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EUROPEANA 2019
CONNECT COMMUNITIES
28 Nov 2019 | LISBON
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
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Introduction to Impact Workshop
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
Moderated by Dafydd Tudur & Maja Drabczyk
The National Library of Wales & National Film Archive/Audiovisual
Institute Poland
menti.com
Why are we doing
this?
● To increase our understanding of the difference
we make
● To make better decisions (strategy/operations)
● To drive changes that improve performance
● To improve accountability to our stakeholders
● To articulate the value of our activities
Agenda
11.00 Welcome and introduction
11.10-11.20 Simon Tanner
11.20-11.25 Workshop kick-off & Project selection
11.25-11.35 Strategic Perspectives & Value Lenses
11.35-11.45 Stakeholders & Empathy map
11.45-12.20 The Change Pathway
12.20-12.30 Next steps & Impact Community
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Simon
Tanner
Professor of Digital Cultural
Heritage
King’s College London
@SimonTanner
@SimonTanner
http://simon-tanner.blogspot.com/2017/10/BVI-Model-V2.html
The measurable outcomes
arising from the existence
of a resource that
demonstrate a change in
the life or life opportunities
of the community.
Impact defined
@SimonTanner
@SimonTanner
Impact Playbook
Impact
Changes that occur for stakeholders
or in society as a result of activities.
<Our Project>
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
Our project
“We develop lesson plans on the topic of
migration, with teachers that will make their
classes more engaging for their students”
Strategic Perspectives
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
Economic
Social
Innovation
Organisation
Value Lenses
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
Utility
Learning
Existence/
prestigeCommunity
Legacy
Stakeholders
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
Stakeholder
A person, group, community, or organization
who you expect to experience a change or who
you design your activities around.
Empathy Map
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
You need to
make yourcourses more
engaging
How do I do
this? I have no
time!
Teacher
Disengaged
class
Looking on
the internet
for better
resources
No time
Engaged
students
The Change Pathway
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
The Change
Pathway
Example: Migration
Project
✗History & Social
Sciences
Teacher
Collaborate
with teachers tocreate lesson
plans
↑ engagement
with students
through use of
HQ material
↑ educationalresourcesdeveloped
↑ in awareness
of relevance of
migrant history
↑ inquality/satisfaction of classesrun
Students More
open to cultural
diversity
↑ use of open
data in
education
C󰉀I
p󰈸o󰇿󰈩s󰈻󰈏o󰈞󰈀l
‘In 󰉃 󰈹od 󰉉 󰇹 󰉄󰈏on
to I 󰈚 󰈦 󰈀c 󰉃’
wo 󰈸 󰈕s 󰈊 󰈡 󰈦
28-11-2019
Use 󰈻
Pla 󰉘 󰇻 󰈡 󰈢k 󰉃o
as 󰈻 󰈩 󰈼s 󰉃 󰈋 󰇵ir
im 󰈥 󰈀 󰇸t
Com󰈥󰈩󰉄󰇵d
ex󰈀󰈚󰈦l󰇵󰈻 o󰇿
t󰈊e C󰈋󰈀n󰈇󰇵
Pat󰈊󰉓󰈀y
Sha󰈸 󰈩󰈼
im 󰈥󰈀 󰇸t
ex 󰈥󰈩 󰈹󰈏en 󰇹󰈩 󰈼
Be 󰉅 󰈩r
un 󰇷 󰈩 󰈹s 󰉃 󰇽 󰈞di󰈝 󰈈
of 󰉃 󰈋 󰈩
Pla 󰉘 󰇻 󰈡 󰈢k
Bec󰈡󰈚󰇵󰈼 an
‘im󰈥󰈀󰇸t
p󰈸a󰇸t󰈎󰉃󰈏o󰈞󰈩r’
Tra󰈎󰈝 󰈼 󰈢t 󰈊e 󰈹
p 󰈸o 󰇿 󰈩s 󰈻󰈏o 󰈞 󰈀l󰈻
wi󰉃 󰈋󰈎n C 󰉀I
Num 󰇼 󰈩 󰈹 󰈢f
pe 󰈡 󰈥󰈘󰇵 in
wo 󰈸 󰈕s 󰈊 󰈡 󰈦
Tem 󰈥󰈘󰈀t 󰇵 󰇾o 󰈹
In 󰉃 󰈹o t 󰈡
Im 󰈥a 󰇸t
wo 󰈸 󰈕s 󰈊 󰈡 󰈦
Al󰈗o󰇸󰈀t󰇵󰇷
ti󰈚󰈩 󰇽󰉄 t󰈊e
Eur󰈡󰈥󰇵a󰈞󰈀
Con󰇾󰈩󰈹󰇵n󰇹e
The I 󰈚 󰈦 󰈀c 󰉃
Pla 󰉘 󰇻 󰈡 󰈢k
Wid 󰈩󰈸
aw 󰈀󰈸 󰇵󰈞es 󰈻 󰈡󰇿
t󰈊e 󰈎󰈛p󰇽 󰇹󰉄 of
C󰉀I
Im󰈥a󰇸t
f󰈸a󰈛󰈩w󰈢󰈸󰈕
em󰇼󰈩󰇶d󰇵󰇷 i󰈞
C󰉀I
C󰉀I t󰈊a󰉄
un󰇷󰈩󰈹s󰉃󰇽󰈞d󰈻 &
ar󰉃󰈎󰇸󰉊la󰉃󰈩󰈼 󰈏t󰈻
ow󰈝 󰈎󰈛p󰇽󰇹󰉄
Par󰉃󰈎 󰇸󰈏pa󰈝 󰉄s,
fa󰇹󰈎󰈘󰈏ta󰉃 󰈡󰈹s an 󰇷
p󰈸e󰈼󰈩n󰉃 󰇵󰈹s’
ti󰈚 󰈩
The Change
Pathway
The
stakeholder
we are
designing the
Pathway for.
The
investments
we are making
in time/money
to realize our
activities.
The
things that
we do.
Direct
results of
our
activities.
Changes that have
occurred in (or for)
our stakeholders as
a direct result of our
activities.
Changes that
have occurred
in (or for) our
stakeholders
that our
activities have
contributed to.
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
What’s next?
menti.com
Please complete our Survey
tiny.cc/ImpactSurvey
Join the Community
tiny.cc/ImpactCommunity
Download the Playbook
tiny.cc/ImpactPlaybook
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
BREAK
#Europeana2019
#EuropeanaCommunities
Music to my ears: making rights
understandable
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
Juozas Markauskas
Dizi
Jurga Gradauskaitė
Independent
Moderated by
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Juozas
Markauskas
Project Manager
Dizi
‘Music to my ears:
making rights
understandable’
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Jurga
Gradauskaite
Independent attorney-at-law
Independent
‘PRESENTATION TITLE’
GLAM
people
AUDIENCE?
Creators
(re-users)
WHAT IS LABELLING?
An activity that helps to
communicate the copyright and
re-use status of digital
objects to the public
WHAT IS LABELLING?
User perspective
What I am allowed to do?
Can I share or re-make
the object ?
WHAT IS LABELLING?
“usage rights”
edm:rights
Better
visibility
Increased
traffic
Openness and
re-use
WHY LABELLING IS IMPORTANT?
<EDM>
WHY LABELLING IS IMPORTANT?
open and
legitimate
dissemination
and use of CHO
J.Markauskas
CC BY
HOW DOES IT LOOK LIKE?
Creative
Commons
Licences
RIGHTS
STATEMENTS
Public
Domain
CC and RS in real life
is labeLling legal?
PD https://www.flickr.com/photos/biodivlibr
Workshops
HANDS ON TRAINING
Real life examples
J.Markauskas
CC BY
RAFFI YOUREDJIAN
CC BY-NC
Open Street Map
Cape Verde
Bibliothèque nationale de
France, département Cartes
et plans
France
MAP OF CAPE VERDE ISLANDS
Arts Council Norway
Municipal Ecomuseum, Portugal
Historical photos from Cape Verde
Cape Verde flora
Muséum national d'Histoire
naturelle, France
Botanical Museum Berlin-Dahlem,
Germany
and Cape Verde Fauna
National Museum of Natural History,
Lisbon, Portugal
Naturalis Biodiversity Center,
Netherlands
At the shores, 1956
National Library of Finland
Institut de Cultura de Barcelona,
Spain
STAMPS
Severin Worm-Petersen
Norsk Teknisk Museum, Sweden
Welcome Collection, UK
Charles Robert Darwin
Batuque
http://www.europeana.eu/portal/en/record/
2059208/archives_items_55935_.html?q=
Batuque#dcId=1574427111376&p=1
Instituto de Investigação Científica Tropical, Potugal
Museu do DundoMuahossa
wiki
Labels that made my life so much easier
What they mean
Non-labelled material
Do you want
to hear what
we sound like?
The British Library, UK
Woodleywonderworks
Pedro Felix
Miguel Lourenço
Finka Pé
EUROPEANA 2019
CONNECT COMMUNITIES
29 Nov 2019 | LISBON
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Achieving inclusivity & diversity in the
Europeana Network
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
Killian Downing, Tola Dabiri
& Larissa Borck
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Larissa
Borck
Marketing Coordinator
Europeana Common Culture
Swedish National Heritage Board
‘Creating chances within an
open Europeana network’
Banbyggnad Inlandsbanan. Gruståg i Meselefors. Järnvägsmuseet, Public Domain.
Openness in
the
Europeana
network
“Although it has decreased – from 24% in 2013 to less than 15% in 2019 – the youth
unemployment rate is still very high in the EU (with peaks of more than 30% in
several countries) and more than double the overall unemployment rate (less than
7%) and masks big differences between countries.” The European Commission,
2019
Inviting young
professionals
This is not only about finding a job, it’s about the specific challenges
we as young people encounter on the job market in our sector.
Damenpyramide, Heinrich Hamann. Museum für Kunst und Gewerbe, CC0.
Every single one counts
The network effects
Spread the work
in education
Create open
spaces for
conversations
Offer
opportunities to
learn & contribute
Barriers and blind
spots
● Internships as chance and challenge
● Missing links to students’ associations
● Conference designs
● Working conditions in the cultural heritage sector
AB02c, 3:e klass sovvagn. Järnvägsmuseet, Public Domain.
Banbyggnad Inlandsbanan. Gruståg i Meselefors. Järnvägsmuseet, Public Domain.
Thank you!
Larissa Borck
Twitter: @larissa_borck
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Tola
Dabiri
Managing Director
UK Centre for Carnival Arts
Digital Diversity and Inclusion
Making the record keeping workforce representative:
project and literature review
By Tola Dabiri
Introduction
In November 2018 I was commissioned to
undertake a literature review by the ARA
The aim was to examine any reports, articles or
project evaluations
BAME professionals and gender equality in the
workplace
Methodology
Literature Search
Online, search terms such as BAME, equality, workforce, archives,
museums
Literature assessment
Sift of most suitable papers
Literature Review
Not just BAME and gender, but also social class
A lot of papers about diversifying engagement
More available online that I initially thought
Found about 80 but no time to summarise them all – some very long
and dense!
Findings: Hand Wringing
Character Matters – social and economic characteristics of the
museum sector workforce
PANIC! It’s an arts emergency
Gender and Technology in Libraries (Lamont)
Findings: Handwashing
Equalities and Diversity Action Plan – CILIP
The Impact of Diversify scheme on participants- MA
Findings: DIY
Arts Council England
Guide to Producing Equality Action Objectives and Plans in NPOs
Other guides and case studies for its funded organisations but very
little about ACE itself
Some conclusions and
recommendations
Done to Us not with us
97.6 % White
On Inequality Regimes
DILON (Diversity in Libraries of the North)
At us not With Us
Very little talking and consultation EXCEPT
Association of Research Librarians (USA)
Most realistic and radical approach
Has access to huge resources and investment in programme
Widespread support
Sustained systematic change
Archives Accreditation Scheme
Widening entry routes
Q&A
What does our
future look like?
What do we need
to do?
More peoplejoining our
conversation
A forum to
enable
discussion
Thankyou!
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
BREAK
#Europeana2019
#EuropeanaCommunities
Communicating the value of digital
culture to stakeholders
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
Moderated by Susan Hazan
The Israel Museum, Jeruzalem
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Eleanor
Kenny
Head of Communications and
External relations
Europeana Foundation
‘TELLING YOUR STORY
IN A WAY THAT MATTERS’
#AllezCulture
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Dafydd
Tudur
Head of Digital Access Section
National Library of Wales
The CHI Perspective
The CHI Perspective (?)
The CHI Perspective (?)
● Passionate belief in the value of cultural heritage
The CHI Perspective (?)
● Passionate belief in the value of cultural heritage
● Strong commitment to cultural heritage institution
The CHI Perspective (?)
● Passionate belief in the value of cultural heritage
● Strong commitment to cultural heritage institution
● Discussion on value tends to focus on ‘existence’ and
‘legacy’ - collections and role of CHI
The CHI Perspective (?)
● Passionate belief in the value of cultural heritage
● Strong commitment to cultural heritage institution
● Discussion on value tends to focus on ‘existence’ and
‘legacy’ - collections and role of CHI
● Limited access to organisational communication
channels
The CHI Perspective (?)
● Passionate belief in the value of cultural heritage
● Strong commitment to cultural heritage institution
● Discussion on value tends to focus on ‘existence’ and
‘legacy’ - collections and role of CHI
● Limited access to organisational communication
channels
… and we want everyone to see the value of cultural
heritage and cultural heritage institutions!
bit.ly/NLWimpactblog
Prosiect Wicipobl
The Welsh Portrait Archive
Over 4,800 portraits
Pre-1880 prints, photographs
and paintings
100% interested in attending similar
events in the future
100% had ideas for projects
28% saw potential for commercial
projects
Creative industries
100% wanted to use Wikipedia in
the classroom again
90% felt confident to contribute
to Wikipedia independently
46% of the participants went on
to edit Wikipedia again within
four weeks
Education
bit.ly/WicipoblReport
Well-being of Future Generations (Wales) Act 2015
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Katherine
Heid
Cabinet Member in charge of
Culture, Youth and Social Affairs
EESC - European Economic and Social
Committee
Ten tips for communicating with stakeholders
1. Think about the different institutions you deal with
● don’t always focus on just on one
● start with the ones you have contacts with
2. Link to the policy/political agenda
3. Think about timing - what’s happening in their calendar?
4. Show that what your doing is in the needs of the citizens - core European values
5. Make it short
6. Strength in numbers - not just stats also the strength of a community or group voice
7. Storytelling - tell them a story
● think about connecting with speech writers
8. Be supportive of your allies
9. Be politically engaged yourself
10. Support the European agenda
The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Discussion
SEE
Full view of activities
Limited time with
policymakers
Participants and user
groups
Activities in
organisational context
SAY & DO
Write or provide data for statistical reports
Report to management - documents and committees
Share stories with marketing staff
Tweet about collections
THINK
Passionate belief in the value of cultural heritage
Unsure how policymakers view our activities
Fear that the stats don’t convey the value
HEAR
What CEOs and senior mgmt
are saying about Government
priorities
Feedback from users /
participants
Lack of awareness of the value and
importance of our work
Budget cuts are making it difficult
Technology is developing so quickly
Want more people to see the value of cultural
heritage and cultural heritage institutions
.
TALKING PAINS AND
GAINS
Pains: What are their fears, frustrations, anxieties?
Gains: What are their needs, hopes and desires?
What do they think and feel?
What do they see?
What do they hear?
What do they say and do?
1 significant
‘pain’
1 significant‘gain’
THANK YOU
Join Europeana Impact and/or
Europeana Communicators
to continue the conversation!
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
europeana.eu
@EuropeanaEU

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Europeana 2019 - Connect Communities

  • 1. EUROPEANA 2019 CONNECT COMMUNITIES 28 Nov 2019 | LISBON The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY WIFI Login: SSID: BNP-WIFI Password: 1214EB0257
  • 2. Introduction to Impact Workshop Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain Moderated by Dafydd Tudur & Maja Drabczyk The National Library of Wales & National Film Archive/Audiovisual Institute Poland
  • 4. Why are we doing this? ● To increase our understanding of the difference we make ● To make better decisions (strategy/operations) ● To drive changes that improve performance ● To improve accountability to our stakeholders ● To articulate the value of our activities
  • 5. Agenda 11.00 Welcome and introduction 11.10-11.20 Simon Tanner 11.20-11.25 Workshop kick-off & Project selection 11.25-11.35 Strategic Perspectives & Value Lenses 11.35-11.45 Stakeholders & Empathy map 11.45-12.20 The Change Pathway 12.20-12.30 Next steps & Impact Community
  • 6. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY Simon Tanner Professor of Digital Cultural Heritage King’s College London
  • 9. http://simon-tanner.blogspot.com/2017/10/BVI-Model-V2.html The measurable outcomes arising from the existence of a resource that demonstrate a change in the life or life opportunities of the community. Impact defined @SimonTanner
  • 12. Impact Changes that occur for stakeholders or in society as a result of activities.
  • 13. <Our Project> Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
  • 14. Our project “We develop lesson plans on the topic of migration, with teachers that will make their classes more engaging for their students”
  • 15. Strategic Perspectives Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
  • 17. Value Lenses Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
  • 19.
  • 20. Stakeholders Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
  • 21. Stakeholder A person, group, community, or organization who you expect to experience a change or who you design your activities around.
  • 22. Empathy Map Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
  • 23.
  • 24. You need to make yourcourses more engaging How do I do this? I have no time! Teacher Disengaged class Looking on the internet for better resources No time Engaged students
  • 25. The Change Pathway Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
  • 27. Example: Migration Project ✗History & Social Sciences Teacher Collaborate with teachers tocreate lesson plans ↑ engagement with students through use of HQ material ↑ educationalresourcesdeveloped ↑ in awareness of relevance of migrant history ↑ inquality/satisfaction of classesrun Students More open to cultural diversity ↑ use of open data in education
  • 28. C󰉀I p󰈸o󰇿󰈩s󰈻󰈏o󰈞󰈀l ‘In 󰉃 󰈹od 󰉉 󰇹 󰉄󰈏on to I 󰈚 󰈦 󰈀c 󰉃’ wo 󰈸 󰈕s 󰈊 󰈡 󰈦 28-11-2019 Use 󰈻 Pla 󰉘 󰇻 󰈡 󰈢k 󰉃o as 󰈻 󰈩 󰈼s 󰉃 󰈋 󰇵ir im 󰈥 󰈀 󰇸t Com󰈥󰈩󰉄󰇵d ex󰈀󰈚󰈦l󰇵󰈻 o󰇿 t󰈊e C󰈋󰈀n󰈇󰇵 Pat󰈊󰉓󰈀y Sha󰈸 󰈩󰈼 im 󰈥󰈀 󰇸t ex 󰈥󰈩 󰈹󰈏en 󰇹󰈩 󰈼 Be 󰉅 󰈩r un 󰇷 󰈩 󰈹s 󰉃 󰇽 󰈞di󰈝 󰈈 of 󰉃 󰈋 󰈩 Pla 󰉘 󰇻 󰈡 󰈢k Bec󰈡󰈚󰇵󰈼 an ‘im󰈥󰈀󰇸t p󰈸a󰇸t󰈎󰉃󰈏o󰈞󰈩r’ Tra󰈎󰈝 󰈼 󰈢t 󰈊e 󰈹 p 󰈸o 󰇿 󰈩s 󰈻󰈏o 󰈞 󰈀l󰈻 wi󰉃 󰈋󰈎n C 󰉀I Num 󰇼 󰈩 󰈹 󰈢f pe 󰈡 󰈥󰈘󰇵 in wo 󰈸 󰈕s 󰈊 󰈡 󰈦 Tem 󰈥󰈘󰈀t 󰇵 󰇾o 󰈹 In 󰉃 󰈹o t 󰈡 Im 󰈥a 󰇸t wo 󰈸 󰈕s 󰈊 󰈡 󰈦 Al󰈗o󰇸󰈀t󰇵󰇷 ti󰈚󰈩 󰇽󰉄 t󰈊e Eur󰈡󰈥󰇵a󰈞󰈀 Con󰇾󰈩󰈹󰇵n󰇹e The I 󰈚 󰈦 󰈀c 󰉃 Pla 󰉘 󰇻 󰈡 󰈢k Wid 󰈩󰈸 aw 󰈀󰈸 󰇵󰈞es 󰈻 󰈡󰇿 t󰈊e 󰈎󰈛p󰇽 󰇹󰉄 of C󰉀I Im󰈥a󰇸t f󰈸a󰈛󰈩w󰈢󰈸󰈕 em󰇼󰈩󰇶d󰇵󰇷 i󰈞 C󰉀I C󰉀I t󰈊a󰉄 un󰇷󰈩󰈹s󰉃󰇽󰈞d󰈻 & ar󰉃󰈎󰇸󰉊la󰉃󰈩󰈼 󰈏t󰈻 ow󰈝 󰈎󰈛p󰇽󰇹󰉄 Par󰉃󰈎 󰇸󰈏pa󰈝 󰉄s, fa󰇹󰈎󰈘󰈏ta󰉃 󰈡󰈹s an 󰇷 p󰈸e󰈼󰈩n󰉃 󰇵󰈹s’ ti󰈚 󰈩
  • 29. The Change Pathway The stakeholder we are designing the Pathway for. The investments we are making in time/money to realize our activities. The things that we do. Direct results of our activities. Changes that have occurred in (or for) our stakeholders as a direct result of our activities. Changes that have occurred in (or for) our stakeholders that our activities have contributed to.
  • 30. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY What’s next?
  • 31.
  • 32.
  • 34. Please complete our Survey tiny.cc/ImpactSurvey Join the Community tiny.cc/ImpactCommunity Download the Playbook tiny.cc/ImpactPlaybook
  • 35. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY BREAK #Europeana2019 #EuropeanaCommunities
  • 36. Music to my ears: making rights understandable Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain Juozas Markauskas Dizi Jurga Gradauskaitė Independent Moderated by
  • 37. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY Juozas Markauskas Project Manager Dizi ‘Music to my ears: making rights understandable’
  • 38. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY Jurga Gradauskaite Independent attorney-at-law Independent ‘PRESENTATION TITLE’
  • 40. WHAT IS LABELLING? An activity that helps to communicate the copyright and re-use status of digital objects to the public
  • 41. WHAT IS LABELLING? User perspective What I am allowed to do? Can I share or re-make the object ?
  • 44. WHY LABELLING IS IMPORTANT? open and legitimate dissemination and use of CHO J.Markauskas CC BY
  • 45. HOW DOES IT LOOK LIKE? Creative Commons Licences RIGHTS STATEMENTS Public Domain
  • 46. CC and RS in real life
  • 47. is labeLling legal? PD https://www.flickr.com/photos/biodivlibr
  • 48. Workshops HANDS ON TRAINING Real life examples J.Markauskas CC BY
  • 51. Bibliothèque nationale de France, département Cartes et plans France MAP OF CAPE VERDE ISLANDS
  • 52. Arts Council Norway Municipal Ecomuseum, Portugal Historical photos from Cape Verde
  • 53. Cape Verde flora Muséum national d'Histoire naturelle, France Botanical Museum Berlin-Dahlem, Germany
  • 54. and Cape Verde Fauna National Museum of Natural History, Lisbon, Portugal Naturalis Biodiversity Center, Netherlands
  • 55. At the shores, 1956 National Library of Finland
  • 56. Institut de Cultura de Barcelona, Spain STAMPS
  • 57. Severin Worm-Petersen Norsk Teknisk Museum, Sweden Welcome Collection, UK Charles Robert Darwin
  • 59. wiki
  • 60. Labels that made my life so much easier
  • 62.
  • 63.
  • 64.
  • 66. Do you want to hear what we sound like? The British Library, UK
  • 67.
  • 69. EUROPEANA 2019 CONNECT COMMUNITIES 29 Nov 2019 | LISBON The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
  • 70. Achieving inclusivity & diversity in the Europeana Network Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain Killian Downing, Tola Dabiri & Larissa Borck
  • 71. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY Larissa Borck Marketing Coordinator Europeana Common Culture Swedish National Heritage Board ‘Creating chances within an open Europeana network’
  • 72. Banbyggnad Inlandsbanan. Gruståg i Meselefors. Järnvägsmuseet, Public Domain. Openness in the Europeana network
  • 73. “Although it has decreased – from 24% in 2013 to less than 15% in 2019 – the youth unemployment rate is still very high in the EU (with peaks of more than 30% in several countries) and more than double the overall unemployment rate (less than 7%) and masks big differences between countries.” The European Commission, 2019 Inviting young professionals This is not only about finding a job, it’s about the specific challenges we as young people encounter on the job market in our sector.
  • 74. Damenpyramide, Heinrich Hamann. Museum für Kunst und Gewerbe, CC0. Every single one counts
  • 75. The network effects Spread the work in education Create open spaces for conversations Offer opportunities to learn & contribute
  • 76. Barriers and blind spots ● Internships as chance and challenge ● Missing links to students’ associations ● Conference designs ● Working conditions in the cultural heritage sector AB02c, 3:e klass sovvagn. Järnvägsmuseet, Public Domain.
  • 77. Banbyggnad Inlandsbanan. Gruståg i Meselefors. Järnvägsmuseet, Public Domain. Thank you! Larissa Borck Twitter: @larissa_borck
  • 78. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY Tola Dabiri Managing Director UK Centre for Carnival Arts Digital Diversity and Inclusion
  • 79. Making the record keeping workforce representative: project and literature review By Tola Dabiri
  • 80. Introduction In November 2018 I was commissioned to undertake a literature review by the ARA The aim was to examine any reports, articles or project evaluations BAME professionals and gender equality in the workplace
  • 81. Methodology Literature Search Online, search terms such as BAME, equality, workforce, archives, museums Literature assessment Sift of most suitable papers
  • 82. Literature Review Not just BAME and gender, but also social class A lot of papers about diversifying engagement More available online that I initially thought Found about 80 but no time to summarise them all – some very long and dense!
  • 83. Findings: Hand Wringing Character Matters – social and economic characteristics of the museum sector workforce PANIC! It’s an arts emergency Gender and Technology in Libraries (Lamont)
  • 84. Findings: Handwashing Equalities and Diversity Action Plan – CILIP The Impact of Diversify scheme on participants- MA
  • 85. Findings: DIY Arts Council England Guide to Producing Equality Action Objectives and Plans in NPOs Other guides and case studies for its funded organisations but very little about ACE itself
  • 87. Done to Us not with us 97.6 % White On Inequality Regimes DILON (Diversity in Libraries of the North)
  • 88. At us not With Us Very little talking and consultation EXCEPT Association of Research Librarians (USA) Most realistic and radical approach Has access to huge resources and investment in programme Widespread support
  • 89. Sustained systematic change Archives Accreditation Scheme Widening entry routes
  • 90. Q&A
  • 91. What does our future look like? What do we need to do? More peoplejoining our conversation A forum to enable discussion
  • 92. Thankyou! Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
  • 93. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY BREAK #Europeana2019 #EuropeanaCommunities
  • 94. Communicating the value of digital culture to stakeholders Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain Moderated by Susan Hazan The Israel Museum, Jeruzalem
  • 95. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY Eleanor Kenny Head of Communications and External relations Europeana Foundation ‘TELLING YOUR STORY IN A WAY THAT MATTERS’
  • 96.
  • 97.
  • 98.
  • 100.
  • 101. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY Dafydd Tudur Head of Digital Access Section National Library of Wales
  • 104. The CHI Perspective (?) ● Passionate belief in the value of cultural heritage
  • 105. The CHI Perspective (?) ● Passionate belief in the value of cultural heritage ● Strong commitment to cultural heritage institution
  • 106. The CHI Perspective (?) ● Passionate belief in the value of cultural heritage ● Strong commitment to cultural heritage institution ● Discussion on value tends to focus on ‘existence’ and ‘legacy’ - collections and role of CHI
  • 107. The CHI Perspective (?) ● Passionate belief in the value of cultural heritage ● Strong commitment to cultural heritage institution ● Discussion on value tends to focus on ‘existence’ and ‘legacy’ - collections and role of CHI ● Limited access to organisational communication channels
  • 108. The CHI Perspective (?) ● Passionate belief in the value of cultural heritage ● Strong commitment to cultural heritage institution ● Discussion on value tends to focus on ‘existence’ and ‘legacy’ - collections and role of CHI ● Limited access to organisational communication channels … and we want everyone to see the value of cultural heritage and cultural heritage institutions!
  • 109. bit.ly/NLWimpactblog Prosiect Wicipobl The Welsh Portrait Archive Over 4,800 portraits Pre-1880 prints, photographs and paintings
  • 110.
  • 111. 100% interested in attending similar events in the future 100% had ideas for projects 28% saw potential for commercial projects Creative industries
  • 112. 100% wanted to use Wikipedia in the classroom again 90% felt confident to contribute to Wikipedia independently 46% of the participants went on to edit Wikipedia again within four weeks Education bit.ly/WicipoblReport
  • 113. Well-being of Future Generations (Wales) Act 2015
  • 114.
  • 115.
  • 116. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY Katherine Heid Cabinet Member in charge of Culture, Youth and Social Affairs EESC - European Economic and Social Committee
  • 117.
  • 118. Ten tips for communicating with stakeholders 1. Think about the different institutions you deal with ● don’t always focus on just on one ● start with the ones you have contacts with 2. Link to the policy/political agenda 3. Think about timing - what’s happening in their calendar? 4. Show that what your doing is in the needs of the citizens - core European values 5. Make it short 6. Strength in numbers - not just stats also the strength of a community or group voice 7. Storytelling - tell them a story ● think about connecting with speech writers 8. Be supportive of your allies 9. Be politically engaged yourself 10. Support the European agenda
  • 119. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY Discussion
  • 120.
  • 121. SEE Full view of activities Limited time with policymakers Participants and user groups Activities in organisational context SAY & DO Write or provide data for statistical reports Report to management - documents and committees Share stories with marketing staff Tweet about collections THINK Passionate belief in the value of cultural heritage Unsure how policymakers view our activities Fear that the stats don’t convey the value HEAR What CEOs and senior mgmt are saying about Government priorities Feedback from users / participants Lack of awareness of the value and importance of our work Budget cuts are making it difficult Technology is developing so quickly Want more people to see the value of cultural heritage and cultural heritage institutions .
  • 122. TALKING PAINS AND GAINS Pains: What are their fears, frustrations, anxieties? Gains: What are their needs, hopes and desires? What do they think and feel? What do they see? What do they hear? What do they say and do? 1 significant ‘pain’ 1 significant‘gain’
  • 123. THANK YOU Join Europeana Impact and/or Europeana Communicators to continue the conversation! Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
  • 124. Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain europeana.eu @EuropeanaEU