1. 9 Key Frame Analysis of ‘The Road’:

2. This frame is based on the institution:
Dimension Films, where the bold
Dimension Films logo is in front of dark
and misty smoke. The grey and dark
smoke denote that something is heavily
on fire, which indicates danger and
disaster as well as being dull and dismal
connoted by the colour grey. The opening
sequence is showing the audience a
connotation of what they might expect to
see further on, by incorporating smoke in
the background where the logo is placed
as well as indicating what genre the film
might be just in the first few moments of
the sequence.

3. In this frame, the dull and dismal
atmosphere created by the rain and
the colours association. The fact
that you see there is dead leaves
and dying plants connote death and
that death is involved in this film.
This also connotes to the audience
what sort of genre the film might
be.

4. In this frame, the dull and dismal
atmosphere created by the rain and
the colours association. The grey
and black setting connotes despair
and sadness, emphasized by the
rain, this is known as pathetic
fallacy. The darkness suggests evil
and death. The fact that in the
distance it is blurry and nothing cant
be seen, which is t connote no hope.

5. This frame consists of the main title. This is
another conformation to the conventions of
a normal title sequence where the main
production people such as who the film is
by is before the main title. Furthermore, the
mise en scene of this frame is
representative of the title to the extent that
there is a road shown, and the title name is
‘The Road’. However, it is not just a road,
what we see is as destroyed and deserted
road. This can shock the audience, as there
isn't any cars or any people on the road, it is
completely deserted. This also provokes an
enigma code as the audience do not know
what is the significance of the road and how
it links to the film, as it is the main title. The
mis en scene of everything being destroyed
connotes to the audience on what sort of
film its is going to be and what sort of
genre.

6. In this frame it ishows the sun
moving quickly across the sky
behind a house. A fast forwarding
effect is used to make the sun seem
to be going really fast, when the sun
doesn’t move and when to us its
does it doesn’t move that fast at all.
The sun connotes hope and
happiness (symbolic code) which is
ironic as in previous scenes all we
see is despair and sadness.
Therefore the sun connotes that
there is hope and there is ‘light at
the end of the tunnel’ emphasized
by the light from the sun projecting
from behind the clouds nearly
representing that.

7. In this frame it involves something
being on fire, the audience may
assume is trees as they are trees
nearby the fire. Previously we see
the effects of some sort of disaster,
now we see it another way being
fire which connotes danger and
death. In death meaning will relate
fire to hell which could connotes
that this fire is by evil doing.
Furthermore, this can connote to
the audience that there is a hell on
earth sort of film.

8. In this frame, it shows a road of cars,
with brown leaves. and in the distance
a dark tunnel. The cars on the road full
of brown leaves, they are not straight
and aligned or were and they were
moved by something. The fact that this
is shown, connotes to the audience
that something abnormal is going to
happen in this film or has already
happened. In this film. There seems to
be no people at all on the road and the
road looks deserted. There are many
leaves on the road which connote that
there has been hasn’t been any
movement on the road recently,
because there wouldn’t see so many
leaves if there was movement in the
road. Furthermore, the colour brown
has a symbolic code to death. As in the
autumn, the leaves die. This also
connotes to the audience what tome of
year the film is set in.n

9. In this frame, it overall outlines the genre of
the film as well as the possible setting and
location of the film. It shows the devastation
and destruction from a landscape view . While
before we there was enigma codes and
symbolic codes connoting the genre and the
type of film it is, this frame clearly
demonstrates this. First of all we see two ships
on land which at first sight we shock the
audience, as you do not expect to see ships far
inland. This provokes the audience to ask why
the ships are on land and how did they get
there. This is an enigma code. However the
questions the audience may ask are partially
answered by what you see further on from the
ships being seeing the damaged and destroyed
roads, houses and buildings, the audience are
automatically alerted, that something really bad
has happened to cause all this devastation
Then the audience we look further on and
realise the cause of all these problems which
looks several tornado’s. This then connotes to
the audience what sort of film its going to be.
As all films like this go by the similar theme of
weather being involved. Finally the distance
we see a city. This connotes to the audience
where the film could be possibly set.

10. This last frame outlines what could be
connoted as the aftermath of what of
what could have been some sort of
disaster. From the mise en scene it
looks like what this is a shot on a boat
or ship. On the deck. Before we see
more of longer shots establishing what
is going on in that frame but in this
one it is different and it shows the
audience a much more closer visual.
This could be done on purpose to
illustrate to the audience impact of
this supposed disaster (which was
suggested before hand in other
frames), on something, shown in
more detail than before. From what
we can see there is a lot of damage ,
from what has happened.
Furthermore, the fact that the see
looks calm further emphasizes it is an
aftermath.