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Open Access and Your
Publications:
What’s Copyright Got to Do With It?

                   Presented by:
             ALA Editions Workshop
                 October 24, 2012

                             Kenneth D. Crews
                    Director, Copyright Advisory Office
                         Columbia University Libraries
                          www.copyright.columbia.edu
Welcome to Open Access Week!




      http://www.openaccessweek.org/
What is Open Access?

 Peter Suber’s definition begins:
 “Open-access (OA) literature is
  digital, online, free of charge, and free
  of most copyright and licensing
  restrictions.”
 Focus Today: Unrestricted Access
    ◦ Restrictions from Law
    ◦ Restrictions from Agreement
         http://www.earlham.edu/~peters/fos/overview.ht
                              m
Why are We Here?

 The subject is Scholarship
 The construct is Copyright
 Premise: Scholarly Works are
  Protected by Copyright
    ◦ Few Exceptions
    ◦ No Requirements of Registration or
      Notice
   Scholarly Works Use Copyrights
    ◦ E.g., Embedded Works in Articles and
      Books
From the Library Perspective

   Copyright Establishes Control
    ◦ Legal Rights of Control
    ◦ Owner of those Rights
    ◦ Duration of the Rights (a loooong time!)
   Control is Manifested in Licenses
    ◦ Acquisition of Databases
    ◦ Purchase of Audiovisual Works
    ◦ “Ownership” of E-Books
From the Library Perspective

   Copyright Directly Affects:
    ◦ Collection Development
    ◦ Library Services for Research & Teaching
    ◦ Library Services for Visually Impaired
      Print Impaired
      Aurally Impaired
    ◦ Preservation Initiatives
    ◦ Digital Library Development
From the Author Perspective

 Copyright Establishes Control
 Copyright Gives You Choices
    ◦   Where and When to Publish
    ◦   Terms of any Publication Agreement
    ◦   Support for Library Services
    ◦   Support for User Access
From the Author Perspective

   Copyright Directly Affects:
    ◦   Ability of Readers to Find Your Work
    ◦   Citation Rate and Impact Factor
    ◦   Posting to Your Own Website
    ◦   Contribution to Your Digital Repository
         E.g., Academic Commons at Columbia
          University
    ◦ Use in Teaching
    ◦ Building Your Research Agenda
Instruments of Control

   Assertion and Stewardship of
    Copyright
    ◦ Creative Commons
 Assignments and Transfers
 Publication Agreements
 Acquisition Licenses
Lifecycle of a Scholarly Work


                                        Publisher
  Funding
                              ©                     $
             $



      $
                 Author/Researcher
                                                    Database
                 $

                                                    $

      Employer
                       $
                                     Library
Lifecycle of a Scholarly Work

             Where is the
              Public?                   Publisher
  Funding
                              ©                     $
             $



      $
                 Author/Researcher
                                                    Database
                 $

                                                    $

      Employer
                       $
                                     Library
Control at Each Node

 Funding Source
 Employer      Publication
 Author         Requirements
                Open Access
 Publisher
                 Mandate
 Database      Terms of
 Library        Employment
                Terms of Transfer or
                 License
                Terms of Acquisition
Questions?


Coming up Soon…

 More about Copyright Ownership

 Examples of Publication Agreements
Copyright and Control

   The Law Grants Rights
    ◦   Reproduction of the Work
    ◦   Distribution of Copies
    ◦   Making of Derivative Works
    ◦   Public Displays and Performances
Copyright and Control

   Transfers of Control:
    ◦ Nonexclusive Licenses
      Do Not have to be in Writing
      But writing is a Good Idea
    ◦ Exclusive Licenses & Transfers
      Must be in Writing
      Must be signed by Transferor
The Author

   General Rule:
    ◦ Author is the Initial Holder of the
      Copyright
   Exceptions:
    ◦ Prior Arrangement with Funding Sources
    ◦ Transferred Copyrights
    ◦ Works Made for Hire
The Employer

   U.S. Government?
    ◦ Public Domain
   Private Employer
    ◦ Likely “For Hire”
    ◦ Unless otherwise Agreed (Written &
      Signed!)
    ◦ (Whether corporation or person)
   What about University or College…?
Academic Employer

 General Rule: Same Rules!
 However, University Policies:
    ◦ Often place Copyright or Control with
      Authors
    ◦ Unless “Substantial Resources”
    ◦ Unless a “University Work”
   Practical Effect:
    ◦ Faculty Authors Make the Decisions
The Author’s Decisions

 Choose the Journal
 Accept the Offer of Publication
 Read and Study the Agreement
 Raise Questions
 Ask for Changes – Negotiate!
 Accept or Reject Final Offer
 Keep Copies of all Agreements and
  Emails
Publication Agreements
   Author Concerns
    ◦ Publication
    ◦ Dissemination             Publisher
    ◦ Educational or             Concerns
      instructional uses
    ◦ Research uses              ◦ Publication and
    ◦ Personal use                 dissemination
    ◦ Future reuse               ◦ Reuse
    ◦ Preservation               ◦ Preservation
    ◦ Protection of rights
                                 ◦ Protection of rights
                                 ◦ Financial
                                 ◦ Special uses
Publication Agreements

 Copyright Assignment
 Copyright License
 Author’s Reserved Rights
 Version of the Work for Author’s Use
 Public Access Posting
 Representations and Warranties
 Reversion of Rights
SPARC Author Addendum

Retains Rights for Author:
 To use the article in connection with
  the Author’s
  teaching, conferences, scholarship, an
  d more
 Post and disseminate the article from
  a website
 Pre-contract right to deposit with
  institution’s or funder’s repository
Publication Agreements

Watch out for Transfers:
 The Author “hereby assigns [to
  Publisher] all rights under copyright
  that may exist in and to” the work.
Be sure to Ask for:
 Retention of rights for
  teaching, research, and more.
Publication Agreements

Another Transfer:
 “Author hereby grants and assigns to
  [Publisher] the sole, transferable right
  to
  reproduce, publish, distribute, transmit
  , make available or otherwise
  communicate to the public, publicly
  perform, archive, store, lease or lend
  and sell the Contribution….”
Publication Agreements

Is a License Really Better?
 “Authors grant to [Publisher] the
  exclusive license . . . to
  publish, reproduce, distribute, display
  and store the Contribution in all
  forms, formats and media whether
  now known or hereafter developed . .
  .”
Publication Agreements

Nonexclusive Licenses are Better:
 “I hereby grant [to Publisher] a non-
  exclusive license to publish the
  above referenced manuscript . . . and
  any accompanying
  tables, illustrations, data and any other
  supplemental information intended for
  publication in all forms and all media .
  . . throughout the world . . .”
Publication Agreements

Most Hazardous: Work Made for Hire
 “The Author acknowledges that the
  Work was specially commissioned
  by the Publisher and intended as an
  instructional text and agrees that the
  Work shall be considered a work-
  made-for-hire, with the Publisher
  deemed the sole owner thereof for
  copyright purposes.”
Publication Agreements

   Perhaps Most Important:
    ◦   Explicit Rights of Use
    ◦   Posting to Website and Repository
    ◦   Sharing with Colleagues
    ◦   Use in Teaching
    ◦   Creation of New Works and Publications
    ◦   Advancing Knowledge and Scholarship
Why Care?

 Integral to Scholarship
 Copyright Decisions affect Quality
 Copyright Decisions affect Access
 Copyright Decisions affect Impact
 Copyright and Your Future Work
    ◦ Expansion of Your Research Agenda
    ◦ Reuse of Works in Your Academic Career
Keep All Options Open

   Select Your Publisher with Care
    ◦ Director of Open Access Journal
    ◦ www.doaj.org
 Review and Negotiate
 Consider Creative Commons
    ◦ www.creativecommons.org
 Add an Addendum
 Keep a Copy of All Agreements!
Action by the Community

 Educate and Inform Colleagues
 Develop Information Resources
 Help Colleagues Understand Choices
 Share Ideas and Strategies
 Adopt Open Access Policies
 Support Open Access Publishing
 Implement Creative Commons
Thank You!
Kenneth D. Crews
Copyright Advisory Office
Columbia University Libraries
www.copyright.columbia.edu
www.twitter.com/kcrews

Next Workshop:
Tuesday, December 4
“Libraries, Copyright, and the
World”

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Open Access and Your Publications: What's Copyright Got to Do with It?

  • 1. Open Access and Your Publications: What’s Copyright Got to Do With It? Presented by: ALA Editions Workshop October 24, 2012 Kenneth D. Crews Director, Copyright Advisory Office Columbia University Libraries www.copyright.columbia.edu
  • 2. Welcome to Open Access Week! http://www.openaccessweek.org/
  • 3. What is Open Access?  Peter Suber’s definition begins:  “Open-access (OA) literature is digital, online, free of charge, and free of most copyright and licensing restrictions.”  Focus Today: Unrestricted Access ◦ Restrictions from Law ◦ Restrictions from Agreement http://www.earlham.edu/~peters/fos/overview.ht m
  • 4. Why are We Here?  The subject is Scholarship  The construct is Copyright  Premise: Scholarly Works are Protected by Copyright ◦ Few Exceptions ◦ No Requirements of Registration or Notice  Scholarly Works Use Copyrights ◦ E.g., Embedded Works in Articles and Books
  • 5. From the Library Perspective  Copyright Establishes Control ◦ Legal Rights of Control ◦ Owner of those Rights ◦ Duration of the Rights (a loooong time!)  Control is Manifested in Licenses ◦ Acquisition of Databases ◦ Purchase of Audiovisual Works ◦ “Ownership” of E-Books
  • 6. From the Library Perspective  Copyright Directly Affects: ◦ Collection Development ◦ Library Services for Research & Teaching ◦ Library Services for Visually Impaired  Print Impaired  Aurally Impaired ◦ Preservation Initiatives ◦ Digital Library Development
  • 7. From the Author Perspective  Copyright Establishes Control  Copyright Gives You Choices ◦ Where and When to Publish ◦ Terms of any Publication Agreement ◦ Support for Library Services ◦ Support for User Access
  • 8. From the Author Perspective  Copyright Directly Affects: ◦ Ability of Readers to Find Your Work ◦ Citation Rate and Impact Factor ◦ Posting to Your Own Website ◦ Contribution to Your Digital Repository  E.g., Academic Commons at Columbia University ◦ Use in Teaching ◦ Building Your Research Agenda
  • 9. Instruments of Control  Assertion and Stewardship of Copyright ◦ Creative Commons  Assignments and Transfers  Publication Agreements  Acquisition Licenses
  • 10. Lifecycle of a Scholarly Work Publisher Funding © $ $ $ Author/Researcher Database $ $ Employer $ Library
  • 11. Lifecycle of a Scholarly Work Where is the Public? Publisher Funding © $ $ $ Author/Researcher Database $ $ Employer $ Library
  • 12. Control at Each Node  Funding Source  Employer  Publication  Author Requirements  Open Access  Publisher Mandate  Database  Terms of  Library Employment  Terms of Transfer or License  Terms of Acquisition
  • 13. Questions? Coming up Soon… More about Copyright Ownership Examples of Publication Agreements
  • 14. Copyright and Control  The Law Grants Rights ◦ Reproduction of the Work ◦ Distribution of Copies ◦ Making of Derivative Works ◦ Public Displays and Performances
  • 15. Copyright and Control  Transfers of Control: ◦ Nonexclusive Licenses  Do Not have to be in Writing  But writing is a Good Idea ◦ Exclusive Licenses & Transfers  Must be in Writing  Must be signed by Transferor
  • 16. The Author  General Rule: ◦ Author is the Initial Holder of the Copyright  Exceptions: ◦ Prior Arrangement with Funding Sources ◦ Transferred Copyrights ◦ Works Made for Hire
  • 17. The Employer  U.S. Government? ◦ Public Domain  Private Employer ◦ Likely “For Hire” ◦ Unless otherwise Agreed (Written & Signed!) ◦ (Whether corporation or person)  What about University or College…?
  • 18. Academic Employer  General Rule: Same Rules!  However, University Policies: ◦ Often place Copyright or Control with Authors ◦ Unless “Substantial Resources” ◦ Unless a “University Work”  Practical Effect: ◦ Faculty Authors Make the Decisions
  • 19. The Author’s Decisions  Choose the Journal  Accept the Offer of Publication  Read and Study the Agreement  Raise Questions  Ask for Changes – Negotiate!  Accept or Reject Final Offer  Keep Copies of all Agreements and Emails
  • 20. Publication Agreements  Author Concerns ◦ Publication ◦ Dissemination  Publisher ◦ Educational or Concerns instructional uses ◦ Research uses ◦ Publication and ◦ Personal use dissemination ◦ Future reuse ◦ Reuse ◦ Preservation ◦ Preservation ◦ Protection of rights ◦ Protection of rights ◦ Financial ◦ Special uses
  • 21. Publication Agreements  Copyright Assignment  Copyright License  Author’s Reserved Rights  Version of the Work for Author’s Use  Public Access Posting  Representations and Warranties  Reversion of Rights
  • 22. SPARC Author Addendum Retains Rights for Author:  To use the article in connection with the Author’s teaching, conferences, scholarship, an d more  Post and disseminate the article from a website  Pre-contract right to deposit with institution’s or funder’s repository
  • 23. Publication Agreements Watch out for Transfers:  The Author “hereby assigns [to Publisher] all rights under copyright that may exist in and to” the work. Be sure to Ask for:  Retention of rights for teaching, research, and more.
  • 24. Publication Agreements Another Transfer:  “Author hereby grants and assigns to [Publisher] the sole, transferable right to reproduce, publish, distribute, transmit , make available or otherwise communicate to the public, publicly perform, archive, store, lease or lend and sell the Contribution….”
  • 25. Publication Agreements Is a License Really Better?  “Authors grant to [Publisher] the exclusive license . . . to publish, reproduce, distribute, display and store the Contribution in all forms, formats and media whether now known or hereafter developed . . .”
  • 26. Publication Agreements Nonexclusive Licenses are Better:  “I hereby grant [to Publisher] a non- exclusive license to publish the above referenced manuscript . . . and any accompanying tables, illustrations, data and any other supplemental information intended for publication in all forms and all media . . . throughout the world . . .”
  • 27. Publication Agreements Most Hazardous: Work Made for Hire  “The Author acknowledges that the Work was specially commissioned by the Publisher and intended as an instructional text and agrees that the Work shall be considered a work- made-for-hire, with the Publisher deemed the sole owner thereof for copyright purposes.”
  • 28. Publication Agreements  Perhaps Most Important: ◦ Explicit Rights of Use ◦ Posting to Website and Repository ◦ Sharing with Colleagues ◦ Use in Teaching ◦ Creation of New Works and Publications ◦ Advancing Knowledge and Scholarship
  • 29. Why Care?  Integral to Scholarship  Copyright Decisions affect Quality  Copyright Decisions affect Access  Copyright Decisions affect Impact  Copyright and Your Future Work ◦ Expansion of Your Research Agenda ◦ Reuse of Works in Your Academic Career
  • 30. Keep All Options Open  Select Your Publisher with Care ◦ Director of Open Access Journal ◦ www.doaj.org  Review and Negotiate  Consider Creative Commons ◦ www.creativecommons.org  Add an Addendum  Keep a Copy of All Agreements!
  • 31. Action by the Community  Educate and Inform Colleagues  Develop Information Resources  Help Colleagues Understand Choices  Share Ideas and Strategies  Adopt Open Access Policies  Support Open Access Publishing  Implement Creative Commons
  • 32. Thank You! Kenneth D. Crews Copyright Advisory Office Columbia University Libraries www.copyright.columbia.edu www.twitter.com/kcrews Next Workshop: Tuesday, December 4 “Libraries, Copyright, and the World”