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YBA & Sam Taylor - Wood Hyangbo Cho, Bona Kim
YBA  (Young British Artists) Charles   Saatchi Damien   Hirst Tracey   Emin   Chris   Ofili   Rachel  Whiteread
Charles Saatchi  ,[object Object],[object Object],[object Object],[object Object]
Saatchi Gallery (Charles Saatchi’s art collections)
Zhang Huan.  Donkey ,  (Moving mechanical donkey 'humping' the model of Shanghai's Jin Mao tower) Saatchi Gallery, London 2008
Sun Yuan and Peng Yu.  Old Persons Home , (Wicked, their satirical models of decrepit OAPS look suspiciously familiar to world leaders, long crippled and impotent, left to battle it out in true geriatric style) Saatchi Gallery 2008
Sensation Exhibition (Exhibition of YBAs) Royal Academy of Art in London Brooklyn Museum of Art in New York National Gallery of Australia in Australia
Royal Academy of Art in London 18 September – 28 December 1997  Marcus Harvey.  Portrait of Moors murderer Myra Hindley,  (Painted using children’s handprints)  Sensation Exhibition  London 1997 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Brooklyn Museum of Art in New York 2 October 1999 – 9 January 2000 Chris Ofili.  The Holy Virgin Mary,  (Oil paint, glitter, polyester resin, map pins, elephant dung on linen) London 1996 Elephant Dung ,[object Object],[object Object],[object Object],[object Object]
Brooklyn Museum of Art in New York ,[object Object],[object Object],[object Object]
National Gallery of Australia in Australia  June 1999 ,[object Object],[object Object],[object Object]
Renee Cox.  Yo Mama’s Last Supper,  (Montage of five photographs of 12 men and a naked black woman[Cox’s self portrait] posing Jesus)  Sensation Exhibition , New York 1996
Rachel Whiteread.  Untitled (One Hundread Spaces),  (Series of resin casts of the space underneath chairs)  Sensation Exhibition , London 1997
YBA ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
Damien Hirst  Context:  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],Context (continued)  Damien Hirst. The Physical Impossibility of Death in the Mind of Someone Living , (14-foot (4.3 m) tiger shark immersed in formaldehyde in a vitrine) London 1991
Major Characteristics  ,[object Object],[object Object],[object Object],[object Object],[object Object]
Damien Hirst. Beautiful revolving sphincter, oops brown painting  , (Household gloss paint on canvas, 72" diameter)  Museo Archeologico Nazionale di Napoli , Italy 2005
Damien Hirst. The Virgin Mother , (Massive sculpture depicting a pregnant female human, with layers removed from one side to expose the fetus, muscle and tissue layers, and skull underneath) New York City 2006
Damien Hirst. For the Love of God , (Platinum cast of a human skull covered with 8,601 diamonds) White Cube, London 2007
Tracey Emin Context:  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Context (continued)  ,[object Object],[object Object],[object Object],[object Object],[object Object],Tracey Emin.  My Bed,  (Installation art pieces) London 1998
Major Characteristics ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Tracey Emin.  Everyone I Have Ever Slept With,  (Tent exterior) London 1995
Tracey Emin.  Everyone I Have Ever Slept With,  (Tent interior) London 1995
Chris Ofili Context:  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Context (continued)  ,[object Object],[object Object],[object Object],Chris Ofili.  Her Gift Two & His Gift Two  (Gouache, ink, charcoal, golden leaf on paper) New York 2006
Major Characteristics ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Chris Ofili.  No Woman No Cry,  (Acrylic paint, oil, polyester resin, paper collage, map pins, elephant dung on canvas) London 1998
Chris Ofili.   Annunciation,  (Bronzed sculpture ) London 2006
Rachel Whiteread Context:  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Major Characteristics ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Rachel Whiteread .  Cabinet VIII,  ( Sculpture of 1 metal cupboard, 55 plaster units ) London 2007
Rachel Whiteread .  Ghost,  ( Plaster on steel frame ) London 1990
Rachel Whiteread .  House,  ( Controversial sculpture ) London 1993
Rachel Whiteread .  Untitled (stacks),  ( Plaster, polystyrene,  and steel) London 1999
Rachel Whiteread .  Stairs,  ( Plaster on staircases ) London 2001
Sam Taylor – wood
Sam Taylor-Wood was born in London in 1967, and she is now an outstanding British artist of the younger generation (YBA). She graduated from the sculpture department at  Goldsmiths College  in London in 1990 and then she went on to become a prolific film-maker and photographer.
[object Object]
Sam Taylor-Wood.  Five Revolutionary Seconds I , 1995 Five Revolutionary Seconds series  were taken with a camera that panned 360 degrees around a room during a five-second exposure.
Sam Taylor Wood.  Five Revolutionary Seconds VII   1997 Most of Five Revolutionary Seconds are not available in the Internet because they deal with sexuality.
Sam Taylor Wood.  Five Revolutionary Seconds  X  1997 While the image is a still photograph, the accompanying soundtrack records sounds and conversational fragments taped during the photo shoot. The people seen are the people heard, but their speech is out of character, the sounds not correlated to the image.
Sam Taylor Wood.   Five Revolutionary Seconds  XIII
Sam Taylor Wood  Pieta   2001 Pieta is a large-scale video that based on Michelangelo‘s sculpture. Sam Taylor Wood portrays the artist struggling to hold actor Robert Downey Jr. in the pose of the dying Christ. Michelangelo  La Pietà , 1499
Taylor-Wood has explored notions of weight and gravity in elegiac, poised photographs and films such as series of self-portraits ( Self Portrait Suspended I – VIII  ) that depict the artist floating in mid air without the aid of any visible support.
Sam Taylor-Wood  Self Portrait Suspended I  2004 Sam Taylor-Wood had  cancer  between 1997 to 2001. These works are intended to convey a  sense of insecurity and loneliness  which reveal her inner scenery.
Sam Taylor-Wood  Self Portrait Suspended II  2004
Sam Taylor-Wood  Self Portrait Suspended III  2004
Sam Taylor-Wood  Self Portrait Suspended IIII  2004
Sam Taylor-Wood  Self Portrait Suspended V  2004
Sam Taylor-Wood  Self Portrait Suspended VI  2004
Sam Taylor-Wood  Self Portrait Suspended VII  2004
Sam Taylor-Wood  Self Portrait Suspended VIII  2004
Sam Taylor-Wood  Robin Williams  2004 Crying Men is another series of images she created.  It is a treatise on the theme of sadness. It attempts to capture the moment between the real and the unreal, the imitation and the authentic.
Sam Taylor-Wood  Ryan Gosling  2004 By her use of celebrity actors as models, the viewer debates the sincerity of their tears of sadness.  Therefore we do not know whether or not their emotions are sincere.
Sam Taylor-Wood  Daniel Craig  2004
Sam Taylor-Wood  Benicio Del Toro  2004
Sam Taylor-Wood  Uilyaf Defoe  2004
Sam Taylor-Wood  Dustin Hoffman  2004
Sam Taylor-Wood  Ed Harris  2004
Sam Taylor-Wood  Forest Uaytekker  2004
Sam Taylor-Wood  Gabriel Byrne  2004
Sam Taylor-Wood  Hayden Christiansen  2004
Sam Taylor-Wood  Kris Kristofferson  2004
Sam Taylor-Wood  Laurence Fishburne  2004
Sam Taylor-Wood  Michael Madsen  2004
Sam Taylor-Wood  Paul Newman  2004
Sam Taylor-Wood  Tim Roth  2004
Sam Taylor-Wood  Sam Shepard  2004
Sam Taylor-Wood  Sean Penn  2004
Sam Taylor-Wood  Steve Buscemi  2004
Sam Taylor-Wood  Woody Harrelson  2004
Sam Taylor-Wood  Ben Stiller  2004
Sam Taylor-Wood  Jude Lau  2004
Bram Stoker’s Chair series are the recent artwork that captured  instantaneous movements . This work was done with ropes. Specialists fastened her body with ropes. Sam Taylor-Wood  Bram Stoker's Chair I  2005
This series depicts conscious acts of  self-iconoclasm  in which the artist’s face is obliterated, either by being draped with her hair or otherwise masked by a trailing arm.  Sam Taylor-Wood  Bram Stoker's Chair II  2005
Sam Taylor-Wood  Bram Stoker's Chair III  2005 These mark a departure from the tribulations of her emotional self towards physical trials of the body.
Sam Taylor-Wood  Bram  Stoker's Chair  IV  2005
Sam Taylor-Wood  Bram Stoker's Chair VI  2005
Sam Taylor-Wood  Bram Stoker's Chair VII  2005

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YBA & Sam Taylor-Wood

  • 1. YBA & Sam Taylor - Wood Hyangbo Cho, Bona Kim
  • 2. YBA (Young British Artists) Charles Saatchi Damien Hirst Tracey Emin Chris Ofili Rachel Whiteread
  • 3.
  • 4. Saatchi Gallery (Charles Saatchi’s art collections)
  • 5. Zhang Huan. Donkey , (Moving mechanical donkey 'humping' the model of Shanghai's Jin Mao tower) Saatchi Gallery, London 2008
  • 6. Sun Yuan and Peng Yu. Old Persons Home , (Wicked, their satirical models of decrepit OAPS look suspiciously familiar to world leaders, long crippled and impotent, left to battle it out in true geriatric style) Saatchi Gallery 2008
  • 7. Sensation Exhibition (Exhibition of YBAs) Royal Academy of Art in London Brooklyn Museum of Art in New York National Gallery of Australia in Australia
  • 8.
  • 9.
  • 10.
  • 11.
  • 12. Renee Cox. Yo Mama’s Last Supper, (Montage of five photographs of 12 men and a naked black woman[Cox’s self portrait] posing Jesus) Sensation Exhibition , New York 1996
  • 13. Rachel Whiteread. Untitled (One Hundread Spaces), (Series of resin casts of the space underneath chairs) Sensation Exhibition , London 1997
  • 14.
  • 15.
  • 16.
  • 17.
  • 18.
  • 19. Damien Hirst. Beautiful revolving sphincter, oops brown painting , (Household gloss paint on canvas, 72" diameter) Museo Archeologico Nazionale di Napoli , Italy 2005
  • 20. Damien Hirst. The Virgin Mother , (Massive sculpture depicting a pregnant female human, with layers removed from one side to expose the fetus, muscle and tissue layers, and skull underneath) New York City 2006
  • 21. Damien Hirst. For the Love of God , (Platinum cast of a human skull covered with 8,601 diamonds) White Cube, London 2007
  • 22.
  • 23.
  • 24.
  • 25. Tracey Emin. Everyone I Have Ever Slept With, (Tent exterior) London 1995
  • 26. Tracey Emin. Everyone I Have Ever Slept With, (Tent interior) London 1995
  • 27.
  • 28.
  • 29.
  • 30. Chris Ofili. Annunciation, (Bronzed sculpture ) London 2006
  • 31.
  • 32.
  • 33. Rachel Whiteread . Ghost, ( Plaster on steel frame ) London 1990
  • 34. Rachel Whiteread . House, ( Controversial sculpture ) London 1993
  • 35. Rachel Whiteread . Untitled (stacks), ( Plaster, polystyrene, and steel) London 1999
  • 36. Rachel Whiteread . Stairs, ( Plaster on staircases ) London 2001
  • 38. Sam Taylor-Wood was born in London in 1967, and she is now an outstanding British artist of the younger generation (YBA). She graduated from the sculpture department at Goldsmiths College in London in 1990 and then she went on to become a prolific film-maker and photographer.
  • 39.
  • 40. Sam Taylor-Wood. Five Revolutionary Seconds I , 1995 Five Revolutionary Seconds series were taken with a camera that panned 360 degrees around a room during a five-second exposure.
  • 41. Sam Taylor Wood. Five Revolutionary Seconds VII 1997 Most of Five Revolutionary Seconds are not available in the Internet because they deal with sexuality.
  • 42. Sam Taylor Wood. Five Revolutionary Seconds X 1997 While the image is a still photograph, the accompanying soundtrack records sounds and conversational fragments taped during the photo shoot. The people seen are the people heard, but their speech is out of character, the sounds not correlated to the image.
  • 43. Sam Taylor Wood. Five Revolutionary Seconds XIII
  • 44. Sam Taylor Wood Pieta 2001 Pieta is a large-scale video that based on Michelangelo‘s sculpture. Sam Taylor Wood portrays the artist struggling to hold actor Robert Downey Jr. in the pose of the dying Christ. Michelangelo La Pietà , 1499
  • 45. Taylor-Wood has explored notions of weight and gravity in elegiac, poised photographs and films such as series of self-portraits ( Self Portrait Suspended I – VIII ) that depict the artist floating in mid air without the aid of any visible support.
  • 46. Sam Taylor-Wood Self Portrait Suspended I 2004 Sam Taylor-Wood had cancer between 1997 to 2001. These works are intended to convey a sense of insecurity and loneliness which reveal her inner scenery.
  • 47. Sam Taylor-Wood Self Portrait Suspended II 2004
  • 48. Sam Taylor-Wood Self Portrait Suspended III 2004
  • 49. Sam Taylor-Wood Self Portrait Suspended IIII 2004
  • 50. Sam Taylor-Wood Self Portrait Suspended V 2004
  • 51. Sam Taylor-Wood Self Portrait Suspended VI 2004
  • 52. Sam Taylor-Wood Self Portrait Suspended VII 2004
  • 53. Sam Taylor-Wood Self Portrait Suspended VIII 2004
  • 54. Sam Taylor-Wood Robin Williams 2004 Crying Men is another series of images she created. It is a treatise on the theme of sadness. It attempts to capture the moment between the real and the unreal, the imitation and the authentic.
  • 55. Sam Taylor-Wood Ryan Gosling 2004 By her use of celebrity actors as models, the viewer debates the sincerity of their tears of sadness. Therefore we do not know whether or not their emotions are sincere.
  • 56. Sam Taylor-Wood Daniel Craig 2004
  • 57. Sam Taylor-Wood Benicio Del Toro 2004
  • 58. Sam Taylor-Wood Uilyaf Defoe 2004
  • 59. Sam Taylor-Wood Dustin Hoffman 2004
  • 60. Sam Taylor-Wood Ed Harris 2004
  • 61. Sam Taylor-Wood Forest Uaytekker 2004
  • 62. Sam Taylor-Wood Gabriel Byrne 2004
  • 63. Sam Taylor-Wood Hayden Christiansen 2004
  • 64. Sam Taylor-Wood Kris Kristofferson 2004
  • 65. Sam Taylor-Wood Laurence Fishburne 2004
  • 66. Sam Taylor-Wood Michael Madsen 2004
  • 67. Sam Taylor-Wood Paul Newman 2004
  • 68. Sam Taylor-Wood Tim Roth 2004
  • 69. Sam Taylor-Wood Sam Shepard 2004
  • 70. Sam Taylor-Wood Sean Penn 2004
  • 71. Sam Taylor-Wood Steve Buscemi 2004
  • 72. Sam Taylor-Wood Woody Harrelson 2004
  • 73. Sam Taylor-Wood Ben Stiller 2004
  • 74. Sam Taylor-Wood Jude Lau 2004
  • 75. Bram Stoker’s Chair series are the recent artwork that captured instantaneous movements . This work was done with ropes. Specialists fastened her body with ropes. Sam Taylor-Wood Bram Stoker's Chair I 2005
  • 76. This series depicts conscious acts of self-iconoclasm in which the artist’s face is obliterated, either by being draped with her hair or otherwise masked by a trailing arm. Sam Taylor-Wood Bram Stoker's Chair II 2005
  • 77. Sam Taylor-Wood Bram Stoker's Chair III 2005 These mark a departure from the tribulations of her emotional self towards physical trials of the body.
  • 78. Sam Taylor-Wood Bram Stoker's Chair IV 2005
  • 79. Sam Taylor-Wood Bram Stoker's Chair VI 2005
  • 80. Sam Taylor-Wood Bram Stoker's Chair VII 2005