The document discusses the key components of comics, including panels, shots, angles, stereotype characters, motion signs, emanatas, text containers, and onomatopoeias. Panels are the basic unit and can vary in shape and size. Shots determine the amount of space shown and include long shots, medium shots, and close-ups. Angles indicate the viewpoint such as high, low, or bird's eye. Stereotype characters and motion signs help convey character emotions and movement. Emanatas are visual metaphors that suggest mood. Text containers and balloons are used to display narration and dialogue. Onomatopoeias indicate sounds within the comic.

1. COMIC

2. ORIGIN
DEFINITION
CREATING CHARACTERS
KEY COMPONENTS
A.- ICONIC
A.1.- PANELS (viñetas)
A.2.- SHOTS (Planos)
A.3.- ANGLES (puntos de vista)
A.4.- STEREOTYPE CHARACTERS (estereotipos)
A.5.- MOTION (símbolos cinéticos)
A.6.- EMANATAS (metáforas visualizadas)
B.- LITERARY
B.1.- TEXT CONTAINERS (contenedores de texto)
B.2.- TEXT (texto)
B.3.- ONOMATOPEIAS (onomatopeyas)
(C- NARRATIVE)
(No for 1ºESO)

3. ORIGIN
YELLOW KID’S
GRAPHIC NOVEL

4. HEROES

5. MASKED HERO FIRST “MANGA” COMIC

6. SUPERHERO

7. DEFINITION
A narrative (a story) based on
a sequence of drawings arranged in interrelated panels and
and aimed at a wide audience
using a specific code
Speech balloons/bubbles
onomatopeias
Emanatas
Motion lines, etc.
Garfield – Jim Davis

8. CREATING CHARACTERS.
STUDENT’S ASSIGNMENT

9. CREATING CHARACTERS.
STUDENT’S ASSIGNMENT

10. CREATING CHARACTERS.
STUDENT’S ASSIGNMENT

11. A.1.- PANELS
- The basic unit of a comic book.
- We can change its
SHAPE and SIZE
Blueberry – Jean Giraud
KEY COMPONENTS.

12. El Garaje Hermético – Moebius

13. Hellboy – Mike Mignola

14. Hellboy – Mike Mignola

15. El Garaje Hermético – Moebius

16. A.2.- SHOTS
The amount of SPACE shown in a PANEL
- Very Extreme Long Shot (Gran Plano General)
- Extreme Long Shot (Plano General) - 1
- Long Shot (Plano de Conjunto) - 2
- Medium Long Shot (Plano Americano) - 3
- Medium Shot (Plano Medio) - 4
- Medium Close-up Shot - 5
- Close-up Shot (Primer Plano) - 6
- Extreme Close-up Shot
(Primerísimo Primer Plano) - 7
- Cut in Shot (Plano de detalle)

17. Very Extreme Long Shot - GRAN PLANO GENERAL
Max Fridman – Vittorio Giardino

18. Extreme Long Shot - PLANO GENERAL
Max Fridman – Vittorio Giardino

19. Long Shot - PLANO DE CONJUNTO
Max Fridman – Vittorio Giardino

20. Medium Long Shot - PLANO AMERICANO
Max Fridman – Vittorio Giardino

21. Medium Shot - PLANO MEDIO
Max Fridman – Vittorio Giardino

22. Close-up Shot - PRIMER PLANO
Max Fridman – Vittorio Giardino

23. Extreme Close-up Shot – PRIMERISIMO PRIMER PLANO

24. Cut in Shot - PLANO DE DETALLE
Max Fridman – Vittorio Giardino

25. A.3.- ANGLES
Where the scene is seen from.
- Eye level (Normal) - 3
- High View (Picado) - 2
- Low view (Contrapicado) - 4
- Bird’s eye (Cenital) - 1
- Worm’s eye (Nadir) - 5
- First Person view (Subjetivo)
- Impossible (Imposible)

26. Eye Level - NORMAL
Blueberry – Jean Giraud

27. WORM’S EYE VIEW - NADIR
Blueberry – Jean Giraud
LOW VIEW –
CONTRA PICADO

28. HIGH VIEW - PICADO
Blueberry – Jean Giraud
BIRD’S EYE VIEW - CENITAL

29. 300 – Frank Miller y Lynn VarleyFIRST PERSON VIEW

30. IMPOSSIBLE
Corto Maltés – Hugo Pratt

31. A.4.- STEREOTYPE CHARACTERS
Graphic signs that help us to know the comic characters and their mood.
F. Ibañez
A THIEF

32. Super López- Jan
A DRUNK
A WICKED

33. STRAIN
A PRISONER
F. Ibañez

34. F. Ibañez
TIREDNESS
ANGER

35. A.5.- MOTION SIGNS (SIMBOLOS CINÉTICOS)
The track of movement
- Motion Lines (Líneas Cinéticas)
- Dust Clouds (Nubes de Polvo)
- Motion Blur (Descomposición de la figura)
Mortadelo y Filemón – F. Ibañez

36. Mortadelo y Filemón
F. Ibañez

37. Mortadelo y Filemón – F. Ibañez

38. A.6.- EMANATAS (METÁFORAS VISUALIZADAS)
Drawings suggesting the characters’ mood.
Mortadelo y Filemón – F. Ibañez

39. Mortadelo y Filemón – F. Ibañez

40. Mortadelo y Filemón – F. Ibañez

41. B.1.- TEXT CONTAINERS (CONTENEDORES DE TEXTO)
- Caption
- Speech balloon/ bubble
Where the voice, emotions or thoughts of a character
are shown.
Places to put the text in.
Rectangles or squares in which a narrator or a
character from the story shares special information
with readers.

42. Blake & Mortimer – P. Jacobs

43. Paracuellos – Carlos Giménez

45. B.2.- TEXT
- Size
- Edge
- Writing

46. Mafalda – Quino

47. B.3.- ONOMATOPEIAS
Words that indicate a sound.