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European Film Week
Another way of presenting Europe
Eva Ramón Reyero
European Documentation Centre at the UFV1
Our Goals:
Make European Film Heritage better known among
the youth.
Provoke a debate about European Cinema.
Convey more information about European Cinema
to our students of Visual Communication and
Journalism.
Methodology:
Information
Education
Development:
Organisation of weeks devoted to European Cinema
Collaboration among professors and students
Seek of institutional support
ActivityPlan
2
Core Participants
Engagement of Professors in the project:
Cinema, History, Social Sciences or other areas
List of topics and selection of films
Support of students of
last year degree (ECTs)
Institutional Support
Embassies, Cinema Museums,
Cinema Archives
Areas of Culture & Education
at the Town Halls
Distributors
They are essential to find copies.
And to shown a film in public
Contact with the Press
Local Press, Specialised Media, University Press 3
Cinema produced by Member States at
present
Films shown at the UFV’s Assembly Hall,
mainly for students
Most films available at UFV’s Library Archive
Professors gave conferences about the films
I European Film Week (2002)
Support of GD of Education and Culture of the European Commission.
Letter from Viviane Reding: “These conferences will help people, specially
the youth to discover the treasures of European cinematography heritage”4
22 films 719
attendees
5
6
New waves in European cinema: their
influence on experimental cinema
Working group: 7 Professors of Cinema
Selection of topics / films, conferences
Preparation of film fact sheets
Outstanding Institutional Support
Goethe Institut
Town Halls of Boadilla del Monte, Pozuelo
Alarcón
European Commission Cined@ys programme
French Embassy Cultural Service
II European Film Week (2003)
7
II European Film Week (2003)
25 films, 12 short
films,15
conferences,
1,240 attendees
9
• Working group: 5 professors
and 5 students
• Participation of critics and film experts
• Outstanding institutional support
• Publication of conferences and articles
Writers and European Cinema
III European Film Week (2005)
10
Projections at ‘Círculo de Bellas Artes’ (Fine Arts Club)
‘Cinema Doré’ (Spanish Film Archive) and ‘MIRA Cultural
Space’
III European Film Week (2005)
Media: Temptations ‘El País’, ‘El Mundo’, ‘Universities
Newspapers’, ‘Radio Círculo’, ‘City FM’, ‘Radio 3’,
‘Telemadrid Radio’, ‘Guía del ocio’ (outdoor activities)
3 areas: Cinephile, Spanish Cinema
and Black Cinema
11
27films,
23 conferences
/debates,
2 round tables,
2,811
attendees
12
13
Dreamed Europe
Specific Goals:
Explain EU’s historical development
Show hardships and inequality
of immigration inside the EU
(European Year)
Working Group (Professors of Cinema)
Institutional Support:
Círculo de Bellas Artes, Goethe Institut, French
Embassy Cultural Area, Belgian Embassy Cultural
Service, GD of Education and Culture of the European
Commission. EQUAL PROFIS Project
IV European Film Week (2007)
14
Projections at ‘Círculo de Bellas Artes’
(Fine Arts Club) and at the University
Media: interviews in ‘Radio Círculo’ and
Prensa Universitaria.
Conferences / debates:
At the origin of the Union: The cinema as European remembrance
of the present
Europe inside Europe:
mapping exclusion
Journey to Europe: the desire
for EU citizenship
IV European Film Week (2007)
15
20 films, 2 documentaries, 4 presentations /debates, 1
conference, 870 attendees
16
Summary: Core Participants
1- Engagement of Professors in the project:
Cinema, History, Social Sciences or other areas
List of topics and selection of films
Support of students of last year degree
2- Institutional Support
Embassies, Cinema Museums, Cinema Archives
Areas of Culture & Education at the Town Halls
3- Distributors
They are essential to find copies
4- Contact with the Press
Local Press, Specialised Media, University Press
17
18
I Film week
19
20
II Film week
21
22
23
24
III Film week
25
26
27
IV Film week
28
29
30
Technical direction of the Film weeks
Eva Ramón Reyero
Susana Sánchez Sánchez
cde@ufv.es
31

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European film week

  • 1. European Film Week Another way of presenting Europe Eva Ramón Reyero European Documentation Centre at the UFV1
  • 2. Our Goals: Make European Film Heritage better known among the youth. Provoke a debate about European Cinema. Convey more information about European Cinema to our students of Visual Communication and Journalism. Methodology: Information Education Development: Organisation of weeks devoted to European Cinema Collaboration among professors and students Seek of institutional support ActivityPlan 2
  • 3. Core Participants Engagement of Professors in the project: Cinema, History, Social Sciences or other areas List of topics and selection of films Support of students of last year degree (ECTs) Institutional Support Embassies, Cinema Museums, Cinema Archives Areas of Culture & Education at the Town Halls Distributors They are essential to find copies. And to shown a film in public Contact with the Press Local Press, Specialised Media, University Press 3
  • 4. Cinema produced by Member States at present Films shown at the UFV’s Assembly Hall, mainly for students Most films available at UFV’s Library Archive Professors gave conferences about the films I European Film Week (2002) Support of GD of Education and Culture of the European Commission. Letter from Viviane Reding: “These conferences will help people, specially the youth to discover the treasures of European cinematography heritage”4
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  • 7. New waves in European cinema: their influence on experimental cinema Working group: 7 Professors of Cinema Selection of topics / films, conferences Preparation of film fact sheets Outstanding Institutional Support Goethe Institut Town Halls of Boadilla del Monte, Pozuelo Alarcón European Commission Cined@ys programme French Embassy Cultural Service II European Film Week (2003) 7
  • 8. II European Film Week (2003) 25 films, 12 short films,15 conferences, 1,240 attendees
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  • 10. • Working group: 5 professors and 5 students • Participation of critics and film experts • Outstanding institutional support • Publication of conferences and articles Writers and European Cinema III European Film Week (2005) 10
  • 11. Projections at ‘Círculo de Bellas Artes’ (Fine Arts Club) ‘Cinema Doré’ (Spanish Film Archive) and ‘MIRA Cultural Space’ III European Film Week (2005) Media: Temptations ‘El País’, ‘El Mundo’, ‘Universities Newspapers’, ‘Radio Círculo’, ‘City FM’, ‘Radio 3’, ‘Telemadrid Radio’, ‘Guía del ocio’ (outdoor activities) 3 areas: Cinephile, Spanish Cinema and Black Cinema 11
  • 12. 27films, 23 conferences /debates, 2 round tables, 2,811 attendees 12
  • 13. 13
  • 14. Dreamed Europe Specific Goals: Explain EU’s historical development Show hardships and inequality of immigration inside the EU (European Year) Working Group (Professors of Cinema) Institutional Support: Círculo de Bellas Artes, Goethe Institut, French Embassy Cultural Area, Belgian Embassy Cultural Service, GD of Education and Culture of the European Commission. EQUAL PROFIS Project IV European Film Week (2007) 14
  • 15. Projections at ‘Círculo de Bellas Artes’ (Fine Arts Club) and at the University Media: interviews in ‘Radio Círculo’ and Prensa Universitaria. Conferences / debates: At the origin of the Union: The cinema as European remembrance of the present Europe inside Europe: mapping exclusion Journey to Europe: the desire for EU citizenship IV European Film Week (2007) 15
  • 16. 20 films, 2 documentaries, 4 presentations /debates, 1 conference, 870 attendees 16
  • 17. Summary: Core Participants 1- Engagement of Professors in the project: Cinema, History, Social Sciences or other areas List of topics and selection of films Support of students of last year degree 2- Institutional Support Embassies, Cinema Museums, Cinema Archives Areas of Culture & Education at the Town Halls 3- Distributors They are essential to find copies 4- Contact with the Press Local Press, Specialised Media, University Press 17
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  • 31. Technical direction of the Film weeks Eva Ramón Reyero Susana Sánchez Sánchez cde@ufv.es 31