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Music Education Research. Vol. I, No. 1, I999 9 Musicking‐the meanings of performing and listening. A lecture CHRISTOPHER SMALL, Calle Rafael Uopart 45. l" 2“, 08870 Sitges, Barcelona, Spain (e-mail: [[email protected]) ABSTRACT The essence of music lies not in musical works but in taking part in performance. in social action. Music is thus not so much a noun as a verb, ‘to music'. 'l'o music is to take part in any capacity in a musicalperfiirmance. and the meaning of musicking lies in the relationships that are established between the participants by the performance. Music/ting is part of that iconic, gestural process of giving and receiving information about relationships which unites the living world, and it is in fact a ritual by means of which the participants not only learn about. but directly experience. their concepts of how they relate. and how they ought to relate, to other human beings and to the rest of the world. These ideal relationships are often extremely complex. too complex to be articulated in words. but they are articulated effortlessly by the musical performance, enabling the participants to explore. affirm andcelebrate them. Musicking is thus as central in importance to our humanness as is taking part in speech acts, and all normally endowed human beings are born capable of taking part in it, not just of understanding the gestures but of making their own. I offer here some thoughts on some abiding issues concerning the nature of the musical act and its function in human life. I have been thinking about this for the last few years as l have been writing my third book, which bears the same title as this paper‐Musicking: The Meanings of Performing and Listening. In doing so I make no claim to speak ex cathedra or to tell anyone what they ought or ought not to be doing; rather I want to offer such philosophical support asI can in these confused and worrying times to those who are actually out there doing the work. to clarify as best I can the reasons why I am certain that music is of central importance in human life and to be defended stoutly, not only in the education of the young but as a lifelong practice. For more years than I care to think about I have been worrying away at the question. or rather, a pair of questions: “What is the nature of music?" and “What is the function of music in human life?"‐‐in the life. that is, of every single member of the human species? I have reached some tentative conclusions. I make no apology for throwing my l4(il-3808/99/0l(XX)9-l3 ©l999 Christopher Small 10 C. Small two cents' wonh into a pair of questions that seem to have defeated some of the best minds in Western thought, at least since the time of Plato, since I feel I do have something to contribute to the formulation of the questions and possibly even to the quest for an answer. In the search of that answer I have. over the years, read as widely as I could in the philosophy, the aesthetics and history. and the sociolo ...
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ANTH398D Meeting 5
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ANTH398D - Ethnomusicology
Meeting 5 – Conservative October 2, 2007
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Ethnomusicology as Discipline
Musical Ethnography
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