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In Today’s Session...
   • Looking at creating conflict
   • Writing your script’s logline
Creating Conflict
• Most movies, TV shows, plays, and comics are
  ultimately about the same thing:
  – The journey a protagonist goes on to get what he or
    she wants.
• Whatever their goal, his or her journey is never
  easy, and your character will encounter many
  setbacks along the way.
• Though they’re no fun for your protagonist, these
  obstacles are what make your story exciting to
  read.
Creating Conflict
Imagine a story about a guy named Gavin who
  wants to take Kim to the prom more than
  anything in the world. How boring (and short)
  would the story be if Gavin just went ahead and
  called Kim up, asked her to the prom, and got the
  answer he was hoping for?
What if Gavin is the shy nerdy type and has a
  serious fear of talking to girls, and he has to
  convince Kim that she should go with him instead
  of Chet, her current date and the captain of the
  football team?
This story has both external conflict and internal
  conflict.
External and Internal Conflicts
The external conflict is the one between a
protagonist and antagonist.
•In the story who is protagonist and who is the
antagonist?
The internal conflicts are the fears and
insecurities that a protagonist has to overcome
in order to get what he or she wants.
•What fear does our protagonist have to
overcome?
Creating Conflict
• If you have completed your character
  questionnaires, you already know a good amount
  about the major players in your novel.
• Now it is time to answer some deeper questions
  about your characters’ hopes and fears in order
  to create the conflicts that will make your script
  interesting.
• Pg15-17 or Students Shared Area/Learning
  Resource Centre/Creative Writing/Script
  Frenzy/Session 3/Creating Conflict
Bonus Challenge
• Now that you know the basic story of your
  script, we challenge you to write your logline.
• Loglines need to be short and catchy and
  encompass the conflicts of your script.
• Pg 17
Be Ready for Next Week...
• We will looking at outlining
  your script.
• You need to have all your
  character questionnaires and
  conflicts completed!

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Bootcamp 3: Creating Conflict

  • 1.
  • 2. In Today’s Session... • Looking at creating conflict • Writing your script’s logline
  • 3. Creating Conflict • Most movies, TV shows, plays, and comics are ultimately about the same thing: – The journey a protagonist goes on to get what he or she wants. • Whatever their goal, his or her journey is never easy, and your character will encounter many setbacks along the way. • Though they’re no fun for your protagonist, these obstacles are what make your story exciting to read.
  • 4. Creating Conflict Imagine a story about a guy named Gavin who wants to take Kim to the prom more than anything in the world. How boring (and short) would the story be if Gavin just went ahead and called Kim up, asked her to the prom, and got the answer he was hoping for? What if Gavin is the shy nerdy type and has a serious fear of talking to girls, and he has to convince Kim that she should go with him instead of Chet, her current date and the captain of the football team? This story has both external conflict and internal conflict.
  • 5. External and Internal Conflicts The external conflict is the one between a protagonist and antagonist. •In the story who is protagonist and who is the antagonist? The internal conflicts are the fears and insecurities that a protagonist has to overcome in order to get what he or she wants. •What fear does our protagonist have to overcome?
  • 6. Creating Conflict • If you have completed your character questionnaires, you already know a good amount about the major players in your novel. • Now it is time to answer some deeper questions about your characters’ hopes and fears in order to create the conflicts that will make your script interesting. • Pg15-17 or Students Shared Area/Learning Resource Centre/Creative Writing/Script Frenzy/Session 3/Creating Conflict
  • 7. Bonus Challenge • Now that you know the basic story of your script, we challenge you to write your logline. • Loglines need to be short and catchy and encompass the conflicts of your script. • Pg 17
  • 8. Be Ready for Next Week... • We will looking at outlining your script. • You need to have all your character questionnaires and conflicts completed!