SlideShare una empresa de Scribd logo
1 de 8
{
Evaluation
In what ways does your work use, develop or challenge
forms and conventions of real media products?
 My media product doesn’t have any dialogue in it and so a lot of the
general theme is shown to the audience through the sound motif as
it is very disjointed and eerie, as well as instilling childhood fear
because of the nursery rhyme essence of the motif, giving off the
feeling that I was attempting to portray. By using this convention of
real media products, it allows the audience to predict the theme of
my project and also helps the audience to understand it a lot better.
The same convention is used in ‘Insidious’, where a small child
sings a song just before a major jump scare comes up. It also
concentrates on the fact that the film is an introduction to the setting
as well as the themes and character. By progressing this way we are
also introduced to the idea that the character has done something
very sinister. Personally, I think the use of a non-diegetic sound
motif is better in this instance than if I were to use any dialogue
simply due to the amount of mystery it adds to my project.
Although, I think if I added in a few voice over clips that I could of
manipulated to sound quite weird and creepy, they would have
been also quite effective.
Sound
 My project is very washed out, with scenes that were shot in
greyscale and others shot with the saturation turned down,
because I used these two conventions of real media products,
thus connoting horror and danger, I feel that the feelings of
eeriness were transcribed quite well. These conventions also
give the project a very dreary feel, when added with the
aforementioned eeriness, both generate a creepy, dark feeling.
I would have liked the colour of the ‘blood’ in the teacup to
perhaps have been a darker shade because it’s very obvious to
me that it looks quite unrealistic and slightly ruins the whole
theme I was trying to represent.
Colour
 I used a range of crossfades and jump cuts in my project
which are both again used in real media products. I tried to
use jump cuts to develop my project – for example, an empty
teacup which as the intro progressed, became filled with
‘blood’ and led to more of the “violent” scenes involving the
knife. I also tried to almost cross knit the editing of the images
and the sound motif that I had used, placing more “violent”
scenes, i.e. the knife and flower overlay, where the music
became more disjointed. This was quite effective I believe as it
raised tension and made the work seem very dark at some
points. By varying the lengths of each cut, I attempted to
make it as visually exciting, trying to create an atmosphere
where the audience doesn’t know what to expect in the
upcoming sequence.
Editing
 There wasn’t much text used in my opening apart from all of
the credits and the film title itself. I placed them strategically
around the images where it was a lot less dark, i.e. teacup in
the grass, so that they were easy to read and not ignored. I
placed most of the text in eye-catching areas so that they did
draw some of the audience attention to read them but also
keep audience attention on the images themselves. I made
sure that the credits were up for a long enough time and also
didn’t contain so many words ensuring that the audience
could read them without having to struggle immensely. I
thought to thicken up my credits that I should use the
original author of Alice in Wonderland and also the director
that inspired me to create my own twisted version of it.
Text
 A lot of the scenes shot in my project were done in natural
lighting as a lot of the footage was shot in my back garden
and in front of a well lit window. For the majority of the black
and white scenes, the lighting was substantially not as good
as those with the less saturated colour, but I feel like this
added to the horror theme of my work as the black and white
scenes were the ones with a lot more graphic images. The
darkness of the more graphic scenes was a convention used
from real media products so that it gives off an uneasy feeling
as not everything is clearly distinguished and makes the
whole idea a lot darker and this therefore creates confusion.
Lighting
 Again another convention I used from real media products
was the variety of props in my project. The props were almost
essential in my piece as they are what define my work to be
related to Alice in Wonderland rather than just a messed up
uncoordinated film opening. The flowers, cards, “potion”,
teacup, etc. all relate back to Alice in Wonderland whereas the
“blood” and the knife are what tie it in and link it with
normal horror conventions. The use of costume also linked
my piece back to Alice in Wonderland, but due to the dress
being black and white, rather than Alice’s usual blue and
white dress, this also helped my work and tied up the link
between Alice in Wonderland themes and also horror.
Mis en Scene
 My work mainly uses regular conventions of real media
products, but there are areas where I believe it to challenge
real products. Such as the horror theme, a lot of companies
stray away from horror as it doesn’t act as a major income
due to the smaller target audience rather than comedy or
romance movies where the target audience is a lot higher.
Another is the black and white shots, major industries don’t
usually use black and white images in their products. Overall
my piece really rather used usual conventions rather than
challenging them, but I think this could be a good thing as if I
completely challenged the norm of the conventions then my
piece may have ended up completely nonunderstandable.
General Filming

Más contenido relacionado

La actualidad más candente

Typography analysis
Typography analysisTypography analysis
Typography analysis09froudeden
 
Constructing my ancillary texts
Constructing my ancillary textsConstructing my ancillary texts
Constructing my ancillary textsjadematthews12345
 
Evaluation 2
Evaluation 2Evaluation 2
Evaluation 2emmaguest
 
MAAA363 portfolio
MAAA363 portfolioMAAA363 portfolio
MAAA363 portfolioRetza16
 
Analysis of the opening title sequence of the
Analysis of the opening title sequence of theAnalysis of the opening title sequence of the
Analysis of the opening title sequence of theoliviadelaney
 
Candidate Feedback
Candidate FeedbackCandidate Feedback
Candidate Feedbackabbsmurray
 
Build up and progression of the digipak
Build up and progression of the digipakBuild up and progression of the digipak
Build up and progression of the digipaknathanwilson45
 
Question 1 part 3
Question 1 part 3Question 1 part 3
Question 1 part 3Colahyp
 
Development diary poster final
Development diary poster finalDevelopment diary poster final
Development diary poster finalkilvingtonl
 
Development
DevelopmentDevelopment
DevelopmentDemi Jay
 
Development
DevelopmentDevelopment
DevelopmentDemi Jay
 
Research and planning (media week 1)
Research and planning (media week 1)Research and planning (media week 1)
Research and planning (media week 1)ElizabethAdeoye23
 

La actualidad más candente (20)

Typography analysis
Typography analysisTypography analysis
Typography analysis
 
2. FMP Research
2. FMP Research 2. FMP Research
2. FMP Research
 
Film production 1
Film production 1Film production 1
Film production 1
 
Constructing my ancillary texts
Constructing my ancillary textsConstructing my ancillary texts
Constructing my ancillary texts
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation 2
Evaluation 2Evaluation 2
Evaluation 2
 
Development pro forma
Development pro formaDevelopment pro forma
Development pro forma
 
Development pro forma(3)
Development pro forma(3)Development pro forma(3)
Development pro forma(3)
 
Development pro forma
Development pro formaDevelopment pro forma
Development pro forma
 
MAAA363 portfolio
MAAA363 portfolioMAAA363 portfolio
MAAA363 portfolio
 
Potential Props
Potential PropsPotential Props
Potential Props
 
Analysis of the opening title sequence of the
Analysis of the opening title sequence of theAnalysis of the opening title sequence of the
Analysis of the opening title sequence of the
 
Level 3 media
Level 3 media Level 3 media
Level 3 media
 
Candidate Feedback
Candidate FeedbackCandidate Feedback
Candidate Feedback
 
Build up and progression of the digipak
Build up and progression of the digipakBuild up and progression of the digipak
Build up and progression of the digipak
 
Question 1 part 3
Question 1 part 3Question 1 part 3
Question 1 part 3
 
Development diary poster final
Development diary poster finalDevelopment diary poster final
Development diary poster final
 
Development
DevelopmentDevelopment
Development
 
Development
DevelopmentDevelopment
Development
 
Research and planning (media week 1)
Research and planning (media week 1)Research and planning (media week 1)
Research and planning (media week 1)
 

Destacado

Anatomia informatica basica (1)
Anatomia informatica basica (1)Anatomia informatica basica (1)
Anatomia informatica basica (1)Laura Baez
 
Oferta lorena saveedra
Oferta lorena saveedraOferta lorena saveedra
Oferta lorena saveedracontabilidadyf
 
Biblioteca entorno virtual
Biblioteca entorno virtualBiblioteca entorno virtual
Biblioteca entorno virtualmiguel456789123
 
Myrtle Beach May 2015 Vacation
Myrtle Beach May 2015 VacationMyrtle Beach May 2015 Vacation
Myrtle Beach May 2015 VacationCrystal Green
 
Subsistema de r.h maritza cespedes
Subsistema de r.h maritza cespedesSubsistema de r.h maritza cespedes
Subsistema de r.h maritza cespedescontabilidadyf
 
02 Focusing On The Positive! Philippians 1:12-26
02 Focusing On The Positive! Philippians 1:12-2602 Focusing On The Positive! Philippians 1:12-26
02 Focusing On The Positive! Philippians 1:12-26Rick Peterson
 
Prezetace - Propagace pro knihovny
Prezetace - Propagace pro knihovnyPrezetace - Propagace pro knihovny
Prezetace - Propagace pro knihovnyBarbora Buchtová
 
Papo de Design - Media Kit
Papo de Design - Media KitPapo de Design - Media Kit
Papo de Design - Media Kitgabiquintas
 
BIBL 471 Sodom and Gomorrah Paper
BIBL 471 Sodom and Gomorrah PaperBIBL 471 Sodom and Gomorrah Paper
BIBL 471 Sodom and Gomorrah PaperTommy Lohman
 
“Always on” content and dialogue on housing
“Always on” content and dialogue on housing “Always on” content and dialogue on housing
“Always on” content and dialogue on housing LinkedIn
 
1504 plmjf pengumuman-lowongan-rekrutmen-umum-palembang-v02
1504 plmjf pengumuman-lowongan-rekrutmen-umum-palembang-v021504 plmjf pengumuman-lowongan-rekrutmen-umum-palembang-v02
1504 plmjf pengumuman-lowongan-rekrutmen-umum-palembang-v02udinMH
 
1 la revolucion industrial
1 la revolucion industrial1 la revolucion industrial
1 la revolucion industrialvaldivinf
 
Introducing Voya Financial
Introducing Voya FinancialIntroducing Voya Financial
Introducing Voya FinancialLinkedIn
 
Easy Learn Computer Settings
Easy Learn Computer SettingsEasy Learn Computer Settings
Easy Learn Computer Settingssyazwanie filzah
 
Content Marketing In The Era of Infobesity
Content Marketing In The Era of InfobesityContent Marketing In The Era of Infobesity
Content Marketing In The Era of InfobesityLinkedIn
 
Porqué se debe enseñar la verdad sobre el diezmo
Porqué se debe enseñar la verdad sobre el diezmoPorqué se debe enseñar la verdad sobre el diezmo
Porqué se debe enseñar la verdad sobre el diezmoPaulo Arieu
 
Simuladores empresariales
Simuladores empresarialesSimuladores empresariales
Simuladores empresarialesJhonbernal
 

Destacado (20)

Anatomia informatica basica (1)
Anatomia informatica basica (1)Anatomia informatica basica (1)
Anatomia informatica basica (1)
 
Oferta lorena saveedra
Oferta lorena saveedraOferta lorena saveedra
Oferta lorena saveedra
 
Allan
AllanAllan
Allan
 
Biblioteca entorno virtual
Biblioteca entorno virtualBiblioteca entorno virtual
Biblioteca entorno virtual
 
Myrtle Beach May 2015 Vacation
Myrtle Beach May 2015 VacationMyrtle Beach May 2015 Vacation
Myrtle Beach May 2015 Vacation
 
Reportagem Premo- Recorde historico
Reportagem Premo- Recorde historicoReportagem Premo- Recorde historico
Reportagem Premo- Recorde historico
 
Wds
WdsWds
Wds
 
Subsistema de r.h maritza cespedes
Subsistema de r.h maritza cespedesSubsistema de r.h maritza cespedes
Subsistema de r.h maritza cespedes
 
02 Focusing On The Positive! Philippians 1:12-26
02 Focusing On The Positive! Philippians 1:12-2602 Focusing On The Positive! Philippians 1:12-26
02 Focusing On The Positive! Philippians 1:12-26
 
Prezetace - Propagace pro knihovny
Prezetace - Propagace pro knihovnyPrezetace - Propagace pro knihovny
Prezetace - Propagace pro knihovny
 
Papo de Design - Media Kit
Papo de Design - Media KitPapo de Design - Media Kit
Papo de Design - Media Kit
 
BIBL 471 Sodom and Gomorrah Paper
BIBL 471 Sodom and Gomorrah PaperBIBL 471 Sodom and Gomorrah Paper
BIBL 471 Sodom and Gomorrah Paper
 
“Always on” content and dialogue on housing
“Always on” content and dialogue on housing “Always on” content and dialogue on housing
“Always on” content and dialogue on housing
 
1504 plmjf pengumuman-lowongan-rekrutmen-umum-palembang-v02
1504 plmjf pengumuman-lowongan-rekrutmen-umum-palembang-v021504 plmjf pengumuman-lowongan-rekrutmen-umum-palembang-v02
1504 plmjf pengumuman-lowongan-rekrutmen-umum-palembang-v02
 
1 la revolucion industrial
1 la revolucion industrial1 la revolucion industrial
1 la revolucion industrial
 
Introducing Voya Financial
Introducing Voya FinancialIntroducing Voya Financial
Introducing Voya Financial
 
Easy Learn Computer Settings
Easy Learn Computer SettingsEasy Learn Computer Settings
Easy Learn Computer Settings
 
Content Marketing In The Era of Infobesity
Content Marketing In The Era of InfobesityContent Marketing In The Era of Infobesity
Content Marketing In The Era of Infobesity
 
Porqué se debe enseñar la verdad sobre el diezmo
Porqué se debe enseñar la verdad sobre el diezmoPorqué se debe enseñar la verdad sobre el diezmo
Porqué se debe enseñar la verdad sobre el diezmo
 
Simuladores empresariales
Simuladores empresarialesSimuladores empresariales
Simuladores empresariales
 

Similar a Evaluation Q1

In what ways does your media product us
In what ways does your media product usIn what ways does your media product us
In what ways does your media product usSophieamorton123
 
A2 Media G324 Advanced Production - Evaluation Question One
A2 Media G324 Advanced Production - Evaluation Question OneA2 Media G324 Advanced Production - Evaluation Question One
A2 Media G324 Advanced Production - Evaluation Question Onenatashamanzella
 
Evaluation: Question 1
Evaluation: Question 1Evaluation: Question 1
Evaluation: Question 1ecarter134
 
Evaluation write up q2
Evaluation write up q2Evaluation write up q2
Evaluation write up q2ChristieMcVay
 
Coursework evaluation Question 1
Coursework evaluation Question 1Coursework evaluation Question 1
Coursework evaluation Question 1sophiejvbell
 
Question One Evaluation
Question One EvaluationQuestion One Evaluation
Question One Evaluationguestde5b350
 
Question One Evaluation
Question One EvaluationQuestion One Evaluation
Question One Evaluationguest674ee1e
 
A2 media evaluation
A2 media evaluationA2 media evaluation
A2 media evaluationBenoit1997
 
Coursework evaluation
Coursework evaluationCoursework evaluation
Coursework evaluationsophiejvbell
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2claudia_neal
 
Digital graphics evaluation pro forma
Digital graphics evaluation pro formaDigital graphics evaluation pro forma
Digital graphics evaluation pro formaHarry Williams
 
A2 Media Studies Evaluation Post 2
A2 Media Studies Evaluation Post 2A2 Media Studies Evaluation Post 2
A2 Media Studies Evaluation Post 2lucybillingtongroom
 

Similar a Evaluation Q1 (20)

In what ways does your media product us
In what ways does your media product usIn what ways does your media product us
In what ways does your media product us
 
A2 Media G324 Advanced Production - Evaluation Question One
A2 Media G324 Advanced Production - Evaluation Question OneA2 Media G324 Advanced Production - Evaluation Question One
A2 Media G324 Advanced Production - Evaluation Question One
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation: Question 1
Evaluation: Question 1Evaluation: Question 1
Evaluation: Question 1
 
Conventions of form & genre
Conventions of form & genreConventions of form & genre
Conventions of form & genre
 
Evaluation
EvaluationEvaluation
Evaluation
 
Question 2
Question 2Question 2
Question 2
 
Evaluation write up q2
Evaluation write up q2Evaluation write up q2
Evaluation write up q2
 
Coursework evaluation Question 1
Coursework evaluation Question 1Coursework evaluation Question 1
Coursework evaluation Question 1
 
Evaluation.
Evaluation. Evaluation.
Evaluation.
 
Question One Evaluation
Question One EvaluationQuestion One Evaluation
Question One Evaluation
 
Question One Evaluation
Question One EvaluationQuestion One Evaluation
Question One Evaluation
 
A2 media evaluation
A2 media evaluationA2 media evaluation
A2 media evaluation
 
Coursework evaluation
Coursework evaluationCoursework evaluation
Coursework evaluation
 
Evaluation question 2
Evaluation question 2Evaluation question 2
Evaluation question 2
 
Question 1
Question 1Question 1
Question 1
 
Digital graphics evaluation pro forma
Digital graphics evaluation pro formaDigital graphics evaluation pro forma
Digital graphics evaluation pro forma
 
Presentation1
Presentation1Presentation1
Presentation1
 
A2 Media Studies Evaluation Post 2
A2 Media Studies Evaluation Post 2A2 Media Studies Evaluation Post 2
A2 Media Studies Evaluation Post 2
 

Último

Science 7 Quarter 4 Module 2: Natural Resources.pptx
Science 7 Quarter 4 Module 2: Natural Resources.pptxScience 7 Quarter 4 Module 2: Natural Resources.pptx
Science 7 Quarter 4 Module 2: Natural Resources.pptxMaryGraceBautista27
 
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdf
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdfAMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdf
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdfphamnguyenenglishnb
 
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...Nguyen Thanh Tu Collection
 
Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Celine George
 
4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptx4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptxmary850239
 
Roles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceRoles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceSamikshaHamane
 
Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17Celine George
 
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17Celine George
 
Keynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-designKeynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-designMIPLM
 
ACC 2024 Chronicles. Cardiology. Exam.pdf
ACC 2024 Chronicles. Cardiology. Exam.pdfACC 2024 Chronicles. Cardiology. Exam.pdf
ACC 2024 Chronicles. Cardiology. Exam.pdfSpandanaRallapalli
 
Karra SKD Conference Presentation Revised.pptx
Karra SKD Conference Presentation Revised.pptxKarra SKD Conference Presentation Revised.pptx
Karra SKD Conference Presentation Revised.pptxAshokKarra1
 
Earth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatEarth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatYousafMalik24
 
Inclusivity Essentials_ Creating Accessible Websites for Nonprofits .pdf
Inclusivity Essentials_ Creating Accessible Websites for Nonprofits .pdfInclusivity Essentials_ Creating Accessible Websites for Nonprofits .pdf
Inclusivity Essentials_ Creating Accessible Websites for Nonprofits .pdfTechSoup
 
How to Add Barcode on PDF Report in Odoo 17
How to Add Barcode on PDF Report in Odoo 17How to Add Barcode on PDF Report in Odoo 17
How to Add Barcode on PDF Report in Odoo 17Celine George
 
Influencing policy (training slides from Fast Track Impact)
Influencing policy (training slides from Fast Track Impact)Influencing policy (training slides from Fast Track Impact)
Influencing policy (training slides from Fast Track Impact)Mark Reed
 
Grade 9 Q4-MELC1-Active and Passive Voice.pptx
Grade 9 Q4-MELC1-Active and Passive Voice.pptxGrade 9 Q4-MELC1-Active and Passive Voice.pptx
Grade 9 Q4-MELC1-Active and Passive Voice.pptxChelloAnnAsuncion2
 
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATIONTHEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATIONHumphrey A Beña
 

Último (20)

Science 7 Quarter 4 Module 2: Natural Resources.pptx
Science 7 Quarter 4 Module 2: Natural Resources.pptxScience 7 Quarter 4 Module 2: Natural Resources.pptx
Science 7 Quarter 4 Module 2: Natural Resources.pptx
 
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
 
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdf
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdfAMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdf
AMERICAN LANGUAGE HUB_Level2_Student'sBook_Answerkey.pdf
 
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
HỌC TỐT TIẾNG ANH 11 THEO CHƯƠNG TRÌNH GLOBAL SUCCESS ĐÁP ÁN CHI TIẾT - CẢ NĂ...
 
Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17Field Attribute Index Feature in Odoo 17
Field Attribute Index Feature in Odoo 17
 
4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptx4.18.24 Movement Legacies, Reflection, and Review.pptx
4.18.24 Movement Legacies, Reflection, and Review.pptx
 
FINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptx
FINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptxFINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptx
FINALS_OF_LEFT_ON_C'N_EL_DORADO_2024.pptx
 
Roles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in PharmacovigilanceRoles & Responsibilities in Pharmacovigilance
Roles & Responsibilities in Pharmacovigilance
 
Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17Difference Between Search & Browse Methods in Odoo 17
Difference Between Search & Browse Methods in Odoo 17
 
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17
Incoming and Outgoing Shipments in 3 STEPS Using Odoo 17
 
Keynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-designKeynote by Prof. Wurzer at Nordex about IP-design
Keynote by Prof. Wurzer at Nordex about IP-design
 
ACC 2024 Chronicles. Cardiology. Exam.pdf
ACC 2024 Chronicles. Cardiology. Exam.pdfACC 2024 Chronicles. Cardiology. Exam.pdf
ACC 2024 Chronicles. Cardiology. Exam.pdf
 
Karra SKD Conference Presentation Revised.pptx
Karra SKD Conference Presentation Revised.pptxKarra SKD Conference Presentation Revised.pptx
Karra SKD Conference Presentation Revised.pptx
 
LEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptx
LEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptxLEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptx
LEFT_ON_C'N_ PRELIMS_EL_DORADO_2024.pptx
 
Earth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice greatEarth Day Presentation wow hello nice great
Earth Day Presentation wow hello nice great
 
Inclusivity Essentials_ Creating Accessible Websites for Nonprofits .pdf
Inclusivity Essentials_ Creating Accessible Websites for Nonprofits .pdfInclusivity Essentials_ Creating Accessible Websites for Nonprofits .pdf
Inclusivity Essentials_ Creating Accessible Websites for Nonprofits .pdf
 
How to Add Barcode on PDF Report in Odoo 17
How to Add Barcode on PDF Report in Odoo 17How to Add Barcode on PDF Report in Odoo 17
How to Add Barcode on PDF Report in Odoo 17
 
Influencing policy (training slides from Fast Track Impact)
Influencing policy (training slides from Fast Track Impact)Influencing policy (training slides from Fast Track Impact)
Influencing policy (training slides from Fast Track Impact)
 
Grade 9 Q4-MELC1-Active and Passive Voice.pptx
Grade 9 Q4-MELC1-Active and Passive Voice.pptxGrade 9 Q4-MELC1-Active and Passive Voice.pptx
Grade 9 Q4-MELC1-Active and Passive Voice.pptx
 
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATIONTHEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
THEORIES OF ORGANIZATION-PUBLIC ADMINISTRATION
 

Evaluation Q1

  • 1. { Evaluation In what ways does your work use, develop or challenge forms and conventions of real media products?
  • 2.  My media product doesn’t have any dialogue in it and so a lot of the general theme is shown to the audience through the sound motif as it is very disjointed and eerie, as well as instilling childhood fear because of the nursery rhyme essence of the motif, giving off the feeling that I was attempting to portray. By using this convention of real media products, it allows the audience to predict the theme of my project and also helps the audience to understand it a lot better. The same convention is used in ‘Insidious’, where a small child sings a song just before a major jump scare comes up. It also concentrates on the fact that the film is an introduction to the setting as well as the themes and character. By progressing this way we are also introduced to the idea that the character has done something very sinister. Personally, I think the use of a non-diegetic sound motif is better in this instance than if I were to use any dialogue simply due to the amount of mystery it adds to my project. Although, I think if I added in a few voice over clips that I could of manipulated to sound quite weird and creepy, they would have been also quite effective. Sound
  • 3.  My project is very washed out, with scenes that were shot in greyscale and others shot with the saturation turned down, because I used these two conventions of real media products, thus connoting horror and danger, I feel that the feelings of eeriness were transcribed quite well. These conventions also give the project a very dreary feel, when added with the aforementioned eeriness, both generate a creepy, dark feeling. I would have liked the colour of the ‘blood’ in the teacup to perhaps have been a darker shade because it’s very obvious to me that it looks quite unrealistic and slightly ruins the whole theme I was trying to represent. Colour
  • 4.  I used a range of crossfades and jump cuts in my project which are both again used in real media products. I tried to use jump cuts to develop my project – for example, an empty teacup which as the intro progressed, became filled with ‘blood’ and led to more of the “violent” scenes involving the knife. I also tried to almost cross knit the editing of the images and the sound motif that I had used, placing more “violent” scenes, i.e. the knife and flower overlay, where the music became more disjointed. This was quite effective I believe as it raised tension and made the work seem very dark at some points. By varying the lengths of each cut, I attempted to make it as visually exciting, trying to create an atmosphere where the audience doesn’t know what to expect in the upcoming sequence. Editing
  • 5.  There wasn’t much text used in my opening apart from all of the credits and the film title itself. I placed them strategically around the images where it was a lot less dark, i.e. teacup in the grass, so that they were easy to read and not ignored. I placed most of the text in eye-catching areas so that they did draw some of the audience attention to read them but also keep audience attention on the images themselves. I made sure that the credits were up for a long enough time and also didn’t contain so many words ensuring that the audience could read them without having to struggle immensely. I thought to thicken up my credits that I should use the original author of Alice in Wonderland and also the director that inspired me to create my own twisted version of it. Text
  • 6.  A lot of the scenes shot in my project were done in natural lighting as a lot of the footage was shot in my back garden and in front of a well lit window. For the majority of the black and white scenes, the lighting was substantially not as good as those with the less saturated colour, but I feel like this added to the horror theme of my work as the black and white scenes were the ones with a lot more graphic images. The darkness of the more graphic scenes was a convention used from real media products so that it gives off an uneasy feeling as not everything is clearly distinguished and makes the whole idea a lot darker and this therefore creates confusion. Lighting
  • 7.  Again another convention I used from real media products was the variety of props in my project. The props were almost essential in my piece as they are what define my work to be related to Alice in Wonderland rather than just a messed up uncoordinated film opening. The flowers, cards, “potion”, teacup, etc. all relate back to Alice in Wonderland whereas the “blood” and the knife are what tie it in and link it with normal horror conventions. The use of costume also linked my piece back to Alice in Wonderland, but due to the dress being black and white, rather than Alice’s usual blue and white dress, this also helped my work and tied up the link between Alice in Wonderland themes and also horror. Mis en Scene
  • 8.  My work mainly uses regular conventions of real media products, but there are areas where I believe it to challenge real products. Such as the horror theme, a lot of companies stray away from horror as it doesn’t act as a major income due to the smaller target audience rather than comedy or romance movies where the target audience is a lot higher. Another is the black and white shots, major industries don’t usually use black and white images in their products. Overall my piece really rather used usual conventions rather than challenging them, but I think this could be a good thing as if I completely challenged the norm of the conventions then my piece may have ended up completely nonunderstandable. General Filming