SlideShare una empresa de Scribd logo
1 de 14
Write your answer below your answer
from Wednesday.
Wordsworth
Byron
Blake
Shelley
Keats
 Fascination with the mysterious isolated
figure
 Mental state of the figure exiled from
society, haunted by guilt over past
transgressions, and defined by those
crimes
 Women poets engaging in the topic as
exiled/isolated figures
 Gothic/satire
Introduction
Readings listed on syllabus:
 Coleridge Rime of the Ancient Mariner (pp.
443-459)
 Feel free to watch the introduction to the
epic
 Byron Manfred (p. 638) (read the introduction
and skim the dramatic poem)
 Shelley “Introduction to The Last Man” (pp.
983-986)
Turnitin assignment
 *Was Wordsworth’s “Preface to the Lyrical Ballads” condescending
to the lower-class he claimed to be writing for?
 *Wordsworth describes a poet as being knowledgeable of life,
giving a poet more understanding than a non-poet; does everyone
agree with this?
 *Why didn’t Wordsworth want his friends’ opinions or help?
 What does Wordsworth mean by “scenes taken from common
life”? Where do we see that in the readings so far?
 What does Wordsworth say is the appropriate language of poetry?
Do you agree or disagree?
 Coleridge later criticized Wordsworth’s claims for the language of
poetry in that he disagrees that the language of rustics is the best
language and that there is no difference between the language of
poetry and prose. How do you feel about this debate?
Main Menu
 **Byron opens his “epic” with the statement: “I
want a hero.” What does this opening suggest
about heroic poetry in the Romantic period?
Why does he opt for Don Juan? What kind of
hero is he?
 *Don Juan was said to be comedy though it
consists of great tragedy. What is it that
pushes a tragedy over the edge to a comedy?
 How is Byron teasing us with his language [i.e.
“But this last simile is trite and stupid”
(1.440)]?
Main Menu
 How do the “Introduction” poems represent the practice of
poetry? How are they different?
 What does the lamb symbolize in “The Lamb”? How consistent is
this symbolic meaning when the image appears in other poems?
 How does your interpretation of “The Lamb” change after you
read “The Tyger”?
 *What made Blake single out a lamb and a tiger to question where
they come from?
 What do the Songs of Innocence, taken collectively, suggest about
Blake’s use of the pastoral? Consider pastoral themes, such as the
loss of innocence, the healing power of nature, the triumph of life
over death.
 *Do you think Blake’s poems shone a light on his criticisms
toward the culture of selling children for work?
 *Who do you think the child was?
Main Menu
 What does it mean when Shelley calls Bacon and
Plato poets? How does Shelley’s essay contribute
to the disagreement between Wordsworth and
Coleridge over the suitability of the language of
prose in poetry?
 In what sense is poetry a moral exercise for its
readers?
 What is the source of Shelley’s hope and idealism
in the essay and in the poems? Does his hope have
a practical basis?
 *Is the whole point of the poem to express how he
wants the world to appreciate his poetry as much
as he appreciates the bird’s music?
Main Menu
 How would you explain the poet’s relationship to the nightingale
in the ode? How does it change from the beginning to the end?
 What is it that the poet seeks to escape when he fades “far away”
in the third stanza? What is the implication that Beauty will not
keep her lustrous eyes,/Or new Love pine at them beyond
tomorrow”? Compare this to the poet’s enthusiastic sympathy for
lovers on the Grecian urn.
 In his letters, Keats writes that “poetry should surprise by fine
excess and not by Singularity…Its touches of Beauty should never
be half way thereby making the reader breathless instead of
content.” In another place he writes, “We hate poetry that has a
palpable design upon us…Poetry should be great and
unobtrusive, a thing which enters into one’s soul, and does not
startle it or amaze it with itself but with its subject.” To what
extent does Keats achieve these goals in his odes? How?
 *How do Shelley and Keats use birds to illustrate their
philosophies on life?
Main Menu

Más contenido relacionado

La actualidad más candente

William Wordsworth, his biography and "Preface to Lyrical Ballads" ( Part II)
William Wordsworth, his biography and "Preface to Lyrical Ballads" ( Part II)William Wordsworth, his biography and "Preface to Lyrical Ballads" ( Part II)
William Wordsworth, his biography and "Preface to Lyrical Ballads" ( Part II)Mohammad Jashim Uddin
 
Keats's theory of negative capability
Keats's theory of negative capabilityKeats's theory of negative capability
Keats's theory of negative capabilitykhalil alquraidhy
 
Notes: Preface to Lyrical Ballads by Wordsworth
Notes: Preface to Lyrical Ballads by WordsworthNotes: Preface to Lyrical Ballads by Wordsworth
Notes: Preface to Lyrical Ballads by WordsworthSarah Abdussalam
 
International Journal of Humanities and Social Science Invention (IJHSSI)
International Journal of Humanities and Social Science Invention (IJHSSI)International Journal of Humanities and Social Science Invention (IJHSSI)
International Journal of Humanities and Social Science Invention (IJHSSI)inventionjournals
 
Waste land presentation b zia
Waste land presentation b  ziaWaste land presentation b  zia
Waste land presentation b ziaZia Rehman
 
The Dialogue of Self and Soul
The Dialogue of Self and SoulThe Dialogue of Self and Soul
The Dialogue of Self and SoulSaba Noor
 
Analysis of Sir Philip Sidney's Defense of Poesy
Analysis of Sir Philip Sidney's Defense of PoesyAnalysis of Sir Philip Sidney's Defense of Poesy
Analysis of Sir Philip Sidney's Defense of PoesyMegan DC
 
Coleridge's Views on Wordsworth's Poetic Creed
Coleridge's Views on Wordsworth's Poetic CreedColeridge's Views on Wordsworth's Poetic Creed
Coleridge's Views on Wordsworth's Poetic CreedArti Vadher
 
methew arnold
methew arnoldmethew arnold
methew arnoldDoll Pari
 
Two cardinal points
Two cardinal pointsTwo cardinal points
Two cardinal pointsDharaVirani
 
THE POET AS WARRIORS IN SIDNEY’S DEFENCE OF POETRY
THE POET AS WARRIORS IN SIDNEY’S DEFENCE OF POETRYTHE POET AS WARRIORS IN SIDNEY’S DEFENCE OF POETRY
THE POET AS WARRIORS IN SIDNEY’S DEFENCE OF POETRYFatima Gul
 
The prophets of love and beauty a comparative study of john keats and ghani...
The prophets of love and beauty   a comparative study of john keats and ghani...The prophets of love and beauty   a comparative study of john keats and ghani...
The prophets of love and beauty a comparative study of john keats and ghani...Jansher Chakkittammal
 
An apology for poetry paragraph 1-30
An apology for poetry paragraph 1-30An apology for poetry paragraph 1-30
An apology for poetry paragraph 1-30Anamta Dua
 

La actualidad más candente (20)

Preface to lyrical ballads
Preface to lyrical balladsPreface to lyrical ballads
Preface to lyrical ballads
 
William Wordsworth, his biography and "Preface to Lyrical Ballads" ( Part II)
William Wordsworth, his biography and "Preface to Lyrical Ballads" ( Part II)William Wordsworth, his biography and "Preface to Lyrical Ballads" ( Part II)
William Wordsworth, his biography and "Preface to Lyrical Ballads" ( Part II)
 
Keats's theory of negative capability
Keats's theory of negative capabilityKeats's theory of negative capability
Keats's theory of negative capability
 
Notes: Preface to Lyrical Ballads by Wordsworth
Notes: Preface to Lyrical Ballads by WordsworthNotes: Preface to Lyrical Ballads by Wordsworth
Notes: Preface to Lyrical Ballads by Wordsworth
 
International Journal of Humanities and Social Science Invention (IJHSSI)
International Journal of Humanities and Social Science Invention (IJHSSI)International Journal of Humanities and Social Science Invention (IJHSSI)
International Journal of Humanities and Social Science Invention (IJHSSI)
 
Waste land presentation b zia
Waste land presentation b  ziaWaste land presentation b  zia
Waste land presentation b zia
 
Shelley as a poet
Shelley as a poetShelley as a poet
Shelley as a poet
 
The Dialogue of Self and Soul
The Dialogue of Self and SoulThe Dialogue of Self and Soul
The Dialogue of Self and Soul
 
Analysis of Sir Philip Sidney's Defense of Poesy
Analysis of Sir Philip Sidney's Defense of PoesyAnalysis of Sir Philip Sidney's Defense of Poesy
Analysis of Sir Philip Sidney's Defense of Poesy
 
John Keats
John KeatsJohn Keats
John Keats
 
John keats
John keatsJohn keats
John keats
 
John keats
John keatsJohn keats
John keats
 
Coleridge's Views on Wordsworth's Poetic Creed
Coleridge's Views on Wordsworth's Poetic CreedColeridge's Views on Wordsworth's Poetic Creed
Coleridge's Views on Wordsworth's Poetic Creed
 
methew arnold
methew arnoldmethew arnold
methew arnold
 
Hollow Men
Hollow MenHollow Men
Hollow Men
 
Two cardinal points
Two cardinal pointsTwo cardinal points
Two cardinal points
 
Arnold and his criticism
Arnold and his criticism Arnold and his criticism
Arnold and his criticism
 
THE POET AS WARRIORS IN SIDNEY’S DEFENCE OF POETRY
THE POET AS WARRIORS IN SIDNEY’S DEFENCE OF POETRYTHE POET AS WARRIORS IN SIDNEY’S DEFENCE OF POETRY
THE POET AS WARRIORS IN SIDNEY’S DEFENCE OF POETRY
 
The prophets of love and beauty a comparative study of john keats and ghani...
The prophets of love and beauty   a comparative study of john keats and ghani...The prophets of love and beauty   a comparative study of john keats and ghani...
The prophets of love and beauty a comparative study of john keats and ghani...
 
An apology for poetry paragraph 1-30
An apology for poetry paragraph 1-30An apology for poetry paragraph 1-30
An apology for poetry paragraph 1-30
 

Destacado

Wordsworth
WordsworthWordsworth
Wordsworthpooja
 
Preface to Wordsworth Presentation
Preface to Wordsworth PresentationPreface to Wordsworth Presentation
Preface to Wordsworth Presentationgondasmita
 
Poetry is
Poetry isPoetry is
Poetry isEEA_NWP
 
Preface To Lyrical Ballads
Preface To  Lyrical  BalladsPreface To  Lyrical  Ballads
Preface To Lyrical Balladsflybabe316
 
The preface by wordsworth
The preface by wordsworthThe preface by wordsworth
The preface by wordsworthLajja Bhatt
 
Samuel taylor coleridge in contrast to william wordsworth
Samuel taylor coleridge in contrast to william wordsworthSamuel taylor coleridge in contrast to william wordsworth
Samuel taylor coleridge in contrast to william wordsworthSeemab Abbas
 
William wordsworth
William wordsworthWilliam wordsworth
William wordsworthkumaragnee
 
Preface to the second edition of lyrical ballads
Preface to the second edition of lyrical balladsPreface to the second edition of lyrical ballads
Preface to the second edition of lyrical balladsEsma Alver
 
Romantics the romantic period
Romantics    the romantic periodRomantics    the romantic period
Romantics the romantic periodgiuniper
 
Paper 3 preface to lyrical ballads
Paper 3 preface to lyrical balladsPaper 3 preface to lyrical ballads
Paper 3 preface to lyrical balladsjalpa kalani
 
Wordsworth’s theory of poetic diction
Wordsworth’s theory of poetic dictionWordsworth’s theory of poetic diction
Wordsworth’s theory of poetic dictionKinjal Patel
 
The preface to lyrical ballads
The preface to lyrical balladsThe preface to lyrical ballads
The preface to lyrical balladsDayamani Surya
 
Samuel Coleridge- Biographia Literaria Ch 14
Samuel Coleridge- Biographia Literaria Ch 14Samuel Coleridge- Biographia Literaria Ch 14
Samuel Coleridge- Biographia Literaria Ch 14Dilip Barad
 

Destacado (20)

39 p3
39   p339   p3
39 p3
 
Romanticism
RomanticismRomanticism
Romanticism
 
Wordsworth
WordsworthWordsworth
Wordsworth
 
Preface to Wordsworth Presentation
Preface to Wordsworth PresentationPreface to Wordsworth Presentation
Preface to Wordsworth Presentation
 
Poetry is
Poetry isPoetry is
Poetry is
 
Preface To Lyrical Ballads
Preface To  Lyrical  BalladsPreface To  Lyrical  Ballads
Preface To Lyrical Ballads
 
The preface by wordsworth
The preface by wordsworthThe preface by wordsworth
The preface by wordsworth
 
Samuel taylor coleridge in contrast to william wordsworth
Samuel taylor coleridge in contrast to william wordsworthSamuel taylor coleridge in contrast to william wordsworth
Samuel taylor coleridge in contrast to william wordsworth
 
William wordsworth
William wordsworthWilliam wordsworth
William wordsworth
 
Romantic Age
Romantic AgeRomantic Age
Romantic Age
 
Preface to the second edition of lyrical ballads
Preface to the second edition of lyrical balladsPreface to the second edition of lyrical ballads
Preface to the second edition of lyrical ballads
 
Romantics the romantic period
Romantics    the romantic periodRomantics    the romantic period
Romantics the romantic period
 
Paper 3 preface to lyrical ballads
Paper 3 preface to lyrical balladsPaper 3 preface to lyrical ballads
Paper 3 preface to lyrical ballads
 
William Wordsworth
William WordsworthWilliam Wordsworth
William Wordsworth
 
Prose
ProseProse
Prose
 
Wordsworth’s theory of poetic diction
Wordsworth’s theory of poetic dictionWordsworth’s theory of poetic diction
Wordsworth’s theory of poetic diction
 
The preface to lyrical ballads
The preface to lyrical balladsThe preface to lyrical ballads
The preface to lyrical ballads
 
Samuel Coleridge- Biographia Literaria Ch 14
Samuel Coleridge- Biographia Literaria Ch 14Samuel Coleridge- Biographia Literaria Ch 14
Samuel Coleridge- Biographia Literaria Ch 14
 
Prose
ProseProse
Prose
 
Prose and poetry
Prose and poetryProse and poetry
Prose and poetry
 

Más de MelissaJLong

March 9/10, 2016 (73X)
March 9/10, 2016 (73X)March 9/10, 2016 (73X)
March 9/10, 2016 (73X)MelissaJLong
 
March 8, 2016 (73X)
March 8, 2016 (73X)March 8, 2016 (73X)
March 8, 2016 (73X)MelissaJLong
 
March 2/3, 2016 (73X)
March 2/3, 2016 (73X)March 2/3, 2016 (73X)
March 2/3, 2016 (73X)MelissaJLong
 
February 29/March 1 (73X)
February 29/March 1 (73X)February 29/March 1 (73X)
February 29/March 1 (73X)MelissaJLong
 
February 24/25, 2016 (73X)
February 24/25, 2016 (73X)February 24/25, 2016 (73X)
February 24/25, 2016 (73X)MelissaJLong
 
February 22, 2016 (73X)
February 22, 2016 (73X)February 22, 2016 (73X)
February 22, 2016 (73X)MelissaJLong
 
February 18, 2016 (73X)(TR)
February 18, 2016 (73X)(TR)February 18, 2016 (73X)(TR)
February 18, 2016 (73X)(TR)MelissaJLong
 
February 16, 2016 (104)
February 16, 2016 (104)February 16, 2016 (104)
February 16, 2016 (104)MelissaJLong
 
February 16/17, 2016 (73X)
February 16/17, 2016 (73X)February 16/17, 2016 (73X)
February 16/17, 2016 (73X)MelissaJLong
 
February 10/11, 2016 (73X)
February 10/11, 2016 (73X)February 10/11, 2016 (73X)
February 10/11, 2016 (73X)MelissaJLong
 
February 9, 2016 (104)
February 9, 2016 (104)February 9, 2016 (104)
February 9, 2016 (104)MelissaJLong
 
February 8/9, 2016 (73X)
February 8/9, 2016 (73X)February 8/9, 2016 (73X)
February 8/9, 2016 (73X)MelissaJLong
 
February 3/4, 2016 (73X)
February 3/4, 2016 (73X)February 3/4, 2016 (73X)
February 3/4, 2016 (73X)MelissaJLong
 
February 2, 2016 (104)
February 2, 2016 (104)February 2, 2016 (104)
February 2, 2016 (104)MelissaJLong
 
February 1/2, 2016 (73X)
February 1/2, 2016 (73X)February 1/2, 2016 (73X)
February 1/2, 2016 (73X)MelissaJLong
 
January 26, 2016 (104)
January 26, 2016 (104)January 26, 2016 (104)
January 26, 2016 (104)MelissaJLong
 
January 26/27, 2016 (73X)
January 26/27, 2016 (73X)January 26/27, 2016 (73X)
January 26/27, 2016 (73X)MelissaJLong
 
January 21/25, 2016 73X
January 21/25, 2016 73XJanuary 21/25, 2016 73X
January 21/25, 2016 73XMelissaJLong
 
January 19/20, 2016 73X
January 19/20, 2016 73XJanuary 19/20, 2016 73X
January 19/20, 2016 73XMelissaJLong
 

Más de MelissaJLong (20)

March 9/10, 2016 (73X)
March 9/10, 2016 (73X)March 9/10, 2016 (73X)
March 9/10, 2016 (73X)
 
March 8, 2016 (73X)
March 8, 2016 (73X)March 8, 2016 (73X)
March 8, 2016 (73X)
 
March 2/3, 2016 (73X)
March 2/3, 2016 (73X)March 2/3, 2016 (73X)
March 2/3, 2016 (73X)
 
February 29/March 1 (73X)
February 29/March 1 (73X)February 29/March 1 (73X)
February 29/March 1 (73X)
 
February 24/25, 2016 (73X)
February 24/25, 2016 (73X)February 24/25, 2016 (73X)
February 24/25, 2016 (73X)
 
February 22, 2016 (73X)
February 22, 2016 (73X)February 22, 2016 (73X)
February 22, 2016 (73X)
 
February 18, 2016 (73X)(TR)
February 18, 2016 (73X)(TR)February 18, 2016 (73X)(TR)
February 18, 2016 (73X)(TR)
 
February 16, 2016 (104)
February 16, 2016 (104)February 16, 2016 (104)
February 16, 2016 (104)
 
February 16/17, 2016 (73X)
February 16/17, 2016 (73X)February 16/17, 2016 (73X)
February 16/17, 2016 (73X)
 
February 10/11, 2016 (73X)
February 10/11, 2016 (73X)February 10/11, 2016 (73X)
February 10/11, 2016 (73X)
 
February 9, 2016 (104)
February 9, 2016 (104)February 9, 2016 (104)
February 9, 2016 (104)
 
February 8/9, 2016 (73X)
February 8/9, 2016 (73X)February 8/9, 2016 (73X)
February 8/9, 2016 (73X)
 
February 3/4, 2016 (73X)
February 3/4, 2016 (73X)February 3/4, 2016 (73X)
February 3/4, 2016 (73X)
 
February 2, 2016 (104)
February 2, 2016 (104)February 2, 2016 (104)
February 2, 2016 (104)
 
February 1/2, 2016 (73X)
February 1/2, 2016 (73X)February 1/2, 2016 (73X)
February 1/2, 2016 (73X)
 
January 26, 2016 (104)
January 26, 2016 (104)January 26, 2016 (104)
January 26, 2016 (104)
 
January 26/27, 2016 (73X)
January 26/27, 2016 (73X)January 26/27, 2016 (73X)
January 26/27, 2016 (73X)
 
January 21/25, 2016 73X
January 21/25, 2016 73XJanuary 21/25, 2016 73X
January 21/25, 2016 73X
 
January 19/20, 2016 73X
January 19/20, 2016 73XJanuary 19/20, 2016 73X
January 19/20, 2016 73X
 
November 24 (73X)
November 24 (73X)November 24 (73X)
November 24 (73X)
 

Último

On National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan FellowsOn National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan FellowsMebane Rash
 
Wellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptxWellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptxJisc
 
Understanding Accommodations and Modifications
Understanding  Accommodations and ModificationsUnderstanding  Accommodations and Modifications
Understanding Accommodations and ModificationsMJDuyan
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfagholdier
 
Towards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptxTowards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptxJisc
 
Fostering Friendships - Enhancing Social Bonds in the Classroom
Fostering Friendships - Enhancing Social Bonds  in the ClassroomFostering Friendships - Enhancing Social Bonds  in the Classroom
Fostering Friendships - Enhancing Social Bonds in the ClassroomPooky Knightsmith
 
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptxHMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptxEsquimalt MFRC
 
How to Add New Custom Addons Path in Odoo 17
How to Add New Custom Addons Path in Odoo 17How to Add New Custom Addons Path in Odoo 17
How to Add New Custom Addons Path in Odoo 17Celine George
 
REMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptxREMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptxDr. Ravikiran H M Gowda
 
Python Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docxPython Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docxRamakrishna Reddy Bijjam
 
COMMUNICATING NEGATIVE NEWS - APPROACHES .pptx
COMMUNICATING NEGATIVE NEWS - APPROACHES .pptxCOMMUNICATING NEGATIVE NEWS - APPROACHES .pptx
COMMUNICATING NEGATIVE NEWS - APPROACHES .pptxannathomasp01
 
Sociology 101 Demonstration of Learning Exhibit
Sociology 101 Demonstration of Learning ExhibitSociology 101 Demonstration of Learning Exhibit
Sociology 101 Demonstration of Learning Exhibitjbellavia9
 
How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17Celine George
 
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptxExploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptxPooja Bhuva
 
Google Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptxGoogle Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptxDr. Sarita Anand
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfAdmir Softic
 
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...Nguyen Thanh Tu Collection
 
Plant propagation: Sexual and Asexual propapagation.pptx
Plant propagation: Sexual and Asexual propapagation.pptxPlant propagation: Sexual and Asexual propapagation.pptx
Plant propagation: Sexual and Asexual propapagation.pptxUmeshTimilsina1
 
General Principles of Intellectual Property: Concepts of Intellectual Proper...
General Principles of Intellectual Property: Concepts of Intellectual  Proper...General Principles of Intellectual Property: Concepts of Intellectual  Proper...
General Principles of Intellectual Property: Concepts of Intellectual Proper...Poonam Aher Patil
 
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...Pooja Bhuva
 

Último (20)

On National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan FellowsOn National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan Fellows
 
Wellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptxWellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptx
 
Understanding Accommodations and Modifications
Understanding  Accommodations and ModificationsUnderstanding  Accommodations and Modifications
Understanding Accommodations and Modifications
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdf
 
Towards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptxTowards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptx
 
Fostering Friendships - Enhancing Social Bonds in the Classroom
Fostering Friendships - Enhancing Social Bonds  in the ClassroomFostering Friendships - Enhancing Social Bonds  in the Classroom
Fostering Friendships - Enhancing Social Bonds in the Classroom
 
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptxHMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
 
How to Add New Custom Addons Path in Odoo 17
How to Add New Custom Addons Path in Odoo 17How to Add New Custom Addons Path in Odoo 17
How to Add New Custom Addons Path in Odoo 17
 
REMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptxREMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptx
 
Python Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docxPython Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docx
 
COMMUNICATING NEGATIVE NEWS - APPROACHES .pptx
COMMUNICATING NEGATIVE NEWS - APPROACHES .pptxCOMMUNICATING NEGATIVE NEWS - APPROACHES .pptx
COMMUNICATING NEGATIVE NEWS - APPROACHES .pptx
 
Sociology 101 Demonstration of Learning Exhibit
Sociology 101 Demonstration of Learning ExhibitSociology 101 Demonstration of Learning Exhibit
Sociology 101 Demonstration of Learning Exhibit
 
How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17
 
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptxExploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
 
Google Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptxGoogle Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptx
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
 
Plant propagation: Sexual and Asexual propapagation.pptx
Plant propagation: Sexual and Asexual propapagation.pptxPlant propagation: Sexual and Asexual propapagation.pptx
Plant propagation: Sexual and Asexual propapagation.pptx
 
General Principles of Intellectual Property: Concepts of Intellectual Proper...
General Principles of Intellectual Property: Concepts of Intellectual  Proper...General Principles of Intellectual Property: Concepts of Intellectual  Proper...
General Principles of Intellectual Property: Concepts of Intellectual Proper...
 
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
 

September 9

  • 1.
  • 2.
  • 3. Write your answer below your answer from Wednesday.
  • 4.
  • 6.  Fascination with the mysterious isolated figure  Mental state of the figure exiled from society, haunted by guilt over past transgressions, and defined by those crimes  Women poets engaging in the topic as exiled/isolated figures  Gothic/satire
  • 8.
  • 9. Readings listed on syllabus:  Coleridge Rime of the Ancient Mariner (pp. 443-459)  Feel free to watch the introduction to the epic  Byron Manfred (p. 638) (read the introduction and skim the dramatic poem)  Shelley “Introduction to The Last Man” (pp. 983-986) Turnitin assignment
  • 10.  *Was Wordsworth’s “Preface to the Lyrical Ballads” condescending to the lower-class he claimed to be writing for?  *Wordsworth describes a poet as being knowledgeable of life, giving a poet more understanding than a non-poet; does everyone agree with this?  *Why didn’t Wordsworth want his friends’ opinions or help?  What does Wordsworth mean by “scenes taken from common life”? Where do we see that in the readings so far?  What does Wordsworth say is the appropriate language of poetry? Do you agree or disagree?  Coleridge later criticized Wordsworth’s claims for the language of poetry in that he disagrees that the language of rustics is the best language and that there is no difference between the language of poetry and prose. How do you feel about this debate? Main Menu
  • 11.  **Byron opens his “epic” with the statement: “I want a hero.” What does this opening suggest about heroic poetry in the Romantic period? Why does he opt for Don Juan? What kind of hero is he?  *Don Juan was said to be comedy though it consists of great tragedy. What is it that pushes a tragedy over the edge to a comedy?  How is Byron teasing us with his language [i.e. “But this last simile is trite and stupid” (1.440)]? Main Menu
  • 12.  How do the “Introduction” poems represent the practice of poetry? How are they different?  What does the lamb symbolize in “The Lamb”? How consistent is this symbolic meaning when the image appears in other poems?  How does your interpretation of “The Lamb” change after you read “The Tyger”?  *What made Blake single out a lamb and a tiger to question where they come from?  What do the Songs of Innocence, taken collectively, suggest about Blake’s use of the pastoral? Consider pastoral themes, such as the loss of innocence, the healing power of nature, the triumph of life over death.  *Do you think Blake’s poems shone a light on his criticisms toward the culture of selling children for work?  *Who do you think the child was? Main Menu
  • 13.  What does it mean when Shelley calls Bacon and Plato poets? How does Shelley’s essay contribute to the disagreement between Wordsworth and Coleridge over the suitability of the language of prose in poetry?  In what sense is poetry a moral exercise for its readers?  What is the source of Shelley’s hope and idealism in the essay and in the poems? Does his hope have a practical basis?  *Is the whole point of the poem to express how he wants the world to appreciate his poetry as much as he appreciates the bird’s music? Main Menu
  • 14.  How would you explain the poet’s relationship to the nightingale in the ode? How does it change from the beginning to the end?  What is it that the poet seeks to escape when he fades “far away” in the third stanza? What is the implication that Beauty will not keep her lustrous eyes,/Or new Love pine at them beyond tomorrow”? Compare this to the poet’s enthusiastic sympathy for lovers on the Grecian urn.  In his letters, Keats writes that “poetry should surprise by fine excess and not by Singularity…Its touches of Beauty should never be half way thereby making the reader breathless instead of content.” In another place he writes, “We hate poetry that has a palpable design upon us…Poetry should be great and unobtrusive, a thing which enters into one’s soul, and does not startle it or amaze it with itself but with its subject.” To what extent does Keats achieve these goals in his odes? How?  *How do Shelley and Keats use birds to illustrate their philosophies on life? Main Menu

Notas del editor

  1. The Fighting Temeraire JMW Turner