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Alternative Narrative
Structures
Frame Narrative
The Notebook
• Titanic
• The Princess Bride
• Raging Bull
• Citizen Kane
• The Life of Pi
• Inception
• Slumdog Millionaire
Frame Narrative
Episodic Narrative
The 400 Blows
Open-ended Narrative
Inception
• The 400 Blows
• The Graduate
• Manhattan
• 2001: A Space Odyssey
• Taxi Driver
• Mulholland Drive
• City Lights
Open-ended Narrative
Nonlinear Narrative
Pulp Fiction
• 500 Days of Summer
• Annie Hall
• Memento
• Eternal Sunshine of the Spotless Mind
• Blue Valentine
• The Prestige
• Citizen Kane
Nonlinear Narrative
Three-Act and Nonlinear
500 Days of Summer
Network Narrative
Crash
• Pulp Fiction
• Love Actually
• Traffic
• Babel
• The Help
• Diner
• Hannah and Her Sisters
Network Narrative
Variations on Narrative
Conventions
• Clarity
• Unity
• Characters
• Closure
Conventions
Viewers should not be confused about
setting, time, events, or character
motivations.
Conventions: Clarity
Forest Gump
Lack of Clarity
Donnie Darko
• Mulholland Drive
• Rashomon
• Citizen Kane
• Fight Club
• Adaptation
• Synechdoche, New York
• The Tree of Life
• 2001: A Space Odyssey
Lack of Clarity
Connections between cause and effect must
be direct and complete.
Conventions: Unity
Spiderman (2002)
Lack of Unity
Mulholland Drive
• Last Year at Marienbad
• Memento
• Reservoir Dogs
• Synechdoche, New York
• Upstream Color
Lack of Unity
They should invite viewer identification, be
active, and seek goals.
Conventions: Characters
Harry Potter and the Deathly Hallows, Part 2
Unconventional Characterization
The Wolf of Wall Stree
• Taxi Driver
• There Will Be Blood
• Drive
• A Clockwork Orange
• The Graduate
• Blue Jasmine
• Young Adult
Unconventional Characterization
Third acts and epilogues should tie up loose
ends and answer all questions.
Conventions: Closure
The Shawshank Redemption
Open-ended Narrative
Inception

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Unconventional Narrative Structures

Notas del editor

  1. Yes and no. Just about all narratives have a beginning, middle, and end. But not all follow the formulaic three-act pattern of Hollywood movies.
  2. Yes and no. Just about all narratives have a beginning, middle, and end. But not all follow the formulaic three-act pattern of Hollywood movies.