workshops The Programme plans two 1-day workshops on specific themes: 1. Advocacy 2. Communications Each workshop will be for up to 25 of the associates. The trainers will be responsible for running two workshops by themselves (advocacy and communications). Other Workshops and Online Learning Please note that in addition to these two 1-day workshops the Programme will also offer the associates two online training courses in finance and marketing, and three further 1-day workshops in strategic planning, proposal writing and crossovers. This work will be organised separately and is not part of this call. 4. Assignment Scope 4.1. Scope Each Management Trainer will deliver the one-day workshops mentioned in Section 3 in three countries. Each Management Trainer will:  Adapt their own existing training materials and run the workshops
  • 4. The Programme is funded by the European Union The Programme is implemented by a consortiumled by the British Council, in partnership w ith the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut.  Work with the local Country Coordinator on workshop logistics  Ensure the monitoring and evaluation sheets are 100% completed 5. Methodology, Approach and Main Deliverables The trainers will develop their own methodology, themes and break out events, in consultation with the Programme Team. The methodology should be sympathetic to the culture and creative sector. The application of a mixture of learning methods is required; including theory, practice, discussion and presentation to match the different learning styles of associates. The trainees can be set homework tasks and reading lists before the workshops. The main deliverables should be informed by the needs of the associates and the Programme’s agenda-setting workshop documents, which are available of the Programme’s website. Further each trainee will have a personal planned project that they wish to develop. The aim is that at the end of each workshop the trainee will have strengthened a new aspect of their planned project. 6. Reporting Requirements Write a two-page summary of the main tangible outcomes of each country assignment, and provide all contacts to the Programme office in Kyiv by the end of each month. 7. Expert Profile European Union-Eastern Partnership Culture Programme 2015-2018 does not discriminate on the basis of age, race, colour, sex, religion, sexual orientation, or disability. Applicants must meet the following criteria: Qualifications and Skills We are seeking to recruit two consultants based in the Eastern Partnership region with the following experience and skills: 1. At least three years professional experience in the field of communications and advocacy training in Eastern Partnership countries. 2. Experience in running practical exercises at workshops. 3. Experience in working with cultural operators in the Eastern Partnership countries desirable.
  • 5. The Programme is funded by the European Union The Programme is implemented by a consortiumled by the British Council, in partnership w ith the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut. 4. Ability to communicate in the local language and /or Russian and English. 5. The Indicative Activities and table EXPERT (in each country). Activity Number of Days * Advocacy 3 Communications 3 Total 6 * Each expert will work in three countries (18 days each, total 36 days). The proposed dates by country are available in Annex 2. 9. Administrative Aspects 9.1 Reporting Requirements Write a two-page summary of the main tangible outcomes of the assignment, and provide all contacts to the Programme office in Kyiv. 9.1. Conflicts of Interest Please let Programme staff know of potential conflicts of interest in your covering letter. 9.2 Fees Please indicate fee expectations in your cover letter. Fees should be inclusive of all tax and social contributions. This Programme is VAT exempt. Invoicing An invoice (using the format in annex 4 to the contract) and a timesheet (Annex 8 of the contract) should be submitted to the British Council, for approval and payment by 25th of the month following the end of the assignment.
  • 6. The Programme is funded by the European Union The Programme is implemented by a consortiumled by the British Council, in partnership w ith the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut. Financial record keeping This work is part of the EU Programme. This type of Programme is based on payment of verifiable, eligible expenditure. The Expert must ensure that all expenses claimed and receipts/documentation is in-line with the Council’s requirements to enable it to fulfil the requirements of the EU as set out in annex 3 to the Consultant’s contract. 10. Application Procedure Applications need to be submitted by e-mail to Victoria Dudko Victoria.Dudko@britishcouncil.org.ua not later than 12:00 hrs, 25th March 2016. The email subject line should say: Application for the position: NKE 14: Non-key Short-TermExpert:Communications and Advocacy Trainers for Culture Managers Trainers MUST confirmin their covering letter where theywould like to work and that they are available to work on the all of days stated in Annex 2. The applicant should provide the following:  Their CV in English.  A one-page outline tin English that shows a plan for one of the courses mentioned in Section 3.  The one-page cover letter in English should provide concrete examples of how your experience and skills meet the assignment. References must be available on request. Only short-listed candidates will be contacted. The Project is an equal opportunity employer that encourages applications from anyone regardless of age, race, colour, sex, religion, sexual orientation or disability. All applications will be considered strictly confidential. The advertised post is not available to civil servants or other officials of the public administration in the beneficiary countries.
  • 7. The Programme is funded by the European Union The Programme is implemented by a consortiumled by the British Council, in partnership w ith the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut. For more information, please contact Victoria Dudko, Victoria.Dudko@britishcouncil.org.ua Tel/ +380 44 490 5600 11. Application Evaluation Criteria Submissions will be assessed in a standardised manner. We expect to issue a response within one week. Only shortlisted consultants will be contacted. The programme reserves the right to reject any or all the proposals without assigning any reason thereof. Annex 1. Background The Programme runs for 36 months from 1st February 2015 to 31st January 2018. Origin of the programme In the Eastern Partnership countries, public policies have had a tendency to define culture narrowly in terms of heritage, both 19th century traditional and Soviet classical, then “high” culture and ethnic folk culture. This problem of an un-dynamic, narrow definition of culture can be a major stumbling block to cultural policy development and economic growth. It can also be an important limit to the modernisation and development of the agendas that envisage the contribution of culture to other important social spheres (e.g. culture and employment, culture and social cohesion, culture and "well-being", etc.), which are becoming an integrated part of economic and social policy and planning in most European countries. The challenge for EaP countries is to integrate culture into all spheres of society and to pay systematic attention to the independent, private and commercial cultural sectors. The Eastern Partnership countries differ from many of the EU Member States in various aspects for what concerns cultural policies. An important issue to consider is that the private and the independent cultural sectors are very weak. As a result of this, the cultural sphere is both relatively vulnerable and underdeveloped with a disproportionate role being played by Ministries of Culture. Therefore the areas in which the ministries choose to operate, how they operate on those areas and the quality of their performance, are all of critical importance. Evolution of the context In this Programme, culture and creative sectors are understood through a broad approach and in line with the working definition provided in the study “Economy of Culture in Europe” and the European Commission's Green Paper entitled “Unlocking the potential of cultural and creative industries”. In this context, culture encompasses expressions, activities, goods and services in relation to: 1. Core arts areas: performing arts, visual arts, cultural and architectural heritage and literature;
  • 8. The Programme is funded by the European Union The Programme is implemented by a consortiumled by the British Council, in partnership w ith the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut. 2. Cultural industries: film, DVD and video, television and radio, video games, new media, music, books and press; 3. Creative industries: those industries, which use culture as an input but whose outputs are mainly functional, including architecture, advertising, design and fashion. Cultural operators are defined as all types of organisations and individuals working in the field of culture.
  • 9. The Programme is funded by the European Union The Programme is implemented by a consortiumled by the British Council, in partnership w ith the Soros Foundation Moldova, the National Centre for Culture of Poland and the Goethe-Institut. Annex 2. Training Calendar Country ADVOCACY COMMUNICATIONS AR OCT 14 DEC 9 AZ OCT 11 DEC 6 BEL SEP 16 JAN 27 GEO SEP 13 NOV 22 MOL SEP 30 NOV 18 UKR JUN 23 OCT 28