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Graphics standard manual
Flama
May, 2019
Hello,
welcome to Flama’s brand guide
Our brand lives in the mind of our team, volunteers, partners, investors and
community. Everything we say and even more importantly everything we do
creates a mental image of our brand that shapes their impression of us.
Building a strong brand requires clarity and focus, so it’s important that we are
always consistent in how we act, and communicate visually and verbally day to
day. Every little behaviour and detail counts.
Professional, distinctive, clear and consistent interactions and communications
is the way for us to stand out.
Our brand guidelines are here to help. Read them and use them every day.
Index 1. The Logo
1.1 Logo introduction
1.2 Logo exclusion zones
1.3 Incorrect uses
2.1 Brand colours
2.2 Using our palette on Greys and white
2.3 Using our palette
3.1 Typefaces
1
2
3, 4
5, 6
7, 8
9, 10
11, 12
2. Colour
what colour to use and how to use them
3. Typography
The following pages of the Flama Graphics
Standards Manual, listed in sequential order,
are officially in effect as of May 9, 2019
4.1 Intro to marks
5.1 Stationary
5.2 Merch
4. Iconography and marks
5. Application
2019
13, 14
15 - 18
18 - 29
The FLAMA Logotype
Our logo is where it all begins, It’s
the seed of our visual identity. It
provides our typographic style and
it’s blunt
The Logotype should be coloured using the brand pallette
only
All elements within the icon have to be present at all times.
(Eye, mouth, hair, body)
The Icon
1.1 The Logo
The Logo type
1
Our logo is important... so don’t cramp it’s style,
let it have the space it needs and deserves
Our logo is important, it should be given space, allowed to
be noticed. The best way to do this is to use the following
guide to ensure that nothing encroached too close to the
logo.
This simple system is totally scalable, and is based upon
measurments from the logo itself, so wether you are placing
the logo at the footer of a newspaper or acrosvs the side of
a bus, you can ensure it has the space it deserves.
1.2 Exclusion Zones
2
1.3 Incorrect uses
1
4 5 6
2 3
1.The logo should never be only one element. Exception: Eye and mouth
together
2.The logo should never be displayed without the body
3.The logo should never be shown as outlines letterforms
4.The logo should never be used with colours that are not in a our pallete
5.The logo should never be deformed
6.The logo should never be used diagonally
3
1.3 Incorrect uses
4
5
2.1 Our Brand Colours
C61 M74 Y0 K0
C26 M20 Y20 K0
C6 M18 Y99 K0 C0 M83 Y74 K0 C75 M0 Y51 K0
R125 G92 B223
R200 G198 B199
R241 G202 B25 R240 G83 B73 R19 G184 B155
Pantone 2597 U
Pantone 13-4104 TCX
Pantone 7405 CP Pantone 3556 U Pantone Mint Leaf 15-5728 TPG
These colours are never to be used as tints or shades. Only use
the colours shown in the exact mixes. (Pantone, CYMK or RGB)
depending on your medium.
We have adopted a strict colour palette
which is restricted to the colours below. This
gives the brand a very unique and energetic
look to be distinguished instantly.
6
F
F
F
F
F
F
F
F
F
F
F
2.2 Over Black and Grey
Way to use the colour palette when working over dark grey
tones or white.
7
8
2.3 Using our pallete
Our colour palette can be used in many colour combinations. As a general rule, at least two of
the brighter colours should be used with one or more of the darker colours.
Try to avoid using too many dark colours together as the brand needs to be bright and fun.
9
10
Aa Ff
Kk
Bb
Gg LlHh MmIiJj
Cc DdEe
3.Typography
11
Park Lane Bold
Park Lane Bold
Park Lane light
Dagny Pro Black
Dagny ProPark Lane
Dagny Pro Black
Dagny Pro Black
Dagny Pro Bold
We use only two typefacs to create all the
Flama collateral, be sure to use and only use
these typefaces
Dagny Pro Bold Italic
AaBbCcDdEeFfGg
HhIiJjKkLlMmNnOoP-
pQqRrSsTtUuVvWwXxYyZz
0123456789(%$&*:;-)
AaBbCcDdEeFfGg
HhIiJjKkLlMmNnOoPpQqRrSsTtUu-
VvWwXxYyZz
0123456789(%$&*:;-)
Serif Type, strong and provides movement to the logo Sans Serif Type, strong and bold
3.1 Typefaces
12
4.1 Marks
13
Spontaneous fresh marks give Flama’s identity some fun, energy and movement.
These shall be used and applied in specific merchandising and presentations.
14
4. Application 4.1 Stationary
A4 Letter
Flama headquarter letterhead and envelope
Flama letterhead and envelopes are standard sizes.
Letterhead: A4, envelope: 162 x 229 mm
15
4.1 Stationary
Envelope front Envelope back
16
4.1 Stationary
Buisness Cards
17
18
4.2 Merch
A1 Urban posters
19
4.2 Merch
Tote Bag
20
Paper Bag
21
4.2 Merch
Pins
22
T-Shirt
23
Manual De Marca

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Manual De Marca

  • 3. welcome to Flama’s brand guide Our brand lives in the mind of our team, volunteers, partners, investors and community. Everything we say and even more importantly everything we do creates a mental image of our brand that shapes their impression of us. Building a strong brand requires clarity and focus, so it’s important that we are always consistent in how we act, and communicate visually and verbally day to day. Every little behaviour and detail counts. Professional, distinctive, clear and consistent interactions and communications is the way for us to stand out. Our brand guidelines are here to help. Read them and use them every day.
  • 4. Index 1. The Logo 1.1 Logo introduction 1.2 Logo exclusion zones 1.3 Incorrect uses 2.1 Brand colours 2.2 Using our palette on Greys and white 2.3 Using our palette 3.1 Typefaces 1 2 3, 4 5, 6 7, 8 9, 10 11, 12 2. Colour what colour to use and how to use them 3. Typography The following pages of the Flama Graphics Standards Manual, listed in sequential order, are officially in effect as of May 9, 2019
  • 5. 4.1 Intro to marks 5.1 Stationary 5.2 Merch 4. Iconography and marks 5. Application 2019 13, 14 15 - 18 18 - 29
  • 6. The FLAMA Logotype Our logo is where it all begins, It’s the seed of our visual identity. It provides our typographic style and it’s blunt The Logotype should be coloured using the brand pallette only All elements within the icon have to be present at all times. (Eye, mouth, hair, body) The Icon 1.1 The Logo The Logo type 1
  • 7. Our logo is important... so don’t cramp it’s style, let it have the space it needs and deserves Our logo is important, it should be given space, allowed to be noticed. The best way to do this is to use the following guide to ensure that nothing encroached too close to the logo. This simple system is totally scalable, and is based upon measurments from the logo itself, so wether you are placing the logo at the footer of a newspaper or acrosvs the side of a bus, you can ensure it has the space it deserves. 1.2 Exclusion Zones 2
  • 8. 1.3 Incorrect uses 1 4 5 6 2 3 1.The logo should never be only one element. Exception: Eye and mouth together 2.The logo should never be displayed without the body 3.The logo should never be shown as outlines letterforms 4.The logo should never be used with colours that are not in a our pallete 5.The logo should never be deformed 6.The logo should never be used diagonally 3
  • 10. 5
  • 11. 2.1 Our Brand Colours C61 M74 Y0 K0 C26 M20 Y20 K0 C6 M18 Y99 K0 C0 M83 Y74 K0 C75 M0 Y51 K0 R125 G92 B223 R200 G198 B199 R241 G202 B25 R240 G83 B73 R19 G184 B155 Pantone 2597 U Pantone 13-4104 TCX Pantone 7405 CP Pantone 3556 U Pantone Mint Leaf 15-5728 TPG These colours are never to be used as tints or shades. Only use the colours shown in the exact mixes. (Pantone, CYMK or RGB) depending on your medium. We have adopted a strict colour palette which is restricted to the colours below. This gives the brand a very unique and energetic look to be distinguished instantly. 6
  • 12. F F F F F F F F F F F 2.2 Over Black and Grey Way to use the colour palette when working over dark grey tones or white. 7
  • 13. 8
  • 14. 2.3 Using our pallete Our colour palette can be used in many colour combinations. As a general rule, at least two of the brighter colours should be used with one or more of the darker colours. Try to avoid using too many dark colours together as the brand needs to be bright and fun. 9
  • 15. 10
  • 16. Aa Ff Kk Bb Gg LlHh MmIiJj Cc DdEe 3.Typography 11
  • 17. Park Lane Bold Park Lane Bold Park Lane light Dagny Pro Black Dagny ProPark Lane Dagny Pro Black Dagny Pro Black Dagny Pro Bold We use only two typefacs to create all the Flama collateral, be sure to use and only use these typefaces Dagny Pro Bold Italic AaBbCcDdEeFfGg HhIiJjKkLlMmNnOoP- pQqRrSsTtUuVvWwXxYyZz 0123456789(%$&*:;-) AaBbCcDdEeFfGg HhIiJjKkLlMmNnOoPpQqRrSsTtUu- VvWwXxYyZz 0123456789(%$&*:;-) Serif Type, strong and provides movement to the logo Sans Serif Type, strong and bold 3.1 Typefaces 12
  • 19. Spontaneous fresh marks give Flama’s identity some fun, energy and movement. These shall be used and applied in specific merchandising and presentations. 14
  • 20. 4. Application 4.1 Stationary A4 Letter Flama headquarter letterhead and envelope Flama letterhead and envelopes are standard sizes. Letterhead: A4, envelope: 162 x 229 mm 15
  • 21. 4.1 Stationary Envelope front Envelope back 16
  • 23. 18
  • 24. 4.2 Merch A1 Urban posters 19
  • 25.