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[object Object],[object Object]
Jordan Belson,  Allures ,  1963 / 7'17/ 16 mm / couleur/ sonore
Peter Fischli, David Weiss,  Der Lauf Der Dinge ,  1986-1987 / 28’ / Vidéo / couleur / son
Henri Chomette,  Cinq minutes de cinéma pur,  1925 / 5‘ / 35 mm noir et blanc, muet
William Klein,  Broadway by Light , 1957  / 11'/ 35 mm / couleur / sonore
Rose Lowder,  Bouquet ,  1994-95 / 11’/ 16mm / muet / couleur
Ronald Nameth,  Andy Warhol's Exploding Plastic Inévitable,  1967 / 14 '/ 16 mm / sonore
Jim Davis ,  Light Reflections , 1948 / 15‘ / 16 mm / couleur / sonore
Roman Signer,  Pont traversé par le feu,  1975-1989, 3’ environ,  film super 8 transféré en digital Vidéo / silencieux / couleur
Robert Breer, "  70 " , 1970 /  5‘ / 16 mm / couleur / sonore
Cai Guo-Qiang,  Explosions - Selected Works , 2003 / 30' / Vidéo / couleur / silencieux
Marie Menken,  Lights , 1964-1966, 6'30" / 16 mm / couleur / silencieux
Auteur, date et lieu indéterminés (coll. des «  Bits and Pieces  », Nederlands Filmmuseum, Amsterdam) / 2’ environ / 16mm / couleur / silencieux
Marie Menken,  Lights , 1964-1966, 6'30" / 16 mm / couleur / silencieux
Nicolas Schöffer,   Sculptures, projections, peintures,  1956 / 4'36 / 16 mm / couleur, silencieux
Yoko Ono,  One (Fluxfilm n° 14) , 1966 / 4'30" / 16 mm / noir et blanc / silencieux
Roman Signer,   Rauchringe (Rauchkörper, Eisenrohr an Schnur auf Hochkamin),  Actions 1981-1984  , 3’ environ,  film super 8 transféré en digital Vidéo / silencieux / couleur
James Whitney , Lapis , 1963 / 9' / 16 mm / couleur / sonore
Roman Signer,   Kamor (Schwarzpulver),  Actions 1985-1989  , 3’ environ,  film super 8 transféré en digital Vidéo / silencieux / couleur

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Nuits Electriques

  • 1.
  • 2. Jordan Belson, Allures , 1963 / 7'17/ 16 mm / couleur/ sonore
  • 3. Peter Fischli, David Weiss, Der Lauf Der Dinge , 1986-1987 / 28’ / Vidéo / couleur / son
  • 4. Henri Chomette, Cinq minutes de cinéma pur, 1925 / 5‘ / 35 mm noir et blanc, muet
  • 5. William Klein, Broadway by Light , 1957 / 11'/ 35 mm / couleur / sonore
  • 6. Rose Lowder, Bouquet , 1994-95 / 11’/ 16mm / muet / couleur
  • 7. Ronald Nameth, Andy Warhol's Exploding Plastic Inévitable, 1967 / 14 '/ 16 mm / sonore
  • 8. Jim Davis , Light Reflections , 1948 / 15‘ / 16 mm / couleur / sonore
  • 9. Roman Signer, Pont traversé par le feu, 1975-1989, 3’ environ, film super 8 transféré en digital Vidéo / silencieux / couleur
  • 10. Robert Breer, " 70 " , 1970 / 5‘ / 16 mm / couleur / sonore
  • 11. Cai Guo-Qiang, Explosions - Selected Works , 2003 / 30' / Vidéo / couleur / silencieux
  • 12. Marie Menken, Lights , 1964-1966, 6'30" / 16 mm / couleur / silencieux
  • 13. Auteur, date et lieu indéterminés (coll. des «  Bits and Pieces  », Nederlands Filmmuseum, Amsterdam) / 2’ environ / 16mm / couleur / silencieux
  • 14. Marie Menken, Lights , 1964-1966, 6'30" / 16 mm / couleur / silencieux
  • 15. Nicolas Schöffer, Sculptures, projections, peintures, 1956 / 4'36 / 16 mm / couleur, silencieux
  • 16. Yoko Ono, One (Fluxfilm n° 14) , 1966 / 4'30" / 16 mm / noir et blanc / silencieux
  • 17. Roman Signer, Rauchringe (Rauchkörper, Eisenrohr an Schnur auf Hochkamin), Actions 1981-1984 , 3’ environ, film super 8 transféré en digital Vidéo / silencieux / couleur
  • 18. James Whitney , Lapis , 1963 / 9' / 16 mm / couleur / sonore
  • 19. Roman Signer, Kamor (Schwarzpulver), Actions 1985-1989 , 3’ environ, film super 8 transféré en digital Vidéo / silencieux / couleur