Modern art
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Fernand Leger's painting "The City" incorporated elements of Cubism such as combining multiple views of objects within a single image and fusing objects with their surroundings. Cubism, as defined by John Golding, is a construction of painting in terms of a linear grid that combines abstract and representational elements. Leger's painting drew from Cubism, abstraction, Renaissance perspective, and the subject matter of the city.
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Modern art
- 3. Cubism
- 7. Cubism “ . . . the construction of a painting in terms of a linear grid or framework, the fusion of objects with their surroundings, the combination of several views of an object within a single image, and of abstract and representational elements in a single picture.” - John Golding, Cubism: A History and an Analysis, 1907-1914 (1959)
- 8. Abstraction
- 19. The City
Notas del editor
- Fernand Leger, The City, 1919
- GeorgesBraques, Violin and Candlestick, 1910
- Portrait of AmbroiseVollard, Pablo Picasso, 1910
- Still Life with Chair Caning, Pablo Picasso, 1912
- The Night Café, Vincent Van Gogh, 1888
- Paul Gaugin, The Yellow Christ, 1889
- Paul Cezanne, The Card Players, 1892
- The Dessert: Harmony in Red, Henri Matisse, 1908
- Berlin Street Scene, Ernst Ludwig Kirchner, 1913
- Wassily Kandinsky, Composition VII, 1913
- Piet Mondrian, Composition II, 1930
- Berlin Street Scene, Ernst Ludwig Kirchner, 1913
- Berlin Street Scene, Ernst Ludwig Kirchner, 1913
- Fernand Leger, The City, 1919