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PATRICIA MCMI L LAN 
TURN YOUR INFORMATION INTO 
A STORY THAT RESONATES
“The single biggest problem in communication is 
the illusion that it has taken place.” 
–GEORGE BERNARD SHAW
WHAT WE'LL 
COVER 
• Why stories 
• What makes a story 
resonate 
• Turning your information 
into a story 
• Delivering the story
NARRATIVE AND EVOLUTION 
Telling 
stories 
Logical 
narrative 
Reading 
and writing 
0 25000 50000 75000 100000 
Years
WE ARE ALL STORY 
GENERATING MACHINES. 
IT’S HOW WE PERCEIVE 
THE WORLD.
WHY STORIES? 
ATTENTION 
UNDERSTANDING 
INFLUENCE 
Curse of knowledge 
Resistance
“Storytelling reveals meaning without committing 
the error of defining it.” 
–HANNAH ARENDT 
Hannah Arendt in 1969, (AP photo).
WHAT MAKES A STORY 
RESONATE? 
BIG S 
STORYTELLING 
The Flying Carpet, Viktor Vasnetsov (1880)
Patterns, not formula
“A story is a recounting of events during which you 
wonder what is going to happen, and then you 
find out.” 
–CYNTHIA KURTZ
3 THEMES THAT RESONATE 
SURVIVAL V 
DEATH 
EMPOWERMENT V 
POWERLESSNESS 
CONNECTION V 
ISOLATION
THEIR STRUGGLE TO SURV I V E 
BECOMES OURS 
SURVIVA L V 
DEATH
HER FIGHT AGAINST 
INJUSTICE BECOMES OURS 
EMPOWERMENT V 
POWERLESSNESS
HIS NEED TO GO HOME 
BECOMES OURS 
CONNECTION 
V ISOLATION
SOMETHING HAS TO BE AT STAKE 
SURVIVAL V 
DEATH 
EMPOWERMENT V 
POWERLESSNESS 
CONNECTION V 
ISOLATION 
Fear 
Anger 
Sadness
“Story: n.: A detailed, character-based narration 
of a character’s struggles to overcome obstacles 
and reach an important goal.” 
–KENDALL HAVEN
An example of story 
structure applied to 
The Wizard of Oz
SMALL S STORYTELLING 
FINDING THE 
STORY IN YOUR 
INFORMATION
STORY ELEMENTS 
THE MORE OF THESE 
YOU WORK IN, THE 
MORE COMPELLING THE 
STORY, BUT THERE’S A 
TRADE-OFF IN STORY 
LENGTH. NOT EVERY 
STORY NEEDS ALL OF 
• Theme: Why do we care? 
• Setting: When and where? 
• Character: Who is the hero? 
• Something unexpected 
• The character’s important goal 
• What’s at stake? 
• Obstacles and struggles 
• Enemy? Allies? Mentor? 
• Resolution: Is it a happy ending? 
• A point: How has the world changed? 
• Sensory details: Help the story stick 
THESE.
WHY STORIES? 
ATTENTION 
UNDERSTANDING 
INFLUENCE 
Curse of knowledge 
Resistance
WORKED EXAMPLE 
• Themes: Survival v death (saving 
endangered creatures and habitats) + 
Connection v isolation (beautiful 
footage) 
• Setting: Qld, starting 20 years ago 
• Character: Richard Fitzpatrick 
• Unexpected: 1 Pb of jellyfish video. 
Using documentary footage for science 
• Important goal: Contribute to 
understanding and preservation of 
ocean creatures and animals 
• Obstacles: Accessible storage solution; 
Richard’s time is taken up responding 
to requests for his footage 
• At stake: Valuable footage is not 
accessible and at risk of being lost. The 
Qld Govt needs it to save turtles on 
Raine Island. Jamie Seymour needs it 
to develop anti-venom for box jellyfish. 
Others need it too. 
• Advisers: RDSI, QCIF; Allies: Jamie 
Seymour 
• Resolution: Accessible storage - yay! 
• The point: Footage now available. 
Richard can spend his time on research 
• Sensory details: Images, “It’s saved our 
butts already”
A FEW MORE 
TOPICS 
The Deluge, Gustave Doré (1866)
THE STORY INTERVIEW 
WHY IS THIS WORK 
IMPORTANT? 
HOW DID THE IDEA 
COME ABOUT? 
CAN YOU REMEMBER 
HOW IT STARTED? 
WHAT PROBLEM WERE 
YOU FACING? 
WHAT HAPPENED? 
WERE THERE 
CHALLENGES? 
HOW DID YOU 
OVERCOME THEM? 
WHAT WAS THE 
OUTCOME?
DELIVERY MODES AND MEDIA - 
LOTS OF OPTIONS 
IN PERSON 
VIDEO 
SLIDEDOC 
WRITTEN 
DELIVERED VIA 
SOCIAL MEDIA, 
WEB, OR 
TRADITIONAL 
MEDIA
“Our life is frittered away by detail. Simplify, 
simplify.” 
–HENRY DAVID THOREAU
NEVER BE FALSE OR 
MISLEADING 
TELL THE TRUTH
“Maybe stories are just data with a soul.” 
–BRENÉ BROWN 
Photo by Andrea Scher
www.patriciamcmillan.com

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Turn your information into a story that resonates

  • 1. PATRICIA MCMI L LAN TURN YOUR INFORMATION INTO A STORY THAT RESONATES
  • 2. “The single biggest problem in communication is the illusion that it has taken place.” –GEORGE BERNARD SHAW
  • 3. WHAT WE'LL COVER • Why stories • What makes a story resonate • Turning your information into a story • Delivering the story
  • 4. NARRATIVE AND EVOLUTION Telling stories Logical narrative Reading and writing 0 25000 50000 75000 100000 Years
  • 5. WE ARE ALL STORY GENERATING MACHINES. IT’S HOW WE PERCEIVE THE WORLD.
  • 6. WHY STORIES? ATTENTION UNDERSTANDING INFLUENCE Curse of knowledge Resistance
  • 7. “Storytelling reveals meaning without committing the error of defining it.” –HANNAH ARENDT Hannah Arendt in 1969, (AP photo).
  • 8. WHAT MAKES A STORY RESONATE? BIG S STORYTELLING The Flying Carpet, Viktor Vasnetsov (1880)
  • 10. “A story is a recounting of events during which you wonder what is going to happen, and then you find out.” –CYNTHIA KURTZ
  • 11. 3 THEMES THAT RESONATE SURVIVAL V DEATH EMPOWERMENT V POWERLESSNESS CONNECTION V ISOLATION
  • 12. THEIR STRUGGLE TO SURV I V E BECOMES OURS SURVIVA L V DEATH
  • 13. HER FIGHT AGAINST INJUSTICE BECOMES OURS EMPOWERMENT V POWERLESSNESS
  • 14. HIS NEED TO GO HOME BECOMES OURS CONNECTION V ISOLATION
  • 15. SOMETHING HAS TO BE AT STAKE SURVIVAL V DEATH EMPOWERMENT V POWERLESSNESS CONNECTION V ISOLATION Fear Anger Sadness
  • 16. “Story: n.: A detailed, character-based narration of a character’s struggles to overcome obstacles and reach an important goal.” –KENDALL HAVEN
  • 17. An example of story structure applied to The Wizard of Oz
  • 18. SMALL S STORYTELLING FINDING THE STORY IN YOUR INFORMATION
  • 19. STORY ELEMENTS THE MORE OF THESE YOU WORK IN, THE MORE COMPELLING THE STORY, BUT THERE’S A TRADE-OFF IN STORY LENGTH. NOT EVERY STORY NEEDS ALL OF • Theme: Why do we care? • Setting: When and where? • Character: Who is the hero? • Something unexpected • The character’s important goal • What’s at stake? • Obstacles and struggles • Enemy? Allies? Mentor? • Resolution: Is it a happy ending? • A point: How has the world changed? • Sensory details: Help the story stick THESE.
  • 20. WHY STORIES? ATTENTION UNDERSTANDING INFLUENCE Curse of knowledge Resistance
  • 21.
  • 22.
  • 23. WORKED EXAMPLE • Themes: Survival v death (saving endangered creatures and habitats) + Connection v isolation (beautiful footage) • Setting: Qld, starting 20 years ago • Character: Richard Fitzpatrick • Unexpected: 1 Pb of jellyfish video. Using documentary footage for science • Important goal: Contribute to understanding and preservation of ocean creatures and animals • Obstacles: Accessible storage solution; Richard’s time is taken up responding to requests for his footage • At stake: Valuable footage is not accessible and at risk of being lost. The Qld Govt needs it to save turtles on Raine Island. Jamie Seymour needs it to develop anti-venom for box jellyfish. Others need it too. • Advisers: RDSI, QCIF; Allies: Jamie Seymour • Resolution: Accessible storage - yay! • The point: Footage now available. Richard can spend his time on research • Sensory details: Images, “It’s saved our butts already”
  • 24. A FEW MORE TOPICS The Deluge, Gustave Doré (1866)
  • 25. THE STORY INTERVIEW WHY IS THIS WORK IMPORTANT? HOW DID THE IDEA COME ABOUT? CAN YOU REMEMBER HOW IT STARTED? WHAT PROBLEM WERE YOU FACING? WHAT HAPPENED? WERE THERE CHALLENGES? HOW DID YOU OVERCOME THEM? WHAT WAS THE OUTCOME?
  • 26. DELIVERY MODES AND MEDIA - LOTS OF OPTIONS IN PERSON VIDEO SLIDEDOC WRITTEN DELIVERED VIA SOCIAL MEDIA, WEB, OR TRADITIONAL MEDIA
  • 27. “Our life is frittered away by detail. Simplify, simplify.” –HENRY DAVID THOREAU
  • 28. NEVER BE FALSE OR MISLEADING TELL THE TRUTH
  • 29. “Maybe stories are just data with a soul.” –BRENÉ BROWN Photo by Andrea Scher