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Public Relations Campaign
80 individually-decorated giant
Gromits
Sculpture trail in Bristol/West Country
October auction
Joint initiative - Grand Appeal and
Aardman
Multiple partners – Wild in Art,
sponsors, artists, tourism organisations
Fundraising initiative – new appeal
Public engagement
Community project
Promote Bristol as tourist destination
Raise profile of charity and current
appeal
Long-standing relationship with
Appeal
PR strategy and implementation
Over 12 months planning
Part of tight-knit team
Complex wider team
Raise awareness amongst target
audiences – local, national,
international
Build excitement and support around
concept
Help drive fundraising from project
Position Grand Appeal as charity of
choice in region
1. Support drive for sponsors and
artists
2. Build excitement and anticipation
before trail
3. High profile launch and momentum
through trail/exhibition
4. Build interest in auction amongst
potential bidders
Hard-pressed editorial teams
Rise of online media
24-hour news agenda
Timing is key – ‘soft’ story
National challenge – ‘another
sculpture trail’ – focus on Gromit and
artists
Topical – link to news agenda
Celebrity – VIPs can give story an edge
Surveys/stats – relevant to audience
Case studies – bring story to life
Pictures/footage – can make a story
Experience interviewees – can tip the
balance
High profile launches to set
expectations
Strong focus on visual appeal
Limited opportunities with Nick Park
Bespoke editorial opportunities with
key media
Different angles to harness range of
media
Exclusives/media partnerships
News/picture agencies to expand
reach
Drip feed stories to build anticipation
Vary the volume – keep them keen
Make it easy – press releases/kit
Issues management to mitigate risks
Strong picture to convey scope and tone –
arts project
Nick Park ‘ownership’ of character and
project
Tied to business launch to demonstrate
sponsorship support
National BBC; Guardian; Radio 5 Live;
blanket regional; business features
Sculptures increased from 60 to 80 to
meet sponsor demand
Peg to news agenda – Christmas,
Oscars, W&G tourism drive
High profile artists to drive
national/international coverage –
Harry Hill, Zayn
Tailor to different media interest –
street art/animation artists
Go quiet before launch – avoid
overkill
Creative idea – world of Wallace &
Gromit
Challenge of Glasto/packed news
agenda
Audience to convey genuine
excitement
Promotes Bristol icons – docks,
cranes, Suspension Bridge
Meet needs of broadcast & print
Q&A to anticipate tricky questions
Two Gromits damaged before trail
All over social media/press
Ask the public for help – own the
project
Issued tight statement
Celebrated their return
500 pieces of coverage
International press – across world plus in-flight
mags
National print/online – Guardian, Independent,
Metro, Mail on Sunday, MailOnline, Telegraph
online, BBC News, Yahoo, MSN
National broadcast – BBC National; Sky; ITN,
BBC Breakfast, Newsround
The Post front page – 14 plus all 80 mastheads
Regional - print – 106; online 232; broadcast 44
Convey success of trail
Drive fundraising message
Help support sponsors
Adapt messages to focus on high
value art
Spread net wider to draw in bidders
Timing – currency, new
Significance – who does it affect
Proximity – relevance to the audience
Novel/unexpected – man bites dog
Human interest
1. Find the angle for your story
2. Grab their attention – headline &
subject box are key
3. First paragraph should tell the story
4. Concise objective copy – less is more
5. Quotations for subjective views
6. Avoid technical jargon – ‘man down
the pub’ rule
7. Remember contact details
Plan your strategy from the outset
Clear and consistent messaging
Work with the media to meet their
needs
Do your homework before pitching
Pick your time – are they on deadline?
Keep your promises
Help them out!
@SpiritPRTeam
E: info@spiritpublicrelations.co.uk
T: 0117 944 1415
W: www.spiritpublicrelations.co.uk
@thegrandappeal
@GromitUnleashed
E: info@grandappeal.org.uk
T: 0117 9273888
W: www.grandappeal.org.uk

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Gu bristol media presentation

  • 2. 80 individually-decorated giant Gromits Sculpture trail in Bristol/West Country October auction Joint initiative - Grand Appeal and Aardman Multiple partners – Wild in Art, sponsors, artists, tourism organisations
  • 3. Fundraising initiative – new appeal Public engagement Community project Promote Bristol as tourist destination Raise profile of charity and current appeal
  • 4. Long-standing relationship with Appeal PR strategy and implementation Over 12 months planning Part of tight-knit team Complex wider team
  • 5. Raise awareness amongst target audiences – local, national, international Build excitement and support around concept Help drive fundraising from project Position Grand Appeal as charity of choice in region
  • 6.
  • 7. 1. Support drive for sponsors and artists 2. Build excitement and anticipation before trail 3. High profile launch and momentum through trail/exhibition 4. Build interest in auction amongst potential bidders
  • 8. Hard-pressed editorial teams Rise of online media 24-hour news agenda Timing is key – ‘soft’ story National challenge – ‘another sculpture trail’ – focus on Gromit and artists
  • 9. Topical – link to news agenda Celebrity – VIPs can give story an edge Surveys/stats – relevant to audience Case studies – bring story to life Pictures/footage – can make a story Experience interviewees – can tip the balance
  • 10. High profile launches to set expectations Strong focus on visual appeal Limited opportunities with Nick Park Bespoke editorial opportunities with key media Different angles to harness range of media
  • 11. Exclusives/media partnerships News/picture agencies to expand reach Drip feed stories to build anticipation Vary the volume – keep them keen Make it easy – press releases/kit Issues management to mitigate risks
  • 12. Strong picture to convey scope and tone – arts project Nick Park ‘ownership’ of character and project Tied to business launch to demonstrate sponsorship support National BBC; Guardian; Radio 5 Live; blanket regional; business features Sculptures increased from 60 to 80 to meet sponsor demand
  • 13.
  • 14. Peg to news agenda – Christmas, Oscars, W&G tourism drive High profile artists to drive national/international coverage – Harry Hill, Zayn Tailor to different media interest – street art/animation artists Go quiet before launch – avoid overkill
  • 15.
  • 16. Creative idea – world of Wallace & Gromit Challenge of Glasto/packed news agenda Audience to convey genuine excitement Promotes Bristol icons – docks, cranes, Suspension Bridge Meet needs of broadcast & print
  • 17.
  • 18. Q&A to anticipate tricky questions Two Gromits damaged before trail All over social media/press Ask the public for help – own the project Issued tight statement Celebrated their return
  • 19.
  • 20. 500 pieces of coverage International press – across world plus in-flight mags National print/online – Guardian, Independent, Metro, Mail on Sunday, MailOnline, Telegraph online, BBC News, Yahoo, MSN National broadcast – BBC National; Sky; ITN, BBC Breakfast, Newsround The Post front page – 14 plus all 80 mastheads Regional - print – 106; online 232; broadcast 44
  • 21. Convey success of trail Drive fundraising message Help support sponsors Adapt messages to focus on high value art Spread net wider to draw in bidders
  • 22. Timing – currency, new Significance – who does it affect Proximity – relevance to the audience Novel/unexpected – man bites dog Human interest
  • 23. 1. Find the angle for your story 2. Grab their attention – headline & subject box are key 3. First paragraph should tell the story 4. Concise objective copy – less is more 5. Quotations for subjective views 6. Avoid technical jargon – ‘man down the pub’ rule 7. Remember contact details
  • 24. Plan your strategy from the outset Clear and consistent messaging Work with the media to meet their needs Do your homework before pitching Pick your time – are they on deadline? Keep your promises Help them out!
  • 25. @SpiritPRTeam E: info@spiritpublicrelations.co.uk T: 0117 944 1415 W: www.spiritpublicrelations.co.uk

Notas del editor

  1. CAROLINE