From the beginning of the writing process to submitting and publishing your dissertation or thesis, we will walk you through a useful workflow for addressing copyright and other legal considerations.
4. Using other
people’s content?
Ho attraversato tutta la
città.
Poi ho salita un'erta,
popolosa in principio, in là
deserta,
chiusa da un muricciolo:
I traversed the whole city.
Then climbed a hill
crowded at first, in the
end deserted,
closed off by a little wall:
Trieste, Umberto Saba, 1910 Trieste, trans. A.S. Kline, 2012
10. …for limited
periods of time
Varies, but at least author’s life + 70 years
Within “protected” period,
author’s permission needed to
reproduce, display, perform, etc.
15. Fair Use
17 U.S.C. § 107
The fair use of a copyrighted work…
for purposes such as criticism,
comment, news reporting,
teaching…, scholarship, or research,
is not an infringement of copyright.
16. Statutory Exemption: Fair Use
1. Purpose & character of use
(commercial purposes less likely fair than
nonprofit educational; whether use is
“transformative” often dominates)
2. Nature of copyrighted work
(more likely fair if you’re using factual/
scholarly work)
3. Amount and substantiality
(size & importance of portion used in
relation to whole)
4. Effect on potential market
(less likely fair if use is substitute for
purchasing—or licensing—original)By Rachael G. Samberg
17. Is use fair?
▪ All four factors
▪ No bright line rule
▪ No 10% rule
▪ Always fair to link to lawful
21. 1: Do you need
permission?
Has a license
already been
granted?
Is the work in the
public domain?
Would publishing the
content be fair use? If yes
to any, go to Step 3.
22. Applying Step 1
2011 Don Quixote translation
By Miguel de Cervantes Saavedra (Author), Tom Lathrop (Translator), Penguin Classics
23. Applying Step 1
By Tvanbr (Own work) [Public domain], via Wikimedia Commons
https://commons.wikimedia.org/wiki/File%3AAnatomy_Heart_Latin_Tiesworks.jpg
Heme Molecule
24. Applying Step 1:
Dig into Purpose
Analysis of artists’
self-marketing
Compiling works by
photographer
George Georgiou, http://www.georgegeorgiou.net/projects.php
25. Address Layers
of Copyright
Van Gogh, Irises, 1889. Getty Museum
Stile Arte, 2011.
http://www.stilearte.it/dipingere-come-
van-gogh-tanti-tutorial/
26. Observation
You have a right to make fair uses.
Asserting the right involves
judgment and some risk analysis.
28. • Archives might have info
• Could also try searching registrations
Finding Rights Holders
29. • Took awhile to
determine supposed
author, but incorrect
• Tried other suggested
author, no response
Bill Clinton Inauguration, published in S.F. Sentinel
30. Robert Rauschenberg, “Bed”
Image file MOMA
“The image may be displayed in eBook format
for a period of up to ten years only. All images
used online must be displayed at a maximum
resolution of 72 dpi. All future editions, reprints,
translations, or formats (including electronic
media) must be negotiated separately.”
31. Observation
If you’re concerned your use exceeds fair use,
but are unable to locate rightsholder,
or the scope of your usage request is denied:
Exercise judgment and
undertake risk analysis.
39. Should you
register your
copyright?
Do you want to & can
you license the use of
your work?
4: How do you want
to share?
Do you want to
embargo your
dissertation?
40. If they liked it
then they
should have
put registration
on it?
• Copyright attaches upon
work being fixed
• Registration not required
• But it has advantages:
Statutory Damages
42. Encourage scholarship,
innovation, criticism, etc.?
Preclude reuse beyond
fair uses?
TLG® materials are copyrighted and are
not in the public domain. You may browse
and search the TLG Canon and textual
corpus and online LSJ on this site but you
may not download them.
http://www.tlg.uci.edu/copyright/index.php
Do you want others to use your work?
44. You have the right to make fair uses.
Relying on it involves
making judgments.
Terms of use restrictions (or contracts)
can affect uses
that otherwise would be fair.
45. Use Case #1
▪ Analyzing slides shot in Egypt between 1969 and 1980.
▪ Purchased at U.S. garage sale, photographer unknown.
▪ Donated to archives, which is your source for images.
How would you proceed?
46. Use Case #2
▪ You find an architectural society has a 35mm slide
collection of a former architect at work.
▪ They did not receive copyright in gift transfer.
▪ Both the photographer and the subject of the photos
(the architect) have since passed away.
How would you proceed?
47. Use Case #3
▪ You plan to give nationwide lectures at conferences using
the slides from Use Case #2
▪ Reached out to estate of photographer, but no response.
▪ The conferences charge an admission fee.
Can you use images in way that is fair if charging admission?
48. Use Case #4
▪ British Museum digitized image should
be in public domain, but website terms
apply CC-BY-NC-SA license.
▪ Can you use this in a book you’re
publishing from your dissertation?
CC-BY-NC-SA 4.0 British Museum. Print by Farrell, circa 1897-1922.