The document discusses the rise of hybrid visual languages in moving image culture. It notes that music videos and short films now blend typography, graphics, animation, photography and other techniques. This hybridization is enabled by multimedia software that allows elements from different media to interact and be remixed. The document suggests this "deep remixability" has led to a new metalanguage where techniques can be applied across media. It attributes the hybrid revolution to the development of media design software in the 1990s that gave designers more manipulation capabilities.