Sculpture medieval art renaissance modern
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Sculpture medieval art renaissance modern
- 11. Medieval art
- 12. • Usually called the dark ages but it’s not really as dark as you might think. • Timeline: 500-1100 CE • Most art were of religious sense • Medieval, meaning the period in between two different golden ages
- 14. The Lindisfarne Gospels Illustrated between 698- 721 in Christianized Great Britian, is a volume of many vellum (parchment) pages.
- 15. Book of Kells
- 17. Tapestry
- 18. The Unicorn in Captivity, 1495– 1505 South Netherlandish
- 19. Stained glass
- 21. architecture
- 22. Early Romanesque Churches • Were fortified for safety. They were small and dark with thick walls and tiny windows.
- 23. Early Medieval Castles • Were heavily fortified with thick walls and moats • Were not at all romantic or comfortable to live in
- 24. Styles began to change in the 12th Century • Abbot Suger designed the church of St. Denis outside of Paris • Notice the round arches, the rose window, the three large doors
- 26. Chartres Cathedral • New Gothic Cathedrals soared higher and higher due to the use of flying buttresses
- 27. Inside Gothic Cathedrals were held up by ribbed vaulting
- 28. Gothic Sculpture • Was usually part of a church
- 29. Hagia Sophia “Holy Wisdom” Mystical atmosphere • Nearly 3 football fields long • Pendentives- four arches formed a square • Forty arched windows encircle the base of the dome to give illusion of halo
- 30. Romanesque Cathedral • 1050-1200 • Horizontal Emphasis • Stone roof with rounded arches • Thick piers and walls support roof • Smaller windows- dark and solemn
- 32. Gothic Cathedral • 1200-1500 • Vertical Emphasis- reaches to heaven • Stone roof with pointed arches and ribbed vault • Thin walls and piers supported by Flying Buttresses • Large stain glass windows- airy and “Holy Light”
- 36. Medieval Paintings • Were all religious in subject matter– many were book illustrations or altarpieces • Were expressionless, flat and almost cartoon- like • Showed no background or perspective • Were usually frescoes (tempera paint on wet plaster) although some were painted on wood
- 39. In the Late Middle Ages, some attempts at perspective were made and some artists even began to sign their works • Fra Angelico’s The Annunciation
- 40. Cathedrals entered the Flamboyant Gothic Stage
- 41. Facades and Interiors became more ornate
- 42. Castles were still fortified but also became more decorative
- 43. Literature • Secular Poetry • Often sung or recited – Epics (stories w/ a hero based on history) • Song of Roland – Romances – tales of chivalry (knight’s code of honor) – True love • Performed by troubadors
- 44. Secular Literature with religious themes – In the vernacular: the language of the people (not Latin) – Canterbury Tales by • Geoffrey Chaucer – The Divine Comedy • Dante Alighieri The Canterbury Tales: The Wife of Bath
- 45. Dante’s Inferno
- 46. Renaissance Art A comparison with Medieval Art
- 48. The artwork . . . • Focused on religious subjects • Lacked perspective-- paintings appear flat. • There is little use of light and shadow. • The artwork is not natural. Figures appear "placed" in the picture. Large = important
- 50. The artwork . . . . • Children are painted to resemble small adults. • Colors are more subdued than in later periods. • In the earlier paintings there is heavy use of gold. • Religious symbols used--haloes, Biblical figures, saints, etc.
- 52. During the RenaissanceDuring the Renaissance
- 53. The artwork… • There is use of perspective, light and shadow, proportion,
- 55. The artwork… • Figures--drawn from nature and based on observation of real world (objective). • Colors are rich, warm, and glowing.
- 56. Continued… • Anatomically correct physiology, and emotion. • Use of classical topics/stories depicted in paintings – story of Judith and Holofernes
- 57. More . . . • Artists became known for individual style and imagination. • This is a DaVinci— • note the similarity in the mouth in this work to the another famous picture by DaVinci Ginevra de' Benci
- 59. …The Mona Lisa
- 60. Characteristics ofCharacteristics of Renaissance ArtRenaissance Art
- 61. Realism & ExpressionRealism & Expression Expulsion from the GardenExpulsion from the Garden MasaccioMasaccio 14271427 First nudes since classicalFirst nudes since classical times.times.
- 62. 2. Perspective2. Perspective First use ofFirst use of linearlinear perspective!perspective! The TrinityThe Trinity MasaccioMasaccio 14271427
- 63. 3. Classicism3. Classicism Secularism. Humanism. Individualism free standing figures. Symmetry/Balance TheThe “Classical Pose”“Classical Pose” Medici “Venus”Medici “Venus”
- 64. 4. Emphasis on4. Emphasis on IndividualismIndividualism Batista Sforza & Federico de Montefeltre: The Duke & Dutchess of Urbino Piero della Francesca, 1465-1466.
- 66. 5. Geometrical Arrangement of5. Geometrical Arrangement of FiguresFigures The Dreyfus Madonna with the Pomegranate Leonardo da Vinci 1469 The figure as architecture!
- 68. Early RenaissanceEarly Renaissance The First Three Hall-of-Famers
- 69. Masaccio 1401-1428 • Founder of early Renaissance Painting • Painted human figure as a real human being (3D) • Used perspective • Consistent source of light (accurate shadows)
- 73. #2 Donatello 1386-1466 • The sculptor’s Masaccio • David (1430-32) – First free standing, life- size nude since Classical period – Contrapposto – Sense of Underlying skeletal structure
- 74. The Penitent Magdalen ~Donatello “Speak, speak or the plague take you!”
- 75. #3 Boticelli • 1482 • Rebirth of Classical mythology • Fully Pagan • THE BIRTH OF VENUS
- 77. The Italian Renaissance • Leonardo • Michelangelo • Raphael
- 78. Da Vinci Mona Lisa (1503-06) Perspective, Anatomy, Composition
- 79. Cultural icon
- 81. Michelangelo DavidDavid Michelangelo BuonarottiMichelangelo Buonarotti 15041504 MarbleMarble
- 82. (counterpoise) To model the human form in a non- symmetrical, relaxed stance that appears realistic Contrapposto
- 83. Compare:
- 84. Humanism (even within Biblical stories): Love of the Human Form David (1501-1504) Michelangelo
- 86. Raphael School of Athens 1510
- 88. AristotleAristotle:: looks to thislooks to this earth [theearth [the here andhere and now].now]. PlatoPlato:: looks tolooks to thethe heavensheavens [or[or the IDEALthe IDEAL realm].realm].
- 90. Pythagoras
- 92. Raphael painted natural looking settings… …of people who looked real. His paintings were full of motion, gestures, and animation.
- 95. Modern Art Rejecting the past Expressionism Fauvism Cubism Dada Surrealism Abstract Art Pop Art Minimalism
- 96. Early Expressionism • Style that portrayed emotions through distorting form and color • Edvard Munch – Mental illness, depression – Said he would never want to cast off his illness – Aimed to induce strong reactions in his viewers
- 97. Munch Vampire
- 98. The Scream
- 99. Puberty
- 100. Fauvism • 1904-1908 • Explosion of color, exaggerated and vibrant • Disregard for true/actual color • “as if gremlins seized the color knob on the tv” • Influenced by non-European tribal art of the colonies • Leader: Matisse
- 102. Matisse Blue Nude
- 103. Derain Purple Bridge
- 104. Cubism • Break down of objects into a multitude of geometric shapes • Life through a fly’s eye
- 105. Braque Fishing Boats
- 107. Picasso Italian Girl
- 108. Pablo Picasso
- 109. Pablo Picasso 1881-1973 • His mother said, “If you become a soldier, you’ll be a general. If you become a monk, you’ll end up as the Pope.” He said, “I became a painter and wound up as Picasso.” • Painted around 50,000 pieces • Notorious for relationships with women • Children from many women
- 110. Analytical Cubism
- 111. Blue Period
- 112. Synthetic Cubism
- 113. Early Works
- 114. Late Works
- 115. Analytical Cubism
- 116. Rose Period
- 117. Late Works
- 118. Blue Period
- 119. Synthetic Cubism
- 120. Expressionism 1905-1930 • Art should express the artist’s feelings rather than images of the real world • Distorted, exaggerated forms and color • Began with van Gogh, Gauguin, Munch • Dark colors and woodcuts relay sadness of war
- 123. Abstract Art • Began with Kandinsky in 1919 • Post WWII to 80’s • Abandon any reference to recognizable reality • No subject • Color can convey emotion even without content • Founder: Kandinsky
- 125. Black Spot I
- 126. Mondrian Composition A: Composition with Black, Red, Gray, Yellow, and Blue Used only primary colors and non- colors
- 127. Dada Art • 1916-1923 • Got its name from nonsense – French for hobby horse • Protested the madness of war • Founded by WWI refugees • Strategy was to denounce and shock
- 128. Duchamp Fountain
- 130. Surrealism • 1920’s and 1930’s • Implies going beyond realism • Painted the bizarre and irrational to express truths • Defy common sense • Looks like a dream-world
- 131. Joan Miro 1893-1983 • Invented unique biomorphic images • Geometric shapes and amoeba-like blobs • Colorful, playful • “Cartoon from another planet”
- 132. The Policeman
- 133. Dutch Interior I
- 135. Salvador Dali 1904-1989 • Exploited his own personality quirks • Fears: bugs, crossing streets, trains, boats, airplanes, Metro, buying shoes in public • Actual objects but distorted • Had the canvas next to his bed and woke to paint dreamscapes • Disliked by some because of his fascination with Hitler • Pulled publicity stunts – Gave speech with foot in pail of milk – Press conference with lobster on his head – Wore a diving suit and lectured but no one could hear him and he started to asphyxiate himself
- 137. The Persistence of Memory
- 138. Crucifixion
- 143. Rene Magritte 1898-1967 Le siècle des lumières The Century of Lights
- 145. Abstract Expressionism • Also called action painting • 40’s-50’s • Came out of the jazz era’s lack of form • No longer was art required to be a visual representation of some object • Jackson Pollock=Jack the Dripper (1912-1956) – Paint Hard, Live Hard – Died drunk in a car crash-age 44
- 148. Lavender Mist
- 149. Minimalists • Color Field – Huge canvases of color – Representations of feelings and ideas • Hard Edge – Calculated, simple forms – Colors in harmony
- 151. Rothko White Center
- 152. Hard Edge Kelly Elsworth Blue, Green, Yellow, Orange, Red
- 154. Pop Art • 1950 ‘s and 1960’s • Derived from the word popular • Used everyday items as inspiration for art • Soup cans and comic strips • Mass produced • Pope of Pop: Andy Warhol – 6 hour movie called Sleep
- 155. Andy Warhol
- 157. Roy Lichtenstein Go for Baroque
- 158. You, the Artist Use objects in your backpack, purse, or pockets to create something that someone would consider Pop or Minimal Art.