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BRAND PERSONALITY - THE
          RELATIONSHIP BASIS MODEL
                         Reprinted from Building Strong Brands


Some people may never aspire to have the personality of a competent leader but would
like to have a relationship with one, especially if they need a banker or a lawyer. A
trustworthy, dependable, conservative personality might be boring but might nonetheless
reflect characteristics valued in a financial advisor, a lawn service, or even a car--
consider the Volvo brand personality. The concept of a relationship between a brand and
a person (analogous to that between two people) provides a different perspective on how
brand personality might work.

To see how the relationship basis model works, consider the personality types of people
with whom you have relationships and the nature of those relationships. Some of the
types might be as follows:

   •   Down-to-earth, family oriented, genuine, old-fashioned (Sincerity). This might
       describe brands like Hallmark, Kodak, and even Coke. The relationship might be
       similar to one that exists with a well-liked and respected member of the family.
   •   Spirited, young, up-to-date, outgoing (Excitement). In the softdrink category,
       Pepsi fits this mold more than Coke. Especially on a weekend evening, it might be
       enjoyable to have a friend who has these personality characteristics.
   •   Accomplished, influential, competent (Competence). Perhaps Hewlett-Packard
       and the Wall Street Journal might fit this profile. Think of a relationship with a
       person whom you respect for their accomplishments, such as a teacher, minister
       or business leader; perhaps that is what a relationship between a business
       computer and its customer should be like.
   •   Pretentious, wealthy, condescending (Sophistication). For some, this would be
       BMW, Mercedes, or Lexus (with gold trim) as opposed to the Mazda Miata or the
       VW Golf. The relationship could be similar to one with a powerful boss or a rich
       relative.
   •   Athletic and outdoorsy (Ruggedness). Nike (versus LA Gear), Marlboro (versus
       Virginia Slims), and Wells Fargo (versus Bank of America) are examples. When
       planning an outing, a friend with outdoorsy interests would be welcome.

Two elements thus affect an individual's relationship with a brand. First, there is the
relationship between the brand-as-person and the customer, which is analogous to the
relationship between two people. Second, there is the brand personality--that is, the type
of person the brand represents. The brand personality provides depth, feelings and liking
to the relationship. Of course, a brand-customer relationship can also be based on a
functional benefit, just as two people can have a strictly business relationship.
THE BRAND AS A FRIEND

One important relationship for many brands is a friendship link characterized by trust,
dependability, understanding, and caring. A friend is there for you, treats you with
respect, is comfortable, is someone you like, and is an enjoyable person with whom to
spend time. This type of relationship was a driver for much of the Saturn program as was
discussed in Chapter 2. General Foods, in fact, defines brand equity as a "liking" or a
"friendship" relationship between the customer and the brand. WordPerfect, a software
company that has always been a leader in customer service, would rate high on the
friendship dimension.

A friend relationship can involve very different brand personalities. Some friends are fun
and irreverent. Others are serious and command respect. Others are reliable and
unpretentious. Still others are just comfortable to be around. A focus on the friend
relationship rather than the brand personality can allow more scope and flexibility in the
implementation of the brand identity.

Fred Posner of Ayer Worldwide has observed that people live in a world characterized by
stress, alienation, and clutter. [footnote omitted] Noting that people cope by developing
escape mechanisms and meaningful friendships, Posner suggests that brands can provide
these roles by being either an "aspirational" or a "trusted" associate. Escape can take the
form of aspirational relationships which provide a social lift or trusting relationships
which provide some expertise or knowledge of a subject in which a given person is
interested. Posner believes that either relationship can be the basis for real differentiation
and competitive advantage. He further suggests that the chosen relationship should be the
centerpiece of brand strategy and execution.

Dodge Neon, like Saturn, wants to be considered a friend, but its friend relationship is a
bit different.[footnote omitted] Aiming at the under-thirty crowd, Neon brand strategists
have adopted a lighthearted tone reminiscent of the VW Beetle personality. The
introductory ads (illustrated in Figure 5-7) showed a white Dodge Neon facing directly
into the camera with the word "Hi" over the car, as if the car was talking to the reader. In
contrast, the Saturn customer relationship is quite a bit more serious and adult in nature.

FIGURE 5-7
A Dodge Neon Ad
Reprinted with permission of Chrysler Corporation.


WHAT IF THE BRAND SPOKE TO YOU?

When considering brand personality, the natural tendency is to consider the brand to be a
passive element in the relationship. The focus is upon consumer perceptions, attitudes,
and behavior toward the brand; attitudes and perceptions of the brand itself are hidden
behind the closed doors of the organization. Yet your relationship with another person is
deeply affected by not only who that person is but also what that person thinks of you.
Similarly, a brand-customer relationship will have an active partner at each end, the
brand as well as the customer.

Max Blackston of Research International has argued that to understand brand-customer
relationships, it is necessary to consider what a brand thinks of you. [footnote omitted]
One approach to obtaining this information is to ask what the brand would say to you if it
were a person. The result can be illuminating. Blackston illustrates this approach with a
doctor-patient example. Consider a doctor who is perceived by all to be professional,
caring, capable, and funny--characteristics that most would like in a doctor. But what if
the doctor also felt you were a boring hypochondriac? The resulting negative relationship
would be impossible to predict based only upon perceptions of the doctor's personality or
external appearance.

Blackston's approach was used in a research study of a credit card brand. Customers were
divided into two groups based on how they thought the personified brand would relate to
them. For one customer segment (labeled the "respect" segment), the personified brand
was seen as a dignified, sophisticated, educated world traveler who would have a definite
presence in a restaurant. These customers believed that the card would make supportive
comments to them like the following:

     •     "My job is to help you get accepted."
     •     "You have good taste."
A second "intimidated" segment, however, described a very different relationship with
the brand. This group's view of the brand personality was similar to that observed in the
respect segment, but had a very different spin. The credit card was perceived as being
sophisticated and classy but also snobbish and condescending. This segment believed that
the personified card would make negative comments such as the following:

   •   "Are you ready for me, or will you spend more than you can afford?"
   •   "If you don't like the conditions, get another card."
   •   "I'm so well known and established that I can do what I want."
   •   "If I were going to dinner, I would not include you in the party."

These two user segments had remarkably similar perceptions of the brand personality
especially with respect to its demographic and socioeconomic characteristics. The two
different perceived attitudes of the credit card toward the customer, however, reflected
two very different relationships with the brand which in turn resulted in very different
levels of brand ownership and usage.

Contexts in which it is often worthwhile to consider what a brand might say to a customer
include those listed below.

Upscale brands with a snobbish spin. Nearly any prestige or badge brand risks appearing
snobbish to some in the target market. This risk is often much greater for those on the
fringe of or just beyond the target market. In part, this perceived attitude restricted the
market for Grey Poupon, advertised as the mustard of limousine riders. The brand has
since tried to soften this message in order to expand its market and the usage rate.

Performance brands talking down to customers. Talking down to customers is a common
danger for performance brands. Consider the VW Fahrvergnugen campaign. The use of
the German word provided some nice associations (especially if one knew German) but
risked implying that the brand looked down on those who did not "get" the clever symbol
and campaign. A discarded campaign for Martel--"I assume you drink Martel"--ran the
risk of talking down to all customers who were drinking a competitor's brand.

Power brands flexing their muscles. A brand that has power over the marketplace, like
Microsoft and Intel in the 1990s or IBM in the past, has a real advantage as a result of
being the industry standard. The risk is that by promoting this advantage, the brand may
be perceived as being arrogant and willing to smother small, defenseless competitors.
One respondent in a focus group reportedly said that if IBM was a vehicle, it would be a
steamroller and would park in a handicapped space.

Intimidated brands showing their inferiority. A brand might risk appearing inferior if it
tries too hard to be accepted into a more prestigious competitive grouping. Thus Sears
could attempt to associate itself with trendier retailers and simply come off as being
pathetic. The humorous thrust of the Sears campaign from Young & Rubicam, in which a
woman goes there for a Die Hard battery but ends up buying great clothes, helps avoid
this pitfall.
Any active brand relationship, though, needs to be managed. Sometimes adding a sense
of humor or a symbol can help. In one study for a cigarette brand, the brand personality
profile was a sophisticated individualist, stylish and corporate but also aging. Further,
there was a segment, most of whom did not use the brand, who saw it as snobbish. This
segment rejected the brand in part because it felt rejected by the brand. To combat this
problem, the brand kept its upscale imagery but added, with gentle humor, a sense of
irony about its status and prestige to soften the hard edge of the image.

RELATIONSHIP SEGMENTATION

Research International routinely segments consumers by brand relationship. In a first-
phase research effort, fifty to a hundred subjects are interviewed, usually by phone.
[footnote omitted] A series of open-ended questions are asked, including word
associations, brand personalization, characteristics of liked and disliked brands, and a
dialogue section (based on what the brand would say if it were a person).

The first analysis stage involves scanning the data and forming hypotheses about the
types of relationships that exist. In the second stage, respondents are allocated to
relationship categories on the basis of the hypothesized relationship groupings. In the
process, the relationship typology is refined. The relationships are then formalized into
specifications, and coders classify the respondents into those relationships. The groups
are then profiled. Often the relationship groupings correspond to like, dislike, and neutral
segments. The "dislike" group for credit cards, for example, perceived the brand as being
snobbish; the "like" group, in contrast, felt that they were accepted by the brand.

http://groups.haas.berkeley.edu/marketing/papers/aaker/books/building/brand_personality
.html


What is Brand Personality ?
                                         Brand personality is the way a brand speaks and
                                         behaves. It means assigning human personality
                                         traits/characteristics to a brand so as to achieve
                                         differentiation. These characteristics signify
                                         brand behaviour through both individuals
                                         representing the brand (i.e. it’s employees) as
                                         well as through advertising, packaging, etc.
                                         When brand image or brand identity is expressed
                                         in terms of human traits, it is called brand
                                         personality. For instance - Allen Solley brand
                                         speaks the personality and makes the individual
                                         who wears it stand apart from the crowd. Infosys
                                         represents uniqueness, value ,and intellectualism.

                                         Brand personality is nothing but personification
of brand. A brand is expressed either as a
                                             personality who embodies these personality traits
                                             (For instance - Shahrukh Khan and Airtel, John
                                             Abraham and Castrol) or distinct personality
                                             traits (For instance - Dove as honest, feminist
                                             and optimist; Hewlett Packard brand represents
                                             accomplishment, competency and influence).
                                             Brand personality is the result of all the
                                             consumer’s experiences with the brand. It is
                                             unique and long lasting.

What Personality Reveals about a
Brand
Recently, a marketing guru wrote of
personality as “a brand’s outward face.”
Rather, I think of it as an inner soul. It
isn’t a marketing invention, a media
campaign, or a training indoctri-nation.
It is, however, all these things … and
much more.
Great brand personalities are multi-
dimensional. As with hu-mans, brand
personality has both depth and multiple
facets … and reveals four basic
qualities of the brand.

1. Demonstrates a Brand’s Passion
and Expertise … Defining the Brand’s
Ultimate Purpose and Differentiating It
from the Competitive Set.

2. Creates an Affinity with Targeted
Customer Segments … Touching and
Energizing their Motivations.

3. Projects the Brand’s Core Values
and Beliefs … Describing How
Customer’s can Expect to be Treated.

4. Communicates an Over-Arching
Tone, Style, and Attitude about the
Brand’s Experience and Customer
Interactions.

Consider brand personality as the “voice”
behind a brand’s values … a brand’s
competitive positioning … and a brand’s
functional attributes. Personality
communicates and projects these through
human traits. It is understood and
interpreted by the customer – and exists in
the customer’s mind. Page 2

Brand personality must be differentiated from brand image, in sense that, while
brand image denote the tangible (physical and functional) benefits and attributes of a
brand, brand personality indicates emotional associations of the brand. If brand image is
comprehensive brand according to consumers’ opinion, brand personality is that aspect of
comprehensive brand which generates it’s emotional character and associations in
consumers’ mind.

Brand personality develops brand equity. It sets the brand attitude. It is a key input into
the look and feel of any communication or marketing activity by the brand. It helps in
gaining thorough knowledge of customers feelings about the brand. Brand personality
differentiates among brands specifically when they are alike in many attributes. For
instance - Sony versus Panasonic. Brand personality is used to make the brand strategy
lively, i.e , to implement brand strategy. Brand personality indicates the kind of
relationship a customer has with the brand. It is a means by which a customer
communicates his own identity.

Brand personality and celebrity should supplement each other. Trustworthy celebrity
ensures immediate awareness, acceptability and optimism towards the brand. This will
influence consumers’ purchase decision and also create brand loyalty. For instance -
Bollywood actress Priyanka Chopra is brand ambassador for J.Hampstead, international
line of premium shirts.

Brand personality not only includes the personality features/characteristics, but also the
demographic features like age, gender or class and psychographic features. Personality
traits are what the brand exists for.

http://managementstudyguide.com/brand-personality.htm
7 Tips for Developing a Brand Personality and Brand Personas for Your
Business or Website
7 Tips for Developing a Brand Personality and Brand Personas for Your Business or Website

By Catherine Kaputa

"Nothing is so powerful as an insight into human nature,
what compulsions drive a man, what instincts dominate his
action, even though his language so often camouflages what
really motivates him. For if you know these things about a
man you can touch him at the core of his being."
– Bill Bernbach, legendary advertising creative leader


In many ways, brands are like people. And, as I like to say
to my self-branding clients, people are like brands. Brands
take on human like traits as we become attached to them,
seek them out, and assign human personalities to them. After
all, like the friends we have, the brands we associate with
say something about us to the world outside (and maybe even
to ourselves).

Brand Personality

A popular element of creative testing has been to ask focus
groups, “If brand X were a famous person, who would it be?”
It can bevery revealing and provide helpful marketing
information. Often more telling than asking people a more
pointed question like, “Why do you like brand X? The
request for an analogy opens up inner beliefs and
connections about the brand in human terms that most people
can identify with.

If you’re an entrepreneur or involved in marketing, write
down your company’s brand personality to bring your brand
concept to life, and use it as a jumping off point as you
develop all the brand’s trappings – name, packaging,
advertising, web design, what have you

Brand Personas

The counterpoint to the brand’s personality is the customer
persona. Personas are customer archetypes written with a
rich narrative storyline kind of like a casting call for a
movie script. Rather than think in terms of your target
market as a generic demographic group, say women 25 – 54,
you write a persona about two or three protypical customers,
like Vera, Sarah and Nora. Personas are used by ad agencies
to help the creative people in developing the advertising,
and are now making a big impact in website design and
internet marketing. (It’s much easier to develop a website
that people like Vera, Sarah and Nora will like, than
designing for generic, faceless people.

Personas provide insight into your target groups. Of course,
you need to visualize what your personas look like
physically, but you also want to explore what makes them
tick. What do they like? Hate? What is the context of their
lives? What’s the back story? You’ll find that personas make
the branding job infinitely easier. Personas help to set the
right tone for your PR, advertising, web design and even
product development.

Here are some tips from my new book, U are a Brand, on how
to develop brand personas:

– Create a fictional bio for each persona. You want to
really know these people as a close friend so that your
company or product will fit the bill. Made sure you can
answer questions about the context of their lives - how they
live and what they do.

– Tap into your inner Freud: Tap into what the “needs” -
spoken and unspoken - of your personas. What do they want?
What are their motivations? What bugs them? What’s
important? Here is where your intuition can help fill in the
blanks

– Think outside-in: Begin brand development from the
persona’s perspective (Outside). What are their biases and
proclivities? Then, develop the Inside (the marketing
messages, product design, website design and content) that
will appeal to the persona’s mindset

– Think in terms of target markets: Be focused and specific:
a company or product that tries to satisfy everyone,
satisfies no one. Build your personas around specific,
though fictional, people. They should read not as statistics
but people you might meet on the street.

– Build a strong visual identity: When you develop your
personas, use pictures and other visual references so that
you and your marketing people can clearly visualize each
persona. If you can dream about them, then you’ve really
done your job.

– Trigger the right connections: Find the trigger words and
hot buttons that appeal to your brand’s personas and use
them in your marketing.

– Tap into soft power. Soft power is about attracting people
through branding and other soft ideas: product name, style,
and design. If you really understand your personas, this
will be easy.


Catherine Kaputa is a brand strategist, speaker and author
of U R a Brand, How Smart People Brand Themselves for
Business Success (www.urabrand.com). Entrepreneurs and marketing mavens can visit BrandEspresso, a
website dedicated to branding double shots for growing
companies (www.brandespresso.com). For personal branding
tips and advice, visit www.selfbrand.com.

http://www.evancarmichael.com/Branding/64/7-Tips-for-Developing-a-Brand-
Personality-and-Brand-Personas-for-Your-Business-or-Website.html

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28483790 brand-personality

  • 1. BRAND PERSONALITY - THE RELATIONSHIP BASIS MODEL Reprinted from Building Strong Brands Some people may never aspire to have the personality of a competent leader but would like to have a relationship with one, especially if they need a banker or a lawyer. A trustworthy, dependable, conservative personality might be boring but might nonetheless reflect characteristics valued in a financial advisor, a lawn service, or even a car-- consider the Volvo brand personality. The concept of a relationship between a brand and a person (analogous to that between two people) provides a different perspective on how brand personality might work. To see how the relationship basis model works, consider the personality types of people with whom you have relationships and the nature of those relationships. Some of the types might be as follows: • Down-to-earth, family oriented, genuine, old-fashioned (Sincerity). This might describe brands like Hallmark, Kodak, and even Coke. The relationship might be similar to one that exists with a well-liked and respected member of the family. • Spirited, young, up-to-date, outgoing (Excitement). In the softdrink category, Pepsi fits this mold more than Coke. Especially on a weekend evening, it might be enjoyable to have a friend who has these personality characteristics. • Accomplished, influential, competent (Competence). Perhaps Hewlett-Packard and the Wall Street Journal might fit this profile. Think of a relationship with a person whom you respect for their accomplishments, such as a teacher, minister or business leader; perhaps that is what a relationship between a business computer and its customer should be like. • Pretentious, wealthy, condescending (Sophistication). For some, this would be BMW, Mercedes, or Lexus (with gold trim) as opposed to the Mazda Miata or the VW Golf. The relationship could be similar to one with a powerful boss or a rich relative. • Athletic and outdoorsy (Ruggedness). Nike (versus LA Gear), Marlboro (versus Virginia Slims), and Wells Fargo (versus Bank of America) are examples. When planning an outing, a friend with outdoorsy interests would be welcome. Two elements thus affect an individual's relationship with a brand. First, there is the relationship between the brand-as-person and the customer, which is analogous to the relationship between two people. Second, there is the brand personality--that is, the type of person the brand represents. The brand personality provides depth, feelings and liking to the relationship. Of course, a brand-customer relationship can also be based on a functional benefit, just as two people can have a strictly business relationship.
  • 2. THE BRAND AS A FRIEND One important relationship for many brands is a friendship link characterized by trust, dependability, understanding, and caring. A friend is there for you, treats you with respect, is comfortable, is someone you like, and is an enjoyable person with whom to spend time. This type of relationship was a driver for much of the Saturn program as was discussed in Chapter 2. General Foods, in fact, defines brand equity as a "liking" or a "friendship" relationship between the customer and the brand. WordPerfect, a software company that has always been a leader in customer service, would rate high on the friendship dimension. A friend relationship can involve very different brand personalities. Some friends are fun and irreverent. Others are serious and command respect. Others are reliable and unpretentious. Still others are just comfortable to be around. A focus on the friend relationship rather than the brand personality can allow more scope and flexibility in the implementation of the brand identity. Fred Posner of Ayer Worldwide has observed that people live in a world characterized by stress, alienation, and clutter. [footnote omitted] Noting that people cope by developing escape mechanisms and meaningful friendships, Posner suggests that brands can provide these roles by being either an "aspirational" or a "trusted" associate. Escape can take the form of aspirational relationships which provide a social lift or trusting relationships which provide some expertise or knowledge of a subject in which a given person is interested. Posner believes that either relationship can be the basis for real differentiation and competitive advantage. He further suggests that the chosen relationship should be the centerpiece of brand strategy and execution. Dodge Neon, like Saturn, wants to be considered a friend, but its friend relationship is a bit different.[footnote omitted] Aiming at the under-thirty crowd, Neon brand strategists have adopted a lighthearted tone reminiscent of the VW Beetle personality. The introductory ads (illustrated in Figure 5-7) showed a white Dodge Neon facing directly into the camera with the word "Hi" over the car, as if the car was talking to the reader. In contrast, the Saturn customer relationship is quite a bit more serious and adult in nature. FIGURE 5-7 A Dodge Neon Ad
  • 3. Reprinted with permission of Chrysler Corporation. WHAT IF THE BRAND SPOKE TO YOU? When considering brand personality, the natural tendency is to consider the brand to be a passive element in the relationship. The focus is upon consumer perceptions, attitudes, and behavior toward the brand; attitudes and perceptions of the brand itself are hidden behind the closed doors of the organization. Yet your relationship with another person is deeply affected by not only who that person is but also what that person thinks of you. Similarly, a brand-customer relationship will have an active partner at each end, the brand as well as the customer. Max Blackston of Research International has argued that to understand brand-customer relationships, it is necessary to consider what a brand thinks of you. [footnote omitted] One approach to obtaining this information is to ask what the brand would say to you if it were a person. The result can be illuminating. Blackston illustrates this approach with a doctor-patient example. Consider a doctor who is perceived by all to be professional, caring, capable, and funny--characteristics that most would like in a doctor. But what if the doctor also felt you were a boring hypochondriac? The resulting negative relationship would be impossible to predict based only upon perceptions of the doctor's personality or external appearance. Blackston's approach was used in a research study of a credit card brand. Customers were divided into two groups based on how they thought the personified brand would relate to them. For one customer segment (labeled the "respect" segment), the personified brand was seen as a dignified, sophisticated, educated world traveler who would have a definite presence in a restaurant. These customers believed that the card would make supportive comments to them like the following: • "My job is to help you get accepted." • "You have good taste."
  • 4. A second "intimidated" segment, however, described a very different relationship with the brand. This group's view of the brand personality was similar to that observed in the respect segment, but had a very different spin. The credit card was perceived as being sophisticated and classy but also snobbish and condescending. This segment believed that the personified card would make negative comments such as the following: • "Are you ready for me, or will you spend more than you can afford?" • "If you don't like the conditions, get another card." • "I'm so well known and established that I can do what I want." • "If I were going to dinner, I would not include you in the party." These two user segments had remarkably similar perceptions of the brand personality especially with respect to its demographic and socioeconomic characteristics. The two different perceived attitudes of the credit card toward the customer, however, reflected two very different relationships with the brand which in turn resulted in very different levels of brand ownership and usage. Contexts in which it is often worthwhile to consider what a brand might say to a customer include those listed below. Upscale brands with a snobbish spin. Nearly any prestige or badge brand risks appearing snobbish to some in the target market. This risk is often much greater for those on the fringe of or just beyond the target market. In part, this perceived attitude restricted the market for Grey Poupon, advertised as the mustard of limousine riders. The brand has since tried to soften this message in order to expand its market and the usage rate. Performance brands talking down to customers. Talking down to customers is a common danger for performance brands. Consider the VW Fahrvergnugen campaign. The use of the German word provided some nice associations (especially if one knew German) but risked implying that the brand looked down on those who did not "get" the clever symbol and campaign. A discarded campaign for Martel--"I assume you drink Martel"--ran the risk of talking down to all customers who were drinking a competitor's brand. Power brands flexing their muscles. A brand that has power over the marketplace, like Microsoft and Intel in the 1990s or IBM in the past, has a real advantage as a result of being the industry standard. The risk is that by promoting this advantage, the brand may be perceived as being arrogant and willing to smother small, defenseless competitors. One respondent in a focus group reportedly said that if IBM was a vehicle, it would be a steamroller and would park in a handicapped space. Intimidated brands showing their inferiority. A brand might risk appearing inferior if it tries too hard to be accepted into a more prestigious competitive grouping. Thus Sears could attempt to associate itself with trendier retailers and simply come off as being pathetic. The humorous thrust of the Sears campaign from Young & Rubicam, in which a woman goes there for a Die Hard battery but ends up buying great clothes, helps avoid this pitfall.
  • 5. Any active brand relationship, though, needs to be managed. Sometimes adding a sense of humor or a symbol can help. In one study for a cigarette brand, the brand personality profile was a sophisticated individualist, stylish and corporate but also aging. Further, there was a segment, most of whom did not use the brand, who saw it as snobbish. This segment rejected the brand in part because it felt rejected by the brand. To combat this problem, the brand kept its upscale imagery but added, with gentle humor, a sense of irony about its status and prestige to soften the hard edge of the image. RELATIONSHIP SEGMENTATION Research International routinely segments consumers by brand relationship. In a first- phase research effort, fifty to a hundred subjects are interviewed, usually by phone. [footnote omitted] A series of open-ended questions are asked, including word associations, brand personalization, characteristics of liked and disliked brands, and a dialogue section (based on what the brand would say if it were a person). The first analysis stage involves scanning the data and forming hypotheses about the types of relationships that exist. In the second stage, respondents are allocated to relationship categories on the basis of the hypothesized relationship groupings. In the process, the relationship typology is refined. The relationships are then formalized into specifications, and coders classify the respondents into those relationships. The groups are then profiled. Often the relationship groupings correspond to like, dislike, and neutral segments. The "dislike" group for credit cards, for example, perceived the brand as being snobbish; the "like" group, in contrast, felt that they were accepted by the brand. http://groups.haas.berkeley.edu/marketing/papers/aaker/books/building/brand_personality .html What is Brand Personality ? Brand personality is the way a brand speaks and behaves. It means assigning human personality traits/characteristics to a brand so as to achieve differentiation. These characteristics signify brand behaviour through both individuals representing the brand (i.e. it’s employees) as well as through advertising, packaging, etc. When brand image or brand identity is expressed in terms of human traits, it is called brand personality. For instance - Allen Solley brand speaks the personality and makes the individual who wears it stand apart from the crowd. Infosys represents uniqueness, value ,and intellectualism. Brand personality is nothing but personification
  • 6. of brand. A brand is expressed either as a personality who embodies these personality traits (For instance - Shahrukh Khan and Airtel, John Abraham and Castrol) or distinct personality traits (For instance - Dove as honest, feminist and optimist; Hewlett Packard brand represents accomplishment, competency and influence). Brand personality is the result of all the consumer’s experiences with the brand. It is unique and long lasting. What Personality Reveals about a Brand Recently, a marketing guru wrote of personality as “a brand’s outward face.” Rather, I think of it as an inner soul. It isn’t a marketing invention, a media campaign, or a training indoctri-nation. It is, however, all these things … and much more. Great brand personalities are multi- dimensional. As with hu-mans, brand personality has both depth and multiple facets … and reveals four basic qualities of the brand. 1. Demonstrates a Brand’s Passion and Expertise … Defining the Brand’s Ultimate Purpose and Differentiating It from the Competitive Set. 2. Creates an Affinity with Targeted Customer Segments … Touching and Energizing their Motivations. 3. Projects the Brand’s Core Values and Beliefs … Describing How Customer’s can Expect to be Treated. 4. Communicates an Over-Arching Tone, Style, and Attitude about the Brand’s Experience and Customer Interactions. Consider brand personality as the “voice” behind a brand’s values … a brand’s competitive positioning … and a brand’s functional attributes. Personality
  • 7. communicates and projects these through human traits. It is understood and interpreted by the customer – and exists in the customer’s mind. Page 2 Brand personality must be differentiated from brand image, in sense that, while brand image denote the tangible (physical and functional) benefits and attributes of a brand, brand personality indicates emotional associations of the brand. If brand image is comprehensive brand according to consumers’ opinion, brand personality is that aspect of comprehensive brand which generates it’s emotional character and associations in consumers’ mind. Brand personality develops brand equity. It sets the brand attitude. It is a key input into the look and feel of any communication or marketing activity by the brand. It helps in gaining thorough knowledge of customers feelings about the brand. Brand personality differentiates among brands specifically when they are alike in many attributes. For instance - Sony versus Panasonic. Brand personality is used to make the brand strategy lively, i.e , to implement brand strategy. Brand personality indicates the kind of relationship a customer has with the brand. It is a means by which a customer communicates his own identity. Brand personality and celebrity should supplement each other. Trustworthy celebrity ensures immediate awareness, acceptability and optimism towards the brand. This will influence consumers’ purchase decision and also create brand loyalty. For instance - Bollywood actress Priyanka Chopra is brand ambassador for J.Hampstead, international line of premium shirts. Brand personality not only includes the personality features/characteristics, but also the demographic features like age, gender or class and psychographic features. Personality traits are what the brand exists for. http://managementstudyguide.com/brand-personality.htm 7 Tips for Developing a Brand Personality and Brand Personas for Your Business or Website 7 Tips for Developing a Brand Personality and Brand Personas for Your Business or Website By Catherine Kaputa "Nothing is so powerful as an insight into human nature, what compulsions drive a man, what instincts dominate his action, even though his language so often camouflages what really motivates him. For if you know these things about a man you can touch him at the core of his being." – Bill Bernbach, legendary advertising creative leader In many ways, brands are like people. And, as I like to say to my self-branding clients, people are like brands. Brands take on human like traits as we become attached to them,
  • 8. seek them out, and assign human personalities to them. After all, like the friends we have, the brands we associate with say something about us to the world outside (and maybe even to ourselves). Brand Personality A popular element of creative testing has been to ask focus groups, “If brand X were a famous person, who would it be?” It can bevery revealing and provide helpful marketing information. Often more telling than asking people a more pointed question like, “Why do you like brand X? The request for an analogy opens up inner beliefs and connections about the brand in human terms that most people can identify with. If you’re an entrepreneur or involved in marketing, write down your company’s brand personality to bring your brand concept to life, and use it as a jumping off point as you develop all the brand’s trappings – name, packaging, advertising, web design, what have you Brand Personas The counterpoint to the brand’s personality is the customer persona. Personas are customer archetypes written with a rich narrative storyline kind of like a casting call for a movie script. Rather than think in terms of your target market as a generic demographic group, say women 25 – 54, you write a persona about two or three protypical customers, like Vera, Sarah and Nora. Personas are used by ad agencies to help the creative people in developing the advertising, and are now making a big impact in website design and internet marketing. (It’s much easier to develop a website that people like Vera, Sarah and Nora will like, than designing for generic, faceless people. Personas provide insight into your target groups. Of course, you need to visualize what your personas look like physically, but you also want to explore what makes them tick. What do they like? Hate? What is the context of their lives? What’s the back story? You’ll find that personas make the branding job infinitely easier. Personas help to set the right tone for your PR, advertising, web design and even product development. Here are some tips from my new book, U are a Brand, on how to develop brand personas: – Create a fictional bio for each persona. You want to really know these people as a close friend so that your company or product will fit the bill. Made sure you can answer questions about the context of their lives - how they live and what they do. – Tap into your inner Freud: Tap into what the “needs” -
  • 9. spoken and unspoken - of your personas. What do they want? What are their motivations? What bugs them? What’s important? Here is where your intuition can help fill in the blanks – Think outside-in: Begin brand development from the persona’s perspective (Outside). What are their biases and proclivities? Then, develop the Inside (the marketing messages, product design, website design and content) that will appeal to the persona’s mindset – Think in terms of target markets: Be focused and specific: a company or product that tries to satisfy everyone, satisfies no one. Build your personas around specific, though fictional, people. They should read not as statistics but people you might meet on the street. – Build a strong visual identity: When you develop your personas, use pictures and other visual references so that you and your marketing people can clearly visualize each persona. If you can dream about them, then you’ve really done your job. – Trigger the right connections: Find the trigger words and hot buttons that appeal to your brand’s personas and use them in your marketing. – Tap into soft power. Soft power is about attracting people through branding and other soft ideas: product name, style, and design. If you really understand your personas, this will be easy. Catherine Kaputa is a brand strategist, speaker and author of U R a Brand, How Smart People Brand Themselves for Business Success (www.urabrand.com). Entrepreneurs and marketing mavens can visit BrandEspresso, a website dedicated to branding double shots for growing companies (www.brandespresso.com). For personal branding tips and advice, visit www.selfbrand.com. http://www.evancarmichael.com/Branding/64/7-Tips-for-Developing-a-Brand- Personality-and-Brand-Personas-for-Your-Business-or-Website.html