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• A music video or song video is a short film integrating a song and imagery,
produced for promotional or artistic purposes.

• Modern music videos are primarily made and used as a marketing device
intended to promote the sale of music recordings.

• Music videos use a wide range of styles of film making techniques,
including animation, live action filming, documentaries and non-narrative
approaches such as abstract film.

• Some music videos blend different styles, such as animation and live
action.

• Many music videos interpret images and scenes from the song's lyrics,
while others take a more thematic approach.

• Music Videos are classed to be promotion videos or promos, this is
because they are usually promotional devices. Sometimes, music videos are
termed short-form music videos to distinguish them from full length movies.
In 1926, with the arrival of "talkies" many musical short films were produced.
Vitaphone shorts (produced by Warner Bros.) featured many bands, vocalists
and dancers. Early 1930s cartoons featured popular musicians performing their
hit songs on-camera in live-action segments during the cartoons. The early
animated films by Walt Disney, such as the Silly Symphonies shorts and
especially Fantasia, which featured several interpretations of classical pieces,
were built around music. The Warner Brothers cartoons, even today billed as
Looney Tunes and Merrie Melodies, were initially fashioned around specific
songs from upcoming Warner Brothers musical films. Live action musical shorts,
featuring such popular performers as Cab Calloway, were also distributed to
theatres.
Bessie Smith appeared in a two-reel short film called ‗Saint
Louis Blues (1929) featuring a dramatized performance of
  the hit song. It was then showed in theatres until 1932.
Musical films were another important precursor to music video, and several
    well-known music videos have imitated the style of classic Hollywood
musicals from the 1930s to the 1950s. Madonna's 1985 video for "Material
Girl" which was closely modelled on Jack Cole's staging of "Diamonds Are A
         Girl's Best Friend" from the film Gentlemen Prefer Blondes.
• In the late 1950s the Scopitone, a visual jukebox, was invented in France and
short films were produced by many French artists, such as Serge Gainsbourg,
Françoise Hardy, Jacques Brel, and Jacques Dutronc to accompany their
songs.
• In 1964, The Beatles starred in their first feature film A Hard Day's Night,
directed by Richard Lester. Shot in black-and-white and presented as a mock
documentary, it interspersed comedic and dialogue sequences with musical
ones. The musical sequences furnished basic templates on which countless
subsequent music videos were modelled.
• The Rolling Stones appeared in many promotional clips for their songs in the
1960s.
• During late 1972–73 David Bowie featured in a series of promotional films
directed by pop photographer Mick Rock, who worked extensively with Bowie in
this period. Rock directed and edited four clips to promote four consecutive
David Bowie singles—"John, I'm Only Dancing" (May 1972), "The Jean Genie"
(Nov. 1972), the December 1972 US re-release of "Space Oddity" and the 1973
release of the single "Life On Mars" (lifted from Bowie's earlier album Hunky
Dory).
•In the UK the importance of Top of the Pops to promote a single created an
environment of innovation and competition amongst bands and record labels
as the show‘s producers placed strict limits on the number of videos it would
use – therefore a good video would increase a songs sales as viewers hoped
to see the video again the following week.

•Queen‘s ―Bohemian Rhapsody‖ also started a whole new era for using music
videos as promos.
• In 1981, the U.S. video channel MTV launched, airing "Video Killed the
Radio Star" and beginning an era of 24-hour-a-day music on television.
With this new outlet for material, the music video would, by the mid-1980s,
grow to play a central role in popular music marketing.
• In 1983, one of the most successful, influential and iconic music videos of
all time was released: the nearly 14-minute-long video for Michael
Jackson's song "Thriller", directed by John Landis. The video set new
standards for production, having cost US$500,000 to film.
• On March 5, 1983, Country Music Television, or CMT, was launched,
created and founded by Glenn D. Daniels and uplinked from the Video
World Productions facility in Hendersonville, Tennessee. The Canadian
music channel MuchMusic was launched in 1984. In 1984, MTV also
launched the MTV Video Music Awards (later to be known as the VMA's),
an annual awards event that would come to underscore MTV's importance
in the music industry.
•A lyric video is one in which the words to the song are the main element of
the video.

•In 1987, Prince released a video for his song "Sign o' the Times". The video
featured the song's words pulsing to the music presented along with abstract
geometric shapes; an effect created by Bill Konersman.

• In 1990 George Michael released "Praying For Time" as a lyric video. He
had refused to make a traditional music video, so his label released a simple
clip that displayed the song's lyrics on a black screen.
History of music videos

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History of music videos

  • 1.
  • 2. • A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. • Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. • Music videos use a wide range of styles of film making techniques, including animation, live action filming, documentaries and non-narrative approaches such as abstract film. • Some music videos blend different styles, such as animation and live action. • Many music videos interpret images and scenes from the song's lyrics, while others take a more thematic approach. • Music Videos are classed to be promotion videos or promos, this is because they are usually promotional devices. Sometimes, music videos are termed short-form music videos to distinguish them from full length movies.
  • 3. In 1926, with the arrival of "talkies" many musical short films were produced. Vitaphone shorts (produced by Warner Bros.) featured many bands, vocalists and dancers. Early 1930s cartoons featured popular musicians performing their hit songs on-camera in live-action segments during the cartoons. The early animated films by Walt Disney, such as the Silly Symphonies shorts and especially Fantasia, which featured several interpretations of classical pieces, were built around music. The Warner Brothers cartoons, even today billed as Looney Tunes and Merrie Melodies, were initially fashioned around specific songs from upcoming Warner Brothers musical films. Live action musical shorts, featuring such popular performers as Cab Calloway, were also distributed to theatres.
  • 4. Bessie Smith appeared in a two-reel short film called ‗Saint Louis Blues (1929) featuring a dramatized performance of the hit song. It was then showed in theatres until 1932.
  • 5. Musical films were another important precursor to music video, and several well-known music videos have imitated the style of classic Hollywood musicals from the 1930s to the 1950s. Madonna's 1985 video for "Material Girl" which was closely modelled on Jack Cole's staging of "Diamonds Are A Girl's Best Friend" from the film Gentlemen Prefer Blondes.
  • 6. • In the late 1950s the Scopitone, a visual jukebox, was invented in France and short films were produced by many French artists, such as Serge Gainsbourg, Françoise Hardy, Jacques Brel, and Jacques Dutronc to accompany their songs. • In 1964, The Beatles starred in their first feature film A Hard Day's Night, directed by Richard Lester. Shot in black-and-white and presented as a mock documentary, it interspersed comedic and dialogue sequences with musical ones. The musical sequences furnished basic templates on which countless subsequent music videos were modelled. • The Rolling Stones appeared in many promotional clips for their songs in the 1960s. • During late 1972–73 David Bowie featured in a series of promotional films directed by pop photographer Mick Rock, who worked extensively with Bowie in this period. Rock directed and edited four clips to promote four consecutive David Bowie singles—"John, I'm Only Dancing" (May 1972), "The Jean Genie" (Nov. 1972), the December 1972 US re-release of "Space Oddity" and the 1973 release of the single "Life On Mars" (lifted from Bowie's earlier album Hunky Dory).
  • 7. •In the UK the importance of Top of the Pops to promote a single created an environment of innovation and competition amongst bands and record labels as the show‘s producers placed strict limits on the number of videos it would use – therefore a good video would increase a songs sales as viewers hoped to see the video again the following week. •Queen‘s ―Bohemian Rhapsody‖ also started a whole new era for using music videos as promos.
  • 8. • In 1981, the U.S. video channel MTV launched, airing "Video Killed the Radio Star" and beginning an era of 24-hour-a-day music on television. With this new outlet for material, the music video would, by the mid-1980s, grow to play a central role in popular music marketing. • In 1983, one of the most successful, influential and iconic music videos of all time was released: the nearly 14-minute-long video for Michael Jackson's song "Thriller", directed by John Landis. The video set new standards for production, having cost US$500,000 to film. • On March 5, 1983, Country Music Television, or CMT, was launched, created and founded by Glenn D. Daniels and uplinked from the Video World Productions facility in Hendersonville, Tennessee. The Canadian music channel MuchMusic was launched in 1984. In 1984, MTV also launched the MTV Video Music Awards (later to be known as the VMA's), an annual awards event that would come to underscore MTV's importance in the music industry.
  • 9. •A lyric video is one in which the words to the song are the main element of the video. •In 1987, Prince released a video for his song "Sign o' the Times". The video featured the song's words pulsing to the music presented along with abstract geometric shapes; an effect created by Bill Konersman. • In 1990 George Michael released "Praying For Time" as a lyric video. He had refused to make a traditional music video, so his label released a simple clip that displayed the song's lyrics on a black screen.