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Ready Lawyer One (Kostiantyn Zerov)

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Ready Lawyer One. How the digital environment will change the IP law.
Kostiantyn Zerov
03/07/2018, Kyiv

Publicado en: Educación
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Ready Lawyer One (Kostiantyn Zerov)

  1. 1. Ready Lawyer One How the digital environment will change the IP law. Kostiantyn Zerov 03/07/2018, Kyiv
  2. 2. In the beginning was a ... Technology
  3. 3. Copyright has always been at war with technology. Before the printing press, there was not much need to protect an author’s interest in his creative work. Copying was so expensive that nature itself protected that interest. But as the cost of copying decreased, and the spread of technologies for copying increased, the threat to the author’s control increased. As each generation has delivered a technology better than the last, the ability of the copyright holder to protect her intellectual property has been weakened. Lessig L. Code: And Other Laws of Cyberspace, Version 2.0 / Lawrence Lessig. – NY: Basic Books, 2006.
  4. 4. Technologly – Law In a race, the quickest runner can never overtake the slowest, since the pursuer must first reach the point whence the pursued started, so that the slower must always hold a lead. — as recounted by Aristotle, Physics VI:9, 239b15
  5. 5. BERNE 1886! (1979) Credit: http://4.bp.blogspot.com/- Dgntg4ZI7R4/T3HemhcRDKI/AAAAAAAAA1E/Bsw9RsHzfw0/s1600/cosmic+turtle-1.jpg
  6. 6. The 20th Century • Protection of layout-designs (topographies) of integrated circuits • Protection of Computer programs • Protection of Web-sites • Protection of Videogames
  7. 7. Modern issues & concerns • AI & computer-generated works • AR & VR & MR • Licensing • Scope of rights • Derivative works • Freedom of panorama • 3d - printing • post-mortem legal rights • Copyright on audiovisual works • Face swap
  8. 8. ISSUE: licensing
  9. 9. GSS had also licensed preexisting virtual worlds from their competitors, so content that had already been created for games like Everquest and World of Warcraft was ported over to the OASIS, and copies of Norrath and Azeroth were added to the growing catalog of OASIS planets. Other virtual worlds soon followed suit, from the Metaverse to the Matrix. The Firefly universe was anchored in a sector adjacent to the Star Wars galaxy, with a detailed re- creation of the Star Trek universe in the sector adjacent to that. Users could now teleport back and forth between their favorite fictional worlds. Middle Earth. Vulcan. Pern. Arrakis. Magrathea. Discworld, Mid-World, Riverworld, Ringworld. Worlds upon worlds. Cline Ernest - Ready Player One
  10. 10. Quod licet Iovi, non licet bovi (c) Ready player one, 2018, WB
  11. 11. ISSUE: Scope of rights on VR & AR (Copyright) • Reproduction ( + temporary reproductions?) • Communication to the public (including making available) • Public demonstration? • Right to make versions, adaptations, arrangements and other similar alterations to works.
  12. 12. ISSUE: computer- generated works
  13. 13. Works generated by computer Works generated using a computer Partly computer generated works Section 9(3) CDPA (UK) provides that the author of a computer-generated work is deemed to be the person "by whom the arrangements necessary for the creation of the work are undertaken
  14. 14. Author - an individual who created a work by his creative effort. Law of Ukraine "On Copyright and Related Rights" CJEU Case C-5/08: “author’s own intellectual creation.”
  15. 15. ISSUE: post-mortem legal rights
  16. 16. “It’s very likely that [the filmmakers] secured permission from Cushing’s estate or his direct heirs, because the laws regarding postmortem rights of publicity differ from state to state,” Tyler Ochoa, a professor at the Santa Clara University School of Law
  17. 17. Civil code of Ukraine Article 1219 rights and obligations that are inextricably linked with the person of the testator, in particular: 1)personal non-property rights; [...] are not included in the inheritance Article 308 A photo or other artistic works on which a natural person is portrayed can be publicly demonstrated, reproduced, or distributed only by the consent of this person, and in the case of his/her death, by the consent of authorized persons (children, widow (widower), and if they do not exist - parents, brothers and sisters).
  18. 18. ISSUE: Copyright on audiovisual works
  19. 19. Article 17. Copyright on Audiovisual Works 1. The authors of an audiovisual work shall be: а) the director b) the author of the script and (or) texts or dialogues; c) the author of a musical work with or without lyrics, specially created for the audiovisual work; d) the art director; e) the cameraman. One and the same individual can carry out two or more of the author's functions indicated in this part. Law of Ukraine "On Copyright and Related Rights" END USER?
  20. 20. I didn’t know it at the time, but I’d just become the first person to play an entirely new type of videogame. When GSS got wind of the WarGames simulation inside the First Gate (and they did a short time later), the company quickly patented the idea and began to buy up the rights to old movies and TV shows and convert them into immersive interactive games that they dubbed Flicksyncs. Flicksyncs became wildly popular. There turned out to be a huge market for games that allowed people to play a leading role in one of their favorite old movies or TV series. Cline Ernest - Ready Player One
  21. 21. ISSUE: face swap
  22. 22. A play on words has been lost in translation
  23. 23. Selected Readings • Ready Lawyer One: Legal Issues in the Innovation of Virtual Reality by Crystal Nwaneri • Coding Creativity: Copyright and the Artificially Intelligent Author by Annemarie Bridy • Allocating Ownership Rights in Computer-generated Works by Pamela Samuelson • Artificial Intelligence and the Copyright Dilemma by Kalin Hristov
  24. 24. Thank you for your attention! Kostiantyn Zerov Fb.com/c.zerov +38 O97 777 22 ЗЗ В цій презентації були використані графічні матеріали інших осіб (Back to the Future; Ready player one, Star Wars,Shining) виключно в некомерційних цілях, виключно як ілюстрації для навчання в обсязі, який відповідає зазначеній меті, відповідно до положень ст.23 Закону України “Про авторське право і суміжні права”.

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