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MIDDLE AGES
Monophonic music ,[object Object]
Secular music: Songs by  - troubadours ,[object Object]
  - juglars
  - minstrels
Poliphonic music ,[object Object]
Discantus  ,[object Object]
Ars Nova
PLAINCHANT ,[object Object]
A capella:  There's no accompaniment, just voices.
All the voices sing in unison. Is  monophonic.
Has  free metre . The music gets its rhythm from the natural stresses of the words.
The words are in latin
It's also called “gregorian chant”
All the words are religious
http://youtu.be/O-zjlBsLkzk#Página 4
Troubadours,juglars and minstrels ,[object Object]
Voices accompanied by instruments

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Middle ages 1

  • 2.
  • 3.
  • 4. - juglars
  • 5. - minstrels
  • 6.
  • 7.
  • 9.
  • 10. A capella: There's no accompaniment, just voices.
  • 11. All the voices sing in unison. Is monophonic.
  • 12. Has free metre . The music gets its rhythm from the natural stresses of the words.
  • 13. The words are in latin
  • 14. It's also called “gregorian chant”
  • 15. All the words are religious
  • 17.
  • 18. Voices accompanied by instruments
  • 19. The music gets its rhythm from the natural stresses of the words but more marked
  • 20. Words are in vernacular language
  • 21. The subject matter were courtly love and chivalry
  • 23.
  • 24. Juglar : entertainer with humble origins in medieval Europe, equipped to play musical instruments, sing, tell stories and legends
  • 25.
  • 26. Minstrels : The troubadours and minnesinger were nobles being proud of their creative skills but ashamed to play instruments, so they resorted to the minstrels for this function of instrumental accompaniment to their songs. Later the term was used as an instrumentalist changeling minstrel, to differentiate the singer.
  • 27. In taberna quando sumus non curamus quid sit humus, sed ad ludum properamus, cui semper insudamus Quid agatur in taberna ubi nummus est pincerna, hoc est opus ut queratur, si quid loquar, audiatur Quidam ludunt, quidam bibunt, quidam indiscrete vivunt Sed in ludo qui morantur, ex his quidam denudantur quidam ibi vestiuntur, quidam saccis induuntur Ibi nullus timet mortem sed pro Baccho mittunt sortem: Primo pro nummata vini, ex hac bibunt libertini; semel bibunt pro captivis, post hec bibunt ter pro vivis, quater pro Christianis cunctis quinquies pro fidelibus defunctis, sexies pro sororibus vanis, septies pro militibus silvanis http://youtu.be/_7DMcG3UCY0 Cuando estamos en la taberna, no nos interesa donde sentarnos, sino el apresurarnos al juego que siempre nos hace sudar. Lo que sucede en la taberna es que el dinero se gasta; más vale que preguntes antes, si yo te lo digo, entonces escucha. Algún juego, alguna bebida, algo que disfruten unos y otros de aquellos que se quedan a jugar. Algunos están desnudos, otros están vestidos, y otros cubiertos con sacos. Ninguno teme a la muerte, y echan suertes en honor a Baco. Una vez, por el tabernero los hombres libres beben ansiosamente; dos veces, beben por los cautivos; luego, tres veces por la vida; cuatro, por todos los cristianos; cinco veces, por los mártires; seis, por los hermanos enfermos; siete, por los soldados en guerra.
  • 28.
  • 29.
  • 30. Ars antiqua or Ars vetus : is the term used to refer musicology polyphonic music to a particular period but not at all in any case before the fourteenth century, developed a particularly bright in France and had as main manifestation politextual motet.
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  • 34.
  • 35. European influence due to the pilgrimages to Santiago de Compostela.
  • 36. The Christian life is feudal, around castles and monasteries.
  • 37. Muslim life is developed in cities and is based on trade.
  • 38.
  • 39. Cantigas de loor: songs of praise to the Virgin
  • 40. The codex or book of cantigas is adorned with luxurious miniatures of more than 30 instruments
  • 41. Melodies in syllabic style with joint degrees
  • 42. Listen to the Cantiga nº 47 Virgen Santa Maria. It's a cantiga of miracles and tell us how the Virgin saved a monk from the temptations of drink http://youtu.be/-TQqeQJRvig