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202202 FAMOUS
CONTEMPORARY ARTISTS
FAMOUS
CONTEMPORARY ARTISTS
AMANDA VAN GILSLives and works in Melbourne, Australia
w w w.amandavangils.com
JUDY N. BIRDLives and works in Los Altos Hills, CA, USA
w w w.judybirdfinear t.com
With a love of texture and mixed media Judy is concentrating her creative
energy towards abstraction. Finding a balance of sculptural grace and
maintaining a fresh touch of spontaneity is becoming evident within this
internationally recognized artist’s personal approach to her artwork.
A rich experience for viewer and artist is noticed as she creates powerful
abstract paintings that entice you to wonder gently through her compositions
a peaceful journey with abstraction as the visual vehicle. Judy is earning her
M.F.A. in Abstract painting at the Art Academy in San Francisco.
ð SUNSET AT SKYLINE, 2005 MIXED MEDIA ON CANVAS 48X60 IN./ 122X152 CM.
Australian artist Amanda van Gils draws her work from her continued interest
in the landscape as a metaphor for the ongoing nature of human experience.
Her recent paintings represent an altered state of consciousness, located
somewhere between fiction and reality.
The evolution of van Gils’ artistic concerns is evident in the artists’ progression
to the gradual depiction, rather than inference, of the figure in her works. In
earlier works the humanless landscapes captured seemed hauntingly empty,
however remnants of memories, people or occasions appeared to linger. In
these works van Gils, revealed her interest in the individual interpretation of
the external world and the relationship between people and place. Through
the absence of prescribed meaning, even the most desolate of locations
may hark personal memory or association. The gradual introduction of the
figure into her compositions further exposed her interest in the psychological
connection between people and place; the depiction of the road referred to
the everyday journeys of an individual, making apparent traces of human life
in even the most desolate of regions. Over time the figure has evolved into a
more significant characteristic of her work. Increasingly apparent too is the
depiction of the atmospheric transition from night to day. In works such as
‘At the close of day’ (2004) figures traverse through the sky in surrealistic
fantasy. Capturing the moment where an individual is suspended between
dream and reality, the images reflect a sense of disillusion. As hypnotic as they
are beautiful, the paintings are meticulously rendered and highly technically
achieved, proficiently describing the artists’ intentions while also allowing
for individual interpretation. In more recent work, such as “The biggest jump,
ever!’ the work shifts into the realm of fun and play; while the brooding
romantic sensibility is still apparent this is often overridden by a pure sense of
fun. Recalling childhood, the images in van Gils’ more recent paintings hover
on the threshold of reality and imagination where anything is possible.
As with the earlier work, van Gils continues to depict figures engaged in
activities outside of their expected setting, causing the viewer to question
relatively ordinary occurrences. The figures occupy indistinct space and time,
and while the imagery is recognisably ‘real’ the figures are somehow dislocated
from reality as if interpreted through the prism of childish imagination.
Van Gils works within the longstanding tradition of Australian landscape
painting, it might be suggested that her work brings a new energy to the artistic
study of the Australian landscape and its association to its inhabitants.
PRIZE OF EXCELLENCE. REAL-TIME ONLINE GLOBAL ART ANNUAL 30.06.05 - 30.06.06 ARTOTEQUE.COM ( LONDON ) PRIZE OF EXCELLENCE. REAL-TIME ONLINE GLOBAL ART ANNUAL 30.06.05 - 30.06.06 ARTOTEQUE.COM ( LONDON )
AT THE CLOSE OF DAY, 2004 OIL ON LINEN 30X24 IN. /76X61CM. î
SOMERSAULT, 2005 OIL ON LINEN 91⁄2X71⁄2 IN. / 24X19 CM. î
THE BIGGEST JUMP, EVER!, 2005 OIL ON LINEN 50X401⁄2 IN. /127X102 CM. î
BELLY FLOP, 2005 OIL ON LINEN 91⁄2X71⁄2 IN. /24X19 CM. î
ð RECITAL, 2005 ACRYLIC ON CANVAS 16X20 IN. / 40X50 CM.

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  • 1. 202202 FAMOUS CONTEMPORARY ARTISTS FAMOUS CONTEMPORARY ARTISTS AMANDA VAN GILSLives and works in Melbourne, Australia w w w.amandavangils.com JUDY N. BIRDLives and works in Los Altos Hills, CA, USA w w w.judybirdfinear t.com With a love of texture and mixed media Judy is concentrating her creative energy towards abstraction. Finding a balance of sculptural grace and maintaining a fresh touch of spontaneity is becoming evident within this internationally recognized artist’s personal approach to her artwork. A rich experience for viewer and artist is noticed as she creates powerful abstract paintings that entice you to wonder gently through her compositions a peaceful journey with abstraction as the visual vehicle. Judy is earning her M.F.A. in Abstract painting at the Art Academy in San Francisco. ð SUNSET AT SKYLINE, 2005 MIXED MEDIA ON CANVAS 48X60 IN./ 122X152 CM. Australian artist Amanda van Gils draws her work from her continued interest in the landscape as a metaphor for the ongoing nature of human experience. Her recent paintings represent an altered state of consciousness, located somewhere between fiction and reality. The evolution of van Gils’ artistic concerns is evident in the artists’ progression to the gradual depiction, rather than inference, of the figure in her works. In earlier works the humanless landscapes captured seemed hauntingly empty, however remnants of memories, people or occasions appeared to linger. In these works van Gils, revealed her interest in the individual interpretation of the external world and the relationship between people and place. Through the absence of prescribed meaning, even the most desolate of locations may hark personal memory or association. The gradual introduction of the figure into her compositions further exposed her interest in the psychological connection between people and place; the depiction of the road referred to the everyday journeys of an individual, making apparent traces of human life in even the most desolate of regions. Over time the figure has evolved into a more significant characteristic of her work. Increasingly apparent too is the depiction of the atmospheric transition from night to day. In works such as ‘At the close of day’ (2004) figures traverse through the sky in surrealistic fantasy. Capturing the moment where an individual is suspended between dream and reality, the images reflect a sense of disillusion. As hypnotic as they are beautiful, the paintings are meticulously rendered and highly technically achieved, proficiently describing the artists’ intentions while also allowing for individual interpretation. In more recent work, such as “The biggest jump, ever!’ the work shifts into the realm of fun and play; while the brooding romantic sensibility is still apparent this is often overridden by a pure sense of fun. Recalling childhood, the images in van Gils’ more recent paintings hover on the threshold of reality and imagination where anything is possible. As with the earlier work, van Gils continues to depict figures engaged in activities outside of their expected setting, causing the viewer to question relatively ordinary occurrences. The figures occupy indistinct space and time, and while the imagery is recognisably ‘real’ the figures are somehow dislocated from reality as if interpreted through the prism of childish imagination. Van Gils works within the longstanding tradition of Australian landscape painting, it might be suggested that her work brings a new energy to the artistic study of the Australian landscape and its association to its inhabitants. PRIZE OF EXCELLENCE. REAL-TIME ONLINE GLOBAL ART ANNUAL 30.06.05 - 30.06.06 ARTOTEQUE.COM ( LONDON ) PRIZE OF EXCELLENCE. REAL-TIME ONLINE GLOBAL ART ANNUAL 30.06.05 - 30.06.06 ARTOTEQUE.COM ( LONDON ) AT THE CLOSE OF DAY, 2004 OIL ON LINEN 30X24 IN. /76X61CM. î SOMERSAULT, 2005 OIL ON LINEN 91⁄2X71⁄2 IN. / 24X19 CM. î THE BIGGEST JUMP, EVER!, 2005 OIL ON LINEN 50X401⁄2 IN. /127X102 CM. î BELLY FLOP, 2005 OIL ON LINEN 91⁄2X71⁄2 IN. /24X19 CM. î ð RECITAL, 2005 ACRYLIC ON CANVAS 16X20 IN. / 40X50 CM.