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JOHN SMEDLEY POP UP STORE CONCEPT
CREATIVE EDGE
Unit: Creative Retail Spaces
Amrit Kaur: Visual Merchandiser
Pooja Das: Designer
Jiangrui Liu (Sabrina): Research Analyst
Tanchapat Benjasiriwan (Tammie): Trend Analyst
ZHENGYING Hu (Victoria): Social Media PR
1
AGENDA
To design a new pop-up retail experience for John Smedley, building on the
brand's strength in the premium / affordable luxury sector and effectively
deliver the essence of the brand in a temporary store format.
BRIEF RECAP
• To create a store concept that will excite style conscious shoppers.
• Challenge perception of the brand
• Consider traditional pop-up store with space upto 20-25 sq meter with
small adjacent stock room
• Focus on classics and explore the realms of co-creation
• Include Omni channel shopping/technology.
• Window: deliver key message , be bold and imaginative.
• Select appropriate material, figure, props, lighting, signage,etc for store
design.
• Address stock density and stock replenishment.
• Store design and Layout
• Payment solution to free up space
2
METHODOLOGY
PRIMARY
SECONDARY
• Factory Visit
• Non-participant store observation
(John Smedley & Competitors)
• Store Manager’s Interview
• Customer Observation & Interview
• Store Atmospheric Observation
• Location Observation
• Sensory Audit
• Company research (John Smedley brand bible, website)
• Pop Up Store Research (Niehm et al., 2006; Holmgren and Olofsson, 2015 )
• Trends Analysis (WGSN, Retail design blog, Dezeen, etc.)
• Visual Merchandising and Display- (Pegler, 2012)
• Store Atmospheric : (Turley & Milliman, 2000)
• Sensory Marketing: (Hulten, Broweus, and Van Dijk, 2009)
3
John Smedley OverviewJOHN SMEDLEY OVERVIEW
4
COMPANY BACKGROUND
• John Smedley is a heritage British premium
luxury knitwear brand
• Royal Warrant from Her Majesty The Queen as
‘Manufacturer of Fine Knitwear’ since January
2013 (John Smedley, 2016).
• Family run business
• established in 1784
• known for their finest quality garments, iconic
pieces and beautifully crafted products with
effortless style, unique and contemporary
colours and palettes (John Smedley, 2016).
• The evolution of the brand has been mapped
in the timeline.
USP:
Royal Warrant and 100% made in Britain
Product Portfolio:
The product portfolio includes knitted men’s wear
and women’s wear which use high quality Merino
Wool, Cotton, Cashmere Blends,Cashmere and
Silk, Silk Blends, Fine Knit, Medium Knit and
Heavy Knit fabrics (John Smedley, 2016).
(Source: John Smedley, 2016)
5
CORE VALUES
Heritage Quality
Craftsmanship
Community
Colour
Core Values
John Smedley’s Core values are based
on 5 pillars (John Smedley, 2016):
1. British heritage: Rich 230 years of
heritage
2. Quality: In house fibre processing.
3. Craftsmanship: Cutting edge
Japanese technology and hand
finished garments.
4. Colour: Wide range of colour
pallet
5. Community: trusted worldwide
partners and loyal customers.
6
Brand position: Premium brand, affordable luxury
Target customers: Age 30-65
Competitors: Lifestyle brands with knitwear lines:
Polo Ralph Lauren, Paul Smith, Aquascutum, Z
Zegna, Pringle of Scotland, Hackett (based on store
observation of Selfridges, John Lewis, Harrods and
Harvey Nichols)
BRAND POSITIONING
7
JS CUSTOMER PROFILE
• Age : 40
• Job: High Profile Jobs
• Car: Ford
• Magazine: Business,
Fashion, Sports,
Health.
• Music: Blues, good old
rock and roll, Classic
• Cuisine: French,
Italian, Japanese,
Chinese.
• Night Life: Bar,
musical, social events.
• Hobbies: Reading,
Travelling, Gym
Current Customer
• Name Lucy
• Age 28
• Status In relationship
• Location UK, London
• Job Sales Negotiator
• Car Nissan Note
• Magazine Vogue,
Elle, Bazaar, The lady
• Music Pop music,
Jazz, Classical music
• Restaurant French,
Japanese, Italian,
Chinese restaurant
• Cafe Costa, Nero,
Starbucks
• Nightlife Social event,
bar, club
• Hobbies Reading,
yoga, swimming,
shopping, going out
with friends
Female Younger
Customers(brand
would like to attract)
8
STORE ENVIRONMENTAL ANALYSIS
9
Interview with store manager: Mirozi Lkdy
Target
Customers:
-All age groups
-Tourists from
Middle East and
Asia
Highest selling
products:
- Classics - Belvoir,
Buttercup, Adrian,
ISIS
Sale Contribution
- 70% Men
- 30% Women
Peak Sales:
- Post Christmas Slow
sale (February)
Busiest days: Saturday
and Sunday
10
Human Variables
Employee Characteristics: very
friendly and helpful. Greeted with
smile and thanked before leaving the
store.
Uniform: Semi Formal and smart
dressing in dark blue colour.
Crowding & Privacy: Not crowded
only 3-4 employees present. 1
manager, 1 Sales executive
and 1 person at till
External Cues
Architecture: Fusion of
medieval and Contemporary
architecture.
Surrounding Stores: Luxury brand
Flagship stores in Brook Street
(Joseph, Issey Miyake, French Sole,
etc. )and Custom made high end
boutiques in Jermyn
Street( Hilditch & Key, Tailor of
Old bond street,
Longmire, etc.)
Point
of purchase &
decoration displays
Signs: No signs
Cards: Old Christmas gift cards
Wall Decorations: none, glass
wall
Price Displays: yes, digital
price display machine at
tills
Store Atmospheric
Analysis
John Smedley
Turley & Milliman (2000)
Interior
Cues
Flooring: Wood, Leather, Carpet
Lighting: calm yellow light, focus
lights on wall with photo frames.
Back light graphic wall in front of
entrance.
Colour: neutral colors such as
grey, white, brown and blue.
Sound: Classical British
music in the Layout & Design Cues
Space: Jermyn St. store is spacious
and tidy whereas Brook St store is
cluttered and not kept properly.
Layout: Jermyn St. store has a free flow layout
whereas Brook St. Store has a Boutique Layout
( Bailey & Baker, 2014).
Product Display: Mix of Vertical and Horizontal
merchandising. Products displayed in Brook
Street is very shabby, open stock room, visible
carton.
Traffic Flow: Low,5 step count in 10 mins.
racks & Cases: Mid floor fixtures and
hanger racks for display.
Current Store Analysis
11
In order to perform sensory audit, five human senses , namely, sight, sound, scent, taste and touch that
provide the multi-sensory brand experience are observed from John Smedley and its competitors’ store
(Hultén, Broweus, and Van Dijk, 2009).
SENSORY AUDIT
12
From sensory audit comparison matrix, John
Smedley should improve and implement the
following in the pop-up store in order to increase
customer equity:
• Improve store design to increase women sale
contribution (highlight on women and new
collection)
• Being more organised: stocks must not be
visible for the customers.
• Play energetic or alternative music to attract
young consumers
• Window display must be eye-catching
• Product display in creative way
• Incorporate scent/ taste into the store
Sensors Atmospheric Observation Sensory Observation
Sight
• contemporary store design
• material used wood, leather, wool,
marble table tops, stone finish fittings.
• neutral colors such as grey, white,
brown and blue.
• calm yellow light, focus lights on wall
with photo frames. Back light graphic
wall in front of entrance.
• Made in Britain, simple and elegant.
• graphical representation of store plan of
JS factory on the wall opposite to the
entrance.
• Contemporary and shuttle
look.
• Eye catchy graphic walls
and photo frames.
• A sense of British Culture.
• Contrast colors and brightly
light up store gave a feel
good factor.
Sound
• Classical music in the background, not
energetic.
• Campaign: Sound of factory and
nature.
• Soothing but dull, not in
sink with store design
• nostalgic feeling.
Smell • No scent used.
• unpleasant smell of paint.
• very strong smell
Taste
• No taste
• No taste
Touch
• Smooth wooden floor, cubical forms in
slate look, wooden mannequins, marble
finish table surface, vertically textured
slate walls.
• Very soft and high quality products
• furnitures do not look steady as the legs
are pointed and the table top has the
look of heavy marble slab. Balance is
not maintained.
• Fixed i-pad to explore the whole range.
• variety of textures,
materials, forms and
shapes made us want to
touch the objects. (eg:
leather hangers, slate
finished props, wooden
mannequins, high quality
merchandise on display.)
• A warm, cozy and
comfortable sensation.
• wanted to touch the
products
• Touch technology in form
of i-pads .
JOHN SMEDLEY SENSORY AUDIT
13
COMPETITOR SENSORY AUDIT
• Modern and minimalistic
interior
• Calm music, ad-
campaign used sound of
nature
• use of natural light in
store.
• open window display
• use of diamond pattern
inspired from Scotland.
• Dark, classic interior
• mixed material used in
different sections of the
store.
• spotlights to highlight
products.
• youthful energetic
environment.
• Alternative, Indie-rock
music attracts younger
customer.
• tropical plant for
display
• marble floor- cool feel
• Classic theme
• 60’s-70’s Rock
• happy, relaxed
• cozy atmosphere
• Mixed Rich Material
• Vintage, Classic theme
• Rich Atmosphere
• Classic instrumental ad
campaign.
• fresh floral jasmine like smell.
• Vintage, Old looking props
like grand fathers watch and
wooden walls.
• Music: Classic Rock -
Energetic, Nostalgic.
• Artistic theme
• Upbeat music,
funky, Classic
oldies
• Fun, happy and
energetic mood
• abstract props
such as crumpled
metal vase.
• modern, classic
and casual theme.
• use of fabric -
tweed pattern for
capet.
• Electronic, house
and Alternative
music.
• Young and
energetic.
Pringle
ZZegna
Ralph Lauren
14
TREND ANALYSIS
15
• Niehm et al. (2006) applied Fishbein and Ajzen’s (1975) Theory of Reasoned Action (TRA)
(Figure 1) to study the behavioral intentions towards pop-up store.
• The results showed that product uniqueness of pop-up retail have positive affect toward the
engagement in the pop-up experience.
• Therefore, rather than focusing on a commercial aspect of pop-up store, John Smedley should
focus on providing exclusive and unique shopping experience in order to create long-term
brand loyalty among the customers.
POP UP STORE FRAME-WORK
16
POP UP STORE AUDIT
• Garments hang from a
handmade oak structure.
• Inspired by the works of
American artist Oscar Tuazon
• Open-plan gallery-like interior.
• Artist Collaboration: Artworks by
American artists Graham Collins
and Lucien Smith
• Store features a bespoke sound
installation with daily playlists.
• Interior uses using industrial
materials and textured surfaces.
Hostem east London pop up
store interior, February 2016
COS pop-up shop in LA,
November 2015
• Concept based on Autumn Winter
collection.
• Used the pink and red tones from the
fashion collection to inform their
colour palette.
• Mirrored wall divides the room and
creates the illusion of infinite space.
• COS regularly collaborates with
architects and designers to create
presentation spaces
• Example: Japanese studio Nendo,
which created an installation based
on the brand's signature white shirt
in Milan last year.
• Temporary walls were installed.
• Cut out shapes from walls and
made plinths reflecting
collection's design.
• Fluorescent lighting
• Enhanced customer experience:
gym space for selected visitors
to work out while trying the
merchandise.
• Nike running shoes were
suspended in the window
Nike pop-up New York,
August 2014
17
• Collaboration with the
international hotel company, Ace
Hotel
• Inspired from London tube map
and tracks.
• London designers and fashion
bloggers were invited for
opening.
Opening Ceremony Pop up at
Shorditch
• Lauren famous UK based blogger in
Estee Lauder Pop up launch event in
Box Park, Shorditch
• Attracted social media attention, word
of mouth , social media marketing
• Playlist curated by Zara Martin
• Photo wall
Estee Lauder Pop up , Box park
Shorditch, September 2015
18
MINIMALISM
M-POS
TECHNOLOGY
BLOGGING TREND
Technology in 2016 (WGSN, 2016):
• MPOS: Consumers’ trend toward
contactless and mobile
payment .
• Rise of Click & Collect
Blogging Trend (Mintel, 2016):
● Partner with popular bloggers/ vloggers as
they are influential to younger consumers
● Increase brand followers
● Guerrilla Marketing: low-cost untraditional
marketing strategy which gives high benefit.
● Launch event
Business of Fashion, 2016 NIKE X Abe’s Sacai
Designer, Karen Walker Says Collaboration
is the Key to Growth (Business of Fashion,
2012)
DESIGNER COLLABORATION TRENDS
RETAIL TRENDS
19
JOHN SMEDLEY X HOLLY FULTON COLLABORATION
● Promote new collaboration of Holly Fulton X John Smedley AW 16 with will be included in the product
offering.
Note: Holly Fulton only sell via e-commerce platforms in the UK; therefore, Jonh Smedley can be the first to
launch the collection offline in the UK
20
Covent Garden is a high tourist
density area which receives more
than 44 million visitors per year
(Londontopia, 2013). The area
also has convenient access to
tube station with less than 3
minutes walk.
Next to Covent Garden Piazza,
King street presents a possible
location for the pop-up store with
stores such as Jo Maloane,
Sandro and Hackett, John
Smedley’s competitor.
Covent Garden Piazza
LOCATION
21
RESEARCH FINDINGS
From background research, store environment analysis and
trend analysis, John Smedley should include the following in the
new pop-up store concept:
• Translation of Core Values in store and window design
• Contemporary store atmospherics to attract young customers.
• Unique and creative design of pop up space to challenge
John Medley’s brand image
• Translation of made in Britain story - Brand awareness among
tourists.
• Focus on showcasing new collection(Collaboration pieces)-
Classics are already selling well.
• Store design to be minimalistic and well organised.
• A scent of fresh floral smell could be considered to enhance
the senses .
• Technology and Signage to be kept in mind at Point of sale.
• Attracting The Right Consumers to the Store
• Find high density tourist Location- Covent Garden
• Marketing through Social Media - Invite influential bloggers to
host the pop-up store launch event where they can invite
their followers for free.
• Engage in guerilla marketing
• Focus on offering exclusive and unique shopping experience
to the customers rather than financial benefits.
22
Pop up ProposalPOP UP PROPOSAL
23
• Translating brand essence in unique and creative way
• The fashion gallery reflects minimalism element
• Feels like an art gallery/exhibition
• depicts John Smedley’s history
• Creates customer experience- wow factor
• Attracts customers sight though point of focus: Inspiring art installation
• Holly Fulton x John Smedley Collection pieces displayed as art pieces.
THEME: The Fashion Gallery
Fashion Exhibitions
Elevated Minimalism Retail Design Trend
(WGSN, 2015)
John Smedley’s History
and Heritage
Louis Vuitton, London
Pop-up store concept is stemmed from
three main inspirations which are
• John Smedley's brand history
• elevated minimalism retail design
trend
• fashion exhibitions.
24
MOOD BOARD
Translating 200 years of Heritage into contemporary fashion gallery
25
PANTO
NE7547
PANTO
NE
7530
PANTONE183
PANTONE
7527
PANTO
NE7418
COLOUR: Achromatic + Contrast
Dominant
Subordinate
Accent
Achromatic + Contrast Color Scheme
Sherin 2012:31
• Colour is in sync with John Smedley’s brand identity and minimalistic look.
• Achromatic Colour Scheme is used wile creating some contrast with the
use of dark blue for accenting
• White, Grey and Blue are cool colors- Calm, Cool and positive(Valdez and
Mehrabian, 1994).
• Cool-colour background makes consumers more pleasant and it is
associated with purchase outcomes,such as higher chance of making
purchases by consumers(Belize,Crowley and Hasty,1983)
• Contrast is used in products and decorative props to clearly create
desired focus.
Background
Colours
Color
Contrast in
Merchandise
Display
Color Pantones
26
Modular Unit: Concrete Board
Wool chords for
decoration
MATERIAL BOARD
Foam Board for typo & printing
Cotton Curtain
• Sustainable Materials- Fibre Glass, metal wire , Wool Chords, Concrete Board,MDF Board.
• Easily available.
• Low cost
• Low maintenance
• Aesthetically Appealing
Still.S (1998)
Concrete texture floor
Wire Chord for installation Fabric for decoration
Stained Fibre Glass
MDF Board Used for False
Ceiling and walls
27
LIGHTING
Zumthor's Bregenz Museum : Patterning
Lighting could affect visual acuity of objects in
display and arousal experienced by shopper
(Areni and Kim 1993);
Soft lighting supports high image(Baker,1992)
Blue store soft lights produces high price fairness
perceptions.Light colour and colour rendering are
decisive in determining the perceived quality of
products and materials.Fabrics with blue and
green hues are best presented in a cool light
colour.
For general lighting LED lights are used because
of several benefits such as:
• Extreme low power consumption
• Extremely long life (50,000 to 100,000 hours)
• Durable and insensitive to vibrations.
• Light weight and compact
• Recyclable
• Easy to remove
• Recyclable
• Environmental friendly
• It can be also used for point of purchase
displays and signage
(Pegler, 2012)
.
Store ceiling:
general LED tubes and
movable focus lights
28
Abstract Mannequin:
The abstract mannequin will be utilised in
the pop up store. The minimalist design of
the mannequin can represent the
minimalist concept of the pop up, and
contemporary look of the abstract
mannequin also corresponds the
contemporary feeling the brand wants
(Spark, 2015).
The abstract mannequin used for the
window display has been covered with
Jacquard prints and styled with John
Smedleys’ accessories
used in
window
display
concept
MANNEQUINS
29
Functional Props:
• Hangers
Decorative Props:
• Frames
• DIY Plants
• information props printed on foam board
• centre prop- metal wire tree
Decorative Prop:
Metal Wire tree used as a
centre art installation to hang
collaborative pieces of John
Smedley and Holly Fulton A/
W 2016 Collection
Functional Props
Decorative
Props
Props
30
Fixtures
modular drawers- hidden stock
Floor Fixture: Modular drawers
used at the back of the display window
to keep stock.
Modular units are flexible props used to
display product which are suitable for
pop-up store due to its mobility and cost
efficiency.
Characteristics of modular units:
•Look like an immobile concrete forms
•Made of cement board and accordion-
like folds
•Geometric podium for product display
•Easy to move
•Low cost
Hooks in the Trial Room
Frame Less
Wall Mirror- Minimalistic look.
31
FITTING ROOM
• Fitting room behind till wall
• sitting stool, mirror and hooks
to hang garment available
• Pictogram used as signage to
depict fitting room.
• Cotton Curtains with luxurious
touch.
32
vinyl pictogram
on acrylic glass
Oasis
Pringle of Scotland
• The cash point will be
compact in size to
provide more space in the
store area.
• Cash desk made of
modular unit with hidden
shelves to store shopping
bag and packaging will
be presented.
• Signage made out of
Acrylic glass will be
attached to the cash desk
with the brand logo and
royal warrant to highlight
on the brand unique
selling point.
CASH POINT
Modular unit
33
Vinyl print on acrylic glass
concrete board
SIGNAGE- MINIMAL & CLEAR
Use of pictogram
and clear fonts for
signage.Pictograms
are signs to
communicate with
customers using
symbol who speak
different language.
(Targeting tourists)
Helvetica typeface to
be used in alignment
with John Smedley’s
logo and present
font
Click &
Collect
Fitting
Room
Audio
Guide PICTOGRAMS
FONTS IN
VINYLE
Metal Letters in silver
Royal Warrant from
Her Majesty The
Queen
34
• Helvetica is favoured typefaces in both
streetwear and high fashion
logos(fontsinuse.com).
• Clean, readable and Versatile.
• Brands using Helvetica typeface: YSL,
CHANEL, COMME des GARCONS
“ If you want your fashion label to have
longevity and versatility, give it some
classic type.” (Andrew, 2014)
TYPE FACE-Helvetica Nude Bold
35
PACKAGING
• Packaging has a key role in
communicating product benefits to the
consumers
• Modern marketing tool
• Can influence product evaluation and
help to create a overall product
perception and promise. create a
sense of class and high-end,mixing
with contemporary feeling.
• Based on the above theory The fashion
gallery exhibition should have special
packaging to increase word of mouth,
marketing the collaboration, brand
recall overtime the customer uses the
bag.
• Solution: Minimal, canvas, cost effective
tote bag
TOTE BAG-PACKAGING
JOHNSMEDLEYxHOLLYFULTON
A/W16Collection36
WINDOW CONCEPTS
• Minimalistic Window Display
• Plants symbolise Derbyshire Flower
and collaboration between John
Smedley and Holly Fulton
• Use of Brocade and Jacquard
fabric to craft leaves
• Knitted cover used in the props
• An art installation telling the story of
the collaboration.
• Creative window Display
• Use of Mannequin to display
collaborative piece
• Tined glassed inspired from stained
glass windows used in churches in
medieval times depicting history -
John Smedley
• MDF frame covered with knitted
fabric- John Smedleys’ material
• Contemporary window display
• painted mannequins are seldom used
by famous brands and retailers such
as Selfridges.
• Creates point of focus through
contrast.
• John Smedleys’ material and Holly
Fulton’s prints have been highlighted.
37
PROPOSED WINDOW CONCEPT
artificial fabric leaves
Knitted pot covers
38
Focus lights from top
STORE LAYOUT
Free flow layout has been
used as it works best for
stores with small area and
provides customer ease to
browse the store where
products are limited (Dunne
and Lusch, 2014).
Focal points have been
circled in red. The focal
points are:
1. Till area
2. Central fixture with
mannequin emphasising
w/w collection
3. Photo booth/ event space/
seating area
Fitting room
Blogger Event
Installation
I-PAD,AUDIODEVISE
Till
Open Back Window Display
Entrance
Mirror
Seating area after the blogger’s launch event
GLASSSLABSFORMERCHANDISEDISPLAY
Modular Hidden Drawers
39
modular drawer to keep stock hidden
PHOTO
WALL
Blogger-
Follower
invitations
for Launch
Event
Tree installation,
Holly Fulton
Collection
suspended.
Store Design
v
Fitting Room
Wall rest
Mirror
v
Concrete
Board
Modular till
unit
Side Wall with John
Smedley’s iconic
piece display
40
STOCK DENSITY HOLLY FULTON STOCK DENSITY PLAN
41
Therefore, all five human senses will be incorporated in the pop-up store
in order to offer maximum experiences to the customers.
Sight:
• Art Installation
• Creative way to product display products and also attracting new
customers into the store.
Scent:
• Fresh floral
• Mimicking natural surrounding of John Smedley’s Derbyshire factory.
Sound:
• Can increase their purchase intentions (Kotler, 1973) and change
consumer's perception about the store (North & Hargreaves, 1998) .
• Good use of sound in the online John Smedley’s “Behind the brand”
Ad Campaign. (factory machines, birds and nature sound incorporate
into music).
• This type of music can be used in store , promoting the brand heritage
and art exhibition atmosphere.
Touch:
• I pad will be available in store,
• Allowing customers to explore full range of products online with touch
screen technology.
Taste:
• Cookies with John Smedley logo
Jacob Ladder:
Derbyshire County
flower
Sensory Experience
42
Audio Guide:
• A recorded spoken commentary to the visitors,
• A handheld device (Bartneck, 2007)
• Including several different languages
• Explaining the history, craftsmanship and
community of the brand and the material, design
and colors of the collections
• Explaining the theme of the pop up, Fashion
Gallery.
Click and Collect:
• Less of stocking space in the pop up store
• With click and collect, the store can arrange their
stockroom based on consumers’ needs.
iPads at Retail (WGSN, 2011):
• Two iPads in store, customers can browse all the
products and choose whatever they want.
Technology
43
To promote a seamless payment in the customer journey, the
following will be adopted in John Smedley pop-up store in
order to free up space and provide customer convenience: 



•Tablet-based mobile point of sales systems:
With the popularity of digital wallet (Mintel, 2016), John
Smedley can also employ contactless mPOS which
consumers can use mobile or contactless card to purchase.



•mPOS comes together with RFID systems:
Include tags embedded to the products to guarantee that the
products are available for customers in the specific location
without any errors (Entrepreneur , 2016). Thus, the systems
will provide a superior supply chain management to the
retailer and offer seamless payment method to the clients. 

PAYMENT SOLUTION
44
• Invited famous bloggers such as 5
inch and up, Style Bubble, Olivija
style etc. to the pop up launch
event in Covent Garden
• Attracted social media attention,
word of mouth , social media
marketing
• Photo wall
John Smedley’s Launching Event
Photo wall
Launch Event
45
SUMMARY
• Translate brand heritage and Luxury DNA in an artistic way
in a fashion gallery
• Showcase collaboration pieces to attract new customers.
• Focus on women’s wear collection targeting young
women.
• Include 5 senses within the store environment to engage
customers.
• Invite famous bloggers for launch event to increase
popularity about the pop up store
• Include technology to facilitate easy shopping.
• Promote event though incorporating special packaging.
46
Pop up Proposal
Thank You!
47
Aquascutum (no date) Aquascutum London. Available at: http://www.aquascutum.com (Accessed: 14 April 2016) 

Areni,C.S. and Kim, D. (1993) ‘The influence of In-store Lighting on consumers’ examination of merchandise in a wine store’,
International journal of research in marketing,11, pp. 117-125.

Baker, J., Levy, M. and Grewal, M. (1992), “An experimental approach to making retail store environmental decisions”, Journal of
Retailing, Vol. 68 No. 4, pp. 445-460. 

Bartneck, C., Masuoka, A., Takahashi, T., and Fukaya, T. (2007) ‘An Electronic Museum Guide in Real Use’, Psychology of
Aesthetics, Creativity, and the Arts, 1(2), pp. 114-120.

Bellizzi, J., Crowley, A. and Hasty, R. (1983), The effects of colour in store design, Journal of Retailing, Vol. 59 No. 1, pp. 21-45.

Entrepreneur (2016) Point of Sale (POS) System, p. https://www.entrepreneur.com/encyclopedia/point-of-sale-pos-system.

Facebook (2016) John Smedley. Available at: https://www.facebook.com/JohnSmedleyKnitwear (Accessed: 4 April 2016)

FAME (2016) John Smedley Limited. Available at: https://fame.bvdinfo.com/version-2016414/Search.QuickSearch.serv?
_CID=1&context=2EX2AMNWV82BNBA (Accessed: 2 May 2016)

Gobé, M. (2001) Emotional Branding: The new paradigm for connecting brands to people. New York: Allworth Press. 

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Hackett (no date) Hackett London. Available at: https://www.hackett.com/gb/ (Accessed: 14 April 2016)

References
Holmgren, A. and Olofsson, S. (2015) "Pop-up Stores: The Attraction of Ephemeral Experiences", p. 82.

Hultén, B., Broweus, N. and Dijk, M. (2009) Sensory marketing. Basingstoke: Palgrave Macmillan.

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2016)

John Smedley (2016) Discover John Smedley. Available at: https://www.johnsmedley.com/discover/ (Accessed: 02 April
2016)

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Page Publishers. 

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Krishna, A. (2010) Sensory marketing- research on the sensuality of products, Routledge: New York 

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Kogan Page. 

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0/42d74d54-26ba-11e4-8df5-00144feabdc0.html#axzz4AifrdIvh (Accessed: 27 May 2016)
Niehm, L., Fiore, A., Jeong, M. and Kim, H. (2006) ‘Pop-up Retail’s Acceptability as an Innovative Business Strategy and Enhancer of the
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Spark, A. (2015) The 18 Styles & Types Of Mannequins For Your Store. Available at: http://mannequinmall.com/blog/the-18-styles-types-of-
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Appendices
Interview Transcript:
Interview with store manager Mirozi Lkdy
Email: mirozilkdy@johnsmedley.com
Q1. How long have you been here and what is your role in the store?
Ans: I have been here for 3 years now and I am the store manager here. I keep a track of sales, educate store assistants about the
brands and products, report daily sales to the head office , attend to clients and help them with any query, provide feed back to the
head office. Also, I will be moving to another store next month which will open in Piccadilly Circus.
Q2. Who are John Smedely’s target customers?
Ans: Our target customers are not specific. customers from all age group buy from us. Many tourist from Asia and Middle East buy
from us.
Q3. At the moment there are not much customers visiting the store so when is the peak season or time when customers visit John
Smedley?
Ans: February generally is a slow sale month as customers have recently spent in Christmas and new years. Also, the holiday
season is over so not much tourist visit in February. But however Saturday and Sundays are the most busiest day for us.
Q4. What is the sale contribution of menswear and women’s wear ?
Answer: 70% Men’s and 30% women’s.
Q5. Which is the highest selling product?
Answer: The highest selling products are our classics. Belvoir, Buttercup, Adrian, ISIS, etc.

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Pop-up Store design

  • 1. JOHN SMEDLEY POP UP STORE CONCEPT CREATIVE EDGE Unit: Creative Retail Spaces Amrit Kaur: Visual Merchandiser Pooja Das: Designer Jiangrui Liu (Sabrina): Research Analyst Tanchapat Benjasiriwan (Tammie): Trend Analyst ZHENGYING Hu (Victoria): Social Media PR 1
  • 2. AGENDA To design a new pop-up retail experience for John Smedley, building on the brand's strength in the premium / affordable luxury sector and effectively deliver the essence of the brand in a temporary store format. BRIEF RECAP • To create a store concept that will excite style conscious shoppers. • Challenge perception of the brand • Consider traditional pop-up store with space upto 20-25 sq meter with small adjacent stock room • Focus on classics and explore the realms of co-creation • Include Omni channel shopping/technology. • Window: deliver key message , be bold and imaginative. • Select appropriate material, figure, props, lighting, signage,etc for store design. • Address stock density and stock replenishment. • Store design and Layout • Payment solution to free up space 2
  • 3. METHODOLOGY PRIMARY SECONDARY • Factory Visit • Non-participant store observation (John Smedley & Competitors) • Store Manager’s Interview • Customer Observation & Interview • Store Atmospheric Observation • Location Observation • Sensory Audit • Company research (John Smedley brand bible, website) • Pop Up Store Research (Niehm et al., 2006; Holmgren and Olofsson, 2015 ) • Trends Analysis (WGSN, Retail design blog, Dezeen, etc.) • Visual Merchandising and Display- (Pegler, 2012) • Store Atmospheric : (Turley & Milliman, 2000) • Sensory Marketing: (Hulten, Broweus, and Van Dijk, 2009) 3
  • 4. John Smedley OverviewJOHN SMEDLEY OVERVIEW 4
  • 5. COMPANY BACKGROUND • John Smedley is a heritage British premium luxury knitwear brand • Royal Warrant from Her Majesty The Queen as ‘Manufacturer of Fine Knitwear’ since January 2013 (John Smedley, 2016). • Family run business • established in 1784 • known for their finest quality garments, iconic pieces and beautifully crafted products with effortless style, unique and contemporary colours and palettes (John Smedley, 2016). • The evolution of the brand has been mapped in the timeline. USP: Royal Warrant and 100% made in Britain Product Portfolio: The product portfolio includes knitted men’s wear and women’s wear which use high quality Merino Wool, Cotton, Cashmere Blends,Cashmere and Silk, Silk Blends, Fine Knit, Medium Knit and Heavy Knit fabrics (John Smedley, 2016). (Source: John Smedley, 2016) 5
  • 6. CORE VALUES Heritage Quality Craftsmanship Community Colour Core Values John Smedley’s Core values are based on 5 pillars (John Smedley, 2016): 1. British heritage: Rich 230 years of heritage 2. Quality: In house fibre processing. 3. Craftsmanship: Cutting edge Japanese technology and hand finished garments. 4. Colour: Wide range of colour pallet 5. Community: trusted worldwide partners and loyal customers. 6
  • 7. Brand position: Premium brand, affordable luxury Target customers: Age 30-65 Competitors: Lifestyle brands with knitwear lines: Polo Ralph Lauren, Paul Smith, Aquascutum, Z Zegna, Pringle of Scotland, Hackett (based on store observation of Selfridges, John Lewis, Harrods and Harvey Nichols) BRAND POSITIONING 7
  • 8. JS CUSTOMER PROFILE • Age : 40 • Job: High Profile Jobs • Car: Ford • Magazine: Business, Fashion, Sports, Health. • Music: Blues, good old rock and roll, Classic • Cuisine: French, Italian, Japanese, Chinese. • Night Life: Bar, musical, social events. • Hobbies: Reading, Travelling, Gym Current Customer • Name Lucy • Age 28 • Status In relationship • Location UK, London • Job Sales Negotiator • Car Nissan Note • Magazine Vogue, Elle, Bazaar, The lady • Music Pop music, Jazz, Classical music • Restaurant French, Japanese, Italian, Chinese restaurant • Cafe Costa, Nero, Starbucks • Nightlife Social event, bar, club • Hobbies Reading, yoga, swimming, shopping, going out with friends Female Younger Customers(brand would like to attract) 8
  • 10. Interview with store manager: Mirozi Lkdy Target Customers: -All age groups -Tourists from Middle East and Asia Highest selling products: - Classics - Belvoir, Buttercup, Adrian, ISIS Sale Contribution - 70% Men - 30% Women Peak Sales: - Post Christmas Slow sale (February) Busiest days: Saturday and Sunday 10
  • 11. Human Variables Employee Characteristics: very friendly and helpful. Greeted with smile and thanked before leaving the store. Uniform: Semi Formal and smart dressing in dark blue colour. Crowding & Privacy: Not crowded only 3-4 employees present. 1 manager, 1 Sales executive and 1 person at till External Cues Architecture: Fusion of medieval and Contemporary architecture. Surrounding Stores: Luxury brand Flagship stores in Brook Street (Joseph, Issey Miyake, French Sole, etc. )and Custom made high end boutiques in Jermyn Street( Hilditch & Key, Tailor of Old bond street, Longmire, etc.) Point of purchase & decoration displays Signs: No signs Cards: Old Christmas gift cards Wall Decorations: none, glass wall Price Displays: yes, digital price display machine at tills Store Atmospheric Analysis John Smedley Turley & Milliman (2000) Interior Cues Flooring: Wood, Leather, Carpet Lighting: calm yellow light, focus lights on wall with photo frames. Back light graphic wall in front of entrance. Colour: neutral colors such as grey, white, brown and blue. Sound: Classical British music in the Layout & Design Cues Space: Jermyn St. store is spacious and tidy whereas Brook St store is cluttered and not kept properly. Layout: Jermyn St. store has a free flow layout whereas Brook St. Store has a Boutique Layout ( Bailey & Baker, 2014). Product Display: Mix of Vertical and Horizontal merchandising. Products displayed in Brook Street is very shabby, open stock room, visible carton. Traffic Flow: Low,5 step count in 10 mins. racks & Cases: Mid floor fixtures and hanger racks for display. Current Store Analysis 11
  • 12. In order to perform sensory audit, five human senses , namely, sight, sound, scent, taste and touch that provide the multi-sensory brand experience are observed from John Smedley and its competitors’ store (Hultén, Broweus, and Van Dijk, 2009). SENSORY AUDIT 12
  • 13. From sensory audit comparison matrix, John Smedley should improve and implement the following in the pop-up store in order to increase customer equity: • Improve store design to increase women sale contribution (highlight on women and new collection) • Being more organised: stocks must not be visible for the customers. • Play energetic or alternative music to attract young consumers • Window display must be eye-catching • Product display in creative way • Incorporate scent/ taste into the store Sensors Atmospheric Observation Sensory Observation Sight • contemporary store design • material used wood, leather, wool, marble table tops, stone finish fittings. • neutral colors such as grey, white, brown and blue. • calm yellow light, focus lights on wall with photo frames. Back light graphic wall in front of entrance. • Made in Britain, simple and elegant. • graphical representation of store plan of JS factory on the wall opposite to the entrance. • Contemporary and shuttle look. • Eye catchy graphic walls and photo frames. • A sense of British Culture. • Contrast colors and brightly light up store gave a feel good factor. Sound • Classical music in the background, not energetic. • Campaign: Sound of factory and nature. • Soothing but dull, not in sink with store design • nostalgic feeling. Smell • No scent used. • unpleasant smell of paint. • very strong smell Taste • No taste • No taste Touch • Smooth wooden floor, cubical forms in slate look, wooden mannequins, marble finish table surface, vertically textured slate walls. • Very soft and high quality products • furnitures do not look steady as the legs are pointed and the table top has the look of heavy marble slab. Balance is not maintained. • Fixed i-pad to explore the whole range. • variety of textures, materials, forms and shapes made us want to touch the objects. (eg: leather hangers, slate finished props, wooden mannequins, high quality merchandise on display.) • A warm, cozy and comfortable sensation. • wanted to touch the products • Touch technology in form of i-pads . JOHN SMEDLEY SENSORY AUDIT 13
  • 14. COMPETITOR SENSORY AUDIT • Modern and minimalistic interior • Calm music, ad- campaign used sound of nature • use of natural light in store. • open window display • use of diamond pattern inspired from Scotland. • Dark, classic interior • mixed material used in different sections of the store. • spotlights to highlight products. • youthful energetic environment. • Alternative, Indie-rock music attracts younger customer. • tropical plant for display • marble floor- cool feel • Classic theme • 60’s-70’s Rock • happy, relaxed • cozy atmosphere • Mixed Rich Material • Vintage, Classic theme • Rich Atmosphere • Classic instrumental ad campaign. • fresh floral jasmine like smell. • Vintage, Old looking props like grand fathers watch and wooden walls. • Music: Classic Rock - Energetic, Nostalgic. • Artistic theme • Upbeat music, funky, Classic oldies • Fun, happy and energetic mood • abstract props such as crumpled metal vase. • modern, classic and casual theme. • use of fabric - tweed pattern for capet. • Electronic, house and Alternative music. • Young and energetic. Pringle ZZegna Ralph Lauren 14
  • 16. • Niehm et al. (2006) applied Fishbein and Ajzen’s (1975) Theory of Reasoned Action (TRA) (Figure 1) to study the behavioral intentions towards pop-up store. • The results showed that product uniqueness of pop-up retail have positive affect toward the engagement in the pop-up experience. • Therefore, rather than focusing on a commercial aspect of pop-up store, John Smedley should focus on providing exclusive and unique shopping experience in order to create long-term brand loyalty among the customers. POP UP STORE FRAME-WORK 16
  • 17. POP UP STORE AUDIT • Garments hang from a handmade oak structure. • Inspired by the works of American artist Oscar Tuazon • Open-plan gallery-like interior. • Artist Collaboration: Artworks by American artists Graham Collins and Lucien Smith • Store features a bespoke sound installation with daily playlists. • Interior uses using industrial materials and textured surfaces. Hostem east London pop up store interior, February 2016 COS pop-up shop in LA, November 2015 • Concept based on Autumn Winter collection. • Used the pink and red tones from the fashion collection to inform their colour palette. • Mirrored wall divides the room and creates the illusion of infinite space. • COS regularly collaborates with architects and designers to create presentation spaces • Example: Japanese studio Nendo, which created an installation based on the brand's signature white shirt in Milan last year. • Temporary walls were installed. • Cut out shapes from walls and made plinths reflecting collection's design. • Fluorescent lighting • Enhanced customer experience: gym space for selected visitors to work out while trying the merchandise. • Nike running shoes were suspended in the window Nike pop-up New York, August 2014 17
  • 18. • Collaboration with the international hotel company, Ace Hotel • Inspired from London tube map and tracks. • London designers and fashion bloggers were invited for opening. Opening Ceremony Pop up at Shorditch • Lauren famous UK based blogger in Estee Lauder Pop up launch event in Box Park, Shorditch • Attracted social media attention, word of mouth , social media marketing • Playlist curated by Zara Martin • Photo wall Estee Lauder Pop up , Box park Shorditch, September 2015 18
  • 19. MINIMALISM M-POS TECHNOLOGY BLOGGING TREND Technology in 2016 (WGSN, 2016): • MPOS: Consumers’ trend toward contactless and mobile payment . • Rise of Click & Collect Blogging Trend (Mintel, 2016): ● Partner with popular bloggers/ vloggers as they are influential to younger consumers ● Increase brand followers ● Guerrilla Marketing: low-cost untraditional marketing strategy which gives high benefit. ● Launch event Business of Fashion, 2016 NIKE X Abe’s Sacai Designer, Karen Walker Says Collaboration is the Key to Growth (Business of Fashion, 2012) DESIGNER COLLABORATION TRENDS RETAIL TRENDS 19
  • 20. JOHN SMEDLEY X HOLLY FULTON COLLABORATION ● Promote new collaboration of Holly Fulton X John Smedley AW 16 with will be included in the product offering. Note: Holly Fulton only sell via e-commerce platforms in the UK; therefore, Jonh Smedley can be the first to launch the collection offline in the UK 20
  • 21. Covent Garden is a high tourist density area which receives more than 44 million visitors per year (Londontopia, 2013). The area also has convenient access to tube station with less than 3 minutes walk. Next to Covent Garden Piazza, King street presents a possible location for the pop-up store with stores such as Jo Maloane, Sandro and Hackett, John Smedley’s competitor. Covent Garden Piazza LOCATION 21
  • 22. RESEARCH FINDINGS From background research, store environment analysis and trend analysis, John Smedley should include the following in the new pop-up store concept: • Translation of Core Values in store and window design • Contemporary store atmospherics to attract young customers. • Unique and creative design of pop up space to challenge John Medley’s brand image • Translation of made in Britain story - Brand awareness among tourists. • Focus on showcasing new collection(Collaboration pieces)- Classics are already selling well. • Store design to be minimalistic and well organised. • A scent of fresh floral smell could be considered to enhance the senses . • Technology and Signage to be kept in mind at Point of sale. • Attracting The Right Consumers to the Store • Find high density tourist Location- Covent Garden • Marketing through Social Media - Invite influential bloggers to host the pop-up store launch event where they can invite their followers for free. • Engage in guerilla marketing • Focus on offering exclusive and unique shopping experience to the customers rather than financial benefits. 22
  • 23. Pop up ProposalPOP UP PROPOSAL 23
  • 24. • Translating brand essence in unique and creative way • The fashion gallery reflects minimalism element • Feels like an art gallery/exhibition • depicts John Smedley’s history • Creates customer experience- wow factor • Attracts customers sight though point of focus: Inspiring art installation • Holly Fulton x John Smedley Collection pieces displayed as art pieces. THEME: The Fashion Gallery Fashion Exhibitions Elevated Minimalism Retail Design Trend (WGSN, 2015) John Smedley’s History and Heritage Louis Vuitton, London Pop-up store concept is stemmed from three main inspirations which are • John Smedley's brand history • elevated minimalism retail design trend • fashion exhibitions. 24
  • 25. MOOD BOARD Translating 200 years of Heritage into contemporary fashion gallery 25
  • 26. PANTO NE7547 PANTO NE 7530 PANTONE183 PANTONE 7527 PANTO NE7418 COLOUR: Achromatic + Contrast Dominant Subordinate Accent Achromatic + Contrast Color Scheme Sherin 2012:31 • Colour is in sync with John Smedley’s brand identity and minimalistic look. • Achromatic Colour Scheme is used wile creating some contrast with the use of dark blue for accenting • White, Grey and Blue are cool colors- Calm, Cool and positive(Valdez and Mehrabian, 1994). • Cool-colour background makes consumers more pleasant and it is associated with purchase outcomes,such as higher chance of making purchases by consumers(Belize,Crowley and Hasty,1983) • Contrast is used in products and decorative props to clearly create desired focus. Background Colours Color Contrast in Merchandise Display Color Pantones 26
  • 27. Modular Unit: Concrete Board Wool chords for decoration MATERIAL BOARD Foam Board for typo & printing Cotton Curtain • Sustainable Materials- Fibre Glass, metal wire , Wool Chords, Concrete Board,MDF Board. • Easily available. • Low cost • Low maintenance • Aesthetically Appealing Still.S (1998) Concrete texture floor Wire Chord for installation Fabric for decoration Stained Fibre Glass MDF Board Used for False Ceiling and walls 27
  • 28. LIGHTING Zumthor's Bregenz Museum : Patterning Lighting could affect visual acuity of objects in display and arousal experienced by shopper (Areni and Kim 1993); Soft lighting supports high image(Baker,1992) Blue store soft lights produces high price fairness perceptions.Light colour and colour rendering are decisive in determining the perceived quality of products and materials.Fabrics with blue and green hues are best presented in a cool light colour. For general lighting LED lights are used because of several benefits such as: • Extreme low power consumption • Extremely long life (50,000 to 100,000 hours) • Durable and insensitive to vibrations. • Light weight and compact • Recyclable • Easy to remove • Recyclable • Environmental friendly • It can be also used for point of purchase displays and signage (Pegler, 2012) . Store ceiling: general LED tubes and movable focus lights 28
  • 29. Abstract Mannequin: The abstract mannequin will be utilised in the pop up store. The minimalist design of the mannequin can represent the minimalist concept of the pop up, and contemporary look of the abstract mannequin also corresponds the contemporary feeling the brand wants (Spark, 2015). The abstract mannequin used for the window display has been covered with Jacquard prints and styled with John Smedleys’ accessories used in window display concept MANNEQUINS 29
  • 30. Functional Props: • Hangers Decorative Props: • Frames • DIY Plants • information props printed on foam board • centre prop- metal wire tree Decorative Prop: Metal Wire tree used as a centre art installation to hang collaborative pieces of John Smedley and Holly Fulton A/ W 2016 Collection Functional Props Decorative Props Props 30
  • 31. Fixtures modular drawers- hidden stock Floor Fixture: Modular drawers used at the back of the display window to keep stock. Modular units are flexible props used to display product which are suitable for pop-up store due to its mobility and cost efficiency. Characteristics of modular units: •Look like an immobile concrete forms •Made of cement board and accordion- like folds •Geometric podium for product display •Easy to move •Low cost Hooks in the Trial Room Frame Less Wall Mirror- Minimalistic look. 31
  • 32. FITTING ROOM • Fitting room behind till wall • sitting stool, mirror and hooks to hang garment available • Pictogram used as signage to depict fitting room. • Cotton Curtains with luxurious touch. 32 vinyl pictogram on acrylic glass Oasis Pringle of Scotland
  • 33. • The cash point will be compact in size to provide more space in the store area. • Cash desk made of modular unit with hidden shelves to store shopping bag and packaging will be presented. • Signage made out of Acrylic glass will be attached to the cash desk with the brand logo and royal warrant to highlight on the brand unique selling point. CASH POINT Modular unit 33 Vinyl print on acrylic glass concrete board
  • 34. SIGNAGE- MINIMAL & CLEAR Use of pictogram and clear fonts for signage.Pictograms are signs to communicate with customers using symbol who speak different language. (Targeting tourists) Helvetica typeface to be used in alignment with John Smedley’s logo and present font Click & Collect Fitting Room Audio Guide PICTOGRAMS FONTS IN VINYLE Metal Letters in silver Royal Warrant from Her Majesty The Queen 34
  • 35. • Helvetica is favoured typefaces in both streetwear and high fashion logos(fontsinuse.com). • Clean, readable and Versatile. • Brands using Helvetica typeface: YSL, CHANEL, COMME des GARCONS “ If you want your fashion label to have longevity and versatility, give it some classic type.” (Andrew, 2014) TYPE FACE-Helvetica Nude Bold 35
  • 36. PACKAGING • Packaging has a key role in communicating product benefits to the consumers • Modern marketing tool • Can influence product evaluation and help to create a overall product perception and promise. create a sense of class and high-end,mixing with contemporary feeling. • Based on the above theory The fashion gallery exhibition should have special packaging to increase word of mouth, marketing the collaboration, brand recall overtime the customer uses the bag. • Solution: Minimal, canvas, cost effective tote bag TOTE BAG-PACKAGING JOHNSMEDLEYxHOLLYFULTON A/W16Collection36
  • 37. WINDOW CONCEPTS • Minimalistic Window Display • Plants symbolise Derbyshire Flower and collaboration between John Smedley and Holly Fulton • Use of Brocade and Jacquard fabric to craft leaves • Knitted cover used in the props • An art installation telling the story of the collaboration. • Creative window Display • Use of Mannequin to display collaborative piece • Tined glassed inspired from stained glass windows used in churches in medieval times depicting history - John Smedley • MDF frame covered with knitted fabric- John Smedleys’ material • Contemporary window display • painted mannequins are seldom used by famous brands and retailers such as Selfridges. • Creates point of focus through contrast. • John Smedleys’ material and Holly Fulton’s prints have been highlighted. 37
  • 38. PROPOSED WINDOW CONCEPT artificial fabric leaves Knitted pot covers 38 Focus lights from top
  • 39. STORE LAYOUT Free flow layout has been used as it works best for stores with small area and provides customer ease to browse the store where products are limited (Dunne and Lusch, 2014). Focal points have been circled in red. The focal points are: 1. Till area 2. Central fixture with mannequin emphasising w/w collection 3. Photo booth/ event space/ seating area Fitting room Blogger Event Installation I-PAD,AUDIODEVISE Till Open Back Window Display Entrance Mirror Seating area after the blogger’s launch event GLASSSLABSFORMERCHANDISEDISPLAY Modular Hidden Drawers 39
  • 40. modular drawer to keep stock hidden PHOTO WALL Blogger- Follower invitations for Launch Event Tree installation, Holly Fulton Collection suspended. Store Design v Fitting Room Wall rest Mirror v Concrete Board Modular till unit Side Wall with John Smedley’s iconic piece display 40
  • 41. STOCK DENSITY HOLLY FULTON STOCK DENSITY PLAN 41
  • 42. Therefore, all five human senses will be incorporated in the pop-up store in order to offer maximum experiences to the customers. Sight: • Art Installation • Creative way to product display products and also attracting new customers into the store. Scent: • Fresh floral • Mimicking natural surrounding of John Smedley’s Derbyshire factory. Sound: • Can increase their purchase intentions (Kotler, 1973) and change consumer's perception about the store (North & Hargreaves, 1998) . • Good use of sound in the online John Smedley’s “Behind the brand” Ad Campaign. (factory machines, birds and nature sound incorporate into music). • This type of music can be used in store , promoting the brand heritage and art exhibition atmosphere. Touch: • I pad will be available in store, • Allowing customers to explore full range of products online with touch screen technology. Taste: • Cookies with John Smedley logo Jacob Ladder: Derbyshire County flower Sensory Experience 42
  • 43. Audio Guide: • A recorded spoken commentary to the visitors, • A handheld device (Bartneck, 2007) • Including several different languages • Explaining the history, craftsmanship and community of the brand and the material, design and colors of the collections • Explaining the theme of the pop up, Fashion Gallery. Click and Collect: • Less of stocking space in the pop up store • With click and collect, the store can arrange their stockroom based on consumers’ needs. iPads at Retail (WGSN, 2011): • Two iPads in store, customers can browse all the products and choose whatever they want. Technology 43
  • 44. To promote a seamless payment in the customer journey, the following will be adopted in John Smedley pop-up store in order to free up space and provide customer convenience: 
 
 •Tablet-based mobile point of sales systems: With the popularity of digital wallet (Mintel, 2016), John Smedley can also employ contactless mPOS which consumers can use mobile or contactless card to purchase.
 
 •mPOS comes together with RFID systems: Include tags embedded to the products to guarantee that the products are available for customers in the specific location without any errors (Entrepreneur , 2016). Thus, the systems will provide a superior supply chain management to the retailer and offer seamless payment method to the clients. 
 PAYMENT SOLUTION 44
  • 45. • Invited famous bloggers such as 5 inch and up, Style Bubble, Olivija style etc. to the pop up launch event in Covent Garden • Attracted social media attention, word of mouth , social media marketing • Photo wall John Smedley’s Launching Event Photo wall Launch Event 45
  • 46. SUMMARY • Translate brand heritage and Luxury DNA in an artistic way in a fashion gallery • Showcase collaboration pieces to attract new customers. • Focus on women’s wear collection targeting young women. • Include 5 senses within the store environment to engage customers. • Invite famous bloggers for launch event to increase popularity about the pop up store • Include technology to facilitate easy shopping. • Promote event though incorporating special packaging. 46
  • 48. Aquascutum (no date) Aquascutum London. Available at: http://www.aquascutum.com (Accessed: 14 April 2016) Areni,C.S. and Kim, D. (1993) ‘The influence of In-store Lighting on consumers’ examination of merchandise in a wine store’, International journal of research in marketing,11, pp. 117-125. Baker, J., Levy, M. and Grewal, M. (1992), “An experimental approach to making retail store environmental decisions”, Journal of Retailing, Vol. 68 No. 4, pp. 445-460. Bartneck, C., Masuoka, A., Takahashi, T., and Fukaya, T. (2007) ‘An Electronic Museum Guide in Real Use’, Psychology of Aesthetics, Creativity, and the Arts, 1(2), pp. 114-120. Bellizzi, J., Crowley, A. and Hasty, R. (1983), The effects of colour in store design, Journal of Retailing, Vol. 59 No. 1, pp. 21-45. Entrepreneur (2016) Point of Sale (POS) System, p. https://www.entrepreneur.com/encyclopedia/point-of-sale-pos-system. Facebook (2016) John Smedley. Available at: https://www.facebook.com/JohnSmedleyKnitwear (Accessed: 4 April 2016) FAME (2016) John Smedley Limited. Available at: https://fame.bvdinfo.com/version-2016414/Search.QuickSearch.serv? _CID=1&context=2EX2AMNWV82BNBA (Accessed: 2 May 2016) Gobé, M. (2001) Emotional Branding: The new paradigm for connecting brands to people. New York: Allworth Press. Google+ (2016) John Smedley. Available at: https://plus.google.com/104728211482324707584/posts (Accessed: 4 April 2016) Hackett (no date) Hackett London. Available at: https://www.hackett.com/gb/ (Accessed: 14 April 2016) References
  • 49. Holmgren, A. and Olofsson, S. (2015) "Pop-up Stores: The Attraction of Ephemeral Experiences", p. 82. Hultén, B., Broweus, N. and Dijk, M. (2009) Sensory marketing. Basingstoke: Palgrave Macmillan. Instagram (2016) John Smedley Knitwear. Available at: https://www.instagram.com/johnsmedleyknitwear/ (Accessed: 4 April 2016) John Smedley (2016) Discover John Smedley. Available at: https://www.johnsmedley.com/discover/ (Accessed: 02 April 2016) John Smedley (2016) John Smedley Official Store. Available at: https://www.johnsmedley.com (Accessed: 14 April 2016) Kapferer, J. (2008) The new strategic brand management: creating and sustaining brand equity long term, London: Kogan Page Publishers. Kotler, P. (1973) "Atmospherics as a marketing tool", Journal of Retailing, 49(4), p. 17. Krishna, A. (2010) Sensory marketing- research on the sensuality of products, Routledge: New York Lindstrom, M. (2005) Brand Senses: How to build powerful brands through touch, taste, smell, sight & sound. London: Kogan Page. Londontopia (2013) Exploring London: 10 Random Facts and Figures about Covent Garden Piazza and Market. Available at: http://londontopia.net/site-news/featured/exploring-london-10-random-facts-and-figures-about-covent-garden-piazza-and- market/ (Accessed: 4 June 2016). Mintel (2016) DIgital Trends Spring. Available at: http://academic.mintel.com.arts.idm.oclc.org/display/766490/? highlight#hit1 (Accessed: 1 June 2016). Mintel (2016) The Key To Surprise. Available at: http://academic.mintel.com.arts.idm.oclc.org/trends/#/observation/769976? highlight (Accessed: 1 June 2016).
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  • 52. Appendices Interview Transcript: Interview with store manager Mirozi Lkdy Email: mirozilkdy@johnsmedley.com Q1. How long have you been here and what is your role in the store? Ans: I have been here for 3 years now and I am the store manager here. I keep a track of sales, educate store assistants about the brands and products, report daily sales to the head office , attend to clients and help them with any query, provide feed back to the head office. Also, I will be moving to another store next month which will open in Piccadilly Circus. Q2. Who are John Smedely’s target customers? Ans: Our target customers are not specific. customers from all age group buy from us. Many tourist from Asia and Middle East buy from us. Q3. At the moment there are not much customers visiting the store so when is the peak season or time when customers visit John Smedley? Ans: February generally is a slow sale month as customers have recently spent in Christmas and new years. Also, the holiday season is over so not much tourist visit in February. But however Saturday and Sundays are the most busiest day for us. Q4. What is the sale contribution of menswear and women’s wear ? Answer: 70% Men’s and 30% women’s. Q5. Which is the highest selling product? Answer: The highest selling products are our classics. Belvoir, Buttercup, Adrian, ISIS, etc.