SlideShare una empresa de Scribd logo
1 de 13
Part O

           Theories of Propp (Character Roles)
  Propp’s theory
  Vladimir Propp developed a character
      theory for studying media texts
      and productions, which indicates
      that there were 7
      broad character types in the 100      How we are using theory
      tales he analysed.                    • We will be applying theories of Propp
                                               in our Opening Sequence.
                                             What I learnt from Propp is that you
  He studies Russian fairytales and
                                               can classify characters by their roles
      discovered that in stories there         and actions.
      were always 8 types of characters
      evident. These are: the hero, the
                                               This links to our opening sequence,
      villain, the donor, the dispatcher,       because the characters are all
      the false hero, the helper, the           different and we could understand
      princess and her father.                  each actors key function.
                                            •   We will be using theories of Propp to
                                                identify what characters do what. In
                                                his theory Nia would be (the Victim)
                                                and Kylie would be (the helper)
Part O

Levi-Strauss looked at narrative structure in
terms of binary oppositions.

Binary oppositions are sets of opposite values
which reveal the structure of media texts. An
example would be GOOD and EVIL – we
understand the concept of GOOD as being the
opposite of EVIL.

 Levi –Strauss was not so interested in looking
at the order in which events were arranged in
the plot. He looked instead for deeper
arrangements of themes. For example, if we
look at Science Fiction films we can identify a
series of binary oppositions.
Part O


  •   Immortality is the ability to live forever.   •   Mortality is the condition of being
                                                        mortal, or susceptible to death; the
                                                        opposite of immortality.




         We show the binary opposition through the characters in the film. The
         Main Character Being Human (Mortal) And the doll in which has a
         supernatural sprit in it (immortal).
         The struggle shows that when something is immortal it is tougher to
         either control or win against.
Part Q   Target Audience

           Age Certificate: 15
           Location: Worldwide
           Gender: Both Genders
           Social Class: Working Class/ Youth
           Must have an interest in how
          society can affect on people
          lifestyles

           Open minded to the reason
          why/how people can make
          mistakes.

           Sense of empathy
Part Q                                       Target Audience
 • Target audience: 15 – 18 year olds
 • I say this because looking at the BBFC standards certain scenes might not
   be appropriate for any age below that.
 • Some scenes may be too harsh to watch.
 • A lot of scenes will portray paranoia, uncertainly, mind confusing, a lot of
   tension, leave you feeling a bit uneasy.
 • I decided a bit too much for a below 15 year old to handle.


                                         Gender – it is targeted at both
                                         genders male and female.
                                         There is nothing against any gender
                                         or discriminating a particular gender
                                         in the sequence.
Part Q                                                  Target Audience
 •   Social Class – We don’t want to be too harsh on the
     viewing of the sequence. But the social class is mostly
     targeted at middle class and working class people.
     Affordable and accessible to watch at any time.


                     Interests –Psychological
     Upper           thrillers, paranoia
                     behaviour, science, mental
 Upper Middle        behaviour, toys etc. this all
                     relates to the sequence
 Middle Middle

 Lower Middle                                                  Hobbies
                                                               Watching Films
     Working                                                   Playing Games
                                                               Collecting Toys
  Upper Lower

     Poverty
Part R
                          Inspirational Distribution Companies




We will not be using Lionsgate because
it’s too much of a multi million
distribution company and it wouldn’t suit
our budget.

It’s mostly targeted at top American films.

We also we need to look at the budget of
our film before hand.

Could it be affordable?
                                              Lionsgate don’t do much Thriller movies focus is more on
                                              drama and action
Part R   Inspiration UK Distributing Company




• Choose this because its     Brief Facts
  distributed British films   • Founded in London , UK
  One with the same           • They are Owned by Paramount
  target audience that            & Universal Pictures
  my group are targeting       Address
  (life& Lyrics)              • UIP ,Building 5, Chiswick
                                  Park,566 Chiswick High Road,
                                  London,W4 5YF
Part R      Distributing Company we are using

Revolver Entertainment is a
marketing-lead, all rights film
distribution company. Founded in
1997, the company has operations
in both London and Los Angeles.


Distributed Films such as;         We Would Choose Revolver
 Anuvahood                        Entertainment because;
 Shank                             Revolver Entertainment is one of
 Black Death                         the UK & Eire’s leading ‘All Rights’
 Kidulthood                          distribution companies
 Dead Man Running                  Distributed many well known films
 Exit Through The Gift Shop          on various budgets.
Part S   Example of 15 Rated Movies
Part S
                                              BBFC Standards
     BBFC STANDARDS                              How we met the Standard


     “Dangerous behaviour (for example,          In Our open sequence no “dangerous
     hanging, suicide and self-harming)          behaviour” is not shown at all.
     should not dwell on detail which could
     be copied. Easily accessible weapons
     should not be glamorised”
     “There may be frequent use of strong        In our open sequence there is no profanity is
     language (for example, ‘f***’).             spoken or shown in a gesture.
     The strongest terms (for example,
     ‘cunt’) may be acceptable if justified by
     the context. Aggressive or repeated use
     of the strongest language is unlikely
     to be acceptable”

     “No theme is prohibited, provided the       Our themes of revenge is not shown in the
     treatment                                   open sequence but if it was it would have
     is appropriate for 15 year olds.”           been appropriate for viewers of 15 +
Part U



                                                   This was used in the Movie “Dead
We will make our own and not copy anything
on this slide due to copyrights but these was a
                                                   Silence” starts off slow (then after
inspiration to our group                           26 seconds) it speeds up


  Music That inspired me
  …
 I liked the different                            This was used in the grudge gaves us
 range of                                         the creeps which we thought was
 instruments used I                               effective
 thought it would
 be effective to use
 something similar
 to be played in the                              This was used in “nightmare on elm
 open sequence                                    street” this was inspiring because it
 when the credits                                 matches our idea it uses young girls
 are on when                                      (Around 5-7 years )saying horrific stuff
 everything was                                   in the tune of a nursery rhyme
 suppose to be calm
Part U
                    Music That Will Be Featured In
                        Our Open Sequence
                                   • 2. When the post comes
    • 1. For the Beginning of
      the scene where Lia is         and she see pictures of
      coming downstairs into         aborted baby and when
      the kitchen on the laptop      Lia comes in contact of
      with her scrap book due        the doll for the first
      to the sounds are calm         time this would be
      brings a sad mood which        played
      is what we wanted




     • 3.When the doll reappears
       from the bin & Lia
       recognises something
       ain't right + scene ends

Más contenido relacionado

La actualidad más candente

GCSE Media Action Adventure Lesson 4 - NICS
GCSE Media Action Adventure Lesson 4 - NICSGCSE Media Action Adventure Lesson 4 - NICS
GCSE Media Action Adventure Lesson 4 - NICSElle Sullivan
 
As Media Presentation[2]1
As Media Presentation[2]1As Media Presentation[2]1
As Media Presentation[2]1guest8918fdd
 
Short Story Unit Literary Terms
Short Story Unit Literary TermsShort Story Unit Literary Terms
Short Story Unit Literary TermsSmith1234
 
Narrative theory
Narrative theoryNarrative theory
Narrative theorycigdemkalem
 
Analysis of a horror character
Analysis of a horror characterAnalysis of a horror character
Analysis of a horror characterMadisonalger
 
Theories and codes
Theories and codesTheories and codes
Theories and codeslaura_young_
 
Vladimir propp powerpoint
Vladimir propp powerpointVladimir propp powerpoint
Vladimir propp powerpointBecca Hibbs
 
Stock characters in slasher horror
Stock characters in slasher horrorStock characters in slasher horror
Stock characters in slasher horrorKMillsM
 
Develop A Story for Screen
Develop A Story for ScreenDevelop A Story for Screen
Develop A Story for ScreenSajid Peña
 
Narrative theory 2
Narrative theory 2Narrative theory 2
Narrative theory 2Heywoodmedia
 
Morphology of Folktales
Morphology of FolktalesMorphology of Folktales
Morphology of Folktalesyoonzel
 
Narrative
NarrativeNarrative
NarrativeJonjo87
 

La actualidad más candente (19)

GCSE Media Action Adventure Lesson 4 - NICS
GCSE Media Action Adventure Lesson 4 - NICSGCSE Media Action Adventure Lesson 4 - NICS
GCSE Media Action Adventure Lesson 4 - NICS
 
As Media Presentation[2]1
As Media Presentation[2]1As Media Presentation[2]1
As Media Presentation[2]1
 
Short Story Unit Literary Terms
Short Story Unit Literary TermsShort Story Unit Literary Terms
Short Story Unit Literary Terms
 
Vladimir Propp
Vladimir ProppVladimir Propp
Vladimir Propp
 
Vladimir propp
Vladimir proppVladimir propp
Vladimir propp
 
Narrative theory
Narrative theoryNarrative theory
Narrative theory
 
Analysis of a horror character
Analysis of a horror characterAnalysis of a horror character
Analysis of a horror character
 
Assignment 8
Assignment 8Assignment 8
Assignment 8
 
Theories and codes
Theories and codesTheories and codes
Theories and codes
 
Vladimir propp powerpoint
Vladimir propp powerpointVladimir propp powerpoint
Vladimir propp powerpoint
 
Stock characters in slasher horror
Stock characters in slasher horrorStock characters in slasher horror
Stock characters in slasher horror
 
Propps Character Theory
Propps Character TheoryPropps Character Theory
Propps Character Theory
 
Vladimir Propp
Vladimir Propp Vladimir Propp
Vladimir Propp
 
Develop A Story for Screen
Develop A Story for ScreenDevelop A Story for Screen
Develop A Story for Screen
 
Narrative theory 2
Narrative theory 2Narrative theory 2
Narrative theory 2
 
Vladimir propp
Vladimir proppVladimir propp
Vladimir propp
 
Morphology of Folktales
Morphology of FolktalesMorphology of Folktales
Morphology of Folktales
 
Narrative
NarrativeNarrative
Narrative
 
Unit 2,3 task 4
Unit 2,3 task 4Unit 2,3 task 4
Unit 2,3 task 4
 

Destacado

Propp’s character theory
Propp’s character theoryPropp’s character theory
Propp’s character theorydylanlad98
 
After studying 100 fairytales
After studying 100 fairytalesAfter studying 100 fairytales
After studying 100 fairytalesichigo15
 
Character Basics and Propp
Character Basics and ProppCharacter Basics and Propp
Character Basics and Propphardeep23
 
Narrative theories
Narrative theoriesNarrative theories
Narrative theoriesjxshbrown
 
Graphic narrative
Graphic narrativeGraphic narrative
Graphic narrativeEdogHTA
 
Propp’s character theory
Propp’s character theoryPropp’s character theory
Propp’s character theoryPaula-Nytah
 
Halloween film case study analysis
Halloween film case study analysisHalloween film case study analysis
Halloween film case study analysisJaaaaaaay_
 
Propp’s character theory
Propp’s character theoryPropp’s character theory
Propp’s character theoryJadeKnaggs
 
Propp's Character Theory
Propp's Character Theory Propp's Character Theory
Propp's Character Theory niaraine
 
Vladimir Propp Character Theory
Vladimir Propp Character TheoryVladimir Propp Character Theory
Vladimir Propp Character Theoryniltiachayes
 
Media theorists - Propp, Levi-Strauss, Todorov
Media theorists - Propp, Levi-Strauss, TodorovMedia theorists - Propp, Levi-Strauss, Todorov
Media theorists - Propp, Levi-Strauss, Todorovbrburcher
 
Vladimir propp theory
Vladimir propp theoryVladimir propp theory
Vladimir propp theoryGraceFlynn
 
Tips for Creating a Social Media Strategy
Tips for Creating a Social Media StrategyTips for Creating a Social Media Strategy
Tips for Creating a Social Media StrategyNetSquared Vancouver
 
Vladimir propp theory
Vladimir propp theoryVladimir propp theory
Vladimir propp theoryTyrone321
 

Destacado (20)

Character theory
Character theoryCharacter theory
Character theory
 
Propp’s character theory
Propp’s character theoryPropp’s character theory
Propp’s character theory
 
After studying 100 fairytales
After studying 100 fairytalesAfter studying 100 fairytales
After studying 100 fairytales
 
Character Basics and Propp
Character Basics and ProppCharacter Basics and Propp
Character Basics and Propp
 
Vladimir propp
Vladimir proppVladimir propp
Vladimir propp
 
13B Media Theories
13B Media Theories13B Media Theories
13B Media Theories
 
Todorov and Propp
Todorov and ProppTodorov and Propp
Todorov and Propp
 
Vladmir Propp
Vladmir ProppVladmir Propp
Vladmir Propp
 
Narrative theories
Narrative theoriesNarrative theories
Narrative theories
 
Graphic narrative
Graphic narrativeGraphic narrative
Graphic narrative
 
Propp’s character theory
Propp’s character theoryPropp’s character theory
Propp’s character theory
 
Halloween film case study analysis
Halloween film case study analysisHalloween film case study analysis
Halloween film case study analysis
 
Propp’s character theory
Propp’s character theoryPropp’s character theory
Propp’s character theory
 
Vladimir Propp
Vladimir ProppVladimir Propp
Vladimir Propp
 
Propp's Character Theory
Propp's Character Theory Propp's Character Theory
Propp's Character Theory
 
Vladimir Propp Character Theory
Vladimir Propp Character TheoryVladimir Propp Character Theory
Vladimir Propp Character Theory
 
Media theorists - Propp, Levi-Strauss, Todorov
Media theorists - Propp, Levi-Strauss, TodorovMedia theorists - Propp, Levi-Strauss, Todorov
Media theorists - Propp, Levi-Strauss, Todorov
 
Vladimir propp theory
Vladimir propp theoryVladimir propp theory
Vladimir propp theory
 
Tips for Creating a Social Media Strategy
Tips for Creating a Social Media StrategyTips for Creating a Social Media Strategy
Tips for Creating a Social Media Strategy
 
Vladimir propp theory
Vladimir propp theoryVladimir propp theory
Vladimir propp theory
 

Similar a Assignment 18 draft 3 part 3

Draft 2 part 3
Draft 2 part 3Draft 2 part 3
Draft 2 part 3Kella94
 
Draft3 part 3
Draft3 part 3Draft3 part 3
Draft3 part 3Kella94
 
Laura Eddleston. Media evaluation!
Laura Eddleston. Media evaluation!Laura Eddleston. Media evaluation!
Laura Eddleston. Media evaluation!Luraluralura
 
Assignment #11 part 2
Assignment #11 part 2Assignment #11 part 2
Assignment #11 part 2media_jojo
 
Final Thriller Opening Sequence Evaluation
Final Thriller Opening Sequence EvaluationFinal Thriller Opening Sequence Evaluation
Final Thriller Opening Sequence EvaluationFaith Adamson
 
Assignment #11 draft 6 part 3
Assignment #11 draft 6 part 3Assignment #11 draft 6 part 3
Assignment #11 draft 6 part 3media_jojo
 
What ways does your media product use, develop of challenge
What ways does your media product use, develop of challenge What ways does your media product use, develop of challenge
What ways does your media product use, develop of challenge esthergracerowe
 
What ways does your media product use, devolp or challenge forms/conventions ...
What ways does your media product use, devolp or challenge forms/conventions ...What ways does your media product use, devolp or challenge forms/conventions ...
What ways does your media product use, devolp or challenge forms/conventions ...estherrowe
 
What ways does your media product use, develop or challenge forms/conventions
What ways does your media product use, develop or challenge forms/conventions What ways does your media product use, develop or challenge forms/conventions
What ways does your media product use, develop or challenge forms/conventions esthergracerowe
 
Assignment #11 draft 2 part 2
Assignment #11 draft 2 part 2Assignment #11 draft 2 part 2
Assignment #11 draft 2 part 2media_jojo
 
Assignment #9 draft 2 (part 2)
Assignment #9 draft 2 (part 2)Assignment #9 draft 2 (part 2)
Assignment #9 draft 2 (part 2)media_jojo
 
Assignment #11 draft 2 part 2
Assignment #11 draft 2 part 2Assignment #11 draft 2 part 2
Assignment #11 draft 2 part 2media_jojo
 
Assignment 17 draft 2 part 3
Assignment 17   draft 2 part 3Assignment 17   draft 2 part 3
Assignment 17 draft 2 part 3PaulaDuru28
 
AS Media Studies - Evaluation, Q1
AS Media Studies - Evaluation, Q1AS Media Studies - Evaluation, Q1
AS Media Studies - Evaluation, Q1tayla-powell
 

Similar a Assignment 18 draft 3 part 3 (20)

Draft 2 part 3
Draft 2 part 3Draft 2 part 3
Draft 2 part 3
 
Draft 2 part 3
Draft 2 part 3Draft 2 part 3
Draft 2 part 3
 
Draft3 part 3
Draft3 part 3Draft3 part 3
Draft3 part 3
 
Draft3 part 3
Draft3 part 3Draft3 part 3
Draft3 part 3
 
Laura Eddleston. Media evaluation!
Laura Eddleston. Media evaluation!Laura Eddleston. Media evaluation!
Laura Eddleston. Media evaluation!
 
Assignment #11 part 2
Assignment #11 part 2Assignment #11 part 2
Assignment #11 part 2
 
Assignment #11 part 2
Assignment #11 part 2Assignment #11 part 2
Assignment #11 part 2
 
Final Thriller Opening Sequence Evaluation
Final Thriller Opening Sequence EvaluationFinal Thriller Opening Sequence Evaluation
Final Thriller Opening Sequence Evaluation
 
Proposal
Proposal Proposal
Proposal
 
Assignment #11 draft 6 part 3
Assignment #11 draft 6 part 3Assignment #11 draft 6 part 3
Assignment #11 draft 6 part 3
 
What ways does your media product use, develop of challenge
What ways does your media product use, develop of challenge What ways does your media product use, develop of challenge
What ways does your media product use, develop of challenge
 
What ways does your media product use, devolp or challenge forms/conventions ...
What ways does your media product use, devolp or challenge forms/conventions ...What ways does your media product use, devolp or challenge forms/conventions ...
What ways does your media product use, devolp or challenge forms/conventions ...
 
What ways does your media product use, develop or challenge forms/conventions
What ways does your media product use, develop or challenge forms/conventions What ways does your media product use, develop or challenge forms/conventions
What ways does your media product use, develop or challenge forms/conventions
 
Yas main task
Yas main taskYas main task
Yas main task
 
Assignment #11 draft 2 part 2
Assignment #11 draft 2 part 2Assignment #11 draft 2 part 2
Assignment #11 draft 2 part 2
 
Assignment #9 draft 2 (part 2)
Assignment #9 draft 2 (part 2)Assignment #9 draft 2 (part 2)
Assignment #9 draft 2 (part 2)
 
Assignment #11 draft 2 part 2
Assignment #11 draft 2 part 2Assignment #11 draft 2 part 2
Assignment #11 draft 2 part 2
 
Questions 1,2,6
Questions 1,2,6Questions 1,2,6
Questions 1,2,6
 
Assignment 17 draft 2 part 3
Assignment 17   draft 2 part 3Assignment 17   draft 2 part 3
Assignment 17 draft 2 part 3
 
AS Media Studies - Evaluation, Q1
AS Media Studies - Evaluation, Q1AS Media Studies - Evaluation, Q1
AS Media Studies - Evaluation, Q1
 

Más de PaulaDuru28

Evaluation questions part 2
Evaluation questions part 2Evaluation questions part 2
Evaluation questions part 2PaulaDuru28
 
Evaluation questions part 1
Evaluation questions part 1Evaluation questions part 1
Evaluation questions part 1PaulaDuru28
 
Assignment 17 draft 2 part 2..
Assignment 17   draft 2 part 2..Assignment 17   draft 2 part 2..
Assignment 17 draft 2 part 2..PaulaDuru28
 
Assignment 17 draft 2 part 1
Assignment 17   draft 2 part 1Assignment 17   draft 2 part 1
Assignment 17 draft 2 part 1PaulaDuru28
 
Assignment 16 part 2
Assignment 16   part 2Assignment 16   part 2
Assignment 16 part 2PaulaDuru28
 
Assignment 16 inspirational scenes part 1
Assignment 16   inspirational scenes part 1Assignment 16   inspirational scenes part 1
Assignment 16 inspirational scenes part 1PaulaDuru28
 
Assignment 6 individual media presentation
Assignment 6   individual media presentationAssignment 6   individual media presentation
Assignment 6 individual media presentationPaulaDuru28
 
Assignment 18 draft 3 part 2
Assignment 18  draft 3 part 2Assignment 18  draft 3 part 2
Assignment 18 draft 3 part 2PaulaDuru28
 
Assignment 18 draft 3 part 1
Assignment 18 draft 3 part 1Assignment 18 draft 3 part 1
Assignment 18 draft 3 part 1PaulaDuru28
 
Assignment 14 opening sequence analysis (draft 2) part 3
Assignment 14   opening sequence analysis (draft 2) part 3Assignment 14   opening sequence analysis (draft 2) part 3
Assignment 14 opening sequence analysis (draft 2) part 3PaulaDuru28
 
Assignment 14 opening sequence analysis (draft 2) part 2
Assignment 14   opening sequence analysis (draft 2) part 2Assignment 14   opening sequence analysis (draft 2) part 2
Assignment 14 opening sequence analysis (draft 2) part 2PaulaDuru28
 
Assignment 14 opening sequence analysis (draft 2) part 1
Assignment 14   opening sequence analysis (draft 2) part 1Assignment 14   opening sequence analysis (draft 2) part 1
Assignment 14 opening sequence analysis (draft 2) part 1PaulaDuru28
 
Assignment 12 group presentation draft 1
Assignment 12   group presentation draft 1Assignment 12   group presentation draft 1
Assignment 12 group presentation draft 1PaulaDuru28
 
Assignment 11 general research on my genre (opening sequence)
Assignment 11   general research on my genre (opening sequence)Assignment 11   general research on my genre (opening sequence)
Assignment 11 general research on my genre (opening sequence)PaulaDuru28
 
Assignment 10 5 films research
Assignment 10   5 films researchAssignment 10   5 films research
Assignment 10 5 films researchPaulaDuru28
 
Assignment 2 – Pre Preliminary Task
Assignment 2 – Pre Preliminary TaskAssignment 2 – Pre Preliminary Task
Assignment 2 – Pre Preliminary TaskPaulaDuru28
 
G321 Mark Scheme and Specification
G321 Mark Scheme and SpecificationG321 Mark Scheme and Specification
G321 Mark Scheme and SpecificationPaulaDuru28
 
Assignment 9 group job responsibility
Assignment 9   group job responsibilityAssignment 9   group job responsibility
Assignment 9 group job responsibilityPaulaDuru28
 
Assignment 8 opening sequence (draft 1)
Assignment 8   opening sequence (draft 1)Assignment 8   opening sequence (draft 1)
Assignment 8 opening sequence (draft 1)PaulaDuru28
 

Más de PaulaDuru28 (20)

Evaluation questions part 2
Evaluation questions part 2Evaluation questions part 2
Evaluation questions part 2
 
Evaluation questions part 1
Evaluation questions part 1Evaluation questions part 1
Evaluation questions part 1
 
Assignment 17 draft 2 part 2..
Assignment 17   draft 2 part 2..Assignment 17   draft 2 part 2..
Assignment 17 draft 2 part 2..
 
Assignment 17 draft 2 part 1
Assignment 17   draft 2 part 1Assignment 17   draft 2 part 1
Assignment 17 draft 2 part 1
 
Assignment 16 part 2
Assignment 16   part 2Assignment 16   part 2
Assignment 16 part 2
 
Assignment 16 inspirational scenes part 1
Assignment 16   inspirational scenes part 1Assignment 16   inspirational scenes part 1
Assignment 16 inspirational scenes part 1
 
Bbfc research
Bbfc research Bbfc research
Bbfc research
 
Assignment 6 individual media presentation
Assignment 6   individual media presentationAssignment 6   individual media presentation
Assignment 6 individual media presentation
 
Assignment 18 draft 3 part 2
Assignment 18  draft 3 part 2Assignment 18  draft 3 part 2
Assignment 18 draft 3 part 2
 
Assignment 18 draft 3 part 1
Assignment 18 draft 3 part 1Assignment 18 draft 3 part 1
Assignment 18 draft 3 part 1
 
Assignment 14 opening sequence analysis (draft 2) part 3
Assignment 14   opening sequence analysis (draft 2) part 3Assignment 14   opening sequence analysis (draft 2) part 3
Assignment 14 opening sequence analysis (draft 2) part 3
 
Assignment 14 opening sequence analysis (draft 2) part 2
Assignment 14   opening sequence analysis (draft 2) part 2Assignment 14   opening sequence analysis (draft 2) part 2
Assignment 14 opening sequence analysis (draft 2) part 2
 
Assignment 14 opening sequence analysis (draft 2) part 1
Assignment 14   opening sequence analysis (draft 2) part 1Assignment 14   opening sequence analysis (draft 2) part 1
Assignment 14 opening sequence analysis (draft 2) part 1
 
Assignment 12 group presentation draft 1
Assignment 12   group presentation draft 1Assignment 12   group presentation draft 1
Assignment 12 group presentation draft 1
 
Assignment 11 general research on my genre (opening sequence)
Assignment 11   general research on my genre (opening sequence)Assignment 11   general research on my genre (opening sequence)
Assignment 11 general research on my genre (opening sequence)
 
Assignment 10 5 films research
Assignment 10   5 films researchAssignment 10   5 films research
Assignment 10 5 films research
 
Assignment 2 – Pre Preliminary Task
Assignment 2 – Pre Preliminary TaskAssignment 2 – Pre Preliminary Task
Assignment 2 – Pre Preliminary Task
 
G321 Mark Scheme and Specification
G321 Mark Scheme and SpecificationG321 Mark Scheme and Specification
G321 Mark Scheme and Specification
 
Assignment 9 group job responsibility
Assignment 9   group job responsibilityAssignment 9   group job responsibility
Assignment 9 group job responsibility
 
Assignment 8 opening sequence (draft 1)
Assignment 8   opening sequence (draft 1)Assignment 8   opening sequence (draft 1)
Assignment 8 opening sequence (draft 1)
 

Último

Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser... Shivani Pandey
 
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...noor ahmed
 
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...rahim quresi
 
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...noor ahmed
 
Call Girl Service Belur - 7001035870 with real photos and phone numbers
Call Girl Service Belur - 7001035870 with real photos and phone numbersCall Girl Service Belur - 7001035870 with real photos and phone numbers
Call Girl Service Belur - 7001035870 with real photos and phone numbersanamikaraghav4
 
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...noor ahmed
 
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...rahim quresi
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girls in Nagpur High Profile
 
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...noor ahmed
 
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment BookingCall Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment Bookingnoor ahmed
 
👙 Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Serviceanamikaraghav4
 
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...aamir
 
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingAlmora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingNitya salvi
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goasexy call girls service in goa
 
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Serviceanamikaraghav4
 
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...noor ahmed
 

Último (20)

Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Pazhavanthangal WhatsApp Booking 7427069034 call girl ser...
 
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Salt Lake ⟟ 8250192130 ⟟ High Class Call Girl...
 
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Ultadanga Call Girls In All Kolkata 24/7 Provide Call W...
 
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort GoaDesi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
 
Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171
Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171
Call Girls Chirag Delhi Delhi WhatsApp Number 9711199171
 
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
 
Call Girl Service Belur - 7001035870 with real photos and phone numbers
Call Girl Service Belur - 7001035870 with real photos and phone numbersCall Girl Service Belur - 7001035870 with real photos and phone numbers
Call Girl Service Belur - 7001035870 with real photos and phone numbers
 
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
 
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
 
Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171
Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171
Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171
 
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
 
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment BookingCall Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
Call Girls in Barasat | 7001035870 At Low Cost Cash Payment Booking
 
👙 Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Shyam Bazar 💫💫7001035870 Model escorts Service
 
Goa Call "Girls Service 9316020077 Call "Girls in Goa
Goa Call "Girls  Service   9316020077 Call "Girls in GoaGoa Call "Girls  Service   9316020077 Call "Girls in Goa
Goa Call "Girls Service 9316020077 Call "Girls in Goa
 
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
Nayabad Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Sex At ...
 
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingAlmora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
 
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
 
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
 

Assignment 18 draft 3 part 3

  • 1. Part O Theories of Propp (Character Roles) Propp’s theory Vladimir Propp developed a character theory for studying media texts and productions, which indicates that there were 7 broad character types in the 100 How we are using theory tales he analysed. • We will be applying theories of Propp in our Opening Sequence.  What I learnt from Propp is that you He studies Russian fairytales and can classify characters by their roles discovered that in stories there and actions. were always 8 types of characters evident. These are: the hero, the  This links to our opening sequence, villain, the donor, the dispatcher, because the characters are all the false hero, the helper, the different and we could understand princess and her father. each actors key function. • We will be using theories of Propp to identify what characters do what. In his theory Nia would be (the Victim) and Kylie would be (the helper)
  • 2. Part O Levi-Strauss looked at narrative structure in terms of binary oppositions. Binary oppositions are sets of opposite values which reveal the structure of media texts. An example would be GOOD and EVIL – we understand the concept of GOOD as being the opposite of EVIL. Levi –Strauss was not so interested in looking at the order in which events were arranged in the plot. He looked instead for deeper arrangements of themes. For example, if we look at Science Fiction films we can identify a series of binary oppositions.
  • 3. Part O • Immortality is the ability to live forever. • Mortality is the condition of being mortal, or susceptible to death; the opposite of immortality. We show the binary opposition through the characters in the film. The Main Character Being Human (Mortal) And the doll in which has a supernatural sprit in it (immortal). The struggle shows that when something is immortal it is tougher to either control or win against.
  • 4. Part Q Target Audience  Age Certificate: 15  Location: Worldwide  Gender: Both Genders  Social Class: Working Class/ Youth  Must have an interest in how society can affect on people lifestyles  Open minded to the reason why/how people can make mistakes.  Sense of empathy
  • 5. Part Q Target Audience • Target audience: 15 – 18 year olds • I say this because looking at the BBFC standards certain scenes might not be appropriate for any age below that. • Some scenes may be too harsh to watch. • A lot of scenes will portray paranoia, uncertainly, mind confusing, a lot of tension, leave you feeling a bit uneasy. • I decided a bit too much for a below 15 year old to handle. Gender – it is targeted at both genders male and female. There is nothing against any gender or discriminating a particular gender in the sequence.
  • 6. Part Q Target Audience • Social Class – We don’t want to be too harsh on the viewing of the sequence. But the social class is mostly targeted at middle class and working class people. Affordable and accessible to watch at any time. Interests –Psychological Upper thrillers, paranoia behaviour, science, mental Upper Middle behaviour, toys etc. this all relates to the sequence Middle Middle Lower Middle Hobbies Watching Films Working Playing Games Collecting Toys Upper Lower Poverty
  • 7. Part R Inspirational Distribution Companies We will not be using Lionsgate because it’s too much of a multi million distribution company and it wouldn’t suit our budget. It’s mostly targeted at top American films. We also we need to look at the budget of our film before hand. Could it be affordable? Lionsgate don’t do much Thriller movies focus is more on drama and action
  • 8. Part R Inspiration UK Distributing Company • Choose this because its Brief Facts distributed British films • Founded in London , UK One with the same • They are Owned by Paramount target audience that & Universal Pictures my group are targeting Address (life& Lyrics) • UIP ,Building 5, Chiswick Park,566 Chiswick High Road, London,W4 5YF
  • 9. Part R Distributing Company we are using Revolver Entertainment is a marketing-lead, all rights film distribution company. Founded in 1997, the company has operations in both London and Los Angeles. Distributed Films such as; We Would Choose Revolver  Anuvahood Entertainment because;  Shank  Revolver Entertainment is one of  Black Death the UK & Eire’s leading ‘All Rights’  Kidulthood distribution companies  Dead Man Running  Distributed many well known films  Exit Through The Gift Shop on various budgets.
  • 10. Part S Example of 15 Rated Movies
  • 11. Part S BBFC Standards BBFC STANDARDS How we met the Standard “Dangerous behaviour (for example, In Our open sequence no “dangerous hanging, suicide and self-harming) behaviour” is not shown at all. should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised” “There may be frequent use of strong In our open sequence there is no profanity is language (for example, ‘f***’). spoken or shown in a gesture. The strongest terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable” “No theme is prohibited, provided the Our themes of revenge is not shown in the treatment open sequence but if it was it would have is appropriate for 15 year olds.” been appropriate for viewers of 15 +
  • 12. Part U This was used in the Movie “Dead We will make our own and not copy anything on this slide due to copyrights but these was a Silence” starts off slow (then after inspiration to our group 26 seconds) it speeds up Music That inspired me … I liked the different This was used in the grudge gaves us range of the creeps which we thought was instruments used I effective thought it would be effective to use something similar to be played in the This was used in “nightmare on elm open sequence street” this was inspiring because it when the credits matches our idea it uses young girls are on when (Around 5-7 years )saying horrific stuff everything was in the tune of a nursery rhyme suppose to be calm
  • 13. Part U Music That Will Be Featured In Our Open Sequence • 2. When the post comes • 1. For the Beginning of the scene where Lia is and she see pictures of coming downstairs into aborted baby and when the kitchen on the laptop Lia comes in contact of with her scrap book due the doll for the first to the sounds are calm time this would be brings a sad mood which played is what we wanted • 3.When the doll reappears from the bin & Lia recognises something ain't right + scene ends