2. Aims & Rationale
• To design a space for civic discourses &
community engagement
• To facilitate a contact zone for learning
and grappling with diverse literacy
practices & values
• To encourage active learning
3. Literacy Narratives
• Understanding reading & composing as
situated practices & values
• From the DALN:
"Literacy narratives are powerful rhetorical
linguistic accounts through which people fashion
their lives and make sense of their world, how
they construct the realities in which they live.”
8. Pedagogical Objectives
• Create opportunities for conversations
where inclusion, access, and students’
relationship to writing are central concerns
• Guide students to think critically and
rhetorically about how their literacy
practices have served their own
developments
• Hands-on research appropriate for FYW
9. Learning Objectives for Students
• Examine literacy practices as critical acts
of inquiry
• Study the cultural influences that shape
individuals’ identities as learners
• Examine the literate lives of those who are
students and not students
• Develop a sense of narrative agency
10. Learning Objectives for the Instructor
• Explore patterns of local literacies and
literacy histories
• Reflect on the influences, people, and
values that shape literacy practices
• Learn how to instruct and execute a
collaborative project that serves the
students’ pedagogical needs
12. 1. Preparation
• Introduce the genre
• Review DALN and Center for Digital
Storytelling
• Facilitate in-class discussions and
development of students’ personal literacy
narratives
13. 2. Planning & Practice
• Introduce rationale and goals of The HUMN
Project
• Facilitate workshops to collectively generate
interview questions
• Design “ground rules”
• Discuss research ethics and informed
consent
• Specify evaluative criteria
• Organize and conduct in-class simulations
14. 3. Production
• Conduct interviews (2-3 subjects per
group)
• Discuss breakdown and breakthrough
experiences
• Create shared dropbox for data storage
15. 4. Post-production & Publication
• Gather, clean up, edit, and render
narrative data
• Coach students in reproducing textual
narratives and visual (images, audio,
video) representations of data
• Conduct large-group peer reviews on final
drafts
• Choose and design a web portal for
hosting the data
16. 5. Presentation
• Soft-launch the HUMN Project website
• In-class reflections and discussions of
lesson learned
• Present at the FYW Symposium
17. Discourse Communities
The Rhetorical Situation
Power Relations
Language & Agency
Literacy Sponsors
Genres
Autoethnography
Writing Arguments
Multimodal Composing
Visual Rhetoric
Rhetoric Methods
Composition / Production
18. Project Evaluation
• Grade 1: Class grade
Overall presentation of the website
Quality of published content and data
• Grade 2: Individual grade
Peer evaluation of engagement
Instructor’s observation
Verbal reflection of insights and lessons learned
Ability to describe findings and implications
Hi my name is Jason, and thank you for coming to this session. As you can tell from the title of this presentation, I am going to talk about literacy narrative today. How many of you have incorporated literacy narrative assignments in the writing classes you have taught before?
Today, I would like to talk about the potentials of expanding the traditional literacy narrative assignment by sharing with you a course project that I have designed for my first-year writing class. I will first talk about some rationales and my pedagogical objectives, before describing the nuts and bolts of this project.
With the diversifying campus, the first-year composition classroom, by the nature of its existence, provides incoming students with not just a 15-week writing instruction but also a contact zone to experience and understand various civic discourses. Such environment offers both the teacher and students the opportunity to discern and participate in important public conversations, such as oppression, racism, and critical literacy practices.
Narratives can be used as an entry to these social discourses. Scholars of literacy and composition have noted that we can understand reading and writing as a set of practices and values when they are properly situated within the context of a particular historical period, a specific cultural environment, a cluster of actual material conditions, and the complex lives and experiences of individuals and their families.
As such, literacy narratives become a valuable component of the composition classroom as they allow us to peek into the literate lives of our students.
According to the Digital Archive of Literacy Narrative, …
Here’s a screenshot of the DALN website. Anyone around the world can just register for an account and submit their literacy narratives to be published to the public.
The narratives on DALN consist of mainly video and audio recordings. As I was reviewing the DALN site last year, I thought to myself: How wonderful would it be if we could gather narratives of individuals who share a common identity to amplify a sense of community.
Then this immediate came to my mind.
So I thought to myself again: What about a cross-breed of these two kinds of project?
Hence, the HUMN Project is born.
Thriving on the culture of an open campus and the available means for storytelling, The HUMN Project provides an opportunity for students to think about their literacy practices and those of others, as well as to consider issues surrounding literacy acquisition.
The HUMN Project allows students to work in teams and meet with people on the University of Minnesota campus to collect accounts of how individuals remember learning to read and write; the conditions under which they continue reading and composing; and the influences, people, and values that shape their literate practices. Coupled with readings on critical literacy, power, and identity, as well as collaborative in-class activities, students are given the chance to reflect on their personal literacy histories and to explore patterns of local literacies.
While teaching, I strive to illuminate systems of struggles and oppression to unknowing students, and focus on creating opportunities for conversations where inclusion, access, and students’ relationship to writing are central concerns. It is my objective that students get an opportunity to explore critically and reflect rhetorically their thinking and writing skills through purpose-driven activities, helping them to adopt a disciplinary identity as writers who bring particular ways of seeing and ways of acting in and on the world around them.
Through The HUMN Project, I intend to guide students into thinking critically about their roles as emerging scholars and professionals in the society, and how their literacy practices have served their personal and professional development.
By externalizing literacy practices, The HUMN Project lets students assume the role of critical agents who amplify the voices of the community. Specifically, this project aims to help students to:
As a multifaceted initiative, The HUMN Project also allows the instructor to engage with literacy narratives in multiple ways. Particularly, the project encourages the instructor to:
It is my intention that this literacy narrative project would create an exciting rhythm in the course and give student a multimodal, multifaceted composing experience.
On a broader perspective, I also hope this project will inspire those who might be touched by it, in one way or another, to think more critically about literacy and to develop a sense of narrative agency by creating and sharing literacy narratives with others.