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- 4. AccordingtoNationalArtist Ramon Santos,PhD,“Contemporary music inthePhilippinesrefersto compositionsthat haveadopted ideasandelementsfrom20th century art musicinthewest,as well asthe latest trendsandmusical stylesin theentertainment industry .”
- 5. AntonioJ. Molina (1894-1980) -Thefirst NationalArtist for Music -consideredoneof the “Triumvirateof Filipino Composers” -beganhismusiccareer as an orchestral soloist at the ManilaGrandOpera House.
- 7. LucioSanPedro(1913-2002) -knownasa “Romantic Nationalist.” -He incorporated Philippinefolk elements inhiscompositions with W esternformsharmony . -Hischordshavea rich expressivetonality .
- 9. Cipriano“Ryan”Cayabyab(1954) -apopular contemporary composer. -hasclassicalcompositions tohiscredit, suchasMisa, FourPoems . -His compositional stylemakes much useof syncopation, extended chords, and chromaticharmony .
- 10. Compopsition: -KayGandangAtingMusika -Limang DipangTao -DaCoconutNut -Spoliarium -Kumukuti-kutitap
- 11. -a renownedcomposer, conductor, andteacher. -His father Luciowasthechief musicianof theSpanish artillerybandinIntramurosand founder of Banda Buenaventura. Col.AntoninoR.Buenaventura (1904-1996)
- 12. Composition: -Minuet -MindanaoSketches -PandanggosaIlaw -Princesa ngKumintang -Pandanggoni Neneng
- 13. Dr.AlfredoSantos Buenaventura -composer, conductorand teacher, wasborninSta.Maria, BulacanonOctober 14, 1929. -Hegrewupinamusical environment andbecamea band member inhis hometownat a youngage.
- 15. RodolfoS.Cornejo (1909-1991) -bornonMay15, 1909in Singalong, Manila. -Inspiredbyhis mother’s genuinesupport. -startedformal music lessonsat theageof six.
- 17. -bornonOctober 21, 1902 inBacoor, Cavite. -composer, music teacher, conductor, and clarinetist. -hecreatedsubstantialworks for theorchestra. -He servedasconductor for opera, ballet, dancerecitals, andmovie music. HilarionRubioY . Francisco(1902-1985)
- 18. Composition: -Bulaklaken -DanceoftheNymphsRondo, -Florenteat Laura -Halik -Danza, Narra, Mutyang Silangan
- 21. -bornonNovember 5, 1883inBulacan. -Hewas thesonof a musicallyinclined couple. His father was Fortunato Buencamino, a church organist andbandmaster. -His mother wasLuisa Beltran,a notedsinger. FranciscoBeltranBuencaminoSr.
- 22. Composition: -Harana -Pandanggoni Neneng -Collar de Sampaguita -DulceslasHoras,Mayon -MySoul’sLament
- 24. JoseMaceda (1917-2004) Consideredasthefirst Filipinoavant garde composer, healso workedat arecording studioinParisin 1958 which specializedin musiqueconcrète.
- 26. LucreciaR.Kasilag (1918-2008) Kasilag’scompositions demonstratedafusionof EasternandW esternstylesin usinginstruments,melody, harmony , andrhythm. Sheis particularlyknownfor incorporatingindigenous Filipinoinstrumentsinto orchestral productions.
- 27. T occatafor Percucssion andWinds; TheLegend of theSarimanok; Divertissement andConcertante; Dularawan
- 28. RamonP . Santos (1941) Santos’compositional stylefeatures chromaticism, music seria, andelectronic components, combinedwith indigenous Philippine music elements.
- 29. DingDingngaDiyawa; NabasagnaBanga at Ib a’t i bapangPinag- ug pong-ugpongnaPananalita saWikangPilipino parasa labing animnatinig, andL ’BAD
- 30. Josefino“Chino”T oledo (1959) Hisownmusic, including worksfor chorus, orchestra, chamber ensemble, soloinstrument, and musictheater havebeen performedbywell-known international artistsandensembles.
- 31. 2ndOg-og;Abe;AkoangDaigdig; Alitaptap;Aliwiw; AwitingBayan;Barasyon;Asia;Kah-non; Humigit Kumulang; Lima; Mi-sa; Missadegallo; Oyog-Oyog; Musikaparasa; Pasyon atBuhay;Pompyang;Pintigan;Pilipino Komiks;Sigaw; T atluhan; Auit, Ub-og; Ug-nay; T ula-li
- 32. Francisco F .Feliciano (1942-2014) Felicianocomposedhundredsof liturgical pieces, masssettings, hymns, andsongsfor worship. HefoundedtheAsian Institutefor LiturgyandMusic (AILM)inQuezonCity , aschool for churchmusicians, andsupervisedthepublicationof anewAsianhymnal containingmostlyworksofAsian composers.
- 33. SikhaysaKabilangPaalam;AshenWings; LaLobaNegra; PreludeandT occata; Fragments; Y erma; Thelife of wartimeFilipinohero, JoseAbadSantos; T ransfiguration;Missa Mysterium;PokpokAlimpako;Salimbayan; Umiinog, W alangTinag; PamugúnandRestless
- 34. JerryDadap (1935) Thefirst Filipino composer toconduct his ownworksat the CarnegieRecital Hall in NewY orkCity , wasborn onNovember 5, 1935in Hinunangan, Southern Leyte.
- 35. ThePassionateandtheWild;MangamuyoI) and MangamuyoII; TheRedemption;Five Little Fingers;Tubig ngBuhay; DakilangPagpapatawad;Andres Bonifacio, AngDakilangAnakPawis;AngPag-ibigngDiyos; Balitaw Nos.1-7;Lam-angEpic; LorenzoRuiz; Chorale SymphonicOdeNos.1and2;AniwayatT omaneg;Song Cycle, Nos.1-4; ChoralCycleNos.1-3; Diyos AmaayPurihin; Lam-angEpic; MangamuyoI andII; Five LittleFingers;TubigngBuhay;TheRedemption.
- 36. JonasBaes (1961) Baesisknownfor writing musicutilizingunorthodox musical instrumentssuchas beanpodrattles, leaves, iron- nail chimes, andvarious Asianinstrumentssuchas bambooscrapers, bamboo flutes, andvocal musicusing Asianvocal techniques.
- 37. W ALA(Nothingness); DALUY(flow); IBOIBON (Birdwoman); SALA YSA Y; P A T ANGIS- BUW A Y A; P ANT AW AG; BASBASAN(Blessing).
- 38. Themost accomplished musiciansandliturgists inthePhilippines emergingduringthe secondhalf of the20th century . Hewasbornon July4, 1936in Pangasinan. Fr. Manuel P . Maramba, OSB
- 39. Aba!,Sto. Nino; LaNaval; LordT akayama Ukon;Awakening; SevenMansions;PapalMass for WorldYouthDay,1995;Massin HonorofSt. LorenzoRuiz; MassinHonorof theSto. Nino; cantatasSt. LorenzoRuiz,St.Benedict,andSt. Scholastica;ThreePsalms—Ahymnin honorofSt. LorenzoRuiz, andtheofficial hymnof the1996 National EucharisticCongress; AngSarswelasa SanSalvador;PugadLawin;TheVirginofNaval; andTransfiguration.
- 42. AngPipit; SaUgoyng Duyan; MisadeGallo; Itik-itik (folk song); Tinikling (folk song); andAng PaskoaySumapit.
- 44. BayanKo, BabalikKaRin, Ang T angi KongPagibig, BirhengW alangDambana, MaalaalaMo Kaya, SaPiling Mo, AngLangit ko’yIkaw
- 45. Insubsequent years, V elarde createdhisownstyleashe composedhighly melodious and romanticsongssuchas Ikaw, Lahat ngAraw, Habang Buhay,Minamahal Kita, Ikaway Akin, andDahil SaIyo. In1970, hewontheBestConductor award at theFirst International Popular SongContest inJapan with hiscompositionAsLongas Forever. Miguel“Mike”Velarde,Jr. (1913)
- 46. Buhat, Ikaw , Bituing Marikit, Minamahal Kita, DatingSumpaan, Dalisay , EternallyY ours, Gabi atAraw , Dahil saIyo
- 47. ErnaniJ. Cuenco (1936-1988) Composer, filmscorer, musical director andmusic teacher, wasconferredthe NationalArtistAwardfor Musicin1999. Hisworks embodyaFilipinosense of musicalitythat containthe classical soundof the kundiman.
- 48. Nahan, KahitnaMagtiis, Diligin Mo ngHamogangUhawnaLupa, Pilipinas, InangBayan,Isang Dalangin, Kalesa, GaanoKoIkaw Kamahal, Bato saBuhangin
- 49. RestieUmali (1916-1998) Umali playedtheE-flat horn, trombone, andtubawhenhewas part of theUST(University of SantoT omas) Band. Healso taught choral arranging and orchestrationat theUST Conservatoryof Music. He majoredinCompositionand Conductingat theConservatory of Music, University of the Philippines (UP)and Commerce at theJoseRizal College
- 50. SaanKaManNaroroon, AlaalangLumipas,Ang PangarapKo’yIkaw , SaLibis ngBarrio, DiKa Nag-iisa, Paano Kita Lilimutin
- 51. GeorgeCanseco (1934-2004) Cansecowas consideredas“a nationally acclaimed composer of numerous popular classics.”
- 52. Ikaw , KailanganKita,DitoBa,Hiram,Langisat T ubig, HanggangsaDulongW alangHanggan, SinasambaKita, KastilyongBuhangin, Minsanpa natinghagkanangNakaraan, Ngayonat Kailanman,SaanDaratingangUmaga,Sana BukasPaangKahapon, DearHeart,Gaano KadalasangMinsan
- 53. AngelMatiasPeña (1921) Aclassical andjazz composer, arranger, andbassplayer. Heiswidelyconsideredby modernFilipino jazz musiciansas“oneof the foundersof traditional jazzinthe Philippines.”
- 54. Bagbagtulambing, Igorot Rhapsody , Concerto for DoubleBassandOrchestra, Concerto for Jazz Quartet andOrchestra
- 56. . DahilsaIsangBulaklak,HindiKitaMalimot, AlingKutsero,AyAnongSaklap,Basta’tMahal Kita,Diyoslamangangnakakaalam,Hindiko Malilimutan, Lagi kitangNaaalala, Langit at Lupa, HalinaHalina, LihimnaPag-ibig, Mundo Ma’yMawala
- 57. WHA TTOPERFORM A.SingingActivity: SongMedley I ndi vi dual or i ngr oups: Singanyof thecompositionsof Celerio,DeGuzman, V elarde, Cuenco, Umali, Canseco, Peña,Silos, andSuarez.
- 58. B.CreatingandPerformingActivities: Musical 1 .Y our teacher will divide the class into four groups. Each group choose a song composer that wasdiscussed in class. Research further onhislifeandworks. 2.Createacontemporary musical onthelife of yourchosen composer.Incorporatesomeofhiscompositions(melodic fragments) inthemusical andstory . 3.Improvise simple vocal orinstrumental accompaniments (example: guitar,keyboard, percussion) to thesongs thatyouhave chosen. 4.Explorewaysofcreatingsoundsasaccompanimentonavarietyof sourcesorfromtheenvironmentfor the creation of themusical.
- 59. EvaluationofCreatingandPerforming Activities: Musical RatingScale: 2- Poor 1- NeedsFollowup 5- V ery Good 4– Good 3- Fair
- 60. Ratingtheotherperformers/ groups: 1.Howwell didtheperformersexpress the messageof themusical? 2. Howwell didtheperformerssingandact inthemusical basedonthefollowing: a. voicequality b. expression c. stagepresence d. audience impact _ e. masteryof themusical g. musical elements (rhythm,melody,dynamics) h. technique i. showmanship j. acting