We, Brandhomies had an awesome time at the eurobest festival. We went from workshop to lecture to interactive installation like kids in a candy store. A lot of it was familiar, but there were also a lot of new insights to draw our attention. We made the following slideshow full of insights from intriguing lectures that opened our minds. See what we took home from eurobest 2015 and find out who our favorites were!
31. HOW TO WRITE A BOOK
IN ONE HOUR?
100 ATTENDEES, INCLUDING US, HAD TO ANSWER 6 QUESTIONS
ONE FOR EACH CHAPTER. THESE QUESTIONS WERE BASED ON FOLLOWING IDEAS:
YOU CAN READ THE BOOK HERE
32. KEN ROBINSON:
“IF YOU'RE NOT PREPARED TO BE
WRONG, YOU'LL NEVER COME UP
WITH ANYTHING ORIGINAL”
RESPONSES TO THE IDEA OF
33. ED CATMULL:
“WE MUST NOT BE AFRAID OF
CONSTANT UNCERTAINTY…
THE UNPREDICTABLE IS THE GROUND
ON WHICH CREATIVITY OCCURS”
RESPONSES TO THE IDEA OF
34. TWYLA THARP:
“NO ONE STARTS A CREATIVE
ENDEAVOUR WITHOUT A CERTAIN
AMOUNT OF FEAR”
RESPONSES TO THE IDEA OF
35. STEVE JOBS:
“CREATIVITY IS JUST CONNECTING THINGS...
THE BROADER ONE'S UNDERSTANDING OF
THE HUMAN EXPERIENCE THE BETTER DESIGN
WE WILL HAVE.”
RESPONSES TO THE IDEA OF
76. ELISE DEMUYNCK
JEF BOES
JEF BOES APPROACHES REPORTAGE PHOTOGRAPHY IN A
VERY IDEA CENTRIC WAY. IT’S A LEFT-OVER FROM HIS TIME
AS ART DIRECTOR IN ADVERTISING. I LOVE THE WAY HIS
WORK GETS AN EXTRA LAYER OF MEANING THIS WAY.
TRICOLORE BART DE WEVER: A TRICOLOR (ACCIDENTAL)
SETTING WHERE THE POLITICIAN IS RIGHT IN THE MIDDLE.
77. ELISE DEMUYNCK
JEF BOES
LA RUE C’EST LA VIE: HE WASN’T ALLOWED TO SHOW THE
BOYS’ LITTLE… WILLY. BUT ON THE WALL WE CAN SEE A BOY
DRAWN FULL NUDE.
78. DURING THIS KEYNOTE, JAMES KIRKHAM AND JONATHAN
FRASER POINTED OUT HOW WE TEND TO THINK IN
TRADITIONAL ADVERTISING FORMATS. THE VOCABULARY WE
ARE USING IN THE SECTOR FORCES US TO THINK TRADIONAL.
THINGS LIKE ‘HOW WILL THE TV WORK IN OTHER CHANNELS’
CREATE A FRAMEWORK THAT RESTRICTS OUR THINKING.
RATHER WE SHOULD LOOK FOR WHAT WE WANT PEOPLE TO
TRULY BELIEVE, INSTEAD OF “WHAT IS THE ONE THING WE
WANT PEOPLE TO KNOW”. THINKING IN A DIFFERENT WAY
CAN LEAD TO IDEAS THAT GO BEYOND TRADITIONAL
CHANNELS, MESSAGES AND AUDIENCE INTERACTION.
JEF PELKMANS
HOW NOT TO ADVERTISE
79. GREAT CRAFT BEATS NOVELTY ANYTIME.
NEW IS NOT NECESSARILY GOOD. TECHNOLOGY CAN NEVER
BE THE IDEA. GREAT ADVERTISING IS ABOUT GREAT CRAFT.
THE KEY IS TO USE THAT CRAFTS FOCUS IT AROUND NEW
TECHNOLOGIES. NOT THE OTHER WAY AROUND.
ROB NEWLAN - DIRECTOR, CREATIVE SHOP EMEA
FACEBOOK & INSTAGRAM
SÉBASTIEN GERNAY
ANTISOCIAL BEHAVIOUR
80. IN TODAY’S RACE TO RENEWAL THERE’S A LOT OF USELESS
THINGS BEING PRODUCED. BUT INSTEAD OF IGNORING
THOSE USELESS THINGS, WE HAVE TO TAKE A BETTER LOOK
AT THEM. WE CAN LEARN FROM THE USELESS. A LOT OF
GREAT INNOVATIONS STARTED WITH USELESS THINGS.
SOMETIMES WE JUST HAVE TO REPLACE OR REMOVE A TINY
FACTOR OR THE PURPOSE TO MAKE IT GREAT.
WE NEED THE USELESS TO DEFINE WHAT IS VALUABLE.
ROGIER VIJVERBERG – FOUNDER &EXECUTIVE CREATIVE
DIRECTOR AT SUPERHEROES
ANGIE BOELE
SUPERHEROES: USELESS IS AWESOME
81. ASTRID GOOSSENS
BALKAN PROMISES: ADVERTISING AND POLITICS
DRAKALSKI GAVE A SHORT BUT INTERESTING INSIGHT INTO
BALKAN POLITICS AND ADVERTISING. WITH HIS SENSE OF
HUMOUR AND THE WAY IT WAS PRESENTED, HE REALLY
(ALMOST PHYSICALLY) TOOK YOU INTO THE
COMMUNICATION CAMPAIGNS MAID BY NEW MOMENTS.
ALL OF THESE CAMPAIGNS WEREN’T JUST ABOUT ‘SELLING’,
HE STATED. HE TOOK A SOCIAL RESPONSIBILITY UPON HIM,
LIKE EVERY ADVERTISER SHOULD. THIS SOCIAL
RESPONSIBILITY RESULTED INTO BRILLIANT CAMPAIGNS
LIKE THE ‘HELP BUTTON’ FOR HUMAN TRAFFICKING, THE
‘RED TELEPHONE’ TO CLAIM FREEDOM OF PRESS, AND
MANY MORE. A BRILLIANT INTRODUCTION TO BALKAN AND
DRAKALSKI’S IDEA OF ADVERTISING
DUŠAN DRAKALSKI – CREATIVE DIRECTOR OF NEW
MOMENTS NEW IDEAS COMPANY